Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (2025)

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Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (1)DRUMLUMMON

THE ONLINE JOURNAL OF MONTANA ARTS 8L CULTURE

HELENA, MONTAN[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (2)[...]ation that seeks to foster a deeper understanding
of the rich culture(s) of Montana and the broader
American West. Drumlummon[...]organization.

The editors welcome the submission of proposals
for essays and reviews on cultural prod[...]to DV Content is free to users. Any reproduction of
original content from Drumlummon View: must a) se[...]and b) acknowledge Drumlummon View: as

the site of original publication.

Cover Image: Pairic[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (3)DRUMLUMMON

THE ONLINE JOURNAL OF MONTANA ARTS & CULTURE

Editorrianbief[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (4)[...]rd installment: “Cabin O’Wildwinds: The Story
of An Adventure in “Homesteading,” by Ada
Melvil[...]ESSAYS I 51

Education 151

“‘The People’ of Montana: In Exegesis of Indian
Education for All,” by Nicholas CP

Vroo[...]evisionism, and
Post—Revisionism in the Fiction of the American
West,” by Karen Fisher I60[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (5)[...]ican memoir by
Gilles Stockton 309

“Long Lines of Dancing Letters: The Japanese Drawings
of Patricia Forsberg,” by Rick Newby 314.

REVIEWS[...]offman 34.8

Poemx Arron [be Big Sky/4n Antbology of Montana Poem,
edited by Lowell Jaeger, rev[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (6)[...]From the Editor

Welcome to the fourth issue of Drumlummon
Viewx, the online journal of Montana arts and culture.
For those of you who have followed DV from our
beginnings in 2[...]had originally
envisioned publishing three issues of DV per year, but
it’s become clear that one and[...]. We take some solace in the fact that
each issue of DV is truly substantial, essentially the
equivalent of a large book. And we are grateful for the
patience and kindness of our supporters, readers, and
contributors.

Speaking of books, Drumlummon Institute has

launched its boo[...](2007) and Notex for aNovel: 777e Seleeted
Poemr of Frieda Fligelman (2008).These two books, in
turn,[...]LUMMON MONTANA LITERARY
MASTERS SERIES. A reissue of Thomas Savage’s first
novel, 777e Pan, with an[...]y historian Kim Allen Scott. A first
publication of Grace Stone Coates’ second novel, Clear
Title,[...]so in the works.

Finally, we have begun a series of offprints from
Drumlummon V iewx, featuring essays and portfolios
of particular interest. The first is Patty Dean’s[...]s for the Montana Club. The
second is a portfolio of Patricia Forsberg’s marvelous
Japanese drawings[...]w.blurb.com/bookstore/
detail/313138.To order any of Drumlummon’s books and
offprints, go to http://[...]intshtml.

***

Like its predecessors, this issue of Drumlummon
Viewx ranges over a multiplicity of terrains. We
have expanded our offerings of original works, with
substantial selections of fiction and poetry, together
with a movin[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (7)[...]n the shrinking role for the
handflnd full range of our senses—in the making of
art today and a portfolio of Richard Buswell’s singular
photographs, with an essay by Julian Cox, curator of
photography at the High Museum, Atlanta. We also
feature a film and essay celebrating the art and life of
the late, great Montana sculptor, Rudy Autio (192[...]section,
we feature the abovementioned portfolio of Patricia
Forsberg’s Japanese drawings, together[...]onomist Giles Stockton.

We continue our coverage of science and health
issues with an excerpt from a[...]Nicholas Vrooman acknowledges the

importance of the Indian Education for Al, initiative,
and we continue our serialization ofof
post—revisionist western fiction (like Karen Fisher’s

A Sudden Country) to the development of western
literature by such figures as playwright[...]iewr—the last twelve months have seen downloads
of more than 30,000 files from the Drumlummon site.[...]ill focus on the built environment and landscapes of
Butte and Anaconda, Montana (in conjunction with
the June national meeting in Butte of the Vernacular
Architecture Forum); this i[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (8)[...]mlummon Viewr, we remain grateful to
three groups of generous folks, those who support our
efforts fi[...]and would not, exist.

To see a complete listing of our financial sup—
porters, visit the Drumlumm[...]r utmost gratitude:
first, our hardworking Board of Directors, Jeff Wil—
liams, Matt Pavelich, Niki[...]d Rennan Rieke;
second, the knowledgeable members of our Board of
Advisors (on the DI home page, click on Drumlum-
mon Board of Advisors); and third, Drumlummon
Viewr’ contributing editors, who come up with many of
our story ideas and indeed contribute their own w[...]ou will find their names in this
issue’s Table of Contents and their biographies in our
contributor[...], Montana
Preservation Alliance; the entire staff of the Montana
Historical Society Research Center; Liz Gans and
Marcia Eidel, Holter Museum of Art; Barbara Koostra
and Manuela Well—Off—Man, Montana Museum of
Art and Culture; Debbie Miller, Minnesota Histori—
cal Society; Julian Cox, High Museum ofof Wyatt
Design, Drumlummon Viewr’Art Direc[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (9)DRUMLUMMON VIEWS—FALL 2008 1 1

from In the Scatter of the Moonlight, a novel
in progress
Scott G. Hibbard

Army of Utah, Camp Scott, Utah Territory,
November 27, 18[...]and have lost one hundred and thirty-
four. Most of the loss has occurred much this
side of South Pass, in comparatively moderate
weather. It has been of starvation. Ihe earth
has a no more lifeless, tre[...]ns scarcely a wolf to glut itself
on the hundreds of dead and frozen animals
which for thirty miles ne[...]ark, perhaps beyond example in history, the
steps of an advancing army with the horrors

of a disastrous retreat.

ipbilip St. George Cooke,[...]legs to lessen its weight. His musket

lay on top of the glistening meat.

“Do you see that soldier[...]’s edge. Carl Heinrich had been
detailed as one of the hunters charged with providing
fresh meat to lessen the number of oxen the army
would butcher.

“Hey, soldier!”[...]r in the cottonwoods, as if defining a
migration of mice. “You can stop right here, footman!
Put yo[...]assed by.

“We’ll spare you the embarrassment of makin’ the
Colonel eat deer meat!” Mos[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (10)[...]rmy over there,” Nathan Slater
said. “Not one of these cobbled together outfits that
can’t keep[...]ragoons herding in half—day shifts. In the wane of
day herders hazed the animals back to the[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (11)[...]here to the Lieutenant’s tent. Look at the size of him.
That’s why he’s packin’ meat like a mule, instead of a
mule packin’ him.”

“He was assigned to t[...]e was real proud she could read. Read

them words ofof
it.”

Moses looked at Nathan. His voice came ba[...]if the panhandle heated in his
hand.

“Got out of the army after chasin’ Apaches. Had a
little mo[...]rses whinnied in the cottonwoods.

“Took to one of the elders.Thought him the Lord
his—self, all t[...]she went, straight
off to paradise in their land of

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (12)of Utah, and here I am.”

Troopers walked paths through camp with
armloads of twigs and sticks and branches to break.
Voices wa[...]es
looked Nathan in the eye. “I might shoot two of “em.”

“You didn’t tell me any of this.”

“I told you now, and you don’t need[...]ess.” Moses stuck the axe in the standing

half of the chopping block and the handle hinged again.[...]ors, using the point to sever threads
at a corner of the appliquéd apple tree and beehive

and intric[...]the excised patch to Thankful Everett, President
of the Seventeenth Ward Female Relief Society.

“L[...]nt
Everett said. “In accordance with the bylaws of the
Seventeenth Ward Female Relief Society[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (13)[...]prairie lightning.

Thankful Everett held a piece of weatherworn
canvas cut from a wagon cover. “We[...]te cloth into the quilt, serving to remind
us all of the blemish of unchristian behavior. I ask us
all to pray that Sister Sophronia regain her good sense
and her love of the Lord, and be forgiven by Him who
judges all.”

Thankful Everett lifted the piece of canvas
overhead for all to see, as a priest bless[...]er for it.”Thankful

Everett surveyed the faces ofof the Lord or it is done in vain.”

“Amen,” E[...]is quilt. We raise money in doing so
for the good of our militia, whose purpose is to protect
t[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (14)[...]g to our daily
chores.”

Emma Taylor, Secretary of the Seventeenth
Ward Female Relief Society, said, “I understand.” She
chuckled. “The Mormon version ofof that.”

Isabella said, “I still say this quil[...]ed. “Actually, he needs to put it in
the hearts of two men,” she smiled, “to bid on the quilt
because of its reminder of human weakness, and the
endless vigilance required to improve as a Latter—day
Saint. And, of course, to clothe our troops who guard us
against the invaders.” Thankful Everett smiled.

“The army of the Pharaoh,” Emma Taylor said.
“May the wint[...]did you learn that?”

“Why, from Mr. Everett, of course. Our husband,
the Bishop.”

In the style of the Baltimore Album, the quilt
was a patchwork of floral patterns and fruit, birds and
butterflie[...]o split evenly between
recent emigrants destitute of food and clothing, and
Lamanites pushed from thei[...]round the globe to the new Zion. With the advance of
the United States army, however, the purpose shif[...]ing
in Echo Canyon guarding against the onslaught of the
army. The Seventeenth Ward Female Reli[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (15)[...]a good man like Truman Fox who is

doing the work of the Lord.” Emma Taylor shook her

head. “The[...]her lap, holding
needle and thread and a section of quilt, and looked
at the women seated in the sewi[...]n accordance with
Christian principles. I ask all ofof the Lord, and you left
a husband who was deaf to[...]voice trailed away.
“He was a good man.”

Ofof the Lord. The

world is full of good people who misspend their lives.”

Thankfu[...], and may
the Good Lord forgive me, has the faith of a snake.To
think of it, at her age.” Emma made a tsking sound with[...]Thankful’s hands were still. ”You must let go of your
spite.” Emma reddened. “Truman Fox would[...]I appreciate your leadership as the
Presidentess of this Society, but I hear the word of
the Lord as well as you, and I don’t need you t[...]Emma stitched quickly, her work
showing the skill of a practiced seamstress.

“Oh dear me,”[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (16)[...]the mountains, on the benches where
wind stripped of snow cover, where grass had its
back bent, bared[...]the wind bit, where it picked up
snow as a thing of play and left it for coulees to keep,
dragoons he[...]l

in cordwood that grew further away. At the end of

day they gathered the animals by the coulee wher[...]men.

The crowded tents kept the noise and stench of
men: snoring and flatulence, the rank unbathed b[...]watched one and then another one fall. He thought of a
brace of wagons fired by Mormons pulled by panicked
horse[...]n
a tree—lined street? Did she plow with a yoke of oxen
carving a field a furrow at a time?[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (17)[...]sleepers fed the

fires. When he reached the end of it Moses turned to
return to his tent and the smo[...]eed for the oxen, mules,
and horses, these mouths of thousands they herded for
the Army of Utah. He wondered at the endless winter,
the relentless windchill the thief of heat, and the snow,
always the snow, as though the beast of winter were
the General Commanding. He thought of Napoleon in
Russia and the frozen soldiers.

“Push it away,” he said.

He thought of his daughter, Flora, married
to James Stuart, a l[...]in
Kansas. Like himself, Lieutenant Stuart was an officer
of horse, a gentleman of Virginia, a graduate of West
Point. Cooke chuckled thinking of the change the
young man made after meeting his d[...]he grew a good one, he’d
allow that. He thought of the wedding at Fort Riley, its
military majesty and his beautiful Flora, so young and

full of promise, wife now to a life of waiting, wife to a
husband’s love of honor.

Beauty, Cooke thought. “For God’s sak[...]s initials for a nickname sparing Flora,
daughter of a Lieutenant Colonel, the embarrassment
of a husband called “Beauty.”

“What gentleman[...]n Stuart
advanced faster than he had.

He thought of Rachael’s radiance that day, so
proud of her daughter following her footsteps and the
vali[...]n me,” he said.

He placed blame on the relapse of malaria and its
feverish thinking, the dem[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (18)[...]e with too little to do but persevere. He
thought of the passage from Romans that Rachael
recited ever[...]pe maketh not ashamed.”
“Who the hell thought of that?” he said, and

he turned under his buffal[...]you can do, why bother? His life had been a trail of
tribulation, he thought. The waterless marches of the
Southwest desert and the oxen with bleeding f[...]liating court—martial
questioning. Those rumors of squaw killer. Cholera,
dysentery, the impairment of malaria. Sick and dying
dragoons and always horse[...]paches. The Sioux at Blue Water Creek,
the scalps of white women. It’s been a tiring and trying
ride[...]perience, and hope like the Bible likes. Not much of a
life, he thought, if hope is the highest promot[...]ned Indian style, and
it was warm, the heavy hair of the buffalo’s shoulders
over his shoulders movi[...]arded on a bedground bigger than a farm,
the hair of the buffalo robe waving in the starlight.
Nathan did not know which was noisier—a tent full of
men, or bedded oxen. Among this many animals ther[...]legs underbelly. Oxen chewed cuds as if in
dreams of green fields. Others groaned and twitched[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (19)[...]e perimeter watching other herders
ride the edges of the bedded herds. He’d ride his stretch
and rid[...]e.The guards placed their
fires marking the ends of the collected herds as points
of reckoning for the nightriders. The Lieutenant cal[...]Christmas, Nathan remembered he’d left the life of a
farmer. Young and restless and captured by the romantic
notion of the mounted soldier and the name itself,
dragoon,[...]h boots and black tack, sash and
sabre, the grace of the gentleman the recruiter posed.
There was the[...]nd

promised adventure, the horses and the riding of them.

The hardship marching surprised him. He’[...]me. He had it
better in Pennsylvania, the comfort of the forest and
the close hills, the fieldwork and the meals, the warm
bed of a farmstead.The grit required to survive here had
astonished him. There had to be something at the end
of this that would make the journey worth it.

This too was new, this herding of animals
like the drovers in Kansas did. At home they had a
handful of cows and plow oxen, but nothing like this
expanse of animals. It would take an hour to ride
aro[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (20)[...]y to kill guards and stampede the transport
power of the Army ofUtah. Through a mitten he

felt the mu[...]ood one shot would do other than to
mark the time of his passing.

He’d see the Great Salt Lake at a[...]ich
the freighters had said was as big and devoid of life as
the desert it lived in. He’d see the ci[...]condDragoom, Uta/J
Territory, juneu, 1858

A city of wickiups stood at the foot of the mountainsides
that defined Echo Canyon. Many[...]ain faces as though huddled there. A construction
of huts crafted with poles and woven willow gave the
look of poverty and pride, a village replete with thatched
roofs sealed with matted grass and a mud mix of clay and
coarser soils placed to slow snow and it[...]m the fires inside. Firewood piles stood
by some of the huts to feed fireplaces cut in the banks

of the canyon side. The comfort of the makeshift village
surpassed that of the army’s camp under canvas. Some of
the huts had Dutch ovens cut in the clay bank nex[...]osted there and reported the certain
annihilation of the Army ofof

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (21)[...]ier’s work.”

The canyon amplified the sound of the marching
column till the soldiers sounded twi[...]hat aren’t guarded. Tis another to face an army of
United States infantry. You mark me words, laddy.[...]y’d covered since Fort
Laramie, that masquerade ofof order. This was tough
country with its rock—sid[...]r
seasonal goats, the ground that showed the work of

wind. This would be a country where snow was bor[...]boy. We
have dragoons who will breathe the fire of hell itself.”

“The dragoons have done nothin[...]mewhere,” Garrison Lloyd said.

“For the love of Saint Patrick, laddy. If the
dragoons had ’a been with us instead of sent away by
some general the Mormons would ’a[...]’s beard
widened when he smiled. “Tis a thing of beauty truly, to

see the horsemen charge.”

The four hundred horsemen of the Second Dragoons
halted at the mouth of Echo Canyon. All were mounted
now with many on re[...]Marcy’s
expedition to New Mexico. At the mouth of the

canyon Colonel Cooke ordered a regime[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (22)[...]2008 24

bishop the insignia signaled an aura of authority, its hint
of intimidation.

Officers shouted sounding like an army volleyed
voi[...]rain rail fell
on train rail for the full defile of the canyon and then,
for a moment, the canyon sto[...]rrow, and fifty yards wide. Ihe houses are
built of stone and sun-dried brick, and, as

a general rul[...]stories high,
each house having about four acres of land
in the enclosure, which is loaded with grain[...]etables, and flowers without limit.
On each side of every street runs a small
stream of clear water. . . . Along all these little
streams, or irrigating ditches, are rows of
beautiful shade-trees; every dwelling nearly
has a nice paling fence in front, and many of

them apple and peach orchards in rear.

—Wi//i[...]exact right angles to each
other. Along the sides of some of them run
small, rapid streams, in which gr[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (23)[...]his hat over
his heart as if holding the Mormons of the Mormon
Battalion there. This cavalry is as to[...]ir
church and their faith or pushed by their fear of him
or fear of bones desecrated in the desert didn’t matter.
T[...].
Colonel Cooke nodded at figures in the windows of
homes and on porches, standing by straw or stacked
wood with unlit torches, the simple weapons of a self—
reliant people poised to ignite their homes in final
defiance of authority marched from the United States.

Colonel Cooke thought of Lafayette Frost,
Corporal ofMormons. He saw a sha[...]if standing to horse, holding a
torch as a sword of the Lord ready to immolate their
city. Colonel Cooke shook his head at the memory of
Lafayette Frost steady as steel as the bull closed with
the momentum of a locomotive. Lafayette Frost had
reenlisted, enticed by the new uniform and the addition
of eighteen cents a day to occupy San Diego with the[...]ur pardon, Colonel?”The voice came from
a staff officer riding behind him.

“Nothing, Lieutenant.[...]inary soldiers.” Colonel Cooke rode at
the head of the dragoons and watched with head
uncovered.

Mo[...]o. Nathan Slater rode at
his side in their column ofof horse hooves filled the boulevard
then quit at t[...]standing sentinel and to the gardens and
orchards of the citied homesteads.

“If it was up to[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (24)[...]y marched on and crossed over blended
the comfort of New England with a western sense of
space. Looking east over the tops of the trees and the
houses the mountains rose highe[...]anyway?” Moses said. “He

never give us a tip of the brim.”

“Hold it down, Moses,” Nathan s[...]gardens
brighter than a Pennsylvania forest full of fall splendor.

“Not once,” Moses said.

Nathan thought of framed paintings in a
Philadelphia museum. “App[...]e we see this again.”

Moses looked at the back of the dragoon riding
in front of

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (25)[...]leaves his left leg,
his prosthesis, at the edge of the water.

The long, green—eyed girl gave us hope, a vision of
a human being perfected.

My mother weighed seven[...]er puréed peas,
strained carrots, tiny spoonfuls of mashed potatoes. I
was always afraid. I thought h[...]stnuts, cherries, pears, almonds—all the fruits of
Tu B’Shvat, the new year ofthe trees, God’s R[...]ed my
mother, the ease with which she moved, free of her
body. She waited for me. She said, 77m ix rometbing.

By noon, sun shattered of snow, the day suddenly
fierce, the blue sky unbe[...]n coat, sweltering. I believed, yes: in this rage of
light, the Tree of Life, all life, might be reawakening.

I t[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (26)[...]ceful
as water flowing, a girl who sees a mirage of herself
shimmering across the desert: as soon as[...]ake, I was sorry. But the next
morning, the trill of the piano woke me, Davia running
her fingers up the keys—a ripple of light, the body
becoming light, blood clear as ra[...]ipsy love
songs, Bob Dylan, Arvo Part, Ludwig van Beethoven.
Now she serenades a doll; now the snow is dancing.
She conjures the carnival of Saint—Saens: kangaroos
and tortoise, wild asses[...]gs Dvorak’s mother taught
him, the cello strand of “Transfigured Night,” Leonard
Cohen’s “H[...]sheltered by “The Protecting
Veil,” the voice of the Mother of God in a cello,Yo—Yo
Ma playing Tavener. She tu[...]ord the sounds they hear on
their way to the edge of the world—Davia wants to
sing as elephants sing when they visit the bones of their
ancestors.

Seth already knows he’ll be a[...]y hips through tight spaces,
Seth Betos, unafraid of smoke—filled tunnels—our
beautiful sa[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (27)[...]between the Vistula and
the Sola, a swamp, a land of floods, soil impervious to
rain and melting snow[...]the gate while the band played the
rousing March of Triumph from Aida, marched them
for hours, for mi[...]omewhere. She
lived because life itself was proof of rebellion. One day
she collapsed and lay in the c[...]o her in Czechoslovakian or
Polish, used the last of their strength, their love, to drag
her ba[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (28)[...]mother did not tell me, words I hear in the voice
of her violin, Bach’s “Chaconne” playing on ba[...]s knows how to slip
titanium ribs into the bodies of children with scoliosis
so that they can breathe and walk, free of oxygen tanks
and wheelchairs. He is not va[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (29)[...]nd bewildered.

I loved her for this, the absence of all arrogance.

Today, everyone looked perfect. O[...]women,
ones whose hair had fallen out in the grip of
chemotherapy, ones healing now with her, their gu[...]nd was not afraid, because she gave them a vision
of how they might reclaim their strength in water—[...]urpose, stroked his smooth head, suddenly
ashamed of this indulgence.

We were whole, each one ofus, and all of us
together.

I remembered my father’s blessing[...]b’riyot. Blessed are You, Adonai our God, Ruler of the
Universe, who makes the creatures different.[...]secrets
underwater. Idris emerged from the tunnel of the
dressing room, white towel wrapped like a ski[...]e
and before her second, Idris gave me a tiny cup of
espresso at his coffee shop—warm and delicious[...]any time, really.

I didn’t come. I was afraid of him, his beauty and
his kindness, the way[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (30)[...]hful husband, delicate and
determined, every bone of his sternum visible. Fragile
as he might seem, Sa[...]o wheel his tiny,
white—haired wife to the edge of the pool, lift her out of
the chair, and ease her down to the water.

I tho[...]s crippled by
polio, soldiers with stumps instead of legs, old women
terrified of water. My father said: Wby be afraid of [be
[bing [ba[ boldr m? My father said: I ’m ri[...]forgot
about God as wine and swallowed a mouthful of water.
He left me sputtering, separate fro[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (31)[...]ake that flushed boy comprehend
the wild silence of her language; then another guard,

a girl with a[...]red—
headed girl with powerful thighs like one of those
miniature gymnasts; and Louise Doren touchi[...]s mouth, and the girl pressed
hard with the heels of her hands, and Helen’s bones
broke and her body[...]the lungs might heave, the heart clench, the love of life
return, the delicate pulse throb in her neck[...]egitimate
or foolish? She’d left us in the care of two teenagers
who had done the drill ninety—nin[...]pled boy, Samuel Killian,
the buoyant woman—all of us—how strong she was,
how ridiculous we[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (32)[...]had paddles to jolt her heart and a syringe full of
epinephrine. Her body rose and shuddered and stop[...]it.

She wrote her phone number on a little scrap of
paper. Call me 1f you neeal rome[bing la[er.

I t[...],
pomegranates and grapes, three fat pears, a jar of black
olives, all that fruit, Hir fruit, in my ki[...]tight, Mother’s white on white scroll, the Tree of

Life embroidered in satin stitches, a wed[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (33)[...]e folded.

I smelled Helen Kinderman in me—soot of
adrenaline, burn of chlorine—we shared this: one
scorched body. I w[...]to stand, too light in the head, and I was afraid of the
water, my father there, dead of a heart attack at fifty—
seven, Leonard Lok cr[...]ecrets.

Any day you might be the one, or the one
of a thousand chosen. Beeuure you rerirted, b[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (34)[...]nd puppets.
Bertok Spier carved the delicate legs of chairs and
tables. In sarvar on the Raba River, n[...]s. Once he carved a tiny whale, a fine
filigree of myrtle with a little man inside, a man you
could[...].

In the camp, he extracted gold from the mouths
of the dead, found emeralds stashed in the bowel,
sa[...]ugh like
them, almost a soldier. He wheeled carts of the dead
and almost dead. He heaved them into ove[...]ck dust everywhere
falling. Music muted the cries of children, and they
thought: Iftbe musie aloexn’[...]e boy

lost, a waif abandoned. Lilike and the son of a stranger

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (35)[...]eaure your rboer almor[fi[ and
you found a pieee of wire [0 [lore [bem, beeaure you r[ole a
rpoon fro[...]ght shoot in retribution. I dared
God [0 aeeme me of murder. But she stepped outside the
barracks into[...]your bones heard Aida in
your sleep, and the beat of the drums kept your heart
beating.

My fat[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (36)[...], I wife“, I bimed you: as Idris lifted you out of
my armx, I premed my lipx to your legito taxte, t[...]er
than death? Motber, are you witb me? I thought of
Helen’s mother, the words she might hear, her h[...]d somewhere or in a coma, his fault,
or the fault of one of his technicians. He made the
stuttering policeman[...]feeling him, the one he didn’t know, the father of a child
missing. Ob, Helen/ She was always the most sensitive
of his children, the quiet one, Helen who came from[...]ching. She would understand his
sorrow, the hours of pain when she didn’t come home,
when he began t[...]n climbed the winding stairs to
the fourth floor of the library because even the glass
elevator looke[...]n see paintings by Fra Angelico or read the words
of Mahatma Gandhi—where you can visit Saigon,
Macc[...]unded Knee—where you can climb
Denali. The copy of John James Audubon’s Birdr of
Ameriea lies in a glass case, protected. If you t[...]not our
anniverxary, and bere be ii in tbe middle of tbe day, Peter
looking bandrome and rad, t[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (37)[...]violin for the children.
Leonard Lok slipped free of his body fast to follow her,
to hear her play, to[...]e children, giving them her wild joy, the
miracle of survival in these strings, an endless hymn of
praise, a vision of their own perfection—Eva playing
Kodaly’s Dances of Galanta and Marosszék, each one
a fusion, a rond[...]oy with a patchwork face, skin sewn from
the skin of others. He’d made a collage of himself, a
picture pasted together: right ear of a pig and tail of a
peacock, open eyes of an owl, closed mouth of a seal.
He offered it to my mother when she came,[...]bed tbe drapex, beeauxe tbey wanted to xee a
wall of fire, beeauxe tbe xixterfurled berxelfinx[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (38)[...]ller than the other
two, hungry like them because of the snow, desperate,
and so they’d come down fr[...]ter Antje lived because their
mother had a cousin ofof
Buffalo. 31979210: wbat did it mean, and wbere wa[...]d they slept
in one room, in one bed, at the back of the house
where the rain came through the[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (39)[...]We’ll
be tbere. His scrawled note at the bottom of the page
sounded like a whisper, a secret sputter[...]s finger; Greta Erhmann walking
through a field of poppies, a hopeful girl, conceiving
two children[...]ulders, had revealed heat rising beneath the skin of
cheeks and fingers.The poppies glowed, lit from[...]ed his father on his knees the day the blond
boys of Vienna became Nazi accomplices. They wore
swastik[...]l Lok wanted to say
their names, to call them out of themselves, to remind
them who he was, the one th[...]an orphan became an
American soldier, a liberator of Mauthausen who

saw the dead—in pits, in[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (40)[...].

They lived by chance, by grace, the sacrifice of another.

Beeaure I lied wben [bey arked y” I e[...]e, rome[imer I rueked milk pumped from [be brear[ of
bir mo[ber, and I war alwayx afraid, bu[ rbe never raw and
rbe never killed me.

They told of the ones set free who died anyway,
hundreds a day[...]a girl who still loved her life, the
thin thread of it, who weighed thirty—four kilos, nine[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (41)[...]nd the birds at this girl’s feet were life, all of
it, all he needed forever and ever. If she could[...]her violin, while light fell on the
stunned faces of fifteen children, ones outside of time,
ones caught in the rapture. Light was all t[...]If my father had lived, he might have taught
some of these children to float, to swim, to walk in
wat[...]gs were too weak to stand, when
the frail rigging of their bones wouldn’t hold them.
Children like t[...]life! How [be body wann [0 beal/

On the last day of my mother’s life, I saw the
sores on her feet c[...]th, still cling
to your precious body. At the top of the mountain, you
might insist God kiss your eyel[...]still wish to touch the body, the
face, the mouth of every one taken before you.

Four hours go[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (42)[...]at what had happened to
Helen had happened to all of us, and forever.

How can tbis be?

There are a t[...]ittle girl devoured by
the wolf cuts herself free of his bowel and walks out
of the woods into the sunlight. One woman in a pit
m[...]n, this doctor, this human
being, holds the heart of another man in his hand while

he repairs it.

Ar[...]ches, and my mother
and father appeared, smelling of rosewater and myrtle,
shimmering behind lush whit[...]me
too, on the same bus, but not together, a kind of
agreement they have, to pretend to be stra[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (43)[...]eat her lunch in peace while little Juli,
Prince of Denmark, sneaked outside to lie in the bed
of a truck, to get buzzed on cigarettes and blow smoke
into the mouths of her two boyfriends? Forever and a
day, Karin and[...]ion in Hermosillo, walks a dusty road at the
edge of the city, hoping to save one soul today, hoping
t[...]me—in time, if possible—part
ofthe test, part of the challenge: surrendering to love
long b[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (44)[...]ALL 2008 46

Helen has come to walk this scrap of earth beside him.

He sees a small Indian woman moving toward
him, slowly gathering herself out of the dust until she
becomes a shape he recognizes.[...]len
has revealed his mistakes to him, the failure of practiced
words, the hopelessness of his precise Spanish.

He knows what his sister wo[...]he Rio Sonora. His throat
is too parched to speak of God and salvation. Even
the chickens refuse to sq[...]opened the door, and here they were, alive,
both of them, home, my precious ones, to help me slice
pe[...]njugating verbs in
French or memorizing the names of tribes, learning to
spell, to say, to imagine Hob[...]foolish and blessed it
would seem, this life, all of it!

Liam returned to us, just in time, just before dusk,
in the hour of twilight. We blessed the wine of every
season: white, pink, rose, red. We drank it[...]love, our
frail bodies—to restore Him, the Tree of Life, to give
God life in the world. Every[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (45)[...]silence between words, our
breath, was the fruit of God unseen, too sweet to taste,
the fruit of life, ethereal. Three deer came to the back
porch and stared inside and were not afraid of us.

Later, our children passed some secret sign[...]earing the song inside her song, the
first words of unborn children. Davia was waiting for
the one wo[...]se her, but she trembled
with pure joy, the bliss of finally going. And then it
came. I don’t know[...]roared down a narrow canyon—imagine the wonder of

it all, how you’d laugh and leap as you ceased[...]Davia’s voice, life beyond hope and fear, proof of love,
God unfathomable. Seth brought his fingers to the keys
in a jubilation of sound, three times Davia’s speed, but
with asto[...]y—Nina, Dorothy,
Matthew, Eric—I saw each one of them and all their
children; I saw fathers and mo[...]e more day, one more bour? If tbe
eloudr are part of God and part of you, wby ean’t tbey be
good? Wby ean’t[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (46)[...]s ri[[ing under a [ree and ringing.
Wi[b a elm[er offlowerx in my an[lerx I walk.
77m ix [be [ru[b yo[...]osillo.
Surely Elder Mattea has exposed the depth of his
betrayal. How will he explain what he saw her[...]e song
surged through wood and wire, a wild river of blood, the

throbbing pulse in my skull and pelvi[...]d, who held me even
now, floating on the surface of their music.

I kissed them, and I left th[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (47)[...]bout wood or grief or nails.
Lilike saved tbe son of a stranger, and Juli Kinderman
erowned berselfPrinee of Denmark. Karin answered
every question: I ’m no[...]played ber violin wbile a burned boy slipped free of
flayed skin to emerge as owl, and pig, and peaeo[...]d tbe
boy’s blood roaring. All tbe bungry birds of Europe landed
at Eva Spier’sfiet, and sbe fed[...]his long walk
back to Hermosillo. Witb a eluster of flowers in my antlers
I walk. I bear tbe wildern[...]ill be repercussions and restrictions, the ritual of
repentance or even a return home—dependi[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (48)[...]n‘s mind

to create his own deer song, a prayer of praise and
wonder. He hears the words of the prophet Isaiah too,

strikingly in ton[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (49)[...]014]) defoudre that night we met last May:
a bolt of lightning, love at first sight. Strange as it ma[...], or
to anyone else for that matter, but I am all of
her ex—boyfriends. Even those who were never
he[...]suitors begging for a
date, strangers calling out of the blue, forgotten
acquaintances sending shy let[...]day, constitutes the past and
continuous present of my heart. There’s nothing crazy
about it: just a bunch of normal guys in the grips, a
bunch of guys who happen to inhabit me.

If you approach i[...]at
a single, common spirit has possessed each one of
us in turn, and moving on has established a certa[...]men and over continents
as she flees before it.

Of that life called my own boyhood, I have
but drab,[...]Jens. Their stories overlap
my own like snatches ofof our affair (it would be as tedious
as anything el[...]t as I
tell this story I’d like to relate a few of those old loves

so you’ll see the forces in motion.

The bell rang for recess and a tumble of dry leaves
skittered and hesitated over th[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (50)DRUMLUMMON VIEWS—FALL 2008 52

away by the tussle of school children, then it opened
up in a baseball[...]worn and spacious acre. There, on the other side
of the yard, was a chain link fence meant to keep the
kids out of the thick, brown water, but the fence had
holes i[...]ould soar over the fence into the thick branches

of the willows along the ditch banks. A very hard

o[...]along the ditch’s
north side.

On the far side of that fence, old men in
sleeveless, v—neck sweat[...]ay through among the blue spruce and mountain
ash of the seventh hole. The greens and fairways were
well tended without being lush.The golfers gave of
a reified happiness, an intent and complex seren[...]rbarian melee.
So foreign, sometimes a loose pack of third graders
would stand there briefly, finger[...]cements, or an adversary.

One day, in the middle of the schoolyard’s hue
and cry one kid in the thi[...]just moved into the
mad, high house to the north of town. She was on her
mother’s elbow in her ratty clothes, the foof of her
bangs like a ray of sun—blonder then—her skip—to—
my—loo le[...]d beaten you, and then we all
switched sides. Out of everyone, Miss Jens had legs. I
saw her go after[...]roaned and shouted, Ir it over?!, almost
a parody of ourselves. Which is why the Corner—
between the[...]and the girls would
scream and if kissing was out of the question altogether

they would just hug. To the surprise and horror of the

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (51)[...]e playground, descending as
locusts on some patch of grass, stuffing dirt and weeds
in our mouths lik[...]than winged monkeys
from Oz—soar off in search of new prey, less crowded
pastures, giving the impre[...]ymore. Another fantasy took hold. In an
avalanche of daydreams, I became something more
human. Each dr[...]The place
and the hour varied, but usually a band of kidnappers
dressed in black jumpers and ski masks[...]ged and trussed up against a tire well on
the bed ofof our eyes—an ideal situation
for two third graders incapable of small talk. The
action would be drawn out in nego[...]he
stack ofcomic books in my bedroom. In the heat of
battle, during a lapse in our captors’ guard, M[...]the floor. All we had to do
then was make it out of the house and across the no—
man’s land (her[...]bracelets, and earrings. Standing in the shadows of her
bedroom while she was still at work, I[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (52)[...]putting on our coats to
go, she stepped in front of me, which she never did, and
said Hey. I mean, [b[...]he said Goon/lye! and so
did I, to walk home kind of whistling, floating along
with that backpack full of books, deaf to the shouts of
kids playing dodgeball on the blacktop.

That eve[...], I went upstairs to my
room, slowly, and thought of nothing to do. The dresser,
the bookshelves, the[...]arrow at
the front but flaring out in back, full of knotty pine,
smudged brass, and dusty bottles lin[...]g me a prize, between us the sometimes
solidarity of guys. “I don’t think you two have met.[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (53)[...]On that note we stood, turning to other friends
ofof the party. Didn’t speak
again for the length of the evening. When she got up
to go, though, I followed her out of the humid brawl
at the back of the bar into the fresh May air, the cool
attention of night.

“Do you mind?”I said. No reply.

So w[...]toward each other or
away, just talking out ahead of ourselves like two people
riding next to one anot[...]assenger,
our minds and mouths two spinning pairs of tires that
would not touch or cross. The streets[...]off the gardens that
bloomed darkly in the shadow of a church downtown,

their hedges exhaling[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (54)[...]ed with blonde
highlights. She wore a white shirt of light cotton and
blue jeans and long boots. A liv[...]me hers. In her eyes were drawn the liquid ounces of
my loss; pain fiddled and the future danced: It[...]ort in a storm, any molehill
on the Russian plain of days.

Nevertheless, as I walked back through the[...]slow as life, at my sudden heart.

“Even a hint of hope,” Stendhal wrote, “is

enough for the birth ofof those natural phenomena whose immediate
and overw[...]nce dictates that however
implausible the origins of a feeling may be, our
judgment of its truth must stand or fall on what is
manifest[...]r, here is the
toadstool army, here are the barns of ash.

Month in month out all through the summer I[...]s only Miss Jens can
know, she kept me at arm’s length. Sometimes I think
she even forgot my name. Perha[...]ensed that something wasn’t right. But the heat of the
season waxed, then waned again with fa[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (55)[...]anding that love is nothing
more than the promise of loss is essential to that
exercise known as the l[...]Then, at a second stage, with the
clumsy trestle of words the letter tries to span that
distance, pee[...]t must stave off with each successive
reinvention of feeling, is a canyon echoing with the
letters’[...]rain; my thoughts
remained with her.

After weeks of torment, after dozens of nights
running one or two lines over and over thr[...]t in ballads long
on heavenly gyration

that tell of my claire de lune

and her distant castiga[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (56)[...]y and far

from the gelid grass and frozen ground
of earth, whose light you are.

A love letter, a poe[...]And once it has been
sent, the aching becomes one of expectation. With what
eyes will it be read? How[...]nd yet the poem sat there on my desk like a
chunk of my own flesh, loud and red. Whatever existed
bet[...]nating, and I tried not to kill it
with an excess of emotion, so those feelings stayed pent
up inside, flying on their trapezes before an audience of

one while I planned the next step.

*******

W h[...]ion, flooze a little, and inflate my years. One of

the world’s favorite people, mine uncle, he’d weekly sent

me letters, for ideas grew out of his head, outstralling
inspiteof a baseball cap t[...]ine uncle turns to me and says: “We are
masters of time, son, not of space.” (Coke cans rolling
by the pedals, deep and mingled strata of hamburger
wrappers and receipts across the backse[...]ly time for truckstops. Beside us birds the
color of dirt flew like dirt clods through the air above

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (57)DRUMLUMMON VIEWS—FALL 2008 59

aspen and stands of pine, sparrows and starlings arching
forward on i[...]—Hi, the girl.

—Where to!? mine uncle kind of yelled.

—Seattle. What about you?!

—We’re[...]dy’s got a
mouth!

And the car did us the favor of saving the
conversation even if we didn’t have[...]it pass, her 1air covered with highway, eyes full of
illusions, skin shiny with a silken grain, which seemed
to sharpen my mind. The backseat smelled of old
oranges anc the sun was shining like it might[...]lungs filled
up with the whole joyful obligation of air. —How long
could it take, mine uncle[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (58)[...]ALL 2008 60

dozing on and off. Viscous skiffs of snow flashing
through a dark city of trees while mine uncle, to

keep himself awake, fiddled with radio and muttered,
waving his hands, of a trek through Mexico and of the
Amazons before the Spanish won, and the volleyball
champions of nubile Tehuantepec who reign on even
now, and how[...]rom the knuckles
like the bored erratic scribbles of a ninth—grade
notebook, in which he claimed he could read at least a
chapter of his life.

In that moment at a crossroads west of Idaho,

a hundred yards away, a signboard flew u[...]areened, its front wheels crunching over the curb of the
lot as we skidded and raked through gravel and dirt up
to the bare, used and dimlit porch where a herd ofof decayed piss and abused varnish,
its walls jumped[...]posters, its jukebox
bragging an extinct species of rock and the local boys
roud and lowdy. Momentous[...]Miss Jens said.

—Too many, I said.

—Middle of nowhere, too.

—Nowhere to go. . . . , I[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (59)[...]idea and he hated to dance and anyway it was none of
their business what kind of steps he knew. Made sense
to me, but I didn’t m[...]where.
Mine uncle, bruised and alone in the light of the dash,
had lost his gab. To myself I th[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (60)[...]ans against the wall.
says she might need a glass of water. between the

first and second floors, sh[...]that’s when i told her i had a

poem.

“sort of rhyming couplets,”i said.

“i want to hear it[...]her.
“that’s good,” she says, “i’m kind of shocked.”
“i meant to send it weeks ago.”[...]ngland. back sunday.

so, with a deeper knowledge of one another, a

deeper uncertainty.

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (61)[...]Shortly after the fainting episode, a period of
long talking began. It was a new species of intimacy:
every night just yap yap yap. You can i[...]ss Jens
would colonize my mind.

Often in the act of love as Miss Jens rose above
me, sculpted as an a[...]nd her hair in
disarray, I perceived that we were of one flesh. And we
attained a mystic union parall[...]tial way, and
we knew something beyond either one of us by virtue of
that union. The whole issue of mind control or osmosis
aside, I felt we were in[...]t we’re
“taking a break,”I will be thinking of her at the same
moment that an e—mail from her arrives. Even though
Miss Jens is of two minds about me, we remain one.

Can you blame[...]ns, nights, heady
with low laughter and the scent of limbs. It was that
second of all our double lives, the one that sidles[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (62)[...]?”

“I haven’t told her, but we have a kind of
unspoken understanding.”

“How unspoken is it[...]splatters in the chest, began to rattle the rest of
my life.Take the office, for example: a dead—end job,
maybe illega[...]g I’d show up unshaved,
unwashed, unfed and out of breath from the mad dash
between her place and wo[...]and love will do the
trick.

The situation at the office naturally grew worse: I
was wearing my spare[...]ife barreled along carefree and flushed for most
of November and December—the love, the stin[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (63)[...]ve me the space to reflect a little on the
state of my life.

Now Christmas is a carnival at my paren[...]re between a cross—town football
game and a war of the worlds.There is too much food,
too much noise, too little space, and a spirit of rumbling
inclusion and activity that succeeds for a week at least
in making all of us—aunts and uncles, brothers and
sisters, gran[...]ust not
talk,” and she laughed that curt giggle of hers which
indicates how much she feels this to be desirable as well
as true. A giggle of embarrassed sincerity, an appeal.

“I’m glad[...]uss
this,”l said, as it was still the last week of December. In
situations like this I stall and thi[...]et back . . . perhaps one evening.”

The signs, of course, had been everywhere.

As far as Miss Jens[...]commitment
called for a modal verb, an arm’s—length if and when.
Discussing our couple in the future tense required that
we shift into the realm of the probable, or improbable,
rather. Despi[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (64)[...]would try to pull herself away. Handing me
a cup of coffee in the morning, she might say, Please,
jux[...]sitting in bed. Like a heroine doomed in

matters of the heart, Miss Jens would toss her hair and

say[...]nce I met Miss Jens, I’ve experienced a rebirth of
sorts, reborn down a rabbit hole in a Wonderland[...]ther towards purging
our poison than the theories of Hippocrates. Such
contemporary ten—den—eier a[...]emical
reeducation, a contingent, punctual remedy of
symptoms while our discontent abides. For cause,[...]determinations. And to locate the
deepest causes of that morass called the mind in the
serotonin reuptake inhibitors of its synapses is too
mechanical and complacent an[...]urotransmitters, another says neuroses, I say All of
History. Put another way: Is melancholy a disorder of
the individual in time or a disorder of the world? And if
it were the latter, what would[...]aw her high in the amphitheater on the first
day of zom—century French literature. She did n[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (65)[...]rder brides, cellphones,
spam, the technicization of society, the mechanisms of
propaganda, violence, guilt and alienation which[...]it remains unfinished,
due to both the grandeur of its predecessor and the
quagmire of its subject matter, rendered all the more
acute,[...]n
Cukor’s Garligbt, then you have a fair notion of Miss
Jens, for she is determined and limited by h[...]a simple exercise in enunciation. After a

month of those sessions, she started coming all dolled

up, dressed in a series of 1950s get—ups. I would see her
and sense my professorial persona begin to crumblefl
larger economy of feeling opened up. Once she arrived
looking like[...]eed, for moments, I wanted to dance.
Epiphenomena of a tease, she stopped reading halfway
through the book, complained of boredom. So what do
you think I did?

I told her[...]se, for we
are without culture or the possibility of it.) I sought to
correct this happy illiteracy in[...]from the task
at hand: the thorough restructuring ofof melancholy and
its depths. I do not accuse Miss Jens of media, no, but

rather myself. In regards[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (66)[...]Jens’s instruction and my writing. The chapters
of the new Anatomy slumbered in grubby sheaves,
mold[...]til they were
unapproachable, impossible to think of. Thus it was I
who sinned in my way, for I lost c[...]ed her, convinced her to devote herself to a life of
thought. Instead, I saw her traipsing across the[...]re. I
knew her carefree ways, and felt the twinge of the Pisan
judge, his moglie stolen and seduced.

Miss Jens bad need of melancholy. That much
was clear. Contrary to popu[...]as in French. If she had
trouble with the gender of nouns, it is because she did
not care enough to l[...]en one thinks. Yet you mmt
think.I endeavored, at length, to teach her the dry
and circular art of thought, knowing that once she
graduated she woul[...]ng our
differences, but building a new ethics out of their
collision. Her feelings would develop and c[...]that there was no
one who would be more indulgent of her foibles than I.
Her whole life was ahead of her: Latin, Greek, Europe,
an assistantship, peer[...]ater (one week before our
wedding), she was gone. Of course I know why, and I am

not bitter. We may have a relation of nonrelation now,

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (67)[...]counsel as she used to, asking for a translation of
this or that. She was simply too young, too irres[...]ssion. By now you know
me. You see this imbalance of desire, mine outweighing
hers. Since Christmas it[...]ot care to, which I fear.

The first three weeks of the new year have been
a wash. Lethargy . . . I haven’t been able to get out of
bed. Day is just a grayer form of night. In love, but lazy,
I am a bear half hibernating in this den of a studio on
the square east side of Paris, where every morning the
whole room is coat[...]’tget up. [mt go bark to deep. Before me a year
of mornings, as inexorable as a bowe movement, where[...]ed
to tbink tbere tbougbtr.

The fact of the matter—but how to separate

bitter fact fro[...]haven’t been able to
get a straight answer out of her about why we don’t
talk any more. She shudd[...]has died down.

And what can I think? In the wake of our last
year’s love is a lone water ski[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (68)[...]Paris has two pool halls in the
whole city, both of them on the Right Bank. One of
them doubles as a tango ballroom, so it doesn’t[...]pool hall
that didn’t count, him with a bottle of psychotherapy
in each hand and me with the pool c[...]ance floor to our left.
Victor stood at the edge of the table and stared. Like a
pool shark confronte[...]ll and then I’ll wake up starving
in the middle of the night! What do you think I should
do?”

En[...]asure it. Doesn’t the
government have some kind of website?”

unapromemy un rurpimr

“I don’t[...]ve our best
interests in mind?”

“As a matter of fact, I—O.K., look, forget it.
How about[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (69)[...]ni olvidoooo.

“Yeah, me neither come to think of it. How bout
some chocolate?”

“No, I don’t[...]etters like I used to, it’s because
I’m tired of making a fool of myself. Victor says I
should try to see her as much as possible now so as to
tire of her more quickly, but I’m not up for it. Lack t[...]ard to get: Women need to conquer, too, she
says. Of course everyone gives that advice and no one
take[...]Last time her crowns, delicate things
in the best of times, broke under the stress of the
separation (she clenches her jaw to hold her[...]was a root canal. So during the very
maybe month of January, against my better judgment,

I sent Miss[...]annibal!

Indeed, Miss Jens is a man—eater, but of the
most delightful sort. Like her, I too practice a kind
of cannibalism, of which this chronicle is the proof.
Sometimes you[...]s your love
eats you.

If I bring up that snippet of correspondence,
however, it is to drive home anot[...]le at play and least

comfy in couples. In or out of love, however, her aim

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (70)[...]ably
provokes a disastrous response in the object of her
attentions: i.e. total infatuation, desire to[...]er crime, if she commits any crime at
all, is one of excess.

Pursued by this surfeit of love, Miss Jens moves
from place to place and fro[...]te somewhere. I hope she finds
it—that’s one of the few hopes I still cling to. Miss
Jens is at o[...]chasing
herself through Greece to Egypt (the land of exodus
serving suddenly as a refuge). In her part[...]fectly matched: mine being gods ofloss, hers
gods of departure.

The second night I spent with Miss Je[...]and piss ofdrunks. Inside: a bed. So at the end of night,

a long shipwreck of inattention, Miss Jens rolled over
and laid her body next to mine. The dawn had turned
a deeper shade of blue as the sun crept round, and the
stripes cut[...]to Victor, I
am to her: she’s not sure how much of me she wants.
In the back of my mind, though, where things do work
out,[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (71)[...]le outsider, at best. Since I have
realized that, of course, we rarely succeed in bed. I am
not responsive—for impotence is simply the man’s way
of saying, Idon’t like [Ms anymore. Sterility does[...]ilence, she continued:

Miss Jens: The literature of the East has much to
teach us, don’t you think?

Me: Oh, I think it’s been said, most of it.

Miss Jens: I’m talking about the other literatures
of the East.

Me: I see.

Miss Jens: Yes. I’m thinking in particular of the

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (72)[...]FALL 2008 74

one that instructs us in the art of letting go,
non—attachment.
Me: Have you been t[...]I’ve just been doing some reading

and thinking of you.

Me: . . . Are you leaving me? Is this how
B[...]u
want to talk. It’s not like I’m walking out
of your life. But I think I need to leave this

coup[...]uld
occasionally break down and call, perhaps out of guilt,
perhaps from genuine affection.I thought of those calls

as her little gifts, gifts of atonement and farewell, a final

dose of the poison I adored. Her voice still echoed in
me sweet as ever, but it was a voice of leaving.

If those weeks of deepening solitude have
taught me one thing, it i[...]trails disappearing
among clouds. It was the end of the end.

Our chronicle spent, the will to write[...]407:?

want to be.

Mart/13'd

nothing reminds me of her like a phone call from
her. she calls[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (73)[...]ly morning dew, shading my eyes from a
semicircle of sun. A voice from behind and to my right
startled[...]the way up my arm. His body
looked like a series of fists, muscles bunched and piled
up on top of each other, testing every seam in his sky
blue we[...]s shoulders
like the largest, most imposing fist of them all. His hair
was a red stubble, and he peered up at me through the
cloudy lenses of wire—rimmed spectacles that magnified
his blue[...]noticed, behind the murky lenses, that the whites of his
eyes were clear, like egg shells. He was a bit older than
most of the men who showed up at our door, though

probab[...]acArthur
had even shaved. He didn’t have a hint of red whisker
on his chin.

“Where you comin’ f[...]w Garland Tabor from REA
meetings, and he was one of the more diffith men I’d
ever met.

“[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (74)[...]said in a perfect Scottish brogue.

For the rest of the walk to the barn, and the time
it took to mil[...]handshake
that this man had a job.

Although most of the ranches had become more
efficient since the[...]ith so
many people leaving in the thirties. Those of us who
stayed acquired land in chunks. So there was a lot of
work to do. The bigger ranches needed haying crew[...]e crews, moving from place to place,
earning most of their money during those seasons.
There were also[...]ion was to hire on as a year—round hand for
one of the bigger ranches. So ever since the war ended,[...]arrying a satchel filled with
work clothes. Many of these men were fractured
somehow, if not by the war, then by a lost love, or the
loss of their own family place. They were generally hard[...]or four days, and come
back with the battle scars of a bender. We always asked
them to leave after the[...]erate the unreliable with so many prospects.

And of course, there were also a fair number
of shady characters, who showed up with remarkably
b[...]turned
away the boys who were obviously just out ofof times,

for one simple but mysterious reas[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (75)[...]nd powerful working away at her.
Something a hell ofof asking for a job certainly would have
done the tr[...]llars a day?”

I laughed. “What the hell kind of negotiation is
that?”

“Oh, are we neg[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (76)[...]about?”

“Was I smiling?”

She set a plate of eggs, bacon and fried potatoes
in front of me. “Like a circus clown.”

“I think[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (77)[...]er reason than that’s where I’d mustered

out of the Navy. Your postwar economy was an awful
sweet[...]Town and Country model. Built my own hi—fi out
of parts I got through a mail order catalog.

We’d throw up one of those GI—financed
crackerboxes, frame it at le[...]d spend. Course, I had my diversions, too,
couple of bad habits. Drank quite a bit, like everyone
did[...]wn. I
knew a few girls, too, and almost every one of ’em liked
to cruise. That Philco was the best r[...]had forearms on me like Popeye, had a little
bit of a savings account and a brain no bigger than a
wa[...]ts—she knows I never get anything from the post
office, not even bills, so she knows I’m n[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (78)[...]ut she was goofy in ways that had started to kind of
irritate me. Can’t help it, and she can’t hel[...]nd sealed; and
what does it certify but the birth of another Qlentin
Houlihan on the seventeenth day of April, nineteen
fifty—five? Mother: Moira Hou[...]es her a couple times
a year. They live in a town ofof times they’d sleep down at the bar. They’d come
home to shower, Mom to pick up that week’s issue
of Look. As far as anybody raising Moira, I suppose[...]time,
though—I think—when it was just the two of us in
the house. We’d get ourselves up a[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (79)[...]ringy—her whole problem might’ve been one of those
female things, who knows?flnd not too long[...]course, who is? She was too screwed up to get
out of town or to find somebody to treat her good, and[...]ysical—and you’re away from Elisis any amount of
time, just any amount oftime at all, and all you’ll see
by way of change is what’s collapsed or caved—in since[...]Japan. You
know, we’ve got forest for hundreds of miles on all
sides of us here, but right here, right here in this valle[...]h desert. Sage brush and cheat grass in clay.
Lot of nothing, really. Even so, this is country you can[...]up Aeneas
Street to the Houlihan household, scene of my odd
little youth, and I saw it was still wearing the same coat
of paint Dad stole from the WPA, which I remember as[...]re dead. They’re

reeking. Immediately overhead of you, just under the

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (80)[...]in her recliner all along. I get around in front of
her, and she’s awake, seems happy enough to see[...]g yet. But she did want to hug me. She got up
out of that chair, and when she did I saw where she’d
left a little trench in the Naugahyde, it’s an impression
of her spine. Moira was bony, skin around her eyes
l[...]I
happen to notice cause she can’t for the life of her keep
the plates stuck to her gums even just t[...]her started, and then she’s off on the subject of
poison. There’s poison in every innocent thing:[...]poison in the municipal water supply. Few minutes of
this and my brain is Jello, and we never did get[...]me, when the little
bugger finally swaggers out of the bedroom. All two
feet of him. He falls down every other step—just, plop,[...], and I certainly didn’t think he
could be much of a person yet, but he makes straight
for me[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (81)[...]they didn’t like it, and
along comes a flight of Jap fighters and strafes Manley
off the aft twen[...]rs and run ’em off, but they’re no sooner out of
sight than we’ve got a pair of kamikaze coming at us
from out ofof
aircraft fuel, you’re north of Okinawa, steaming for the
Imperial Palace as far[...]ship, it’ll be up with the ship, and not a glob of grease
left ofher, or you, just flame and black[...]So I’m firing, and my first burst takes one of ’em
out, but the other one is all over the sky,[...]don’t give ’em any flight training to speak
of, don’t even teach those boys how to land, and I[...]akettle across
the ocean, and he sinks just short of us.

So the next day I’m at sick bay with what I think
is the worst case of strep throat I’ve ever had, but the
corp[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (82)DRUMLUMMON VIEWS—FALL 2008 84

up to petty officer again, and I got that medal, which I
still have somewhere, I think, and all of it together was
pitiful little to show for being twenty—three months
seasick. I was not much of a sailor, and I’m still not
much of a patriot. But, there you have it. You do what
yo[...]ties you really didn’t
want to make a big thing of it if you thought somebody
was a little off, cause they were taking out pieces of
peoples’ brains back then. Had a gizmo they’d[...]say, can’t help but freely admit
it—Moira was of no earthly use to anybody, but she
was also harmless, so I couldn’t see her as a ward of
the state. You hear how Warm Springs is really pr[...]d, that’s what I couldn’t hack—
the thought of my sister talking to that boy all the time

about[...]on,
big old console model; we got the one channel of some
crummy airwave, picture and the sound were b[...], and we generally made

our little bit every day of the year, that’s how many

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (83)[...]n
miles together in that panel truck, quite a bit of that at
thirty miles an hour, and, but for the mo[...]s much as I ever
wanted, and I believe Qlent kind of thrived on it, too.
We had the radio, of course, and he taught himself to
sing, and someti[...]ouple English choir boys, he could make the sound of
a French horn. That’s the kind ofof the things, was
that Qlent was a real quick study[...]awful diaper bucket, and sometimes toward
the end of the day when the diaper bucket’s half full
and[...]re you are, you’re living the
best couple years of your life, and you don’t even know
it yet, but[...]times, and there’s
all the other children, lot ofof ugly of
me, I can’t help myself. Mine—all—mi[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (84)[...]often, and I’d bake cookies and
make fudge, and of course this routine really put the
kibosh on that[...]burnt it all up. Kid could get
himself around six of my big caramel rolls all at once,
no sweat, and h[...]mystery got cleared up: he is
the spitting image of Delbert Oslavsky, got exactly
that same Qlarterho[...]e one way or the other.

I might’ve been afraid of him. Maybe I was afraid
of getting carried away and getting my ass kicked.

Oslavski wasn’t much of a man until he was in a fight.

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (85)[...]nyway, Qlent was a restless boy. At times it
sort of hurt to see it. He wasn’t like one of these mutts
who can’t concentrate; you could sl[...]nywhere
to look at one, he probably knew the name of every
rock in the ground. But when you think of him, the way
he was as a boy, or always, I guess,[...]her hair.

She had the prettiest, healthiest head of hair.
Moira did at least keep herself clean, and[...]he kept herself clean, and even
kept herself kind of nice for as much as she’d wasted
away, and I ha[...]ng to forgive, so where does that leave
you? Most of the time I thinkI must’ve treated her
like a piece of expensive furniture, cause, you know, I
just coul[...]e her an opening to get off onto
fluoride or one of her other topics. She hated anything
she considered chemical. But Qlent’s growing up;
Qlent’s of running or at school or in his room, and
pretty soon I’m Moira’s company most of the time, and
she’s mine—I gotta say, there w[...]nterest in me, I can tell you.

So I had my stack of National Geographer, and I
read every page of those many times. Guys with hoops
in their noses,[...]And poor Qlent
built himself a trestle bridge out of popsicle sticks, that
thing eventually took up two whole walls of his room.
One Christmas I found a locomotive, too[...]as a very narrow gauge, and we put that
up on top of the structure, damn near to the ceiling. H[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (86)[...]I built
’em, but somehow I’d done a good job of soundproofing

the walls in that house.

I could[...]one whenever he could be, and I saw less and
less of him all the time, and here it is getting closer t[...]he ever left.

You know, we stood two years there of visits from
assistant coaches, and head coaches, and alumni, and
a whole herd of people who probably never before or
since set foot in a class C town.That was hell for all of
us. There you’d be, trying to be polite with so[...]ver to that
specimen in the living room, and some of ’em even try
and sweet talk her. That must’ve[...]imited potential,
they say, if he ever breaks out of his shell. So he tells me
he’s decided to go down there and study Anthropology,
which I ’ve heard of in my Geograpbitr, but I’m not real

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (87)[...]ins it
to me. They study human beings? The nature of human
beings? Can that be right? Anyway, anthropologist was
not everybody’s idea of local—boy—makes—good. They all
wanted to se[...]ound
here were a little ticked off at him because of that—like
it was any of their business what he did or didn’t do.
Then, and I don’t think it was even two weeks
after we got news of that scholarship, Moira died. Just
died for no pa[...]bout it; he
never said, and that’s not the kind of thing you ask
somebody, but I knew the next time[...]nt with me he was running
track for the pure hell of it, and he was far and away
the fastest schoolboy[...]e they hit the ground,
they hit so hard, and most of ’em look quite grim, like
it really costs ’em[...]that spring, sick all that summer while
Qlent was of fighting fire, sick when he went down
to[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (88)[...]like a gypsy. He’s grown himself
quite the hank of hair, and it’s tied up in a silk rag,
and he’[...]nd he’s got some girl with
him wouldn’t dream of wearing a bra or, you know,
disappointing him in[...]ch is to say a bunch
offootloose hippies, and one of’em hasn’t got his
scholarship anymore.

He st[...]lege
dropout. That’s when I should’ve got out of Elisis, too,
that was probably my best chance, bu[...]t
up in my little trailer out by the highway, one of those
things like a guy might take up hunting, ab[...]rry for myself? Yes. But I did
have the same post office box, and I had phone service
with the old ph[...]pany was formed. Big deal. All it shows
is a lack of imagination. I think that’s what kept me
in town, I could never come up with a clear idea of
anything better. But, little by little I put myse[...]e I’d get a picture, but it was never a picture
of him. After he’d been down there a while he star[...]sm, and I am just praying I don’t catch a
whiff of Moira in this stuff. Police states, he says. He
d[...]t was like
shouting at each other from either end of a tunnel.
I didn’t ask what he was doing[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (89)of Latin bullshit could happen
to him on account of that? I read the news.I know
how they are. Those[...]d
people liked to be around her. She’d walk out of the

house with a nickel in her jeans, come back[...]a pretty sociable couple, considering I was half of it,
and we’d go over to somebody’s house for[...]Blood or a Piegan, I don’t remember, but a
part of the tribe that was eligible for their health care[...]d it takes
you about a day just to get over a day of doing rough
carpentry. But that’s okay.[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (90)[...]the craft fairs and sell ’em. I was doing a lot of bears’
heads at first, and then I got on to my[...]I’ll take that. So, anyway, you’d have a
lot of hippies at those events cause they’ve all got t[...]ry so often I’d catch some
kid outta the corner of my eye, some kid with a certain
way of walking, kid with a mop like they wore back
then,[...]d for a good while

he worked a fishing boat out of Sitka. And if he still
never stayed put for very[...]uess he came twice. Once he came with another one
of those hippy girls, and the next time he’s got a[...]to tell you the truth, that gave
me a little case of the yips. How’m I doing? How am
I suppos[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (91)[...]She’s a doctor’s daughter, and kinda full of herself, you
know the type, and that whole apartm[...]ow she’d take that? Who knows
what she’d make of it?

She says they are very happy together, that[...]computers, and that’s
practical, that’s more of a plan than I’ve heard from him
in quite a spel[...]fee machines. What in the hell? Seemed

like kind of a step down for him. And [[7372 he tells me
he’[...]’, cause she doesn’t seem to me like the kind
of girl to settle for any kind of mechanic, much less a
guy fixing coffee machines[...]m. And at this
wedding you got the groom’s side of the aisle, which
is me and the crew of a coc boat and some little dark
gal who doesn’t have a word of English, turns out she’s
a net mender, comes fr[...]the other
side you got Rebecca’s peop e. A lot of’em. These are
people what we would’ve c led s[...]broug1t . . . it was ridiculous.
There was a lot of those envelopes tied up in silver

twine, you kne[...]iler, gave ’em a cottage sitting on five acres of

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (92)DRUMLUMMON VIEWS—FALL 2008 94

Vashon Island, piece ofofof your head. You get ugly, is what you do.
Real ugl[...]Just tickles me pink. I
went ahead and put a lot of windows in my kitchen, tore
those appliances out[...]guess you could
call it—there’s this species of spruce up in the Thompson
River country, and I ca[...]ine because I buy it raw. If I
cure it right, cut of short cants and kiln cure ’em, I can

do almost[...]e always colors
up somehow and it takes on a life of its own. There’s
been a surprise in everything[...]ll take my addiction over most others I can think
of. Before I know it, my stuff’s in the shops in M[...]fine.

There was a time there where I just kind of let
him alone while he was making a success of himself.
Took quite a while, I have to say[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (93)[...]me. After a
while I’ve got quite the collection of business cards on
my corkboard, got some from Reb[...]had their kids, I started getting a
steady stream of pictures, too, which is all right cause
those kid[...]oke to them, or it will be soon,
but I keep track of their birthdays, Christmas and
Easter, and that’s about as much of the year as I pay
any attention to. ‘Come out,’ he says all the time, and
I know he’s proud of what he’s got, what he’s done for
himself out thereflnd you can tell he’s real proud of
those babies—but I still never go. I got a camp[...]long at all before you’re weird, and I was kind of

an odd duck to begin with, and I really can’t[...]nd a note
to say he was sorry he hadn’t thought of it sooner. That
forced my hand, of course, and a good thing, too. I’m a
little ashamed of the wayI get. One way or the other,
it’s always been Qlent who grabs me by the scruff of
the neck and shakes me out of it. So there he was at the
airport, waitin[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (94)[...]car
and I give Merton this chain I’d carved out of a single
piece of stock—the thing’s two feet long, twelve links[...]hine, some little deal he can hold it
in the palm of his hands, but it’s loud enough you can
barely[...]e batteries wear out, or until I
kill him. Qlent, of course, has to sit there with him.
But I didn’t[...]ause I can’t stand his kid.

Now, this property of theirs didn’t look a thing
like I remembered fr[...]their own
landscaping, and there’s not an inch of their ground
that hasn’t been planted and prune[...]cedar shakes, and it’s gussied up in some
kind of copper trim that was new to me. I’d never seen[...]floors and marble countertops and about an acre of
windows looking out over the water. That one wall[...]nstairs with little Daisy
on her hip. The females of this family are something
else, I tell you[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (95)[...]t’s been telling me this one
might be the apple of my eye. He might be right.

So then we had a drin[...]I can see where they were making a production
out of supper. I smell salmon on a grill somewhere, but[...]y
think I might like is in there, including a set of very fancy
Japanese carving knives, and some pieces of cherry wood
and walnut. There’s a card on my pi[...]hould
I mind? His business takes up the best part of a three—

story building smack in the middle of downtown
Seattle. You got your showroom on the gr[...]ating over that, and on the top floor

there’s ofoffice and makes me the best
cup of coffee I ever drank. No, he says, it’s errpremo[...]little walk around Seattle. Got in the wrong part of it,
of course, and some wino mugged me, and he damn
near[...]t—
you got pasta and a big old salad and a slab of pig in

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (96)[...]ipes
that sticky dead—guy music to every corner of the house,
which is not so tough on the ears afte[...]d to
it. Rebecca opens up a forty—dollar bottle of wine like it
was so much Kool—Aid, but I figur[...]at was my last night there, and while Rebecca’s
of giving the kids their baths, me and Qlent step out
on the deck. The stars are out, kind of unusual in that
part of the world. So I take the opportunity to tell him
how proud I am ofof, and he’s almost got his head down
about it. Th[...]m the beginning, nobody ever had a lower opinion

of Qlent than Qlent did. He was always so terrible
easy to embarrass, and I remember that was one of the
things that made me so awful tender about him. He’s
kind of a heartbreak, and neither one of us really knows
why. So I tell him I’m proud of him. Tell him I”ve never
been anything but prou[...]a whizbang
lacrosse player, and I caught a couple of his games before
he graduated. Daisy just kept li[...]not a
year passes when I’m not a little fonder of

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (97)[...]. Wants to know if we could go out and drive
some of the old paper route. Well, sure. One thing I’ve
got a lot of is time.

This country has changed a good deal since he
was young in it, or some of it has. Sprinkler systems.
They managed to put water on dry ground up at my
end of the valley, and there might be fewer people here[...]t. It’s empty out that
way, which is why I kind of

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (98)[...]me;
Michele Corriel
Edward Hopper once said Years of chasing
he wanted only to paint sunlight on houses —
sunlight on the side of a house. how much better can
a life be
Was it the[...]the soft creamy morning light
welcoming a moment

of reflection before coffee and traffic,
be[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (99)[...]ep this far has faded
and its two A.M. In a dream of war,

fires catching the nearby homes, I wasn’t myself
breaking the windows of the dying; my friends
for whom I wept I didn’t[...]stiff carcasses

pass through town in the pickups of happy men.

A real war smoulders far away in dayl[...], cold air,
clear under stars, reveals the breath of life,
how quickly it disappears in a rifle shot[...]speaking.

I hear each car appear, distinct,
out of the unknown dark, driver unseen,

destinat[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (100)[...]i pauses in his dance along
my wall to play a run of crazy notes.
This is The West, far West. Where does direction
start? Somewhere east but short of the war,
some place from where wars are directed.[...]refrigerator, breathing easy,
the quick movements of my pencil, rest

made possible by my warm[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (101)[...]e luminescence, mourn the fact

that the largesse of our passion only increases

territory. In the dar[...]ars equally to the brim, spills
over as the birds of morning drink.
Yesterday Morning

In this poem is[...].
We see the clock through the cold white

clouds of breath that accompany our words.

Sitting[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (102)[...]nd I’m sure I can hear it —

the gritty music of time passing. The moon
loses her grip and disappe[...]agile breath that births
them.

Sculpture

Salmon of copper
tube; koi, bright orange

against t[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (103)[...]WS—FALL 2008

108

with the insubstantiality of words.

This house is for those travelers

who mi[...]stop in the same place thinking

it is the center of their journey.

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (104)[...]ired for high altitudes and
placing small amounts of liquids and pastes—
deodorant, hair gel, Anusol[...]Zip—LockTM bag, which I would place in a pouch
of my carry—on suitcase after I had gone th[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (105)[...]though you would
still have to throw away several of your small
containers of liquid,” he said. “I probably don’t[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (106)[...]ous poet read to a large audience
from the sample of my poetry that the flyer had
requested. He said[...]voice but
didn’t. Then he quoted the last lines of William
Wordsworth’s “Intimations of Immortality” and said that Alfred
Lord Tennyson[...]t sixty miles to go, so I

say better make it six of‘em—that’s three

apiece, one for every twen[...]t we go whole hog and you and me

get us a couple of Frito Big Grabs, you say

as she sacks up the pin[...]y a whole bag, and hey,
you get two for the price of one. Well, sure

you say, you better throw in a couple of those,

but no more deals or I might have[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (107)[...]debt and you are the baby,

so I wouldn’t dream of pulling anything funny,

but I was wondering, er,[...]ed while Athens burned. This was the fated
result of Hamlet finding himself mated

with his mo[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (108)[...]ern climate.
don’tyou try.

One orchid

one jar of Katydids
one broken mirror
two limes

one[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (109)[...]little [251131.

As a child, I carried fillings of mercury around inside of my head.
Mother would call and call, but I could only hear the train in my ears,
moving down its tunnel of blood toward the dark heart

my father gave me in[...]ocolates—

no, she was eating the cooked hearts of chickens

one after another.

you will ree[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (110)[...]alf an
hour after reaching the hospital, the four of us meet the
pulmonologist. My younger brother, the Naval ofof his nostrils, his gracefully
proportioned nose, receded hairline, wisps of waving
silvery hair. Seated on his right Mom holds his hand,
saying goodbye to her husband of fifty—one years, her

weary face reddened. A f[...]notices for
two newspapers and a letter for out—of—town friends. In
coming weeks she would[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (111)[...]mes? I don’t hold my breath.

I live in and out of those endless days marked by
a ventilator’s pulse when the earth careened. Of course
my own family’s traffic claims my love and attention but
the details of Dad’s dying cling to me like an unfolding
scent[...]mano Island changed.I take its pulse, at the
dawn of the twenty—first century, sifting the evidence of
the contemporary scene just as I accustom myself[...]and I glance, as always, at
the barns and fields of the Danielson Farm north of the
highway, and my eyes trace the white lines of Camano
Lutheran Church.These symbols of Camano past are
balanced by paired symbols of Camano present and
future: Cascade Lumber, on the[...]s building boom, its
milled lumber supplying much of it. A big operation
through which scads of money pass, it centers a dull,

blessedly short c[...]urban anonymity as the Island may see,
since most of it, like Clyde Hill next to Bellevue, is
not comm[...]oreground strip
threatens the background pastoral of the Danielson
place, generations old—nostalgic[...]hose
soothing hay pastures) for the wide majority of us
who’ve never worked a farm. Down the hill an[...]Camano
Gateway, whose meanings differ from those ofof the southern peninsula—the most island part of the
Island. A big flat sign and, years la[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (112)[...]ly
regard recent arrivals who lack a thick growth of stories
springing from this soil.

Anomalous Amer[...]d out ofClyde Hill decades ago. Mom and a
handful of others who arrived before incorporation in
1953 play the role of historical curiosities—remnants

from another c[...]m piece.

I scoff at yet envy those recent swells of permanent
residents as I look behind the new look[...]ly
across the Stanwood isthmus, as the daily tide of cars
attests. Beaches, bays, and Saratoga Passage remind
resident or visitor of island, but in the new century it

is more than ever an appendage of the Sound’s metro
area further south. Not so mu[...], they see the Island’s trach a minor
extension of Bellevue’s: pieces from the world of burbs
that lies, mostly, beyond our ken. They don[...]st as they look
forward to the occasional novelty of cities. Resident of
a town of pickups with one or more dogs in back, I jog
around part of Camano’s southern peninsula or west
Bellevue, b[...]ly
judged “his” suburb a vapid terrain bereft of genuine
cultural expression or diversity. That’s an unfair
judgment, of course. Bellevue has become a multi—
racial, in[...]nclave—my Bellevue High School graduating class
of over 500 lacked virtually any racial minor[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (113)[...]es in art history. I have wandered through dozens
of sculpture gardens and galleries, private and publ[...]pe, and Australia. I
crave the peculiar pleasures of paintings and sculpture,
and find I like art history almost as much as music
history. I endorse the value of public art even if I dislike
a particular abstrac[...]t when abroad, naively rationalizing that
instead of sustained early exposure, they will find their[...]me: a father without a father.

The first couple ofof hours of free labor, my
skepticism modulated to respect. C[...]complex suited us fine because it kept thousands of
Island, but 1—5 proximity and a short bridge promised
mass discovery: it was only a matter of time for the
Sleeping Beauty to be kissed awake,[...]annual Mother’s Day
(weekend) Studio Tour, two of the Island Chamber
of Commerce’s most conspicuous sponsorships,
confirm and sustain the in—migration. One brand
of sophistication has arrived, and I laud the Island[...]role as planners.

Gateway Park fused the vision of a few oddball
Islanders and artists and ar[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (114)[...]glass artist, served as contractor and “keeper of the
aesthetics,” in his phrase. During the actu[...]Gateway Park
Dedication ceremony sealed an image of artistic
Camano. On that occasion speakers descri[...], motorists judge, for a second
or two, the value of public art in defining an island, an
attitude th[...], the whole
sustains Islanders’ privileged view of their place and
themselves. The business director[...]by map
and signboard, exists: is it the business of art or art of
business, or something more?

Since the 19205 and[...]and small pastures, occasional horses
and plenty of cutover Doug firs and Western red cedars.
The Ch[...]owth,” but mistakenly dubs it a
“remote byway of Puget Sound”: “In the quiet erosion
of our old ways can be found the first stirrings of new
beginnings, fresh attitudes and evolving iden[...]“Bah, humbugI” “Old ways”
include stories of old couples on fixed incomes getting
taxed off their land. Many resent the infusions of
newcomers and new money—an old script with
pred[...]the Island, and puffs Islanders’
common “love of beauty, both natural and man—made,”

t[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (115)[...]remain indifferent.

But given the inherent value of public art, I like
this little Park which could h[...]ritical mass and diversity. By 1999, near the end of the
decade in which the Island led the region in growth
rate (82 percent), that mass of artists and art lovers and
idle curious had emerg[...]ay not always play out this way, but the
catalyst of sharp population surge sets off a series of
transformations, not all of them aesthetic or predictable.

While some won’[...]” “beauty,” the
commitment and volunteerism of a vanguard of artists
deserves only praise. Few other Puget Sou[...]nd. The
site solicits praise. A landscaped island of shrubs shows
of David Martiz’s 7773 Return, four bronzed snow g[...]tti smiling contentedly, at rest
on a flat piece of granite, hugging a blue fish. Who
could dislike[...]xt to the Information
Hut’s door? The depiction of two guys clamming on a
Camano beach with plastic[...]ong Puget Sound’s tidebeds, reinforces a cliche of
regional privilege. I later learn the series has[...]patiently, and I hasten on,
“‘The possibility of stepping back through a threshold,
the possibility of return and the entrance back to our

past[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (116)[...]Portalx “the “negative space)”—
yikesI—of Jack Archibald’s big stained glass mural,
Mille[...]together
visually and thematically the two sides of the Gateway
Park.” Millenial Hourglmr, like a giant abstract clock,
measures the death of a father and a century, and the
new time that com[...]d
by Northwest Washington AIA (American Institute
of Architects) in honor of the Center and the vision
leading to it. A news s[...]t” and “bold statement”
in which the “use of local artists was well—integrated
into a rural[...]kes both old and new:
it imitates a cutout corner of a familiar barn, smaller
than life size. A giant hourglass mounted on a piece ofof colors and texture . . . intended to
create a sense ofof two evenly spaced vertical lines, and in the
central third, two evenly spaced horizontal lines. Shades
of brown in the left and right (truncated) thirds of[...]rimary symbol boldly declares Camano’s coming—of
age and pulls old—timers willy—nilly into[...]eau sophistication, but I squirm under the weight
of its clear symbolism, re—figuring my own[...]
Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (117)[...]hourglasses, sand appears to drop
faster as more of it passes through the narrow aperture.
Dad’s ho[...]d Stanwood. Near
Mabana I visit the studio—home ofof
Saratoga Passage views. Paintings and art photos[...]cabin and studios sit in a sunny sward at the end of
“Old Cremona Way,” a bumpy lane through woods.
Schweiger was trained “in the Cremonese methods of
violin, viola, and cello construction, restoratio[...]y replaces long—gone
logging and fishing.

One of the first artists,Jack Archibald, arrived in
the[...]tly monkish look,
he was “searching for the end of the road” and, for a
few years at least, though[...]d suit—it’s always that way. I study examples
of his stained glass in “the shack,” the early D[...]op a hill on their six acres. I wander in and out of
other log cabins and admire the rhododendr[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (118)[...]iny home—baked bread as he
narrates the history of Gateway Park and the Island’s
art colony. He an[...]uilding himself a new studio and lining up dozens
of artists to donate work to Camano’s new Senior
C[...]ven—acre site will
include a pond, the new post office, and a 320—space
Park—and—Ride lot. Th[...]ive space”—confirms

a commuter island. Post Office personnel want the

usual look. Artists want a stained—glass front entryway
for the post office that blends in with the art park,

but bump[...]n
or pond.

Archibald takes seriously his mission of public
art for public buildings, which a Stanwood[...]d Washington in the 19905 alone, and recently
six of his installations were selected for inclus[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (119)DRUMLUMMON VIEWS—FALL 2008 125

of Archibald’s “fourth major glass mural” of that year
and plans for his next three “large g[...]e for the myriad consequences, known and
unknown, of growth—that ever thickening clot of cars
and ourselves.

In this island’s story, ar[...]evelopers have
promoted in their ad copy for most of a century—what
islanders, particularly summer r[...]evelopers.

Jack Gunter, a “co—conspirator” of Archibald’s,
interprets the artist’s role mor[...]rive

the short distance to Gunter’s “History of the World,
Part IV Gallery”—move over, Mel Br[...]rs in his wake. He can’t help it, nor
can they. Of average height, bespectacled, and with
the longish hair of an artist—impresario, Gunter rushes
through a c[...]keep up while studying pieces
from “The History of Camano Island Including the
Future” and “‘H[...]2000). A natural self—promoter with a deep well of
satire, Gunter grandstands irrepressibly, and his[...]e same brand and pulls me through a detailed
tour of Setretr oft/.773 Mount I/érnon Culture, r[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (120)[...]its Bumbershoot appearance. This elaborate
spoof of anthropology and 19905 cultural icons—a fake
Ca[...]ount Vernon Culture7777e Movie, his first
full—length pseudo—documentary featuring “News of
the March” narrative voices. He spliced clips from old
footage of “primitive peoples,” exotic expeditions, and[...]ng, with backhoe, pulleys,
ropes, and expressions of amazed glee, a big Gunter
pot or bowl from a narrow trench near Stanwood. In
another a band of women, tan and buff and wearing
only scanty fur p[...]e an “ancient” Mount
Vernon Culture variation of ice hockey on snow fields
above Darrington. For[...]he’d hired a
helicopter but hadn’t told most of the women about
it, he gleefully reports: he want[...]t asks us to join in the laughter and re—vision of
history.

I notice an E Series Jaguar parked in f[...]chibald,

Gunter settled on south Camano a couple of decades

ago and moved his Gallery out in 1994., promoting

the new “remote” location with lots of interactive
advertising. Gunter attracts attention through legions of
friends and acquaintances, regularly exhibits in[...]well above
$1,000. Even ifI could afford a piece of Pilchuck art
glass, there is no place for it in o[...]einforces regional self—esteem,
sells well. One of his gigantic murals hangs in “the
Pavilion,”[...]tably small.

I own a large postcard—sized copy of his egg
tempera panel, twenty—six inches[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (121)[...]d this panel—produced midway through the decade
of unprecedented growth, the year Dad contracted
ALS—fingers the pulse of that exploding in—migration,
as though the Isla[...]k
response, and they’re right and wrong.

Tired of new art, after that Studio Tour I retreat
to our cabin and look again inside the childish whimsy
of great—grandfather Oscar Weltzien’s panels, ey[...]lay their work through a free,
self—guided tour of 27 working studios and galleries.”
This baby grows like the population. Of the four color
photos accompanying the article, t[...]rked near the Pioneer Cemetery and
joined a crowd of well over one hundred at Gateway
Park for its Ded[...]missioner representing Camano cited the
thousands ofof Park and Ride funding
for the lot in the expanded site. Rows of empty cars,
with nearby sculpture. Commuters whir[...]e and
the Commissioner both read from the Chamber of
Commerce’s vision statement extolling public ar[...]my Island

passed another threshold.These pieces of public art
individualize it. Commercial strips, l[...]trike an attitude
I applaud.The homes and studios of artists tone up the
place. I get in the gr[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (122)[...]f!” Alec is noncommittal.

“Well, it’s part of the new Camano, and you’d
better get used to it[...]dress both sons: “I want you to understand
some of the ways the Island has changed.Just as our
Beach looks different now. You might like some of it.”

Lynn, remembering her closeup view of Portalx,
raises her eyebrows skeptically.

Alec p[...]eyes around it. It has joined my private gallery of
Island fixtures. I hope an expanded sculp[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (123)[...]) Art Museum. It is reprinted here

by permission of Wes Mills,Jennifer A. Gately, and

the Portland A[...]ateful to Wes
Mills, Ms. Gately and Ingrid Berger of PAM, and G. B.

Carson for their invaluable assis[...]phite
and ink drawings emanate an intuitive sense of the
universal. His daily drawing practice, like a[...]s current thoughts and practice and is the result
of numerous conversations between the curator and th[...]ortland Art M meum.

Wes Mills: Yes, this thought of authenticity is
important to me. As I work[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (124)DRUMLUMMON VIEWS—FALL 2008 131

JG: One of the earliest drawings here was created in
1995, during a time of transition from work that was
highly self—refer[...]itten over and over. This drawing is probably one of
the last from that period. The use of text originated
from my childhood school days. Occasionally I would
get into a bit of trouble, so in turn I was made to stay
indoors du[...]s a certain point when
I’d get lost in this sea of words. This repetition, which
I returned to in these early drawings, became a kind of

safe haven for me.

JG: At that time, after aban[...]to work with great deliberation, and

your choice of materials shifted as well.

WM: There was a point[...]acted.I began to make drawings using the
simplest of materials, mainly a graphite pencil and
white pow[...]erial. I feel the same way
about ideas too. A lot of artists come to their work
with ideas. For me, it[...]ou work these materials heavily into the surface

of a very specific color of paper.

WM: Many of these drawings have been touched
quite a bit in their making, and not just with the tip of
a pencil.I have almost always made drawings on th[...]ite paper, almost a sandalwood color. After years
of making drawings on this tone of paper, I discovered
some [Islamic] writings that[...]system. Briefly, in
order for the true qualities of black and white to reveal
themselves, thes[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (125)[...]er}; Portland Art Museum.

seen this relationship of black and
white in connection to a neutral
ground[...]e

so, in my life, I was drawn to the
possibility of being able to better
see a thing for what it is i[...]ut my drawings.

I am often taken by the thought

of Universal Truths and how they
intertwine through everybody. In

a lot of ways, they connect us as
individuals, and perhaps for me

drawing is that link.

JG: Yet, the ground of the drawing
Haft Rang (1997) at first appears to[...]drawn, what has been removed. I like
the thought of this neutral ground or this place, and
whe[...]

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (126)DRUMLUMMON VIEWS—FALL 2008 134

JG: With this notion of the ground upon
which your drawings exist in mind, you created
a group of drawings called Fi<ve Ingredientr of

a Cow (1999) that alludes to your interest in
Bu[...]see your own

reflection. I try to be conscious of where this

ground exists in my drawing and in my[...]n culture understands this. They

have a practice of desecrating the earth before

they create their s[...]wash and coat the ground with five ingredients

of a cow—the dung, the piss, the snot. . . . When[...]his years ago, it made me think about this notion
of the ground and how one builds or exists on[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (127)[...]itial
edition was printed. I made this
assemblage of diagonal marks
similar to the lines in the etchin[...]tal
line was missing [laughter]. So I
took it out of the frame and used
a penny to make the line. All of

a sudden the experience of the

drawing unfolded into its initial thought.

JG: I’m particularly drawn to one type of line that

reappears in your work, which s[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (128)[...]ofa line, what
would it look like? I made a group of works titled
Memory Line (1999) in which I would[...]is the mental line that is created in the making of a
drawing. It doesn’t matter what the form is. I like this
thought of memory and forgetting . . . to remember
something[...]ways a straight line. In order to
remind yourself of something, do you ever go back

to the place you[...]nature.

WM: One time, I was sitting on the bank of the
Bitterroot River near my home, watching sticks and

leaves float by. I was thinking about the flow of the river

and the linear space it covered. In my[...]lapping shoreline was
only taking up a foot or so of space, yet I could see the
history of this line going up the side of the bank and
valley. The drawings that followed were more about
this type of space and the possibility it encompassed.
Around[...]specks that simply follow
the natural progression of my hand.

Earlier I talked about the ground on wh[...]stand where the drawing existed on the
page. Many of them have a central, hard—edge vertical
line th[...]ut I found that this drawn line
lacked some sense of truth. I found that when I cut
through the paper surface with a razor blade, all of a
sudden the drawing existed near this new physic[...]utside the drawing, almost like bringing
the edge of the paper inside, the outside in.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (129)[...], you’ve even gone so far as to alter
the shape of the paper using templates you store in

various b[...]pt the
form and now I really like them.

JG: Much of the palpable energy in your drawings
stems from t[...]e space in between things really defines
so much of what a thing is about. The paintings of
[Italian Metaphysical painter] Giorgio Mor[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (130)of a Montana
Ranch
Installment Three

Ada Melville S[...]rst-person narrative written from the
perspective of a woman homesteading alone
near Billings, Montana[...]e Shaw,
writer and editor, suffragist, and author of
the lyrics to the hymn, “All the Day” (ca.
19[...]ideas,
letters, and experiences, employing a crew of
field editors who traveled across the United
Sta[...]n, 752 Farm2r’i Wg'f2 brought Shaw’s

account of her homestead stay to its readers
in several inst[...]like best to call her—deals heavily
in “pairs of opposites”—heat and cold, black and white,
go[...]was in semi—
arid country where every particle of moisture was worth
more than its weight in gold,[...]as—so far as I was concerned—literally “out of
sight.”

My faithful water boy, Hedrick, from a nearby
homestead, at last had to give up the task of keeping my
barrel filled—they had found someth[...]home. I hoped in time to be
able to toss the dice of chance for a well but was not yet
in position to[...]ave Heathlowe’s and I thought that at least one of
their two younger sons could be spared to[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (131)[...]position and insisted that I would pay.

Six days of the week Dave Heathlowe farmed.
On the seventh da[...]his big family and went to town
to preach in one of the two small box—like churches
of Nesterville—neither one of which could in
any sense support a preacher and neither one of
which commanded anything like a proportionate
membership out of the rapidly incoming army of
homesteaders. But Dave Heathlowe was nothing if
h[...]his family over what he conceived to be the
path of duty.

I had all of my life been a regular churchgoer but
I found mys[...]ar around and whose one door was the sole

source of ventilation, had, however, a reason for being

as[...]g that might well be compared to the
alkali water of the plains and led our feet over spiritual
cactus of the most painful type, but after he had done
his[...]he pioneers had a real meeting “around a
throne of grace”—the grace of natural, essential, kindly
human fellowship. All[...]f an hour to exchange friendly
handshakes, scraps of news, and enjoy together,
perhaps not a “communion of saints” but a community
of human feeling and fellowship which they needed
fu[...]and
the little wooden box, filled with the odor of bodies
more or less unwashed and of breath from lungs more
or less unclean, and resounding to the harsh shouts of
the preacher was not an inviting proposition. But[...]express as best I might
some decent appreciation of his strenuous endeavors to

set our feet i[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (132)[...]hat. My boys’ time belongs to me
until they are of age. You’ll have to look out for yourself.
We h[...]stead
next to mine.Thus far he had been something of a
myth. His quarter section on which he had file[...]rs from the distant

timber, and spent a minority of his time on his claim.

He kept some stock on the[...]ndmill and a trough. His tiny, one—roomed
house of unhewn stone, so low and gray that it fairly
melt[...]way was so rough that, between lame
feet and fear of loose cattle, the distance was practically
prohibitive. A blank wall of his house turned toward
Cabin OWildwinds so that[...]semi—
occasional lamplight. Only the thin trail of smoke that
semi—occasionally came from the low stovepipe that
served him instead of a chimney reported his presence.
His cattle barn, low—built of logs, lay still farther away
and he used a gate l[...]water need I was really
curious for another study of character! City life does
not give one quite the sharply—defined opportunities
of getting at the very core of people’s selves as does life
under such conditi[...]wires. Therefore I selected a spot with a
minimum of cactus and apparently clear of snakes,
cautiously lay down flat on my ba[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (133)[...]mindedI But all that nonsense was soon taken out of
me. It was indeed well to have the artificiality of too
conventional life broken up. As I learned to[...]d deprivations, I was fitting myself to
meet all of life in the future with better spirit.

I made fo[...]tone hut, passing as I
did so, at least an eighth of a mile of fence decorated
with the owner’s washingfl clean array of blankets,
overalls, shirts, socks—all of them showing need for a
woman’s needle but all of them as decent as plenty of
water could make them. I “cried the house” an[...]out to meet me, flushing scarlet up to the roots of
his fair hair and with a frank honest gleam in hi[...]was blowing so hard that it
snatched spoken words of our lips, making speech
almost impossible, so my[...]ough which there still protruded knobby

vestiges of greasewoodflnd began industriously to

braid the[...]re woman” was wanting. I explained. He was slow ofofof religion
ain’t no kind a—tall . . . . But cou[...]like you be can’t use such an all—fired lot of water?”

I still further explained certain disabilities in the
way of unable feet and ankles and the daily need of my
sixteen chickens, but he did not seem much impressed.
I could see plainly that to him I was one of “these
here” city women, a helpless breed he[...]use for. However, he was gravely respectful.

Of course, I could carry a little water at a[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (134)[...]nd prove up—I have a RIGHT
to. I may need a bit of help but—others may need my
help some time. If[...]a well and horses and you needed
water . . . and of course I expect to pay anything within
reason.”[...]his braided
straws. I felt encouraged. “Matter of fact when I’m right
busy you couldn’t pay me[...]nce I start in—
that’s my way. You hang a rag of some kind over your
hitching post when you need m[...]d blew so fiercely. The water problem taken
care of was one long step toward success. I even forgot
t[...]once on reaching the
house I got from my trunk a length of turkey red cotton
which I happened to have and wi[...]and loosened hoops. It was a great
game and full of unexpectedness. One day when I was
away from the house, a wild gust of wind tore the back
door screen loose, an investig[...]he well nothing could have driven me on that
side of the fence.

But the Lord does take care of children and fools,
they say. During that particular period of enforced
drouth, no less than three different neighbors came to
see me, none of them knowing my stress, but each of

them bringing with them cans of water freshly drawn—

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (135)[...]they “kind 0’ thought” I’d like a drink of water less then
two hours old.

On another occasion Lassie, in an excess of
spirits, managed to upset the stand supporting a pail
into which I had just strained through several folds of
clean cloth the last of the stale barrel water. A. Qwas
away. There was n[...]But that night a quick shower came
up and by dint of putting a row of receptacles across the
entire width of the house, ranging in size from washtub
to a tin[...]days. It tasted
roofy for I dared not let enough of it to run offto wash
the shingles but even at tha[...]y when A. Q35 cattle were grazing
at the far side of the land, I had an inspiration. I nailed
a stout[...]rough with cattle
holes and gnarly, thorny clumps of greasewood and
cactus. But, breathless, I arrived[...]thtubs.

Are you who read growing a bit impatient of
these homely details regarding the watery phase of
my homesteading venture? Sorry! But, do not most
ofus take the common blessings of life too much
for granted? In these my ripe years[...]have thirsted for cool,
clear water than to think of it so commonly as not
to know what a gift it is and not to feel the thrill of
appreciation in the soul.

I had filed on my quarter section under the
description of hay—claim and could have satisfied the
Governm[...]tall. I was filled and thrilled with the thought of
soil redemption—the taming of the wilderness so that
it should produce g[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (136)[...]greasewood—and—cactus—covered
rises, on one of which little Cabin O’Wildwinds was
buflt

While these first months ofOf course,” he drawled, “cultivation can do
some[...]garden,
flowers, and, as a beginning, ten acres of oats. That
was settled. I had bought seeds in the very earliest day
of spring—I laugh now as I think ofof the ground I had prevailed on A. Q.J the only
ava[...]horses and machinery, to promise
to break an acre of ground for my garden near the

house and ten acre[...]could find about
the breaking up and cultivation of new ground and
had my campaign all mapped out! Oats, that first year,
ten acres of them; then winter wheat on that ten acres
and an[...]ter on—was over, I would have a
permanent stand of thirty acres of alfalfa and if I had
two crops a year, that would be a big help. The father
of a distant neighbor was an alfalfa enthusiast and[...]alfalfa tea—a brew that
was supposed to be full of nourishment and vitality—
essence; the word vit[...]e first
furrow, I begged to have my hands on one of the plow

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (137)[...]e. Oh, but I was proud! All the latent love in me of
Nature, of soil, of growing things, surged to the surface.
And I was[...]pioneer—helping to
develop the beloved country of my adoption.

I had studied Government bulletins about
plowing. Ever since I can remember, the sight of a
smoothly plowed field ready for the living see[...]d. Ah me! I suppose
A. Qdid his best but the rows of overturned sod
that should have been even, level,[...]ed by A. Q35 inadequate
strength would leap clear of the ground refusing to do
battle with the tough sod and snags of greasewood.
Then again the bright steel would bit[...]cast up a mound out ofall proportion to the rest of
the furrows. ’Twas a rough job. And although he[...]bove the horizon in marvelous peaks and shoulders
of shining, snow—crowned beauty; the birds—meado[...]to the soil.I forbear
to write the complete story of my defeat. Enough to
say that after three days of futile struggle I staked out a
scrap of ground about the size of a kitchen table and by
dint of sweat of brow and ache of back, thrashed it into
an appearance of smoothness and planted a few hardy
seeds—lettuc[...]morning—glory and scarlet bean
seeds in memory of a vine—covered summerhouse that
had been the joy of my early childhood.

Somewhere in my reading a wo[...]en ploughed lay
fallow,I understood, the fingers of the light and the
rain did a work all thei[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (138)[...]in my mouth and consoled me as I made out a list of
canned stuff to take the place of the lovely things I had
meant to garner from the[...]lay!” he responded prosaica.lly with a wise wag of
his head.

Then the hay was ripe. The skies had b[...]hated—sentimentally—to see those lovely acres of
rippling life laid low but cash is cash and anoth[...]prompt,
honest, thorough—going in every detail of the work,

wasted no hay, took no more than his s[...]hiring a well drilled was “the
gamblingest kind of a gamble” they said. They “hated
to see a widder woman lose out.” But then I might win.
One of the brothers had drilled thirteen times on his
cl[...]to
anything like a farm I’ve got to have plenty of water.
When can you start drilling?”

For three[...]ndi

I/Von’tyou [Mme a drink?

On the afternoon of the third day a shout:
I/Vaterl The men sa[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (139)[...]ling. What a dinner
I cooked that day! A huge pan of biscuit standing up on
crisp brown bottoms full three inches; broad thick slices
of pink—and—white bacon—no curled slivers for western
appetites; plenty of canned tomatoes; a mound of rice;

I even rashly opened a can of salmon; made all the
coffee, clear and strong, we[...]itcher filled with water on the table—the last of the
barrel stuff I should have to use, for by nig[...]the morningI should draw
heaven’s free gift out of the bosom of the earth.

In the morning I pumped.

Woe, woe, u[...]st slap yet. For the water that
gushed easily out of that pump mouth was salt, bitter,
acrid—I could not hold it in my mouth.

News of the “widder’s” good luck had spread
and bef[...]hey had tapped a lower, freer stream
flowing out ofof the distant
mountains, fastened my flag in place and thanked the
gods of things as they were for a neighbor and a barrel.[...]to dig me a well by
hand for a very moderate sum of money and I bade him
go ahead. He struck water no[...]wanted a truly
marvelous drinkI hacked out chunks of ice and melted
them. 7774! was water! Abso[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (140)[...]cals to
make it soft and safe. I was on the point of grumbling
when I had a Vision—a distant mountai[...]miling, nor had I any harsh
judgment for the wail of a fellow woman, who never
having been wate[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (141)DRUMLUMMON VIEWS—FALL 2008 152

“The People ” of Montana;
In Exegexix of Indian EducatianforAll
Nicholas CP Vrooman

A sto[...]eyenne homeland
along the Tongue River just north of Birney. It’s 1992.
Tribal elders Bill Tall Bull[...]ht out the pipe, offered tobacco, and
spoke words ofof earth. I handed them
the master tapes.

As we com[...]rget, they
said, and always have at the forefront of my thoughts
whenever I brought out the pipe. This[...]ngs were now documented for posterity. The secret
of the pipe, they said, was to never ask too much of it.

There is a trick involved.The trick, they sa[...]brother, your helper, they said. Don’t
ever ask of it anything you would not ask of yourself.
If you would ask it of yourself, and then ask it of your
pipe, the pipe will help you, will answer yo[...]ayers. Then your pipe will have a
high percentage of miracles coming true, they laughed.
That is the secret of the pipe.

It is a simple story, but there’s an[...]ere, five hundred years following the beginnings of
European migrations to the western hemisphere. In
the first hundred years of contact nine—tenths of those
already here died from disease—an estimat[...]ng they
were still alive have suffered a fistful of centuries fighting
for human rights in the face of ignorance and violent
oppression—along with racial policies that served up
a menu of apartheid or extinction as the only choice.
Yet t[...]lk Shoulder, and me (an
eleventh—generation son of a Nieuw Nederlander Indian
fur trader from Beverwzjtk), enveloped in a scene of pipe,
song, and story that had been performed wit[...]There
I was, deep amidst and sharing in the world of the ten
percenters. So much survives.

A metaphor[...]Doesn’t seem like
much at first, when thinking of the loss of the other

ninety percent. But then, if we[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (142)[...]market economy terms and were earning interest of
ten percent on investment in means of production,
and it was compounded annually and fo[...]number and a
healthy growing concern. Ten percent of Indian culture
and civilization survived and has been compounding
since the turn of the 20‘h century, the nadir of Indian
population in America (at one—quarter mi[...]ide and began once
again to grow. The human value of Montana’s Indians
can be understood as the base rate of our whole
society’s increase.

As with the Nort[...]na society. By
increments, the dreams and askings of the survivors of
this world’s most tragic human catastrophe are[...]growing in population. There
has been a reversal of fortune—for all of us. And are
those bison in the meadows and on the[...]rive East, West, North, and
South over the hiways of the Northern Plains and
Rocky Mountains? It is go[...]e People?” It’s an ancient name early

groups of humans gave to themselves, the world

over, to sa[...]us from all else in nature. In Montana,
our part of the world, Indians have been saying “We
the People” for well over 10,000 years. As citizens of
these United States, “We the People,” are onl[...]old aphorisms that when
coupled beautifully speak of our national identity.
One is from our European h[...]in connection to all
things. They tell us “out of many, we are one” (from
the Latin—E Pluribm U[...]about being American.
There are also two sources of knowledge that help
us understand the lives of our ancestors. First are
our origin stories. Oral[...]through
generations, speak the memory and belief of who we
are and from where we’ve come, whether N[...]Our memories seek
support from critical analysis of evidence in the form
of tangible artifacts that read like clues yet to be[...]Troy, the Flores Island Little People, and Crown of the
Continent vision quest sites—each once existing only

as legend—now affirm oral traditions of humanity’s

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (143)[...]across our land are surviving remnants, specters
of those who preceded us. Put together, our stories and
our studies, as two sides of the same cultural coin, help
make us whole. Stori[...]veal a
concordancefl commonly accepted version—of our
human past.

In Montana, the Pikani (Blackfeet) tell us they
have always lived along the backbone of the world.
Archeological work done in Glacier, al[...]ualifies as
forever.

The Apsaalooka (Crow) tell of a schism within
their family. After years of wandering in search of the
best land on Earth, they settled where we fi[...]ribes were drawn to make the Northern
Plains side of Montana home. The ecology of the
North American steppes both provided and requ[...]i—sedentary lifeways for a successful
symbiosis of culture and environment.

The west side of the Continental Divide tells
a different history.[...]ple moved up river
over generations to headwaters of the Columbia, the
Clark Fork, the Blackfoot River[...]between competitive
neighbors, fleshes out much of Montana’s early history,

as both sides forayed[...]traditions can
be understood within three epochs of tellings: the
primary stories are of the mythic era that rumbles with
gods; next is th[...]o
survive together; finally, there is the period of true
happenings. Much of the latter period overlaps with
Euro—American h[...]ia people have checked

out every nook and cranny of this land. People have
walked from the headwaters of the smallest stream,
following the flow to the mouths of the largest rivers.
And the reverse, as well: tho[...]have been multiple
migrations at different times, of people coming from
all directions to be part of this land, including Africa,
Australia, Asia, and Europe. Critically, the story of
those occupying this land before mass Euro[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (144)DRUMLUMMON VIEWS—FALL 2008 155

of race. Over millennia of human ebb and flow, allies
and enemies, peace an[...]ghout the North Sea territories and
river systems of pre—Reformation Europe.

In a sense, today’s Montana can be seen in the
children’s dance of musical chairs. When the music
stopped, that is t[...]ations) stayed in the dance.They became
residents of what we now call Montana. Thusly, we
have our ele[...]g an
unresolved circumstance from the Indian Wars of the
nineteenth century.

The magnificence of human culture in Montana

is long and deep. We ar[...]rous

primary resources accessible that allow all of us to

view a time before time of human existence on this
land—from a primordial[...]African,
Middle Eastern, Asian, Australian—all of uSflre
descendants of indigenous peoples. Here, in this part of
the world, it is Montana Indians who hold that pl[...]o maintaining our relationship
to the foundations of our existence, rooted in the earth.
Ecological ca[...]hugely significant in commemorating a new period of
human history when one half of the world seemed to
subsume the other with Gum, G[...]hough few recognize it) we are right in
the midst of a fifty—year—long Qlincentenary of a time
called “The Strange Zone,” signifying the first half
century of The Conquest in the Americas. It was the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (145)[...]uropeans as well as Indians—and a new synthesis of
human potential was born of incredible violence.

We live daily the effects of events set in motion
from those times. Still, in the dawning of the twenty—
first century, we know so much mor[...]sion America’s civilization in 1491, on the eve of
mass European migration, through New Revelatiom of
[be Ameriem Before Columbm (here a nod to Charles[...]ere is no longer any question: humanity lost
half of its accumulated knowledge—millennia of culture
comprising what we now know were equally[...], India, or China at the same time. It was a
loss of as much again as all that’s come to us from the
history of western civilization. It was, as a species, our
m[...]n failings with
those still washed to the margins of civility in times of
great need, or those yet suffering violence from policies
of questionable motives, at best. But not in Montana[...]about “going back.” It’s about
bringing all of us forward, not leaving anyone behind.
When the n[...]ore. We know better now. Luckily, we
have volumes of information that help us recover an
understanding and appreciation for Aboriginal life

in our part of the world.There are fur trade journals;
winter co[...]collections; and scholarly
interpretations—all of these giving great insights about
the lives of Montana’s earliest peoples.

Most importantly, however, in the last generation
we have a new confidence of expression coming from
within the Indian communit[...]eing shared, but for the asking. A
new generation of highly educated Indians, in the
American sense of the term, has taken the buffalo
bull by the horns[...]willingness to
open up and share in this new era of Montana’s and
America’s history. It is a fulfillment. Recognition of the

value of our past, our common destiny, and mutual need

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (146)[...]es.This is in our hands.

Why do we need to think of Indians as distinct
and unique when considering all Americans and
Montanans? Why are they one of only three sovereign
entities named in our nation[...]those
whose societies suffered dearly as a result of America’s
borning. Americans and Montanans can[...]tal elsewhere
in the world until we do. The whole of America
and Montana owe the descendants of those Indians
who negotiated with Europeans and Americans, as
fulfillment of treaty obligation in perpetuity, the same
certain[...]ts among these are
Life, Liberty, and the pursuit of Happiness” shared by
all Americans. History has[...]out turf, determined
to overcome the shortcomings of the past, and make of
our society all that is best about our people. If America
and Montana are to hold high the standards of our
founding national and state documents, we rem[...].

The world is shifting. Montana is in the midst
of significant social transformation. Indian Edumtion
for/411 is a big piece of that change. Montana is
becoming more whole. It is only 112 years (the time of
my grandparents) since the then new Euro—Americ[...]t it demanded a round—up and
human cattle drive of Little Bear’s, Stone Child’s,
and Litt[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (147)[...]t and most significant legacy to those
ends. One of our children, growing up with Indian
Edutation fo[...]inary, will be our Tolstoy.
I remember at the end of the 1999 Legislative
session when House Bill 528[...]y, along with other
supporters engaged the system of societal governance
with such leadership, intelli[...]surprised

to hear me say I believed he was part of history in the

making; that Indian Edutation for/411 will prove to be
the single most important piece of Indian legislation
that has ever been written. Mo[...]would help
shape that ever better society dreamed of at our 1972
constitutional convention. But we are[...]nt in bringing equity and truth to the foundation
of Montana life, in a way only public education can[...]n,

and how we are remembered in the Elysian eyes of our

children’s children.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (148)[...]Revisionixm and Poxt—Revixionixm in the
Fiction of the American Wext
(a talk presented at the Montana Historical Society
as part of the Helena [MT] Festival of the Book,
October 2006)

Karen Fisher

Although I was one of those children who grew up
knowing I’d someday[...]s eighteen, naive, a happy child from
the suburbs of California. When commanded in my
first fiction[...]at
my persistently blank pages were a reflection of a blank
mind, a blank life. I was in no way prepa[...]stand who I was, what I knew, to find any aspect
of an authentic voice. I retreated to an easier—seeming
study of History. This allowed me to write easily, using
s[...]enjoyed it, graduated, and
flirted with the idea of higher degrees and the kind of
academic career that might have provided me with[...]r, a former high school teacher, a

former farmer of sorts, a former carpenter of sorts, and

all I’ve done to earn a place up he[...]t history and
literature, but never with the kind of collegial support or
insights that I might have welcomed. I did most of my
thinking in the bathtub, or digging ditches, or sanding
boards, or splitting wood, and some of the rest of it in
front of an empty page. I don’t know if what I’m about[...]r interesting or both or neither, or
whether much of this has been better said by others. I
can only h[...]ce might in some ways be
an advantage, since most of what all of us know and are
shaped by comes not from academia[...]popularly available, common, superficial. If any of us can
forge this into some deeper understanding of our place
in the culture, of how our histories have shaped us and
our work in[...]an offer here this afternoon is
only my own story of the West: of my long inarticulate
struggle with my western identity, of how I came to
recognize and understand the forces that shaped it, of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (149)DRUMLUMMON VIEWS—FALL 2008 161

profound a record of a person, a place, a time, an event,
that they take your breath away, and this is one of them.
I am a small girl in pigtails wearing blue[...]m wearing gifts from the most memorable Christmas
of my life: a leather cowboy vest, chaps, and toy six—gun
holsters. The object of my focus is the plastic palomino
horse held proud[...]mething else he had
brought for me, something old of his, and I’ve had them
on every desk of my life since then: a little pair of solid
copper cowboy boots, paperweights. With the[...]al and practical, the willing and
eager recipient of his western legacy.

It was 1966. I was already a child of television
westerns, the Golden Book of I ndianr, had spent my
fourth year in borrowed ch[...]squinting out over imagined prairies from the top of the
preschool slide—looking for Injuns, of course. I learned
to read from the homogenous and[...]t Wm Won in Cinemascope. Clyde Robert
Bulla (Star of Wild Home Canyon) was my first favorite

author.[...]me romantically involved
with the whole pantheon of American mountain men,
beginning with Jim Bridger[...]ith matching funds and
cowboy boots, with stories of his boyhood on a Montana
ranch, of his half—Cherokee mother, of his exciting life
as an early Hollywood stunt man[...]een killed by Indians. The other was a grandchild of her
namesake Emma Ruth Ross, a woman who had cros[...]and gold rush
emigrants.

In the popular culture of that time, the West as I

and many others[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (150)[...]ke this:

Brave adventuresome pioneers, in search of

a fairer land, set out from the East into an
unc[...]the many challenges presented:
by hostile tribes of Indians (though some
tribes, of course, were friendly), by inhospitable
terrain, by extremes of weather, by hunger
and disease, and, almost mirac[...]were likely to become Bad Men
and to cause no end of trouble. But because
of their adventures, all of these people were
no longer merely men and women,[...]roes

and, more modestly, Heroines.

The myth was of Man the Conqueror, and it is

the story of Western Civilization since the Romans,

I suppose[...]myth to the American

West, because this history of transition is so brief, so
compressed, so raw. Th[...]ying. A
cowBOY.

That was my first understanding of the West. But
at the same time, a second, almost[...]the Old West, my
reality was a fabulous landscape of long—haired hippies
in mini—skirts, ps[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (151)[...]Keep America Beautiful. It was

the first I knew of the environmental movement. I

heard the Song of Billy Jack, and that was the first I
knew of the American Indian Movement. And then
it was Pin[...]. It was the radicalization, the
dehomogenization of my culture; all of a sudden even
trees had rights. By the time I ent[...]ould not in
good conscience align myself with any of his victims.
And if I could not be among the victims, I must, I felt,
bear the burden of being a victimizer. I developed, for
the first time in my life, an acutely conscious sense

of guilt: mine were the wrongs, I was the spawn of
destroyers, and it was my liberal white secular h[...]lmon, the silting rivers, the very native
grasses of the plains?) It seemed to be my job to make

amen[...]h and domination and conquest.

By my second year of college, I did not want to be
a cowboy or a novel[...]an not just to read history, but to ask questions
of it. I changed from eager listener to a confused c[...]to denounce and condemn the thoughts and
actions of my own ancestors. I was a good child, but
this wa[...]to protests, I wrote letters, I
became a teacher of history and environmental studies at
a very liber[...]evelatory,
hilarious, intelligent beyond anything of its kind. N.
Scott Momaday’s House Made ofDuwn[...]s,
intriguingly unreadable, from a different kind of mind

entirely. By college, I was assigned to rea[...]1982 I
saw Koyuunirqutxi.
And my private history, of course, was revising

itself as well. My b[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (152)[...]right neighbors to “clear the Indians” in one of
the many brutal and thorough massacres of California’s
Indians. My mother’s father, a k[...]lace in my romantic history, was, I realized, one of
the supervising engineers behind the building of the
Snake River Dam. I was reading Edward Abbey a[...]ah Smith had
reportedly never slept with any kind of woman.

If I could have summarized this new and equally
compelling revisionist myth of the West, it would have

sounded something more like this:

Greedy white Americans, in search of
unearned bonanzas of furs, soil, timber, and
mineral ores, left their[...]propriated
from indigenous people) to cut a swath of
destruction through a region they ignorantly
termed the Great American Desert, a place

devoid of significant human life only because

earlier visi[...]ly depopulated it
through the clever distribution of smallpox-
infested blankets. Ihe unfailingly wise[...]and robbed in a consistent and deliberate
policy of genocide, from which they defended
themselves bot[...]tly but
whose stories ended inevitably in a state of
Plight. During this long migration west,
white families starved and froze and suffered
because of their vast pride and civilized
ignorance (while t[...]zlies and anything else
that posed a problem, all of which began the
demise of the culture in which we live today,

a culture that epitomizes the fall of man from

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (153)[...]raditional mythology
insupportable on every level of taste and morality John
Wayne and Clint Eastwood[...]er which, with a sincerity and earnestness worthy
of any romance, turned the traditional Western myth[...]ge and ironic and misanthropic as to fall outside of
any but its own philosophy. It was a work, I thought, of
surpassing truth and genius.

So there was the di[...]e

revision, all contained in my personal history of the West.

By the early ’90’s I was married,[...]said.

So I began. I began on instinct, with none of the
analysis I just expressed. I only knew that n[...]to View that time and place
from the perspective of those who had experienced
it directly, in[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (154)[...]ial to
say the least. I was thinking particularly of one genre
of the romantic frontier novel that had always seeme[...]as not
entirely humorless about these books, knew of course
that none were intended as serious literat[...]r and over until it
had become, in itself, a kind of myth. And if all myths
had their origins in some[...]e ripper, to pretend that such a myth (as so
many of our favorites do) had some basis in a real event?
It wasn’t out of the realm of reason. Several pioneer
diaries in fact record an[...]airy good
ideas is that they hit the hard ground of the practical
world. What happened to A Sudden Co[...]he novels I’d so
easily dismissed.

But because of some strange combination of luck
and inclination and stupidity, my husband an[...]the world by buying an old
homestead on the edge of Idaho’s Nez Perce reservation,
fifty acres abo[...]would leave all the
artificiality and corruption of our lives behind. What
drove the Pilgrim S[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (155)[...]milk goats
toppling our new baled hay, a bad case of Giardia, and
a tractor stuck in the mud down by t[...]motherhood, for indigence, for twelve—hour days of
hoeing vegetables. I cursed Wendell Berry and his[...]time, I learned it.

I learned, after six months of nothing but white snow
and black trees, what pric[...]trary, a common
fur could buy an unattainable hue of red or blue that
one could own or give away, that[...]would gain enough
meaning to dance with. My life of seven years in Idaho

was made of hundreds of little lessons like those, small

particular real[...]entury eyes.

As we were at last making a real go of things in

Idaho, my husband got an itch to sail[...]ng. Now I was horrified. I realized in
one night of tears anc argument what, for seven years,
I had n[...]and set out across that desert,
through hundreds of imagined dangers, with nothing
but a myth of paradise on the other side. I felt it. My
pioneer[...]at we got to
buy an old steel ketch and ten acres of Northwest island
land. We had a few small voyages which, like covered
wagon journeys, were cramped and full of packing and
unpacking, bad weather and wet beddin[...]mes transcendent, sometimes terrifying.

But most of all, diffith to sustain. We moved ashore

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (156)[...]pi, then built a
one—room cabin which the five of us then occupied for
the next two years without power, phone, or running
water. After nights of trying to dry damp laundry over
a stove, I learne[...]I learned why almost everyone had
large families of adults, or insisted on having hired help,
even if[...]d
ended here, their children married, generations of
families had stayed and linked and knew each othe[...]t no worse punishment existed in any Indian
tribe of his acquaintance than to be cast out to wander.
A[...]l, Lucy’s husband,
embodied the first gestures of the radicalism that had
moved me out to Idaho% pr[...]rity but against the profound emotional restraint
of her time, a restraint that severely circumscribed both
t1e nature and the language of relationships.I began
to understand the life—an[...]ir husbands’ heads with stones, to do the kinds of
t1ings that left them stranded in the dust. The Nez Perce

c1aracters of Lise and Noonday and Timothy spoke

for my wish t[...]nce, beyond
sentimentalization and the bland lack of understanding
so typical of the revisionist pan—Indianism I had learned,
to convey the particular awkwardness and confusion

of the confrontation between two specific cultures, to

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (157)DRUMLUMMON VIEWS—FALL 2008 169

show how the approach of European culture divided and
disrupted and dilute[...]ne on either side had
understood the implications of those differences. And
the trapper, James MacLare[...]wn journey
from despair at the impossible tragedy of human life, its
ignorance and futile ambition, it[...]more accurate and perhaps forgiving understanding of
the forces of which he was a part. He spoke for my own
journey,[...]nce, some acceptance, some
forgiveness that comes of knowing the confusing and
particular stories that[...]n becomes complete as he is
riding west on a kind of diplomatic mission, to do what
little he can to t[...]cestors were among those who had brought a
plague of measles to the Whitman Mission that fall,

a plague that claimed the lives of over half the nearby
Cayuse Indians. More emigran[...]ned to leave and had pledged to remain,
convinced of their own good work and of the benefits of
martyrdom for the Christian cause. Stunned by parallels

and by the repetition of our histories, I wrote this

passage ten days aft[...]to him
that by some terrible accident, the genius of
each race was opposed at its foundation. He
belie[...]n exists, and appears to us as
evil. It is a part of life, and sorrow is its natural
consequence.

He[...]ld suffer,
from the greed or ignorance or charity of this
other race. From accident or fate. Ih[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (158)[...]WS—FALL 2008 170

was an adult understanding of the inevitable complexity
and contradictions of life, and that nothing was more
appropriate (not[...]gap
in the ’70s was actually a mass abandonment
of ancestry, a rejection of those from whom
we had begun to inherit the entire weight of
generations of mistakes. A whole generation
metaphorically or li[...]m
home. For the first time, significant numbers
of people chose not to reproduce on moral
grounds—[...]he same thing happens in the briefer

generations of family cycles, in families who
abandon each other[...]give, the parent is no longer
honored. Ihe wisdom of ancient generations
has been that you honor parents, regardless
of their deeds. Even if you fail to forgive, you
mus[...]d to history.

I want to end with another example of what I’ve
learned by putting myself on the grou[...]My new book is,
in part, based on the true story of Jane Gay and Alice
Fletcher. In 1889 Alice Fletcher was sent, as a Special
Agent of the United States Government, to enforce the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (159)DRUMLUMMON VIEWS—FALL 2008 171

provisions of the Dawes Act. What better subject on
which to ba[...]nroll for legal and individual title to 160 acres
of land per head of household. During my education,
Dawes and his Con[...]ng for and representing the causes and
complaints of Indians in the field and in Congress.

In the ro[...], so we condescend

to her, give her the benefit of the doubt, a good but
ignorant woman in a time of Manifest Destiny. In the
revisionist tradition, we ignore her as a fool, condemn
the act. In fact, a reading of her letters shows a much
more confusing story, a story of internal division among
the tribes, of traditionalists allying with Indian agents
against progressives in favor of allotment, of death
threats against their stalwart surveyor by[...]g else occurred to me as I was
studying the lives of these people.Jane and Alice had
both been nurses[...]two decades after the Civil War, almost
a quarter of those in cities foreign—born—Italian, Irish,[...]thing they saw coming off the
train was a throng of men from six different countries
betting on the outcome of a pig fight. They learned that
Mexicans and Chin[...]It was in this context, I think, that the birth
of the virtue of homogeneity was born. Survival, as a
country, as an individual, quite literally depended on the
will of its people to accept one language, one religion,[...]ble, with
liberty and justice for all. The pledge of allegiance was
formulated, written, and adopted in the final year of
Alice Fletcher’s work on the Nez Perce reservat[...]cultural assumptions, it is diffith to conceive of an

intelligent person’s wish that homog[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (160)DRUMLUMMON VIEWS—FALL 2008 172

become the order of the day. It was only when I
learned and thought about the particular events of
these women’s lives, when my general ideas about their
lives hit the actual hard ground of their realities, that

I began to sense something[...]not imagine who we
would become. We are a result of their success, a people
with a culture so strong,[...]ive that
not only subcultures but whole countries of the world
feel threatened by it. Our thought today is shaped

by this new power, by the loss of the more personal
identities and heritages, custo[...]a theory. I don’t know. It’s just one
example of the ways of thought the practice of historical
fiction can encourage, of the questions it can lead us all
to ask, and has[...]have all shown
me new ways to look at the history of the West and have
given me more subtle and complicated and sometimes
more unsettling interpretations of who we are and what
our stories mean, than I ever[...]lebrate their
efforts, as I celebrate the efforts of all who came before
and have been a part of this great western conversation.
I am glad to be[...]xamples, and with a hope that I might add a voice of
my own to the story.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (161)[...]layton

Caroline Lockhart (1871—1962) wore many of the brands
of the classic Western genre novelist: a love of horses,
a nostalgia for the open range, a stylist[...]tern landscape could pose physical threats to
men of adventure. But in other ways she was remarkably
u[...]haracters were based
not on the heroic prototypes of James Fenimore Cooper
and other frontier mythmake[...]needed a success.
After the widely admired debut of MerSmith (a
bestseller in 1911), her career had s[...]blish for fifteen years—with a justified lack
of success. With slow sales, Lockhart’s money like[...]re to produce a blockbuster. Worse, her only copy
of the new manuscript had been accidentally destroye[...]rewrite it, and quickly.

Lockhart never thought of herself as a pulp
novelist, so she tried to make[...]the Bitter Rootx received better
reviews than any of her books since MenS‘mith.2 It
apparently sold[...]g William Farnum, both leading Hollywood
figures of the day.3 And it set the stage for two later
nove[...]ude
Wrangler (1921), which today are seen as some of her
strongest.

But what may be most successful a[...]erpretations. This is not a Western about the
end of the cattle era, about the conflict between havin[...]nce to tame a wild land, or about man’s pursuit of
freedom and woman’s civilizing influenc[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (162)[...]is “a giant in his strength, and as unconscious of the
greatness of it as a bear. He could not remember that
he had e[...]to her rocks
and minerals, and he knew the habits of wild animals
as he knew his own. Of the people and that vague place
they called ‘th[...]tle or nothing.”4

Such descriptions are common of frontier heroes:
physical strength, personal dete[...]ot a cowboy. He’s a miner.
Though he has plenty of frontier skills, they are not the
horsemanship or[...]ancier befriends him, but treats him as something of
a pet. And though his father is a successful Midw[...]uld reinvigorate his
return to society.

The plot of most formula Westerns—especially
at the time, j[...], Indians, outlaws,
or other threats to their way of life. They felt a tension
between their love of wilderness and their need for
civilization, between their personal code of honor and
the lawless world they inhabited, and/[...]tbe Bitter Rootr, by contrast, the plot consists of
Bruce’s attempts to develop a mine.

Though Bru[...]es—including
blizzards and the raging main fork of the Salmon
River—he faces equal challenges in the form of
financial plans. He must raise $25,000. He must[...]is true heroism
is demonstrated in his overcoming of engineering
obstacles.

The lead female character[...]ry.T. Victor Sprudell, the self—
important head of the Bartlesville Tool Works and the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (163)[...]ep
not for food or even trophy but the blind fury of the
kill. He is a coward and a liar. He aspires to be a man of
learning (“the natural outcome of his disproportionate
vanity, his abnormal egotism[...]o
be anything more than a “walking encyclopedia of
misinformation.”" But worst, this small—town[...]a small—time capitalistfl bad businessman. His office
turns him into an “adamantine, quibbling, frankly
penurious, tyrannical man of business.”7 His crimes
here include filing fal[...]t has already
acquired a gold claim in the bottom of Idaho’s Salmon
River canyon. Describing the san[...]aks along the bars and banks.” But Bruce dreams
of building a mill to extract larger quantities of gold.
Unlike prospector—heroes, his challenge i[...]design the machinery that can
maximize the value of the existing strike.

It was 1914., after all, si[...]underdog with a passion. His goal
is the process of processing rock. He’s a geologist: the
childhoo[...]nd said to himself: ‘If only there was
some way of getting water on it!”9 Bruce is still driven
by money, of course—as is any capitalist. But where t[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (164)[...]mer referred to
“Miss Caroline Lockhart, author of 777e Man From tbe
Bitter Rootx and other Western[...]rt manages
to get the real stuff into her stories of the West—the
look, the very smell, of the land, the talk of the men, the
sense of adventure and stress of life that belongs in the
wild places.”‘0 Agai[...]thought that
large—scale industrial development of the type Bruce
envisioned was an extension of the frontier myth.

Certainly, Lockhart implies i[...]inst the canyon wall— is a highest and best use of
the rugged, remote canyon. That’s a familiar ph[...]the

landscape. But it doesn’t match our vision of cowboys,

who celebrated unspoiled territory and lamented the
coming of the very industrial civilization they had fled
W[...]Bitter Rootx. Lockhart establishes
Bruce’s love ofof sheep, and when Bruce finds the carcasses,
“he[...]They shone black and vindictive
through the mist of tears which blinded him as he cried
in a shaking[...]t further portrays uncharted territory
as capable of coexisting with industrial mines. On the
v[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (165)[...]he cowboy myth toward the actual, industrial
West of the 20‘11 century. The genre did not follow
Loc[...]s battling rustlers and Indians
on the open range of the 18805. But at least one author
understood the West’s evolution toward the odd
juxtaposition of unspoiled and exploited. And, in fact,
she record[...]te him agin.”‘4
Not just the rivalry, but all of Bruce’s challenges are
set outside the purview of government: raising money
through private investo[...]stments
in government relations made by operators of mines:
permit approvals, labor—safety concerns,[...]dead
in the harness—a victim to the parsimony

of a government that has spent millions on
useless d[...]irs,
but continues to pay cheerfully the salaries
of the engineers responsible for the blunders;
footing the bills for thejunkets of hordes

of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (166)[...]e West, Bruce
had come to have a feeling for some of the
departments of the government, whose
activities had come under h[...]may
even still be true. But the passage feels out of place
in this supposed book of action, with this hero who
supposedly knows so little of “the outside.” Surely the
author got carried[...]then is not just a narrative about
the challenges of capitalism but a polemic in favor
of private enterprise and libertarian philosophies
over government involvement. Lockhart approves of
this evolution of Western political philosophy—an
evolution that[...]tside.’ It was

comfort, independence, and most of all the

ability to choose, to a great extent, one’s
friends instead of being forced to accept such
as circumstances may[...]o his
matrimonial entreaties when she sees a sort of ghost
of her future: “Mae Smith had been young an[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (167)[...]179

Smith emanates “that indefinable odor of poverty—
cooking, cabbage, lack of ventilation, bad air”flnd is
always in need of[...]bin—style espresso stands. But for the purposes
of this essay, let’s explore the following ideas t[...]y myth and the literary
Western genre. The facets of today’s West that
are not “cowboy”—cities[...]ry,
technologyflre New West.

2. The application of traditional heroic values
to new concepts. The Ol[...]eld. A telecommuter is New West only
if he thinks of himself as a “modem cowboy.”
The confusion th[...], nature—oriented, pragmatic,
and libertarian. (Of course this is also the classic
“America[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (168)[...]rom tbe
Bitter Rootx can serve as a seminal novel of the New
West. I) It is not about cowboys. It’s[...]affection
for nature seems at odds with its view of industrial
mining. Its dislike of government seems at odds with
the federal role of taming the West. And its view of
the value of money seems diametrically opposed to the

ideal of the honorable cowboy.

Where fact meets fiction[...]imilar
pioneer. Because for today’s reader, one of Caroline
Lockhart’s most interesting traits is[...]fiction.

Lockhart moved to Cody, Wyoming (home of
a government—sponsored dam, pumping plant, and[...]gard with personal enmity), in
1904., and set all of her novels in the West. Like many
Western writers[...]e Bitter Rootx was no less fact—
based than any of her other work.

For as many as ten years prior to the publication
of 777e Man From tbe Bitter Rootr, Lockhart had a
re[...]was trying
to develop a remote mine at the bottom of Idaho’s
Salmon River canyon. He faced continual[...]ry to it even trickier. Lockhart spent the summer
of 1911 with him in Idaho; its highlight was a wild[...]es as well.

But in its broad outlines, the story of 777e Man
From tbe Bitter Rootx really did happen.[...]—really did try to develop
a mine at the bottom of the Salmon River canyon,
facing challenges[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (169)of an
independent—minded female writer.

Somehow L[...]lly during Prohibition—but
later took advantage of government giveaways in
the Homestead Act to build gigantic landholdings.
Even as she fenced of roads that her neighbors
traditionally used to ac[...]daho,
developing his mine. A fire destroyed much of his work in
1918 (he blamed the Germans). But he[...]uing his passion. But others saw him in the
sorts of terms old—timers love to use to denigrate New
W[...]ofNo Return, a
historical guide, “J. R. was out of his element—too proud

to cut hay, and not wild[...]ttle: Buffalo

Bill Historical Center/ University of
Washington Press, 1994), 74— 5.

2. See reviews[...]any, 1915), 40—41.

Heritage Center, University of
Wyoming, Laramie (hereafter CLC).

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (170)[...]74—301;
William Riebsame, preface to the

A[/ax of [be New Wex[ (New York: WW
Norton, 1997), 12—13[...]'Aa[ben[iei[y and
Aa[borxbip (Lincoln: University of
Nebraska Press, 2003).

21. Me—Smi[b was based[...]ozen barely—disguised Cody residents.

Ybe Fall of[be Moon was based on
Lockhart’s own 1898 sojour[...], 1984).

25.]ohnny Carrey and Cort Conley,
River of No Re[arn (Cambridge, ID:
Backeddy Books,[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (171)[...]d Clark Bicentennial Commission
released its list of ninety—one projects, it offered many
intriguing[...]ark Bicentennial. The Whitehall (Montana) Chamber
of Commerce was one ofof thousands. The man who wrote it also drew
a road[...]ntained, is ourselves.

Bert Hansen, arguably one of the great directors
of his time, was also a teacher, a playwright, a producer,
and a prominent member of the controversial Montana
Study. His life and car[...]levels.
He respected and accorded dignity to men of all colors,
religions, and occupations. He saw the value of people
working together to tell their community’s story, warts
and all. Bert Hansen made the people of Montana’s
cities and towns realize they had much to be proud of
and much to hold in trust for the future.

Bert Benjamin Hansen was born to Paul and

Mary Hansen of Viborg, South Dakota, on April 12,

1895. His fat[...]especially,
took in owning a complete collection of Horatio
Alger books. In 1914. Hansen attended the University
of Michigan as a chemistry major, but as with many
of this classmates, World War I interrupted his plan[...]ixteen months,
later recalling that he spent much of his off—time
contemplating the futility of war.‘

After his return to the states and a bri[...]Hansen headed home
to America and the Yale School of Fine Arts. While
at Yale, Hansen received instruction from one of the
preeminent professors of drama in America, George
Pierce Baker, whose tale[...]ited Professor Baker with teaching
him the basics of playwriting, acting, directing,
stage desi[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (172)[...]ompleting his graduate studies at the University

of Washington, Bert began his teaching career in
Boz[...]more
important to his life’s work, he made many of the
acquaintances who later would participate in[...]ing the Depression to study the studio techniques
of motion—picture production. Hansen later told

a[...]iques he learned in Los Angeles to the production
of his historical pageants.4

In 194.5, at a convent[...]met philosophy professor Baker
Brownell, director of the newly commissioned Montana
Study. Brownell as[...]uld change Bert’s life and make
the celebration of community history in Montana more
interesting, fo[...]the “Montana Study”
came about at the request of Montana State University
Chancellor Ernest O. Mel[...]program in the humanities to
improve the quality of living in Montana. In 194.4. the

two—part Stud[...]ed
research program exploring the human resources of
a small community, designed to develop a pattern[...]lby, the study was conducted by a former director of
the Tennessee Valley Authority, Arthur E. Morgan. The
founders of the Study shared a belief that a better future
for mankind relied on the preservation and cultivation
of the human values intrinsic to a small community.“

First, community members assembled in a series
of ten weekly meetings to discuss common problems
an[...]dy members in their discussions and understanding
of their relations to the community, state, region, and
country.

The second part of the Montana Study, and the
part in which Bert Han[...]al pageants,
which would enrich the cultural life of the community.
As Hansen would write in an articl[...]rounded in the belief that as

long as the people of American communities will work

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (173)[...]185

together as neighbors, the democratic way of life will
endure.” After study members completed the first ten—
week segment, a bibliographic outline of integrated
activities and the basic outline for t[...]ped with assistance from Hansen.

The first test of this theory for Bert and other
members of the Montana Study came in September
194.5, in the little town of Darby in a pageant entitled
“Darby Looks at Itself.” According to an account of
the Study, Small Town Renaimmte, “It was a kind of
modern morality show depicting the conflict between
traditional practices of wastefully exploiting natural
resources, and the moderns [sic] scientific use of
resources by careful planning.”The drama included
125 of Darby’s 500 residents.The cast ranged from
thre[...]tremendously rewarding. The overwhelming success of
“Darby Looks at Itself ” sparked Hansen to de[...],”
a term he borrowed from Dr. J L. Moreno, one of
the first to use drama as a means of restoring mental
health} Bert identified the plays of the Montana Study
as “rehearsed sociodramas.”[...]It was always a means to an end:

the improvement of the community through integrated
activity.

Of course, Montana in the mid—194.05 might seem
a[...]es on drama as
it relates to solving the problems of society. One visitor
to a Study group in Stevensv[...]t!” With that, the outraged visitor stormed
out of the meeting.9 Eventually the term “sociodrama”
evolved into the more popular reference of “historical
pageants” which Hansen wou[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (174)[...]n his next production, Stevensville’s “A Tale of
the Bitter Root,” Hansen tackled even thornier issues.
His careful guidance helped the people of Stevensville,
and members of the Salish and Kootenai tribes, who
traveled fif[...]ds, and newspaper files and interviewed a number
of “old timers.”The narrators included, “two P[...]atholic priest, and what was
considered a triumph of unity, the secretary—treasurer
of the Farmer’s Union and the Master of the Grange.
The writing and research committee co[...]e, a day laborer, a college
student, and the wife of a cattle—ranch foreman. A dude
rancher and his[...]whose youth dated back to the nineties had
charge of the costumes.”" Stevensville residents had
neve[...]together with the Native
people, the intricacies of their forefathers’ relations.
This time the injustice of the Salish people’s story of
forced removal from the homeland came to life, an[...]long with the audience, heard the farewell
speech of their Chief Charlot and stood respectfully as
the[...]he arena.

According to Hansen, “It was a drama of willful
aggression, the tragedy of a minority people first

frustrated, then demora[...]see, and to let others see.They
were fully aware, of course, that it was not without
contemporary para[...]was remarkable.
“Many, not only among the 2,500 of the audience but
among the older Indians, wept, for the scene was one
which many of the older people had lived through
when the India[...]le on October 15““, 1891.”

The celebration of the Lewis and Clark
Expedition’s Sesquicentennial in 1955 afforded Hansen
plenty of opportunity to put his sociodrama theories to
wor[...]iving,
realistic drama . . . against a background of nature, in
the actual setting of the events enacted, so that the story
seemed to be the truth it was, and not the whimsical
display of theatrical affectations such as we have come
to a[...]ord, pageant.”” In keeping with
his standards of historical accuracy, Hansen required
the inclusion of more than fifty Salish Indians from
Arlee and the involvement of all segments of the Three
Forks/Manhattan community.

By the time of the Sesquicentennial, Hansen
had directed twenty—five plays—including three using
the theme of Lewis and Clark and the same natural

amph[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (175)[...]oor drama
is written and produced by the citizens of Three Forks
under the supervision of Bert Hansen whose services
are made available through the courtesy of MSU.”
The show began at 6:30 each evening from July 23
though the 26‘h.The elaborate method of staging the
two—hour costumed pageant, with the use of authentic
props such as tents, canoes, and horses, called for a
man of many talents, and Bert Hansen fit the bill. Bert
took the cast of hundreds oflocal folks and combined
it with trained narrators and actors who—with

the aid of five microphones and a public—address
system hidden from view—supplied the voices of

the characters out on the stage.The actors perfo[...]nd moving in synchronized
harmony with the voices of their counterparts who
spoke through the micropho[...]d by his colleagues at the
University. University of Montana Dean of Students

Andrew Cogswell repeated a familiar sentiment in his

letter of October 2, 1964., included in a book of such

tributes and presented to Bert upon his ret[...]school house and to the
best pastures and fringes of our towns. You
blended the efforts of bartenders, bankers,
janitors, teachers, housewiv[...]genius at getting people
together. The 1955 cast of “Outward Bound” included
not only the fifty[...]nfant on a
cradle board but also their encampment of lodgepole
tepees at the west end ofof
the pageant. These dances—including the[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (176)[...]LL 2008 188

Newspaper clippings from the week of the
celebration highlight Hansen’s talents at p[...]September 24., 1964., in his capacity as Chairman of the
Confederated Salish and Kootenai Tribes, “I[...]rt Erickson, assistant manager for the MAA, wrote
of Bert, “I don’t know if Bert is a native Monta[...]rth certificate
and make him a lifelong resident of the Treasure State.
He deserves it. He is the mos[...]ard
Bound” came in, Hansen was a hero. The town of Three
Forks came away rejuvenated and full of pride. Each

night’s show drew thousands including, “descendents

of the original expedition’s members from Canada
a[...], the
Cbronitle stated, “KOPR radio technicians of Butte who
located at the pageant site said it was magnificent. They
said the portrayal of the character parts was magnificent
and the entire performance was worthy of a town
twenty times the size of Three Forks.”‘7

Often Bert relied on the same core group of
performers and supporters in a given community. F[...]ortray Captain William Clark. Bellach’s
account of Bert’s patient, yet persistent, directing skills
reveals some of the challenges Hansen faced in putting

on a pageant.

I recall your weeks of instructing the group
of local townspeople and businessmen, all
amateurs, and most of whom had never
seen a pageant of this type, let alone taken
part in one. And how evening after evening
only part of the cast showed up for practice
and each e[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (177)[...]ement in pageants
commemorating the establishment of Yellowstone Park
(1957—1963) and in the fiftieth anniversary celebration
of Glacier National Park (1960) testify to his nationally
recognized prominence in the field of historical
pageantry. In addition he wrote numerous articles on
sociodrama and several books of poetry.

Bert Hansen died in Missoula in December
1970 at the age of seventy—five. He was survived by
his wife Marg[...].
Remembering his friend and colleague University of
Montana Professor of Education Kenneth V. Lottich
wrote, “One may ar[...]ocal history and
incident, the lives and fortunes of the frequently
unheralded and unmarked—this is[...]basis for chapters in the dry and dusty

volumes of antiquarianism. Professor Hansen knew this
well a[...]he helped people to love
one another.”9

Those ofof a community. Bert Hansen was a man
ahead of his time. Certainly he set the standard for
commemorating history in Montana.

The power of pageants, in Hansen’s own words,
is that, “th[...]at
drama can exist without the fabulous trimmings of a
motion picture story. They will know tha[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (178)[...]. Maurice Foss Lokensgard, “Bert
Hansen’s Use of the Historical Pageant
as a Form of Persuasion.” Unpublished
dissertation, Southern[...]ixxame, 55

8. Lokensgard, “Bert Hansen’s Use of
the Historical Pageant.”

9. Ibid., Hansen inte[...]).
Undated letter.

11. Bert B. Hansen, “A Tale of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (179)[...]Religion
(presented as the Annual Poetics Lecture of the Helena
[MT] Festival of the Book, Holter Museum of Art,
October 2006)

Robert Baker

For man has clo[...]p, till he sees all things

thro’ narrow chinks of his cavern.

Blake

There are times we are so los[...]ear.

I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bles[...]cise, or a morning prayer recited over the
course of a year. Roethke, so often lost and disoriented
in life, in this poem composes a space of wonder that

is a space of patience, balanced between inward poise

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (180)[...]ich this poem
would take us with all the sureness of touch with which
“light takes the tree” and t[...]hian
pastoral. Wonder and poiseflnd the widening of being
they bringflre the substance of the meditation. “Come
forth into the light of things,” a voice says in a poem

of Wordsworth’s, and this seems to be the sort of light
invoked in Roethke’s poem as well. The pa[...]o the death toward which a life lived in
the open of freedom unfolds. At the same time it recalls
the[...]sion. Yet it is not the ecstatic
Keatsian version of this condition, evoked in “Ode to

a Nightingal[...]recalls.
In “Tintern Abbey” Wordsworth speaks of

that blessed mood
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world
Is lightened:—tha[...]e affections gently lead us on,
Until, the breath of this corporeal frame,

And even the motion of our human blood
Almost suspended, we are laid asl[...]soul:

While with an eye made quiet by the power
Of harmony, and the deep power of joy,

We see into the life of things.

The speaker of Roethke’s poem perhaps remains
more bodily present than the trance—like speaker of
this passage, yet Wordsworth’s vision neverthel[...]e”becomes not something fearful (as in the case
of Oedipus) but something affirmative (as in the
case of Wordsworth himself), permitting one “to
feel on[...]he romantic and in particular
Wordsworthian theme of an organic journey of life
where it is the spirit of the journey itself, not the
destination, that matters.

The poem traces an expanding movement of
participatory attention. In the first two[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (181)[...]ar to ear.”
This is Roethke’s lyrical version of what the ancient
stoics called “the discipline of desire,” or amorfizti, the
affirmation of one’s participation in the whole. Yet in
these[...]to
an unspecified “you,” then in a blessing of the Ground
and the Air, the descending light and[...]rm. This is perhaps Roethke’s eccentric version of
what the ancient stoics called “the discipline of action,”
a clarified relation with others. The calm wonder of the
opening stanzas unfolds into a renewed sympat[...]at lives, as though vital attention were a ground
of generosity. In the fifth stanza, the third movement
of the poem, the speaker affirms the power of Nature
as teacher and force, the riddling source of both his
formative journey in freedom and his fat[...]that takes us. Spirit and
air rhyme in this place of wonder.

The final stanza describes both this state of being

and the very activity of composing this echoing poem.

It clearly evokes the speaker’s intuition of a calm that
steadies him as he touches it, a pres[...]same time it refers
to the composed oscillations of this villanelle itself, the
refrain lines and the first two lines of the stanza coming
together in a fiction of form that embraces the whole of
this spiritual exercise.This is Roethke’s deft version of
what the ancient stoics called “the discipline of assent,”
a reflective measuring of the soundness of what one is
saying. “This shaking keeps me steady. I should know.”
The shaking or oscillating movement of this poem
holds the speaker in the space of poise it composes. He
“should know” because,[...]th author and reader are meant to draw its shape

of

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of the poem, then a full rhyme again at the end), th[...]he
recurring refrain lines: all these “figures of sound” at
once fall away and stay near, recede into the past and
return in the unfolding present ofof recovery
at work in the very echoing of patterned language.
And the magic this spell would cast, no doubt, lies

in the suggestion that this sort of composition in art
could become a composition in life, an actual forming
of composure, a spiritual practice available from day

to day, even in those passages of life far from this
place of patient openness. So the last two lines of the
poem, placing the refrains side by side, evoke at one
and the same time a fiction of spiritual orientation
and a fiction of poetic practice. “I wake to sleep, and
take my waking slow”: I awaken to the mystery of the
whole, including the certainty of my coming death,

in a condition of wonder that involves embracing the
gift of what is transiently there, while at the same time
I awaken to the mystery of poetry, the play of words
forming patterns, with all the attention to[...]going where I have to go”:

life is a sequence of guesses and errors that guide the
spirit supple e[...]nto a deepened
awareness, as a poem is a sequence of words that move

in part as guesses guided by sou[...]Patience
and poise, care and wonder, are the way of a grounded
levitation in life as in poetry. And w[...]rcise showing
that any such passage is a question of faith and practice.
In the life of faith we learn by going where we have
to go. “P[...]isten far is to see and walk otherwise. The
roots of lyric, Northrop Frye writes, are riddle (or
image, figure, metaphor, disclosive shift of perspective)
and [17mm (or echo, spell, rhythm, disclosive play of
sound). Roethke’s “The Waking” sounds these[...]er.
Roethke has composed what Rilke in the first of his
Sonnetr to Orpbem calls a “temple deep inside [our]
hearing.” According to Rilke’s vision of the amplitude
of transient life disclosed in words, it is through the
inwardness of hearing that the outward rising of a
tree is felt in all its presence. “The tune i[...]Man with the Blue Guitar,”
presenting a figure of sounded outwardness exactly
complementary to Rilke’s figure of sounded inwardness.
It is a passage into this space of “the unimpeded and

the interpenetrating[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (183)[...]going into the world while
going through a field of words. We go on faith. We
learn by going, and tal[...]ve to go.“

“The poem in itself is a ceremony of initiation,”
Charles Tomlinson says in a short[...]is well describes the way his own poems turn acts of
attention into ceremonies of discovery.5 He suggests,
too, that “living as we do in an age of demolition,” we
tend to be impatient with cerem[...]ironically suggests
that the ceremonial movement of so many modern lyric
poems is little more than the play of a child, an elegiac
anachronism, a pastoral nosta[...]ce, shaped by the ancient turnings
characteristic of poetry: the patterning of sound in
echoes at once recurring and surprising, and the turning
of meaning through semantic indirections. For these
turnings of language are expressions of turnings of the

spirit. Going beyond his own irony, Frost hi[...]ke will have a power proportionate to the quality of
attention, spirit, and faith that is brought to i[...]des (a passage I’ll return to
below).The motion of discovery would seem to require
a faith, however precarious at times, that one is moving
toward a source of value—a source of which, at the
outset, one has only a premonition.[...]nal initiation involves both an outward
discovery of a transformative source and an inward
discovery of an otherwise dormant dimension of the
self. This twofold discovery, further, typica[...]e, error, guilt, and mortality. Why has this
sort of initiatory search had such a distinctive place
in the tradition of the modern lyric? Surely it is not
rpetfit to th[...]ist, and contemporary poetries

work as practices of resistance akin in their stance to

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (184)[...]ght to evade and surpass the abstract
flattening of thought so pervasive in modern society.
Romantic poets, working with processual theories of
knowing and creating, invent the sort of exploratory
poetry that Robert Langbaum calls simply “the poetry
of experience.” Poems in this mode embody energies
of response and imagination without which our ideas
become but dull abstractions directing a life of spiritless
repetition. Modernist and contemporary poems, with
their many tactics of dislocation, at once retain and
transform this mode, inventing poems that demand
of the reader a step—by—step participation in th[...]ition or conclusion, that
is taken to be the life of thought. Designed to resist the
reification of language and subjectivity, these poems are
meant[...]ide}
Second, as I will try to suggest in the rest of
this essay, this initiatory movement involves a secular
rearticulation of patterns ofof all those longer, more

ambitious, more capacious[...]piritual exercise is perhaps a
compressed version of a quest.

Third, it is my sense that older patterns of
initiation travel into modern poetry in part because
there is a parallel between the mode of attention to a
presence or a promise that any initiatory movement
enacts and the mode of attention to the patterning of
language that is a defining feature of the lyric. In other
words, this movement, in a range of poems, may involve
not only an initiation into a domain of the world and
a dimension of the self but also an initiation into the
texture of language. The movement of searching in this
sort of poem (as, finally, in any accomplished poem)
involves an exploratory sounding of words themselves.
Indeed there is a vital paradox[...]. In such a movement we are drawn toward
a source of value or horizon of promise. Yet along the
way we have only premoniti[...]anticipatory guesses occasionally taking the form of
riddles—as they are on the rourter or bo[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (185)[...]ords

are taking us.9

Is philosophy, too, a kind of initiation? Perhaps. And
yet we know, or think we[...]ato has defined itself in opposition to the sort
of riddling, humming, guessing, troping movement of
discovery at work in a poem like “The Waking.” Plato’s
attack on poetry in the Republit, ofof poetry that Plato makes
in this dialogue. He clai[...]sk. These are all serious challenges to the work

of poetry. They are also, implicitly, serious challenges to
the work of any philosophy that would assume them
as definin[...]to which Plato, whatever
his polemics, conceives of philosophy itself as a kind of
initiation, a journey of the searching soul, a tranformative
conversation in which guessing and going on faith turn
out to be of great importance.‘0

The greatest of Plato’s middle dialogues—the
leedo, the Sympo[...]sophy, radiant invitations to the
philosophic way of life as the highest way of seeking
to live the good life. They can be characterized, further,
as philosophic versions of what in literary history we
know as romance. They all trace a path of erotic and
psychic transformation whereby a self can find its way
beyond the cave or prison of darkened perception,
conventional opinion, and severe political conflict.
Plato’s cave of shadows is the cave of both a psyche
and a city driven by chaotic strugg[...]t, though
a subtle puritan, wise in the mysteries of eros). We
become what we behold, Blake teaches, and Plato, like
Blake, wants to change the horizon of our care. His
philosophic romance, as many[...]

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of the ascetic, spiritual, and occasionally ecstatic

paths of the Pythagorean, Orphic, Bacchic, and
Eleusinian religious movements of his time. The path of
transcendence is now to be pursued, not simply th[...], or secret rituals,
but through a full unfolding of the life of thought in
concepts, critical questionings, diale[...]lucidity is to accompany spiritual longing.
Each of these middle dialogues provides a different
account of the sort of inner turning of the soul required
for the philosophic way of life. The search for wisdom

is variously shown to begin in the meditation on death,
in the erotic love of beauty, in the divine enthusiasm
stirred by eroti[...]oncern with shadows to a concern

with true forms of being, as Charles Kahn has shown,
demands not only a cognitive turning, though that

is of course essential, but also an erotic turning, a
transformation of the soul’s otherwise unruly appetites
and affec[...]logues, drawing the reader into
small communities of conversational quest, speculatively
unfold, as it[...]ng,” sounding to the depths just

this question of existential worth, responding to our

fear that o[...]paque. Yet, again, this invitation to the
romance of philosophy is far more ambiguous than one
might initially gather on the basis of Plato’s attacks on
poetry throughout the Republ[...]ugh the Republit. This dialogue is an
exploration of the question ofjustice; as it unfolds,
it turns into an exploration of the soul, the state, the
education of the philosopher, the nature of knowledge,
and the light ofthe good, among many o[...]ist” claim that justice is simply
an expression of power, a norm established by those
who have the power to shape the ethical and political
codes of a given state.Then Glaucon and Adeimantus
change the direction ofthe discussion, raising the
question of appearance and reality, showing that this
old que[...]vented to plague empiricists, in fact emerges out
of the everyday decisions and judgments we ma[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (187)[...]es damage above all to itself: and
a full account of the nature of the soul, he claims, will
show why this is so. Ye[...]ier
to see what justice is on a large scale, that of the city,
than on a small scale, that of the individual. So he
suggests that they all begi[...]is leads to the
famous account ofa state composed of three classes
(philosophers, soldiers, and ordinary farmers and
craftsmen), each of which classes is correlated with a
specific part of the tripartite soul (the rational part, the
spiri[...]rmony among
these different classes or parts. Yet of course this is not
an egalitarian harmony. The harmony of justice can
be achieved only to the extent that t[...]s is the question
explored in the long discussion of the education of the
philosopher that culminates in the analogy of the cave.
According to this always relevant story, philosophy,
or the love of wisdom, begins in disillusionment, in

the recogn[...]t we have believed to be

truth is in fact a play of illusions to which our desire
and thought have been chained. The breaking free of
illusions is the first task. Further, as I’ve already noted,
this radical turning of the inner eye of the soul from
shadows to true forms, and ultimately to the light of the
good, demands a transformation of the entire person.
It is this transformation that[...]r
to approach, and at least to glimpse, the light of the
good, without which glimpse, we are told, a just and
wise life is impossible. While the last three books of
the dialogue take up important issues—including
a typological hierarchy of political regimes and a
concluding myth of reincarnation—there is a sense
in which the extraordinary searching movement of
the dialogue reaches its center with this discussion of
dialectical ascent at the end ofBook VII. It is w[...]nderline
the initiatory and indeed poetic quality of the search for
the good life in this dialogue.‘[...]Yet he assures his
companions that the soundness of this analogy can be
clarified at a later stage in the dialogue: the structure
of the soul is a mystery that can be clearly approached
only through the method of dialectic. Later, in Books
VI and VII, aft[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (188)[...]nderstand this analogy, one must attain
knowledge of the good (504.).This knowledge is the telor
of the education of the philosopher and the practice

of dialectic. Yet at the same time Socrates emphasizes
that knowledge of the good itrelf exceeds any discursive
account (505a, 506e). He thus develops, in place of this
mining amount of the good, three analogiex of the good:
first, the analogy of the two suns (according to which
the intelligible light of the good, which allows us to see
what is thought, is akin to the sensible light of the sun,
which allows us to see the world); second, the analogy
of the divided line (according to which nour, or gen[...]or discursive thinking); and,
third, the analogy of the cave (according to which the
philosopher, in[...]on
and dialectical ascent, journeys from the dark of mere
opinion to the truth seen in the light of the good).
Socrates carefully works through these[...]. In a
slightly earlier passage he calls his myth of the cave a
“surmise” (517cd).This is a nice i[...]sional
analogy is clarified through an unfolding of three
further analogies. The whole dialogue turns out to be

shaped around a subtle play of interconnected analogies.

There is thus an élan of guess, a turning of trope, at

work in the dialectical quest for truth. This e’lan of
guem is linked to both eror and the love oflzenut[...]t once a longing and a
talking: at once a turning of the soul and a following of
words in conversation.

This does not mean that P[...]t Plato is not teaching, either, exactly the
sort of rationalist foundationalism that he is generally[...]aintains a “blurred picture” between a
notion of philosophy as mathematical truth (or exact
correspondence) and a notion of philosophy as poetic
construction (or ungrounded[...]at these can be approached only
through the élan of guess carefully accompanied by the
movement of reflection and discursive elaboration. It
is thi[...]epublit might be read as a parable about the sort of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (189)[...]ng
on an oscillating border between an experience of the
world and an experience of language. Do not initiatory
movements in philosop[...]s writes in Patermn, “the
small foot—prints / of the mice under the overhanging /
tufts of the bunch—grass will not / appear.” Williams,[...]ed, thus recalls at once the contemporary
meaning of “invent,” to make or construct, and the
ancient root of “invent,” to come upon or discover. This
is t[...]great biblical prophets, in trying to make
sense of the crisis of Israel and Judah between the
eighth and sixth centures BCE, recall and reshape
the national myth of Exodus. As they see matters, the
community is aga[...]lost their way; again they
are in desperate need of a Moses—like force and a radical
turning of the spirit. The concern of the prophets is
to illuminate the national crisis[...]al injustice,
in particular the callous disregard of the unfortunate
inseparable from religious and ethical practices grown
hypocritical, empty of both inward spirit and outward
commitment. They t[...]each individual to repent, to return to the ways
of justice and care commanded by God, to gather
themselves anew out of the dispersion of their lives.
“Turn, then, and live,” as Ezeki[...]uilty
introspection but a decisive turning around of one’s

spirit, a radical renewal, for wh[...]

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of the “new heart” and “new spirit” at once[...](11.19). Only
through this turning can a “heart of stone” be turned
into a “heart of flesh” (11.19). Yet, too, this ethical
teachin[...]demptive horizon
promising a total transformation of the person, of
society, and ultimately of nature itself.”

The prophets’ ethical teaching, thus, is interwoven
with the other major strand of their teaching: a
vision of the dialectic of suffering and meaning in an
individual or a colle[...]—this is simply the teaching
that the suffering of the peoples of Israel and Judah
is a punishment that their God h[...]his is the visionary
teaching that the experience of suffering is potentially
a purgatorial passage, a furnace—like burning away of
the opaque, which leads to expanded insight, deepened
sense of purpose, difficult clarification of spirit, ultimate
redemption of self and community. All the visions of
a joyous return ofIsrael to a restored Jerusalem, all the
proto—apocalyptic visions of a total transformation of

self and society and nature, form an essential pole of

this visionary perspective: for, from this persp[...]question that returns wherever a secularized
form of this vision returns in modern thought (from,
say,[...]:
is this a descriptive or a prescriptive account of human
experience? Clearly it is the latter. For w[...]nd the community to a purgatorial
passage, a task of assuming the burden of suffering

in a spirit of freedom: the demand is to turn the
suffering into[...]orphic horizons undiscovered in the blinded
world of the half—hearted and the stone—hearted.

This[...]es later. Influenced by the apocalyptic currents
of late Second Temple Judaism, closer to the Pharasa[...]ally acknowledged, he revives
the prophetic theme of a radical turning or metanoia,
the Greek word typ[...]above all a rpiritual metamorpboris or a
turning of [be rpirit. Jesus calls the lost and the darkened[...]ing toward a coming
spiritual kingdom.”

Jesus, of course, is many things: an exorcist; a

healer; a miracle—worker; an apocalyptic teacher of

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both the imminent end of history and the emergent
kingdom of God; and a courageous martyr who dies
for his willingness to live out the implications of his
teaching. My concern at this point is not with the Jesus
of early Christian communities. It is with the Jesus[...]ices anew the prophetic call
for a re—awakening of ethical life through both a
spiritual realization and a concrete actualization of
ethical principles: this double—concern is perhaps the
distinguishing mark of this whole line of teaching. It
is fair to say that Jesus places less emphasis than the
prophets on the question of social justice, and more
emphasis than the prophets on the question of inward
renewal, though this is a question of emphasis, not
of opposition.Jesus, of course, is wholly concerned
to reaffirm the prophetic teaching of love of one’s
neighbor. And, like the earlier prophets,[...]a
close, corrosive link between the callous heart of stone
that has no concern for others and the holl[...]ss
and moralism (or, as Blake puts it, the stance of
accusation) go hand in hand.Jesus calls his follo[...]reorient one’s life in relation to the
promise of eschatological redemption is the second
dimension of Jesus’ teaching that recalls the earlier
prophetic teaching. While Jesus speaks of an end—time
of severe suffering to come, he does not, prior to his
trial and death, speak out of a sheer crisis of suffering
here and now, at least not in the way t[...]teaches a bearing that involves a different
sort of transformative passage through suffering: he
call[...]ounters to a radiant unmooredness, an
abandonment of all the routines and forms of security
they have known, a kind of extravagant trust in spiritual
amplitude alone, untied, open to what Ernst Bloch calls
the reality of the not yet.‘7

It is often through parables that Jesus evokes this
coming kingdom and the sort of spiritual commitment
it requires. Indeed these parables take one far into both
dimensions of his prophetic teaching. The first parable
that he tells in the Gospel of Mark, the parable of the
sower, is in fact a parable about the point of his teaching
in parables (Mark 4.1—20). He says[...],
and it sprang up quickly, since it had no depth of soil.
And when the sun rose, it was scorch[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (192)[...]eceive, or fail to receive, the
seed—like words of the coming kingdom: the words of
the kingdom grow in those who truly embrace them as
the seeds of the kingdom itself, like wild mustard, grow
in re[...]apparently scandalous
statement about the purpose of this sort of indirect
teaching (this is the passage to which F[...]said to them, “To you has been given
the secret of the kingdom of God, but for those outside,
everything comes in p[...]s Jesus suggesting that

his teaching—like that of so many ancient religious
teachers—involves a d[...]The words immediately

following his explication of the parable suggest that
what is at stake is not[...]an initiation by response, trust, faith, crossing of
spirit: “He said to them, “Is a lamp brought[...]? Northrop Frye writes: “Jesus
sometimes speaks of his central doctrine of a spiritual
kingdom as a mystery, a secret impart[...]tiated and uninitiated is between
those who think of achieving the spiritual kingdom as
a way of life and those who understand it merely as a
doct[...]here we
have to go.‘9

This preparatory parable of parables in the
gospels, then, suggests that partitipation in the mystery
of “words of power” is a condition of any illumination

of those words: the energy and openness of spirit given

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (193)[...]corresponds to the energy and clarification of spirit
given back. Intuitive leap is a pulse of intelligence,
expectation a dimension of discovery, passionate
openness a moment of freedom. But is this not to
risk (whether in a secular or a religious domain) the
nightmare of superstition, priestcraft, dogmatism,
and fanaticism to which the whole tradition of the
enlightenment is opposed? It needn’t be so.[...]nd romance in much
the way we enter into “words of power” or powerful
works of art that move us, namely, with wonder and
intuition and a large measure of searching faith: this
movement of desire and imagination is inseparable
from the tr[...]te
relation which is not easy to analyse in terms of what is
prior to what.”“

Jesus evokes an initiatory crossing of a sort that
illuminates, outside any particular religious context, the
élan of faith in any substantive adventure of life. “The
measure you give will be the measure[...]ks and the gospels as among
our greatest parables of poetic faith, of faith in creative
power and premonition. We learn[...]lyric sound like if
understood as a door to a way of life? Perhaps it would
become a long poem,[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (194)[...]s us and shakes us
into wakefulness in the middle of a word. Then it turns
out that the word is much l[...]try to bring this all together in a speckled egg
of a conclusion. In a late essay Hans Georg Gadamer
speaks of “three words” that have shaped our cultural
tradition: the word of questioning (philosophy), the

word of legend (literature), and the word of promise and
reconciliation (religion).The latter, he says, is a word that
those of us without religious faith know in the experience
of forgiveness, a grace that permits a rebeginning.[...]another in all their differences,
because in some of their fundamental expressions they
have all involved a turning of [be xpirit. Philosophy
involves a turning from closed—up unfreedom amid
shadows to freedom in the open air of speculative
thought, unforgettably evoked in Plato’s story
of the cave. Religion in the prophetic tradition,
in[...]heart to the call ofa
transcendent source, a call of care and transformative
promise. Literature, it i[...]nfident that reflection alone will carry us out of our
broken condition, and he sets against this philosophic
faith the power of tragic literature to reveal to us the
sheer bleakness—though also the creative energy—of
our ultimately pointless existence. Nietzsche wou[...]resonantly resists

the comic plots and horizons of idealist philosophy,
prophetic religion, and the politics of progress. Here,
he argues, we are turned from the illusion of an
orderly cosmos or a meaningful history to the truth
of an abyssal ruin in things. (In the long tradition[...]l those poems that
undertake meditative soundings of death.) Yet this

is not the only voice in[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (195)DRUMLUMMON VIEWS—FALL 2008 207

only a sweep of creative power can bring about. This
is the passa[...]ed in Zaratbmtm. And, even as
early as 7773 Birtb of Tragedy, Nietzsche describes tragic
art itself as a creative overcoming of this sort, a joyous
affirmation that, dialectically, at once discloses the
vertigo of nothing and surpasses the nihilist despair
stirre[...]r, in some strange
way, both at once? The turning of romantic and post—
romantic art is often a turn[...]on,
from a blank death—in—life to a discovery of horizons
ofpromise in the face of nothing.

In all “three words” that Gadamer c[...]d “eye—deep in air,” the
good, “the light of things,” even the sheer wonder of
sheer nothing that Whitman felt in the murmur of the
sea, come to startle us awake. “I wake to s[...]y are, at their
most resonant, exemplary passages of finding a way to
begin again, to turn again in life and language. In the

words of the first of Blake’s Song of Experiente:

Hear the voice of the Bard
Who Present, Past, & Future sees
Whose e[...]The watry shore

Is giv’n thee till the break of day.”

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (196)[...]t

1953 by Theodore Roethke, from
COLLECTED POEMS OF
THEODORE ROETHKE by
Theodore Roethke. Used by permission
of Doubleday, a division of Random

House, Inc.
1. Oppen, New Collected Poemx, 152.

2. Roethke, Re Colleeieol Poemx, 104.

3. This sort of spiritual exercise seems to
be one of the things Yeats has in mind
when he speaks of the “ceremony” of
art. My passing references to ancient

stoicism i[...]are drawn from

Hadot, Re Inner Ciiaolel, a study of
Marcus Aurelius’ thought.

4. Frye,Analomy ofCr[...]s cited in Cage, Silence, 46 (Cage
in fact speaks of“unimpededness”

and “interpenetration”).[...]vokes a sounded outwardness in the

first sonnet of Part II of the Sonneix
[o Orpbem (Abeaol ofAll Porting,

462—63)—and of course one could well
say that this outward space is already
evoked in the first sonnet of Part I.

5. Tomlinson, Re Poem ox Iniiiation,
and[...]cal sketch should
serve to suggest the prominence of this
type ofmovement in the modern lyric.
At the origins of modern vernacular
poetries, troubadours and, in their
wake, Renaissance poets of courtly love
develop a poetry of displaced prayer
that has important parallels with older
movements of spiritual search. Later,
seventeenth—century de[...]has shown in Re Poetry
ofMeolitation, shape many of their
poems around the threefold movement
of Loyola’s spiritual exercises: a
passage from an estrangement from
God, through an analysis ofthe

causes of this estrangement in the
fallen self, to a restor[...]on, and often
concluding without any third phase

of recovery (other than that implicit

in the writing of the poem itself).
Further, over the last century a number
of poets—including, notably, Montale,
Vallejo, and Celan—have revived a
poetry of fractured prayer, marked by
an apostrophic movement that guides
an “I”lost in a place of ruin toward

a redemptive “you” sought throug[...]ovement. One could
call to mind, as well, a range of other
initiatory practices in modern poetry,
incl[...]those evoked in Keats’
odes, Whitman’s “Out of the Cradle
Endlessly Rocking,” Rimbaud’s voyages
into light and the whole in the riddling
“charms” of 1872, Mallarmé’s sonnets
exploring his encount[...]winter ofthings,

H.D.’s meditative unfoldings of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (197)[...]Seeing Ringx, or
Valente’s compressed soundings of

death in his last sequences. One could

easily e[...]wal
ofLilerature; and Bernstein, “The
Causality of Fate: On Modernity and
Modernism.”I discuss thi[...]lixm.This is
closely linked to the whole question
of auibenlieily in modern poetry:
from the romantic[...]which corresponds
exactly to the emotion or shade of
emotion to be expressed. A man’s
rhythm must be[...]w when it is
ascertainable; in the trampling down
of every convention that impedes or

obscures the determination of the law,

or the precise rendering of the impulse”

(Lilerary Exxayx, 9). Or, in more general
terms, the shaping of the lyric as a
kind of initiation or spiritual exercise
brings with it three important features
of modern poetry: the emphasis on
the xearebing itxelf as the substance of
imaginative life; the emphasis on the
value of auibenlieily or genuinenexx

in this searching movement at both
the subjective level (the quality of
thought and feeling) and the linguistic
level (the quality ofpatterned sound);
and, with the gradual erosion of the
transcendent in an increasingly secular
culture, the tendency to find in the
patterned sound of the poem a space

of widening irreducible to conceptual

schematizatio[...]ndency is
a recasting ofone ofthe oldest features
of lyric language: the incantatory

power of words.

IO. Plato, Re Republic, II—III
(376d—4o3c) and X (595a—6o8b). The
irony involved in the third of these
criticisms—that dramatic poets fail to
speak in their own person—is vast. For
of course the exact same charge can be
lodged at the Plato of the very dialogue
in which the charge is lodged a[...]ler ironies
at work in Plato’s other criticisms of
poetry, or in his broader account of
what he calls the “ancient quarrel”

b[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (198)[...]cularly indebted to Kahn’s
splendid exploration of the quasi—
religious nature of Plato’s philosophic
journey. My characterization of the
conversational quest undertaken in
these dial[...]—3 5 and 54—55. For
illuminating explorations of the ancient
practice of philosophy as a way of life,
see Hadot, Qu'ext—ce que la pbilampbie
an[...]ue.

12. In describing the radical
transformation of the entire person
demanded by this turning,I foll[...]egory not ofthe

city, as is usually claimed, but of the
psyche, Plato} Republic, 268—75. Rosen
suggestively characterizes this interplay
of the mathematical and the poetic

as an interplay of what Pascal calls

l 'exprii ale ge‘ameirie and[...]age in Plato’s Lefler
VII concerning the spark of insight
that flashes up only once the long

labor of the dialectical journey has
taken place: “it is[...]human
capacity is stretched to its limit, a spark
of understanding and intelligence
flashes out and i[...]fguess, or what
Socrates himself calls a practice of
“surmise,” not only arrives at the end
but al[...]the imprecise pictures and
contradictory opinions of everyday
life: the philosopher, questioning these[...]e’ Angel Valente says,
“involves an attention of all the senses
to what the words are perhaps goin[...]ugh I’m sure I read this long
ago in some study of Williams. The
late Gillian Rose, in her philosoph[...]ntemporary tendency]
misunderstands the authority of reason,
which is not the mirror of the dogma
of superstition, but risk. Reason, the
critic[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (199)[...]rye, Re Greg!
Code, 130. For a suggestive account of

Jesus as aJewish holy man, see Vermes,

Re Relig[...]h
more value are you than the birds!

And can any of you by worrying add

a single hour to your span o[...]olomon in all

his glory was not clothed like one of
these. But if God so clothes the grass
of the field, which is alive today and
tomorrow is[...]the oven, how
much more will he clothe you—you of
little faith! And do not keep striving
for what y[...], and
do not keep worrying. For it is the
nations of the world that strive after
all these things, and[...]en, when trouble
or persecution arises on account of
the word, immediately they fall away.

And others[...]ese are the ones who hear
the word, but the cares of the world,
and the lure of wealth, and the desire
for other things come in a[...]4.13—20). Only

a few words later the unfolding of

the kingdom itself is evoked as a
mysterious process of growth from
seeds: “The kingdom ofGod is as if[...]nd grow, he does not know how. The
earth produces of itself, first the stalk,
then the head, then the[...]which, when
sown upon the ground, is the smallest
of all the seeds on earth; yet when it

is sown it g[...]and puts forth
large branches, so that the birds of the
air can make nests in its shade” (Ma[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (200)[...]h and lived faith: “There
seem to be two levels of faith, the level
of professed faith—what we say we
believe, think we believe, believe we
believe—and the level of what our
actions show that we believe. Professed
belief is essentially a statement of
loyalty or adherence to a specific
community. To[...]ot quite the
same thing is not necessarily a sign of
hypocrisy, merely of human weakness
or the inadequacy of theory” (229). For
other fine accounts ofJesus[...]ht be understood

as a substantial qualification of Paul’s
“anti—Socratic” thought in the Let[...]larger
sense ofvocation, it risks becoming a
word of complacency, an excuse for bad
faith. It is possi[...]ionship
that is coming to be, the beliefin a
work of art whose pattern and meaning
are coming to be, a[...]ion by Poetry” in Selected Proxe,
44—46). All of these sorts ofbelief, he
says, involve going on intuition, going
on searching faith, and, of course, going
without any assurance that the goin[...]Jesus was asked by the
Pharisees when the kingdom of God
was coming, and he answered, The
kingdom ofGo[...]it is, or, there it is.
For, in fact, the kingdom of

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of confusion. The prelude to philosophy
was a simple[...]One could put it this way. We come

to awareness of ourselves, first of all,

as lost, disoriented, badly off balance.
Ho[...]we try to begin again. Thus the abiding
relevance of Plato’s great allegory of the
cave: the movement toward wisdom
begins in disillusion. Thus the abiding
relevance of the prophetic cry: why
have you turned away from,[...]back to, what matters?
Thus the abiding relevance of Blake’s
renewed prophetic voice: “0 Earth 0
E[...]ound? Harold Bloom writes: “After
halfa century of teaching poetry,I
have come to believe that I mus[...]is too large,
too Homeric for that. At the gates of
death,I have recited poems to myself,
but not sea[...]the suggestions, first, that an
internalization of the words of poetry
brings a power of insight in itself,

and second, that poetry or li[...]some parallels
between the inifiatory movements of

poetry, philosophy, and religion.

VVar/es Cited[...]by Robert Hullot-
Kentor. Minneapolis: University of
Minnesota Press, 1997.

Altieri, Charles. Painter[...]s, 1984.

Baker, Robert. He Extravagant: Croningr
of Modern Poetry and Modern
Pbi/oropby. Notre Dame: University
of Notre Dame Press, 2005.

Bernstein,]. M. “The Causality of Fate:
Modernity and Modernism.” In He
Reto‘very of Etbita/ Life. London:
Routledge, 1995. 159[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (202)[...]e Greek; and tbe Irrational.
Berkeley: University of California
Press, 1951.

Edmundson, Mark. Wby Rea[...]Jovanovich, 1982.

Gadamer, Hans-Georg. In Praixe of
77)eory. Trans. Chris Dawson. New
Haven: Yale Uni[...], Abraham. Bet-ween God and
Man'An Interpretation of fudaixm.
Ed. and with an introduction by
Fritz A.[...],
1962.

Howland, Jacob. He Repul7lit: He Odyxxey
of Pbiloxopby. Philadelphia: Paul Dry
Books, 1993.[...]versity Press, 1996.

Langbaum, Robert. He Poetry of
Experiente: He Dramatit Monologue
in Modern Liter[...]Point, CA.:
Ardis, 1997.

Martz, Louis. He Poetry of Meditation:A
Study in Englixb Religioux Literature

of tbe Se‘venteentb Century. New
Haven: Yal[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (203)[...]k:
Penguin, 1999.

Poirier, Richard. 'Ibe Renewal of
Literature: Emerjonian Reflectio n5.
New Haven:[...]ss,
1978.

Stevens, Wallace. 'Ibe Palm at tbe End of
tbe Mind. Ed. Holly Stevens. New
York: Ran[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (204)[...]llenges and
long—term, systemic under—funding of rural America.
The conference held in Missoula, M[...]in rural America that
have been supported by some of the most thoughtful
foundations in the country. F[...]There was also genuine frustration
among a number of conference attendees. Lurking in
the wings was th[...]make its way to rural America?

On the first day of the conference, Aaron Dorfman,

executive director of the National Committee for

Responsive Philanthro[...]t “inadequate organizational capacity” is one of
the key barriers NCRP identified that constrains[...]rofits by regional and national foundations.
One of the sessions on the last day addressed
how to bui[...]ntion was given to the lntergenerational Transfer of
Wealth. Participants pointed to the vital role th[...]foundations can play in helping capture
a portion of the wealth transfer as a community—
focused phi[...]and
assist rural residents regarding the Transfer of Wealth
and the possibility of leaving a philanthropic legacy.

Disparities in F[...]merica that can guide and nurture the development
of philanthropy and nonprofits is a core strategy f[...]hilanthropy and attracting a
more equitable share of the nation’s annual foundation
grantmaki[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (205)DRUMLUMMON VIEWS—FALL 2008 218

the Advancement of Nonprofits (BSI), to undertake
research to docum[...]documented long—term systemic under—
funding of a number of low—population rural states,

a phenomenon BSI[...]The Philanthropic Divide is a complex
phenomenon of limited philanthropic and nonprofit
sector resou[...]with their counterparts in other states.
For most of the last fifteen years, the ten Philanthropic
Di[...]r nonprofits represent the extreme manifestation of
the challenges and barriers facing rural America[...]ion Center, the ten

states with the least amount of foundation assets had an

average of $63 million per state. The ten states with the
most assets had an average of almost $9.26 bilion per

state. The asset gap, comparing averages of the bottom

ten states with the top ten states[...]2007 by the Foundation
Center, the average amount of assets among the bottom
ten states had increased[...]w assets were needed to satisfy
the funding needs of these states’ nonprofits. However,
when BSI ex[...]st assets at
$34., compared to a national average of $117, and $171 per
capita for the states with the[...]op ten
states showed a per capita grantmaking gap of $73
according to 2000 figures, with that gap increasing to
$137 seven years later.

The paucity of foundation resources in the

Philanthropic[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (206)DRUMLUMMON VIEWS—FALL 2008 219

the question of how infrastructure can be built to assist
in the development of philanthropic and nonprofit
capacity for these rural states. In Montana, for example,
the great majority of the in—state foundations are

small and unstaff[...]ts over
$100,000 are scarce at best. The building of nonprofit
and philanthropic infrastructure has generally been

the domain of foundations that can make large grants
ranging fr[...]king by the Top 50 Foundation
Grantmakers to each of the ten Divide states during the
years 2000 throu[...](by
giving) to each state increased from a total of $205.9
million in 2000 to $320.9 million in 2004. Most of
this growth, however, came from in—state founda[...]n
their respective states in 2000 granted a total of $22.5
million that year; this increased to $122.6[...]to $96 million. More importantly, the
percentage of total Top 50 grant dollars from national

foundat[...]g, and management support
services to nonprofits of all sizes throughout
this vast state with many re[...]e and help strengthen
the state’s growing ranks of family foundations,
as well as a consortium of twenty—six local

community foundations.

' In New Hampshire, a consortium of in—state

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (207)[...]d up
and emerged with an extremely robust program
of professional development and Board training

oppo[...].

BSI has partnered with a growing collaboration
of in—state foundations to develop the Montana
Non[...]tween $150,000 and $200,000. Following six
months of program development during the first half of
2008, the OEG Program will begin making grants fo[...]ment projects. Current plans call
for three years of demonstration activities, followed

by evaluation[...]in growing philanthropy
for Montana and the rest of rural America is strongly
mirrored by the interests of the state’s governor,

Brian Schweitzer. Govern[...]sation on Endowments and Philanthropy in
November of 2006 that generated keen interest in
building phi[...]ndian reservations
in Montana and the Coordinator of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (208)[...]profit needs in Indian
Country, the availability of resources within the
state, new and emerging prog[...], during this initial
development stage.

In both of these examples, Montanans have
taken “stuck sit[...]ecome involved.
Historically, the localized focus of so many of the
state’s grantmakers, the lack of a statewide grantmakers
association, and the overall problem ofof
interest in developing infrastructure that can he[...]overall positive tone and constructive
direction of the rural philanthropy conference in
Missoula, those of us living and working in rural states
are[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (209)[...]that
Wyoming and Maine have pushed
their way out of the bottom ten, being
replaced by New Mexico and[...]develop a more
comprehensive and definitive set of
philanthropic metrics and associated
indicators r[...]d
that when the research is completed,
the number of states receiving
Philanthropic Divide desi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (210)[...]eligb[.

from “Trio,” Beyond [be Morex: Poemx of Frieda
Fligelman (Berkeley: Athe Press, 1965)

Legend bax i[ [ba[ [bere were [breeprineex of Serendip,
wba[eq)er [ba[ ix or wax, and [ba[ [beg[...]g [be

unknown.

Norman J. Holter, “The Genesis of
Biotelemetry,” Bio[eleme[ry (New York:
Academic[...]e southeast corner ofWomen’s Park in the heart

of Helena, Montana’s capital city, stands a grand[...]ck destroyed by fire).
Affixed to the left side of the arch is a bronze plaque that
reads, “In Loving Memory of Norman JeHeris Holter,
1914—1983, and His Many[...]he Arts, and Learning.”
Inscribed at the bottom of the plaque (donated by Joan
Treacy Holter,[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (211)[...]S—FALL 2008 226

before his death, in memory of his parents, Norman B.
and Florence J. Holter, an[...]P. and Anton M. Holter, “Pioneers and
Builders of Montana and of Helena.”

Although he was certainly a local her[...]efferis “ eff” Holter—nor the global impact of his
scientific contributions—have been fully appreciated
beyond a small circle of physicians and researchers.

This essay seeks to[...]t, attempting to
shed light on both the character of this singular man
and his important work. At the[...]na, Montana,
and La Jolla, California—was a man of the world,
passionate about ideas and the arts (e[...]and dedicated
to making a difference in the lives of his fellow humans.
The scion of a remarkable Montana pioneer dynasty,
he believed in the virtues of education, hard work,
and intellectual independen[...]by logic.Jeff Holter was an
articulate proponent ofof what is today called “noninvasive
electrocardiology” and his invention of the Holter
Heart Monitor (and related technologie[...]hly portable Holter Heart
Monitor (today the size of the smallest iPod) allows a
physician to record the heart rhythms of a subject over
many hours, while the patient enga[...]ormation available was that collected in a matter of
minutes while the patient was stationary. In desc[...]rately needed, Jeff
Holter compared the recording of the heart to the
assaying of ore (an apt comparison, given his family’s
long connections with the gold and silver mining camps

of Montana). He told an interviewer:

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If I owned all of Mount Helena [the
mountain, now a city park, that[...]would conclude that all ofMount
Helena consisted of the same amount. That’s
what’s called poor sampling, in any kind of
science. . . .The idea that I should conclude
that that mountain has those percentages of
minerals is absurd. But that’s exactly what
you do when you take an electrocardiogram
in the office. You take twelve to fourteen
heartbeats. But[...]beats 120,000 times a day. So you look at

twelve of them, and you say, “Oh, you’re very

healthy,[...]e went on to add:

[S]ince when does life consist of holding
your breath and lying down and not moving[...]airs? People
having three meals, one right on top of the

other? Or getting drunk as a skunk? Or being
hit in the butt by an automobile? None of

that is measured when you’re lying down. . . .[...]ntless lives and helped launch a whole new field of
medicine. As William C. Roberts, editor—in—chief of 7773
Amerimnjournnl ofC’nrdiology, wrote soon a[...]former train station
in a town with a population of less than 30,000, and
unassociated with a medical[...]iscovery received further
validation when a group of physicians and research
scientists formed the Int[...]eated ISHNE to “promote and advance the science
of noninvasive electrocardiology in all its phases and
to encourage the continuing education of physicians,

scientists and the general public in the science of Holter

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (213)[...]ardiology.”4 ISHNE’s journal
is called Annalx of Noninvaxiwe Elettrocardz'ology.
As a physicist, J[...]t scientists
to see the therapeutic possibilities
of radioactivity, and he is still
remembered for his pivotal role
in the formation of the Society
ofNuclear Medicine (SNM).

C. Craig Harris noted in a 1996
history ofthe Society, “The Society
of Nuclear Medicine was created
and constructed by persons from
many branches of medicine

and the physical sciences, but it

originated mostly in the mind of a
chemist—physicist—engineer named
Norman ‘Jefi’ Holter.” Holter and

a handful of colleagues launched
the Pacific Northwest Society of Nuclear Medicine in
1954., only fifty—seven ye[...]made
the first clinical therapeutic application of radiation
when he used phosphorus—32 to treat leukemia. Holter
served as the president of the national Society from

its founding in[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (214)[...]IEWS—FALL 2008 229

concluded in his history of SNM, “[Jeff Holter] was
a clever innovator; his name is known to thousands
of cardiologists and their patients from the Holter
Monitor, which he invented. He also invented the
Society of Nuclear Medicine.”5

Nearly all the commentator[...]cientific community—from his home
in the wilds of Montana. However, Joan, the scientist’s
widow, speculates that, because of his relative isolation
(and therefore relative fr[...]as
a “Specialist in Physics” in the Institute of Geophysics
and Planetary Physics at the University of California,
San Diego), he quickly found that it[...]tead, he favored an environment where he was
free of rigid thinking, arbitrary boundaries, and jealous[...]s frankly
uncomfortable with his fame. At the end of his life, he
told historian Bill Lang:

I get a funny little feeling when I get very far

out of Helena, and doctors begin to ask me

for my autog[...]I
just have been doing what gives me a great
deal of pleasure. And that’s to search out the

unknown. 5

The life of Jeff Holter might well serve as instructive
in a[...]House
hearing in 2006, Dr. Joseph Heppert, chair of the
American Chemical Society’s Committee on Ed[...]he life sciences]. She will be
competing with all of the outstanding students in her
field on the pla[...]s. In such an environment, she and other
students of

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international tests of science knowledge, declining
student interest in[...]ant figure in American science, not only
because of his laboratory’s discoveries, but also because
he stands as an exemplar of an independent researcher
whose approach resembles that of an artist as much as it
does that of a traditional scientist.

O’Brien notes, “Inv[...]s long prized individual creativity and
the power of great ideas. In recent decades, tinkerers
and res[...]ovation consultant Peter Arnell
on the importance of independent research, “When
inventors work inde[...]s are seen as failures. When people exist outside
of the corporate model and have vision and passion,[...]adly, O’Brien reports, the U.S. is on the verge
of losing its advantage in the field of innovation. He
writes, “[P}rivate and public capital [i]s not being
adequately funneled to the kinds of projects and people
that foster invention. The study of science is not valued
in enough homes . . . and s[...]ncture when the United States stands on
the verge of losing that distinctly American mix of
inventiveness, independent thinking, and pleasure[...]lping to keep alive that grand American tradition of
genuine innovation, a tradition that includes Benjamin
Franklin and Thomas Edison, as well as thousands

of less well—known inventors who dared to break the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (216)[...]on, textx a Holter Heart Monitor on

tlye xtreetx of Helena, no date. Plyotograplyer unknown.
Collection of joan Treaty Holter.

rules. As a report from Massachusetts Institute of
Technology’s Program for Inventors asserts, “Indeed,
invention itself can be perceived as an act of rebellion
against the status quo.”“JeH Holter[...]greater exposure, well beyond the
limited spheres of the medical community and highly
specialized jour[...]6 essay, “The History, Science, and Innovation

of Holter Technology”:

It is memorable to have kn[...]c endeavors in Helena,
Montana. . . .

Every form of electrocardiographic
information of humans who go about their
daily activities and is protracted over a long
duration of time “without touching" (i.e.
without cables) i[...]be widely regarded and
accepted as the “Father of Ambulatory and
Long-Term Electrocardiograp[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (217)[...]ignore and fail to recognize the clear footstep

of a giant [who] lived within our own time.”

In a[...]ty and integrity are not just cliches
but sources ofof his adult life. The physician
who delivered him was John Lear Treacy, the father

of his future bride,Joan Treacy Holter. His paternal[...]indomitable energy.”‘5 A. M. Holter was one of Montana’s

greatest entrepreneurs, and it can b[...]tinguished forbear—who was
knighted by the King of Norway for his contributions

to educationfl pre[...]achieved success). Anton was known as the father

of Montana’s lumbering industry (he started[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (218)[...]3

Anton M. Holter, tbepioneerpatriartly of tbe Montana
Holter clan. From Progressive Men of Montana (Clyicar
go'A. W Bowen 59’ Company, ca.[...]AC 942*6’20).

paramount problem. After a great of thought
and experimenting we finally succeeded i[...]later was
patented and widely used under the name of
“Rope Feed." . . .

[Hm order to construct this[...]emper
the chisels so they would stand the cutting of
iron. . . .We finally got the mill started and
sawed about 5,000 feet of lumber before we

ever had a beast of burden in the camp.’6

By his own accoun[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (219)[...]ers Aubrey L. and Edwin O. Holter,
took over many of the businesses started by the
energetic Anton and[...]rothers’ only sister, Clara,
held stock in each of the family companies. But it was
Norman B. who to[...]inherit those responsibilities.

Jeff Holter came of age in a time when American
science education was seriously deficient. In an
interview at the end of his life, he recalled—with
considerable chagrin—the failures of his science
education in the Helena public[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (220)[...]want to
do”); one Christmas his parents’ gift of a chemistry set
had launched his passion for that[...]passion. The German—born Dr. Emil Starz, owner of
the local Starz Pharmacy and a chemist in the Mon[...]atory, took young Jeff under his
wing. At the end of his life, Holter fondly recounted his

exp[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (221)DRUMLUMMON VIEWS—FALL 2008 237

spent most of their time analyzing cowsy
stomachs and what not.[...]nice,
small, pretty well-equipped laboratory. And
of course, the smells and everything else

thrilled the hell out of me. . . . And he was a

charming old gentl[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (222)[...]. . .”Those were probably the biggest thrills
of my high school days, of everything.”

Holter spoke of Starz with considerable emotion,
and it is clear[...]ould
sit there and I would ask him ifhe’d heard
ofof analytical weights,
the same I used when I first[...]fer his protege best wishes—in
1939, on the eve of Jeff ’5 receipt of his master’s degree
in physics from the University of California, Los
Angeles—with some prescient wor[...]make a mark in your chosen profession &
cognizant of the fact that science will hear from you in
the y[...]he success & fortitude
to master the final proof of your proficiency.”22 Though
Jeff Holter would[...]the PhD Starz alluded
to, the “final proof ” of his proficiency would come just
as certainly, th[...]ng fine and I got all these God-
knows-what-kind-of merit badges, most of
which were a breeze. Go down and rescue a
flat iron from the bottom of the pool at the Y.
. . . And go into the f[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (223)[...]more or less, “Up yours, you
haven’t got one of the required merit badges,
which is the athletic[...]om the corner
store, Holter “got my thrills out of making bombs. Set
fire to my father’s h[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (224)[...]clear bomb tests in the
Pacific to his sculpting of metal with dynamite to the
family Fourth of July celebrations at their Colorado
Gulch cabin,[...]efl’x motlyer, Floreneejeflerix, at [lye time of lyer big/y xelyool
graduation, San Rafael,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (225)[...]r, Florence, who suffered
the severe chronic pain of rheumatoid arthritis.
Because of Florence Holter’s condition, she and her
son we[...]ed a quality
education and she traveled in search of relief from her
suffering. In November 1927, when[...]re he lived while attending the
Episcopal Academy of Overbrook, Pennsylvania, a
neighborhood of Philadelphia), “I am glad to hear that
Dr. Pemb[...]that
year, Jeffwtote his mother, “It seems kind of empty
like without you & Daddy to help wrap stuff[...]here you are. . . .” Clearly, during the winter of
1928—1929, the notion ofof honor. But

foremost, he wrote, “I am glad to h[...]oped capacity for compassion (like other children
of the chronically ill), he was intent on making a real
difference in the health and well—being of his fellow
humans. As literary scholar Elaine Scarry has argued
in 7773 Body in Pain, the obverse of pain’s destructive
nature is its ability to sti[...]ng; it can lead not only to the “deconstruction
of the world, but [also] to that world’s construct[...]alright with my chemistry
and am now making a lot of stuff.” At the moment
(in March 1928), h[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (226)[...]n
a vixit to Atlantic City, Newjerxey,
in xearcly of relief from lyer rlyeumar
toia' art/yritix[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (227)[...]erally wintered in Beverly Hills, again on
behalf ofof 21 that passed,I also had the highest
chemistry a[...]ank his parents
for the “very pleasant surprise of your movie camera
and projector.” He reported that Carl Hermann of
Starz Pharmacy had “come up and showed several[...]onel Charles A. Lindbergh has been shown
a number of times” and that the young Holters had
“sent in the first film of our own to be developed.”
Later in the month, h[...]ladelphia.
His parents continued to be supportive of his scientific
interests. In the same letter, he[...]must have kept during these
years includes scores of clippings about discoveries by
great scientists,[...]purely theoretical discoveries, especially those of
Albert Einstein and other physicists. Clearly, ev[...], the nascent scientist was following the masters of
innovation and implicitly modeling his own aspira[...]the way to face the second
one with an abundance of faith, ambition and
energy. . . . “Per a[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (228)DRUMLUMMON VIEWS—FALL 2008 24 5

always the battle cry of the Holters and they
succeeded as history has proprerly recorded.
With such a family record back of you you

can not fail to add more honors and fame to

the name of the Holters!4

With high school behind him, Jeff[...]os Angeles Junior
College and then the University of California at

Los Angeles (UCLA), where he received his AB. in
Chemistry in 1937.The summer of 1937 took him to
Heidelberg, Germany, where he st[...]for graduate school.

This journey into the heart of Germany just
before the Second World War seems to have marked
him profoundly. Despite the rise of Nazism, he found
much to love about German cultur[...]e visual arts,
architecture, and literature. Much of his later book
collecting would focus on first editions of classic
German scientific texts, like Goethe’s 1790 study of
plant metamorphosis, Vizrrutb die Metamorpbore de[...]brecht Durer’s stunning
work on the proportions of the human body, Hierin rind
[regrfim vier Barber won memtblitber Proportion of 1528.

While in transit to and during his stay in[...]tures. On the outgoing
voyage, on the Deutrtbland of the Hamburg—America
Line (which advertised itse[...]d”), he wrote to his father that, in a few days
of speaking with his fellow passengers, “1 have picked
up more German . . . than in many weeks of college
study.” He found one elderly woman espe[...]all on my side.”
He also made the acquaintance of a “very intelligent
and attractive girl from Ca[...]is very good
practice.“5

On the twenty—sixth of June, he reported, “Today
we are seeing land fo[...]his

accommodations: “a room on the top floor of this very

nice house owned by Dr. Fohnenb[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (229)[...]l[er family and friendr ga[ber on [be from x[e]>x of [be
Norman] Hol[er bome, Helena, unda[ed j[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (230)[...]rge

I didn’t begin to see it in two solid days of walking

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (231)[...]n effort to use
chemistry to solve the “problem of lack of natural
resources.” He elaborated: “Starting with wood only,
thousands of products have been made to replace metal
parts et[...]umbing fixtures, synthetic
metals are only a few of the results.”38

Jeff Holter had reason to be i[...]ist Doug Dowd has written:

Mention has been made of Germany’s large
aims and limited resources. Tha[...]lization was
partially but importantly an outcome of its
earlier checkerboard existence as hundreds
of principalities and their associated
bureaucracies[...]e society in the world and the
highest proportion of skilled craftspeople:
a deep mine of talent that provided
Germany with much of the “social capital”
it needed to deal effectively with problems
of organization, science, and technology.
For Germany, more than others in its era,
“necessity was the mother of invention.”

The successful fusing ofscience and

technology was the source of Germany’s

ability to develop substitutes (“ersatz”) for
resource deficiencies. The most important
of these substitutes was coal tar derivatives,
which[...]or

Germany’s vanguard explosives industry.”

Of course, this fusing of science and technology
(including the development of ermiz products), when
joined with fascist ideolog[...]expansionist
aggressions during the coming years ofof
every nationality in Europe and only German can be
spoken.” Because his course of study was the German
language, he spent his day s[...]ng to lectures in German “covering
a wide range of subjects.”He was free to choose the
lect[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (232)[...]JeflHolter may bave taken tbixplyotograply of a Nazi

xoldier witly flye Zein" Contax camera b[...]ically and mechanically . . .
without being aware of the fact that many
times Iwould much rather read[...]hy or article in a non-technical field.
In spite of my interest, it has been a struggle
and a constan[...]raction even in
Heidelberg, though the “novelty of speaking German
[to German girls]. . . is now no[...]Sometimes I round a corner and run into a
crowd of girls from Vassar or Smith touring
the cou[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (233)DRUMLUMMON VIEWS—FALL 2008 250

At the end of July, he reported that he had
“about exhausted the supply of things to see.” Most
importantly, he and his fr[...]ited
“every hospital and clinic within a radius of ten miles”
of Heidelberg. At the Kaiser—Wilhelm Institute, a[...]ocabulary is necessarily more complete”
because of his intensive language studies.44

In his effort[...]regime:

I have had fun trying to locate a book

of short stories by Thomas Mann who is
decidely diso[...]in what a horrible menace

Mann is to the welfare of Germany.“

On a day when his professor was ill,[...]cycles (“we are both in

good condition”) out of town, hoping to “round up a
symphony concert or[...], seeing all the castles,
museums and exhibitions of which the country side is
full.”They covered mo[...]or school.”The
trip, Jeff wrote, was “so full of interesting details that I
couldn’t begin to re[...]used Harrison’s
smaller camera to take pictures of a “tremendous crash
in Stuttgart between three[...]I] will be able to accurately
record all the rest of my trip. This camera is
especially made fo[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (234)of his father’s “beer
bust with Dr. Starz and the rest ofof German and the other on
“technical German principally in the field of physical
chemistry.” He felt unsure whether he[...]“if I do pass, I will have completed
one—half of the language requirement for the chemical
doctorate.” He had been eager to attend Massachusetts
Institute of Technology—“one semester at M.I.T. will
offer[...]Jeff implored him, “Please let me be the judge of what
school is best for my requirements.”The University of
Wisconsin, he noted, “has come into considerati[...]obably meant for his family),Jeff offered a

kind of journal of this final trip. Penned on Hamburg—
America Li[...]His account would be, he wrote, a “hodge podge of
impressions patterned after [Walter] Winchell’s[...]usual to see a sign which is written in
a mixture of languages.” He and Harrison enjoyed a
Schubert concert on the shores of Lake Constance, and
in a Swiss nightclub “where waiters were busy carrying
around trays of pastry and ice cream instead of gin and
seltzer water,” he visited with a Germa[...]ad recently toured in the Soviet
Union, where two of the members of his band had
“spent three months in prison for discussing politics
“out of school.”

Jeff declared himself “not overly i[...]here existed in Europe
“about the same minority of people who are genuinely
interested in something[...]almost exclusively to the tourist tradefl

sort of commercialized culture.” Only the “tou[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (235)[...]cafes” oHered “good string music” instead of “cheap Rembrandt reproduction for his friend Ha[...]orld
Meanwhile Jefi continued to happily consume of its kind.”The exhibits held Jefi rapt:[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (236)[...]example,
one walks into an alchemical laboratory of
1200 and then into one typical of13oo, 1400
etc. up to the modern completely equipped
laboratory. . . .The histories of music,
sculpture, mathematics, art perspective an[...]were objectively presented.

I took some pictures of one of Bach’s pianos.

The next day he visited the fam[...]epository thrilled him with its “current issues of 1000
scientific monthly journals as well as bound volumes
of all previous issues.” He lamented, “I only ha[...]the heavy military presence, and at
the changing of the guard at a “tomb of some Nazis,”
he found himself “caught in the midst of a bunch of
goose stepping soldiers and marched through most of
the ceremony with them.” He and Harrison also visited
the impressive new “House ofof work made
him “suspicious about some of the quality.”

At a concert of Richard Strauss’ comic opera
Der Roxenkamzlier,[...]ed in
Berlin, where they “passed several groups of soldiers . .
. practicing dragging cannons up and[...]t Dr. Starz’s relatives in Potsdam, but ran
out of time; “I am sorry,” he wrote, “as I really[...]they boarded the ship bound for
home. To the envy of his traveling companions, Jeff had
“eigh[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (237)[...]“using German word order when I
speak.” Many of his fellow passengers were seasick, but
he seemed[...]oo cold-blooded if I try
to correlate two fields of interest by reading
Mathematik and Ma/erei [“Ma[...]his time in graduate school:

This whole business of higher education
demands some thought.I realize t[...]he benefits. It means

three, four or more years of being seen only at
meals or not at all if my betterance indicates
periods of study away from home. The work
will be of the most difficult and exacting kind.
. . . I ha[...]take time now to read all the
books from the book-of—the-month club,
take time now for enjoying the broadening
interests which are a part of me, and remain

forever mediocre as a scientist.[...]erprise. Although he
would not realize his dreams of attending MIT. or
obtaining a doctorate, J[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (238)[...]255

Notes

1. Norman]. Holter, “The Genesis ofof the Montana Historical Society,
December 1982—][...]. C. Craig Harris, “The Formation
and Evolution of the Society of
Nuclear Medicine,” Seminar; in Nuclear

Medicin[...]F.E.S.C.,“The History,
Science, and Innovation of Holter
Technology,”Anmz/3 ofNoninvoJive[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (239)[...].

39. Doug Dowd, “Against Decadence:

The Work of Robert A. Brady (1901—
63),”jommz/ ofE[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (240)[...]sented this lecture at the 2004 annual
conference of the National Council

on Education for the Cerami[...]e, “they are thin—skinned.”This
confluence of our thoughts and feelings with our bodies
is one of the most profound aspects of our human
experience. We are the only animal that[...]when
happy or sad.

I am interested in the senses of the body, because
I believe there has been a dram[...]e world becomes flatter and the joy and fullness of

our lives is diminished.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (241)DRUMLUMMON VIEWS—FALL 2008 259

Part of the catalyst for my interest in this topic
is wha[...]s I
was throwing a pot, to stimulate the creation of a form
on a computer laser machine. With computer[...]argest pottery class ever taught. What might
some of the implications of this online learning be?

I would like to discuss how the use of our senses can
influence all facets of our lives, from how we learn to
how we relate to others. In essence, how the use of our
senses influences the quality of our lives.

I would like to address four topics.[...]are becoming more
dominant. Third, how the sense of touch and the hand
are vital to our well—being.[...]our ancestors were painting animals on the

walls of caves, and since then there have been 800

generations of human beings (twenty—five years being
one gene[...]ions than in the
preceding 796 gives us some idea of how quickly the
human experience is changing.

Just over one hundred years ago a family’s
primary source ofof people in our society
worked on single—family f[...]lationship to the world
changed with the creation of the nuclear bomb and its
devastating capabilities[...]ancestors gathered
around the flickering flames of campfires, yet it is only
in the past fifty years that we have instead gathered
around the glow of a television. After work and sleep,
watchi[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (242)[...]s a day.
According to the national average, those of us who

live to be seventy—five years old will have spent over
nine years of their lives in front of a TV. The difierent
sensory experiences of watching a campfire and
watching TV are worth no[...]voke silent contemplation, the TV creates a sense of

anticipation according to its prescribed narrati[...]ating. This
information revolution shows
no signs of slowing down.
With the increasing presence of TV in both private
space and public space, from c[...]cicult to dispute these remarkable changes.

Many of these innovations have enriched our lives,

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (243)[...]d
automobiles, he did not consider the phenomena

of smog or global warming. Yet new electronic

technologies have become part
of our lives with such speed
that we have had little time to
consider the implications of
these changes.There are two
paradoxes in this new world of
electronic communication. First,
one of the supposed benefits

of the new technology is its
eflciciency and the fr[...]productive by working
harder. The second paradox

of technology is the more
connected we become throug[...]r surf the Internet than to deal with the reality of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (244)[...]it.” Socrates long
ago anticipated the effects of a frenetic culture when he

said, “Beware of the emptiness in a busy life.”

He Eye

In western culture the eye has been regarded
as the noblest of senses, and vision as an extension of
thinking itself. Aristotle once said, “Sight is the most
noble of the senses because it approximates the intellect[...]ilosophers since then have reinforced this
notion of the hegemonic eye and its connection to the

mind[...]d that thinking is paramount and that

the notion of our other senses giving meaning to our
lives is of lesser significance.The eye is the sense of
privilege in our culture. As children we were often
reminded of this when visiting someone’s home to just
“look but don’t touch.”The phrase “out of sight, out of
mind” reinforces the notion that what we see is[...]ark, art historian
James Elkins says that the act of looking is one of desire
and that we want to possess what we see. H[...]for what we want, and goes on
to use the example of when we are shopping and the
salesman asks, “Ma[...]gments about what we
see. “Do I like the fabric of this shirt? When would I
wear it?”This doesn’[...]cup reminds us that we
are thirsty, seeing a pile of mail on our desks reminds
us that we haven’t co[...]r—increasing technological world,
the only part of our body that is fast enough to keep
up wi[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (245)DRUMLUMMON VIEWS—FALL 2008 263

stream of images, whether on TV or the computer
or periodic[...]xperience
our lives. According to the Association of American
Advertising Agencies, the average person is exposed
to 1,500 advertisements a day. Less than 60 of those
are even noticed. TV advertising is more co[...]philosopher Jean Baudrillard refers to as a sense of
lacking because consumption is irrepressible, and[...]ary goals in peoples’ lives. With a steady diet
of visual information, ironically we become numb. As[...]ring, taste, and smell, it diminishes
our feeling of participation. The most obvious example
is watchi[...]y Channel
versus actually experiencing them out—of—doors
where suddenly our whole body is responding. This
detachment of our other senses leads to alienation from
the wor[...]a sonogram may
likely die in a hospital in front of the glow of TV.
Certainly in ceramics a photograph of a pot can have
profound implications. Often it is[...]ed. As a young potter I was told that the quality
of a 4x5 transparency was more important than the po[...]y, solely
through our eyes, we become an audience of viewers,
which is much different than the full sensory experience
of using a favorite cup. By using a cup we reclaim
personal experience.

The essay, “The Work of Art in the Age of
Mechanical Reproduction,” written by Walter
Ben[...]ment cards, or
images online. The mass production of images has
depersonalized the interaction between the art object
and a person. Recently, I stood in front of a painting
of shoes by Van Gogh. I got very close to the painti[...]ndividual brush strokes. The metaphysical

energy of a brush stroke took me to that moment when

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (246)[...].l was with
Van Gogh.Time had stopped. The images of the shoes
had drawn me in—yet it was the memory of my hands
having experienced thick textures, once[...]thatl could “virtually” touch a brush stroke of
Van Gogh’s and stirred my emotions.

It’s wor[...]existence revolved

around the sun and the cycles
of day and night. Then was a
time when we worked outdoors
and we were very attuned to the
rhythms ofofof silent reflection.With almost
daily scientific[...]“Because we
have more time.”

When a “lack of time” becomes a state of being,

we lose part of ourselves. We can lose our curiosity

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (247)[...]s information and expand their minds.
The nuances of touch are rarely called upon by the
academic institutions.The interconnections between
the ancient art of making pottery and a generation of
students raised in a new visual electronic world[...]empting to connect my thoughts

with the movement of my hands. Wondering how
much pressure and from what direction do I push?

It is this moment of connection between touch and
thought where time s[...]touching, our consciousness is
following the lead of our fingertips.I believe it is the
direct consequence of how we touch the clay that is so
satisfying. Part of clay’s appeal is its malleability—how
respons[...]often demonstrate how I hold my hands, the speed of the
wheel, how much water to use; in doing so the student
begins to sense what to do. The essence of making

with the hand is the wisdom of the body and its stored
memory. It is our past history of tactile experiences that
assist in guiding the ha[...]paint? The answer, I believe
is complex, yet part of the answer is that clay is formless
when it is dug from the earth. It takes on the shape of
the shovel, and when it is put into a plastic bag it takes
on the shape of the bag. It’s been said that shaping

cl[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (248)[...]gerprints, which when fired remain for thousands of
years. While we are throwing on the wheel, the wa[...]wetter
clay, and this contributes to a great deal of variation in
wall thickness of the pot. I believe we are drawn to this
variation because it reminds us of the same sensation
of touching the human body. When using the cup I
ima[...]ost alive?

Who hasn’t marveled at the interior of a bird’s
nest? A bird gathers blades of grass and twigs and shapes
them with its whole body, using its chest and even the
palpitations of its heart to conform the nest to its body.
Part of our appreciation for the bird’s nest is that we[...]ns is like staring into the future. The

distance of the long horizontal line creates the allure

of tomorrow. When I pick up a stone polished by the
tumbling of endless waves, it’s like holding time in my
hand. Feeling the stone’s weight in my hand I have a
feeling of connection not only to the stone, but to its
past as well. Somehow the touch creates a greater sense
of awe about where it’s been. UltimatelyI feel imm[...]and I feel more alive.

I remember the excitement of getting dirty when
I was younger and then the pleasure of taking a shower
and watching all the water turn b[...]ack earth with my hands
and the pleasant surprise of finding a potato has given
me pleasure. Dirt is full of paradox. Plants and life come
from it, and plants[...]ways struggled to be considered a material worthy
of high art. There are complex reasons for this bias[...]as a medium has
great potential to address issues of our mortality Gone
are the days on the farm when[...]sing away in
our homes. Death has become an out—of—sight, out—of
mind proposition. What the messiness of clay does is
connect us to the cycles of life. In contrast technology is

both “c[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (249)[...]using it,
we become participants in the evolution of a pot’s life. As
our own bodies change with time, a pot’s fragility can be
humanizing.

We are part of a culture that fears growing older.
We want to erase the effects of aging on our skin with
Botox or face lifts. Yet p[...]cess by which it was made, thus revealing
passage of time. We can feel a kinship with a pot’s
histor[...]e can have a shift from the physical world to
one of reflection and compassion. Robert Turner once
told me to look to the inside of the pot for answers.
It’s this empty space and its potential to be filled with
anything that reminds us of our own potential to change.
In the forming of the pot, it is the pushing from within
that shape[...]er lips
and drinks from it. Having a kitchen full of handmade

cups enriches our lives in many ways. C[...]r
Rowan why she liked using handmade cups instead of
the machine—made cups at school, she said, “B[...]nterested in making functional
pots. Perhaps part of the answer is their busy schedules.
They eat a bag of Doritos on the run in one hand
and talk on a cell[...]hassle doing dishes? Today
Americans consume half of all their food outside of
their homes. I recall reading that the three aspe[...]drink. This can be
an unconscious activity or one of deep reflection.I
have been curious about my students’ memories of
their dinner time while growing up. I ofte[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (250)[...]ve found
that the sit—down family dinner is one of the most
significant ways a child can experience[...]old hands to do
what we usually do, have a moment of silence before
we eat. Obviously this sense of coming together was
important to her.

How we exp[...]I become quite agitated.I believe the reason
most of us have a hard time being stuck in traffic is that
it is unnatural, since for almost all of human existence
we just walked when we needed to[...]ow our
innate desires have been formed over years of evolution.
Ellen Dissanayake has written extensiv[...]man beings have a biological need to make objects of
meaning with their hands. Art—making is an essential
part of the human condition. To make something
special is[...]al occasion. This making
things special is a form of caring.

Whether it is making art, or playing in[...]charge our senses can be
experienced in a myriad of personal ways. Yet it is this
subjectivity, this personal expression in the arts that
is often thought of as non—essential to learning. Since
the[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (251)[...]thor Norman Maclean writes, “It is in the world of
slow time that truth and art become one,”I believe he
is saying that in order to have a sense of awe we can’t be
working on our “to—do list.”

For it is in the world of reflection and in quiet
moments that epiphanies and a sense of awe can be
discovered. As poet Mary Oliver writes[...]over and over
announcing your place in the family of things.” So our
challenge is not to let our liv[...]l
our senses.

When we experience all the nuances of life,
the sadness in another’s face, the warmth of the sun’s
rays on a cool day, these enable us t[...]our lives deeper and richer. It is in
the moments of slow time when we lean into life that
mean[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (252)[...]inted here by kind permission ofthe Holter Museum of
Art. Our thanks to Rudy Autio (1927—2007) and h[...], as well as Liz Gans, Marcia Eidel,
and the rest of the staff at the Holter Museum, for their
invalua[...]or many things: As seminal
force in the launching of a modern ceramic tradition that
has successfully[...]se, 1997, xerigrap/y, 38 x 52
inc/yer. Collection of [lye Holter M areum of Art. 0ft of
Miriam Sample. Plyotograply h; Kart Keller.

of the Archie Bray Foundation for the Ceramic Arts, one
of the great centers for ceramic creativity in the world.
As creator of significant works of public art in Montana
and beyond. And as an influential teacher whose students
have carried the torch of ceramic modernism throughout
the United States}[...]re,
often overshadow Rudy’s central achievement of the
past twenty—five years: the making of large stoneware
(and sometimes porcelain)[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (253)DRUMLUMMON VIEWS—FALL 2008 271

Rudy Autio, Return of the Pinto, 1983, aerylz'e on paper,
34 x 34 inelyex. Colleetz'on of [lye Halter Muxeum ofArt.
Cf! of Miriam Sample. Plyotograply h; Kurt Keller.

These works of Rudy’s maturity, as Montana
State University ar[...]s for elusive happiness. They
belong to the realm of the classical, in the sense that
their easy, seemingly endless linear movements trace
an uncomplicated world of pleasure that is beyond our
grasp, and perhaps ex[...]e
complex relationship between an Arcadian vision of the
celebration of sensual beauty and an almost baroque
sadness about the transience of life.”3

The son of Finnish immigrants who settled in
the mining metropolis of Butte, Montana, Rudy Autio
did not come easily to this bittersweet vision. It was
only after a series of explorations, encounters, and
detours that he found the exact melding of material
and imagery “where I’m at home.”4[...]art.

Rudy had discovered clay under the tutelage
of Frances Senska during his undergraduate studies[...]Bozeman, immediately

following World War 11. And of course, the encounter

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (254)[...]Japanese
master potter Shoji Hamada; the scholar of Japanese
folk art, Soetsu Yanagi; and the Bauhaus[...]uralist Diego Rivera.

After receiving his Master of Fine Arts, Rudy
returned to the Bray (as it becam[...]m a visit to Black Mountain
College in the summer of 1953, he introduced Rudy to
the Abstract Expressi[...]vant—garde institution hidden away
in the hills of North Carolina.

Soon the two young mavericks “[...]revolution that would forever alter the character of

American—and world—ceramics. Simultaneously[...]1999, xtoneware, 33 x 25 x 23
inc/yet. Collection of tbe artixt. Plyotogmply by Kurt Keller.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (255)[...]2008 273

Rudy Autio, Goodbye to the Girls of Galena Street,
1986, stoneware, 36 x 25 x 25 inches. Collection of the art-
ist. Photograph by Kurt Keller.

Rudy wa[...]ting large-scale carved-
brick murals for clients of Archie Bray’s brickyard;
almost all of these murals were figurative, depicting
Biblical[...]ching job in
the art department at The University of Montana, he
alternated between crafting his Abstr[...]told
his biographer Luanna Lackey, were “a hell of a lot of
work, and I found [that] something I had wanted t[...]that interesting. By now I
recognized the beauty of clay.”7

At the same time, Rudy found himself weary of
abstraction. He’d always been “pretty good at[...]st
Henry Meloy, who had painted countless studies of
nude models and had decorated the pots of his brother,
Peter Meloy (a co—founder of the Bray),with marvelous
horses based upon[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (256)DRUMLUMMON VIEWS—FALL 2008 274

thought, too, of his own earlier figurative murals. Even
though t[...]them, in some way, deeply satisfying. Now, weary

of the “same—old, same—old,” he was ready to generate
figures of his own choosing. He “toyed” for a moment
with the idea of becoming a painter, but quickly
realized that “[...]needed that
third dimension, and the materiality of clay, to realize
his vision.

One day in the late[...]II, 2004, xtoneware, 3.5 x 27 inc/yer.
Collection of [lye artixt. Plyotogmply h; Kurt Keller.

figura[...]was contemplating retirement
from The University of Montana, and he applied for a
National End[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (257)[...]200], xtoneware, 34 x 3] x
2] inc/m". Collection of tbe
arlixt. Plyotogmply by Kurt
Keller
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (258)[...]o work without interruption after all
those years of teaching, he had access to new materials
(including a lovely Finnish porcelain and commercial
glazes of dazzling hues) and he was treated “like a
king.” At the end of his stay, the factory remodeled

its salesroom in[...]ancestral homeland,
to a passionate investigation of the figure, and to a
sense of himself as a painter whose canvases happened
to b[...]s a commonplace to call Rudy Autio the “Matisse
of ceramics,” and certainly Rudy has drawn inspira[...]y models,
especially for their energy and mastery of line—but
ultimately he preferred Matisse because his paintings

contained “a kind of tenderness” that Picasso’s lacked. A
later encounter with 7773 Dante (I), 1909, at the Museum
of Modern Art, New York, cemented Rudy’s sense that
Matisse was an ideal model for the kind of work he was
eager to pursue. He recalls, “I sai[...]discovered affinities with
the simplifications of Egyptian art, with the complex
illuminated letter[...]gically floating figures, and with
the woodcuts of modern Japanese printmaker Shiko
Munakata. Lookin[...]e admired in
Munakata’s works “a certain kind of traditional elegance
and a formal way of solving figure description. . . . a very
lyrical kind of line.”"

He found the same elegance, sim[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (259)[...]n the other side ..... They tried
to keep a union of things going,” just as he wanted
to “have these forms relate to parts of figures as they
round the pot and [create] a new configuration of shape
relationships.“2

More and more Rudy foun[...]ons, not just for technical reasons, but
in terms of feeling and meaning. He recalls a visit
to the Na[...]Washington, DC, where
he saw a “choice” show of Impressionist painters; he
then proceeded downstairs, where he encountered an
installation of new American art—“Franz Kline and
others.”[...]as that the brash Americans
“weren’t any kind of match for the Impressionists—they
were so ego—centered.” He speaks critically of “so much
jazz and pizzazz” in contemporary art and admits that
he prefers the “calmer side of hard studious art [of
earlier centuries]. It was really meaningful—we’ve lost
a lot of that. . . . Maybe it’s an extension of violence.
We have to have everything now, it has[...].”

Just as he responded more to the tenderness of
Matisse than to the sheer force of Picasso, this ceramic
revolutionary ofof meaning—in much twenty—first—

century art[...]ngx: eitber [be bero or
[be vittim oft/5e mtident of 171} beritnge and
environment.

—Henry Meloy13[...]the same time, a universal art often emerges out

of the particulars of the local. Rudy’s colleague at The
University of Montana, painter and printmaker James
Todd[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (260)[...]tra, 1993,

xtoneware, 3 x 28 inelyex. Collection
of [lye artixt. Plyotogmply h;
Kurt Keller.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (261)[...]e Jewish people and the
Cornishmen, and all kinds of ethnic groups
that maintained their own cultural[...]their own little colonies around the city.
[A]ll of the company heads—the
ACM [Anaconda Copper Mini[...]wn the block, a few houses down. It was
this kind of mix that made Butte interesting. .

. . [M]y b[...]farming. . . . city life is what I knew
and kind of grew up in—tenements, housing
tenements, one ri[...]enements. No yards, no lawns.
inc/yer. Collection of tbe artixt. Plyotogmply by Kurt Keller. It[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (262)[...]ase, 1997, xnzgrapb, 38 x 52 inelyex. Colleetz'on of [lye Halter Muxeum ofArt. Gift of Miriam Sample.
Plyotograply by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (263)[...]983, acrylic onpaper, 34 x 34 inc/yex. Collection of tbe Halter
M uxeum ofArt. Gift of Miriam Sample. Plyotograply by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (264)DRUMLUMMON VIEWS—FALL 2008 282

materials of earth determine the destiny of its citizens”
and he adds that, because of this dependency, Butte’s
citizenry have developed “special characteristics of
realism, optimism, fatalism, flexibility and sim[...]ound
respect for other cultures, and the fondness of an
urbanite for the complex mixing of elements, whether
of social classes, ethnicities, or the rough and the refined
(especially evident in his work). Out of this colorful
place, Rudy took inspiration and a[...]being.

—Henry Meloy16

The grace and vivacity of Rudy Autio’s painted figures
and the energetic monumentality of his vessels produce
a powerful and, at times, uncanny tension. Rudy speaks
of wanting to “make an agreeable composition of form

and surprise and color, dark and light, and[...]ls and plates
and paintings and prints. His sense of play and
improvisation, his marvelous eye for wha[...]t, as often as they suggest “an Arcadian vision of the
celebration of sensual beauty,” call up darker themes,
darker tonalities—of melancholia alongside rapture, of
unspoken threats alongside delightful promises, of the
inevitability of death alongside the miracle of fertility.
One has the sense that, despite the gorgeousness of
these leisurely and paradisiacal scenes, terror a[...]This is as it should be.
This tension, this sense of the complexity of existence,
lends these works their power to hold us; they possess
the qualities of Eros which, as Guy Davenport has
written, is “a[...]moving, fluttering .

. . colliding frequencies of meaning which sometimes
dance together . . . and[...]Eros, Anne Carson has written, a
“simultaneity of pleasure and pain is at issue”; we
stagger “under the weight of Eros.” In Rudy Autio’s
tumbling visions, his chases and escapades, we sense
the unfolding of desire, in all its fierceness and its

te[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (265)[...]lur, Icarur), to cultural

and natural landscapes of Montana (Magic Horrer of

Columbia Gardenr, Heart Butte Pony, Lady at Kicking

Horre Creek, Goodlg/e to tbe Girlr of Galena Street),

or simply to places or themes, he aims to “evoke a

kind of story.” (For him, titling—which he sees as an[...]exceptional artist in her own right.) The poetry of these
titles only serves to reinforce Rudy Autio’s stature as

a poet of the visible and the tactile, a visionary artist
who has emerged out of the American West to bring us
meaningful, tender,[...]For more on Rudy Autio’s role

in the founding of the Archie Bray
Foundation, see Rick Newby and
Chere Jiusto, mA Beautiful Spirit’:
Origins ofof Washington Press/Holter
Museum ofArt, 2001). For[...]n Autio:A Retroxpective
(Missoula, MT: University of Montana,
School ofFine Arts, 1983), and Lela

Aut[...]Press, 1996). See also,
for the fullest biography of Rudy to
date, Louanna M. Lackey, Rudy Autio
(West[...]d Seattle, WA,

Oral History Collection, Archives of
American Art, Smithsonian Institution,
Was[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (266)[...]3, ”
xtoneware, 40 x 3] x 16 inc/m".
Collection of tbe artixt. Plyotogmply
by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (267)[...]1995, stoneware, 32 x 26
x 19 inches. Collection of

the artist. Photograph by
Kurt Keller.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (268)[...]FALL 2008

287

Clare to Home: The Photography of Richard
Bmwell
Julian Cox

Note: This essay firs[...]racer: Manama} From‘ier Rmixiz‘ed
(University of Montana Press), which accompanied the
exhibition of the same name at the Montana Museum of Art
8c Culture,The University of Montana, Missoula, Autumn
2007. It is reprinted here by kind permission of the author
and the Montana Museum ofArt 8c Cultur[...]able assistance.

Richard Buswell’s photographs of Montana’s
abandoned, overgrown homesteads are p[...]isual profundity and
unique historical complexion of his native state. The
laconic intensity of his vision is central to his project:
to begin to[...]re. Buswell’s
photographic subjects have an air of eternity about

them: individual circumsta[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (269)[...]e means to understand and
reconstruct the passage of time.

Richard Buswell has been a fastidious collector
of images since he dedicated himself to photography[...]began to use it on pilgrimages to the
ghost towns of his childhood.‘ Trained as a physician,
photogr[...]the fundamental techniques
ofthe medium. In spite of the relentless march
of digital technology, he continues to cherish the
smooth, luminous surface of fiber—based gelatin silver
paper and the immediacy of working with traditional
materials that al[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (270)[...]han the very
best he could make.

From the moment of its invention, photography
allowed its practitioners to be archivists of their

own world, record keepers of the soon to vanish

and recorders of the newly uncovered. The earliest
cameramen set u[...]d as metaphors
for the transience and persistence of human history.
The foundation of Western civilization—the Greek
and Roman classical past—comes to us almost entirely
in the form of fragments, shards and ruins. There is
enormous va[...]e used for new ends, as spurs to
the imagination. Of course human presence is more
frequently inscribe[...]ngs not
usually accorded the respect or attention of ruined
monuments.These remnants of everyday existence

seem to imply not the grand march of history, but the

Riclmrd S. Buxwell, Half Hou[...]gelatin print. ©
Riclmrd S. Buxwell.

fragility of the social order.

The history of landscape photography has kept
pace with ever—shifting concepts of the land and our
place within it. Nineteenth cent[...]dscape and, along
with it, the expanding evidence of our inhabitation.
Signs of human presence on the land, such as shacks,
farms[...]ay tracks, bridges, mining sites and
other tokens of progress and industry were frequently
portrayed uncritically as part of the natural order

of things and even celebrated for their harmony

with the land. In the work of Edward Weston and

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (271)[...]spectators were
customarily treated as violations of a sublime
wildness and excluded from photographic[...]n print.

© Ric/yard S.
Buxwell.

West “a cult of ruins.”3 During the late nineteenth
and early t[...]he neighboring states to the north tolerated tens
of thousands of settlers from the eastern half of
the continent, but they also heartlessly e[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (272)[...]eserves, almost to a fault, their leavings.

Many of the sites that are the subject of
Buswell’s photographs are rarely visited, sometimes
requiring more than a day of solitary hiking in the
backcountry to reach. But[...]ment he
grew up in, and Buswell’s recollections of his youth
spent rambling in the mountains with hi[...]s native state, and the
settlers and homesteaders of its rugged outback.
Although he cites but a handful of photographers as
guiding influences in his work[...]713 Home Place, is the most significant
portrait of the people and artifacts of the Great Plains,
and seamlessly interweaves text[...]near Norfolk, Nebraska.

Morris was as much a man of Nebraska as Buswell is

Riclmrd S. B[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (273)[...]to recording and “saving” the visual history of their
beloved home states. Morris once wrote: “[...]suspecting
moments collaborates with the creation of what we
call history.”"—phrasing which seems[...]It is the unmistakable fly—in—amber quality of the
photograph—with its unique conjunction of place and
subject at a particular moment in time—that allies it
with the study of the past. The photographic frame
yields a concrete, time bound unit of information from
which one may construct narrativ[...]and the relationships between them.
This quality of memorial also connects photography

to transience—it is the nature of the photograph to
preserve, as it underscores the[...]o nothingness. Buswell’s still
life photographs of torn posters, wallpapers and popular
engravings,[...]ke Frederick Sommer’s richly
nuanced still life of a collage of shredded posters and
engravings, I Adore You, 194.7, Buswell’s photographs of

these found narratives stand as emblems of memory,

hints of a warmly remembered but now vanished way of
life. Buswell transforms these trivial relics into objects of
talismanic power and mystery. His photographs suggest
a spectrum of human experience; not simply the pathos
of decay and dissolution, but the power of dream and the
inexhaustible forces of mutation.

The photograph is both a record of the visible
traces of the past and an artifact of its own particular
moment. Buswell’s images are direct descendants of
the early appreciation of the utility of photography
for recording ruined remnants of the past. But
as a photographic collector of material culture, a
process that inevitably produces the construction of
typologies—in this case a typology of abandoned
structures and objects in Montana—Buswell is also
of his own cultural moment. He is drawn to places
an[...]Walker Evans created unique photographic
records of their respective times and cultures,

Buswell has[...]bled
with discrimination and acutely honed powers of
observation, which precede and inform the enterprise
of collecting, grouping, and naming.

Photography is well suited to the construction
of typologies. The photographic act removes fragments
of the physical world from the flow of time, isolates

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (274)[...]r comparison and study. In part, it is this sense of
the archive, not the lone individual print that i[...]r understanding the inherent
value and importance of Richard Buswell’s “traces”
of Montana’s frontier. Diane Arbus located Walker[...]l in fragmentary building
materials. In his study of a Stamped Tin Refit, 1929,
Evans takes delight in the familiar texture of pressed tin
paneling, the light caressing every c[...]a similar instinct for the imminent
disappearance of places and things. With great
precision and dignity, Buswell records the desiccated
remains of a scrubby patch of linoleum floor, its surface
etched with an arterial system of cracks and fissures.
He is keenly attuned to the lived beauty of this object;
his picture is a concise visual poem[...]wn presence, charged with a pure
and deep quality of recognition.

Buswell is modest about the details of his

creative approach, but he has said more than[...]red the
subject (roughly eighteen miles northwest of Helena)
during the summer, and realized that a dusting of
snow would enhance the geometry and mood of this
architectural space, with its complementary formal
elements ofof the
picture lies in the fact that Buswell has recognized and
celebrated not only the forms ofof relationships, made half of fact and half of aspect,
which amplifies the significance of his subject.

Buswell’s project is as mu[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (275)DRUMLUMMON VIEWS—FALL 2008 298

represents thousands of hours and miles spent crossing
and re—crossing the state of Montanafl land mass as
large as the British Isle[...]r beaten
and openly vulnerable against the forces of nature.
Occasionally there are great surprises, as in HalfHome,
which looks like one of Gordon Matta—Clark’s “building
cuts” from[...]s in which he variously cut

and removed sections of floors, ceiling, and walls for
sculptural effect.“ Buswell’s photograph radically alters
our perception of the building and its place within its
environment. No truer a picture of the precarious nature
of existence on remote plains has ever been made. In[...]which underscores the harsh,
unforgiving elements of high plains existence. Setting
up the tripod on the roof of his Jeep (and extending it
as high as it would go) Buswell’s composition captures
the unique blend of natural materials and the ingenuity

of vernacular construction. In addition to being part of

a remarkable catalogue of structures, places and objects,
the best of Buswell’s photographs are a celebration of
the heart and soul of frontier experience, laced with the
ebullience and indomitable spirit of one of the great
American poets, Walt Whitman. They are[...]conditions
and relationships, and ballads singing of beauty,
heartbreak and longing.

The impact of Richard Buswell’s dedicated
visual record of frontier Montana lies in the tension
between his use of the neutral archaeological record and
carefully c[...]ts are commonplace, the intensity and persistence
of his vision has a transformative effect. For Buswe[...]hotographs.Yet he has continued to shape his body of
work and define the terms of its meaning with clarity
and insight. He knows that it is through common or

abandoned things that some of the most significant

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (276)[...]ture can be eHecfively expressed. In
the panoply of photographic images that now sustains
our optical understanding of nature, Richard Buswell’s
work occupies a speci[...]des a lasting
reminder that the most unique forms of beauty and

invention can often be found close to[...]la: Archival Press in Association with
the Museum of Fine Arts, The University of
Montana, 1997), unp. and Silent Frontier: Iconx of
Montana’x Early Settlement, (Missoula: Montana
Museum of Art 8c Culture, 2002), unp.

2. The most influential of all Ansel Adams books
is Making a Plyotograp/yufn[...]s information and instruction on the
fundamentals of light, optics, and darkroom
chemistry and[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (277)DRUMLUMMON VIEWS—FALL 2008 300

University of New Mexico Press, 1994.), 28.
Wright Morris, “T[...]November, 1978.

For details on the life and work of Matta—Clark,
see Gordon Matta—Clark, “YouAre [be Meaxure”
(New York: Whitney Museum of American Art,

2007).

Rielmrd S. Buxwe[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (278)[...]e had given
up traveling on the highway, the lack of maintenance
had finally ended in the potholes ou[...].
And from the ditch, I could not see the harvest of maize
and sesame, or the livestock headed to wate[...]ympia’s, you
don’t arrive late.

At the price of some discomfort and a broken
mineral water bottle[...]e late start.
Ahead I could see, on the underside of the low formless
clouds, the rose reflection of the sand dunes. Once we
reached the source of that reflection, we would turn left
and follow t[...]o matter how many times I have seen it, the
sight of the blue Indian Ocean, edged by the white
beaches of East Africa makes me catch my breath.The
contrast between the formless monotony of the flat
Somali bush, through which we had just[...]waves

breaking on the reef gives the impression of not being

in the same place.

And in a sense we are not. The coast of East
Africa belongs more to Arabiafl strip three[...]usand kilometers long. The
demarcation is a ridge of sand and clay that the sea
breezes have built to a height of 100 meters.The newest
sand to arrive on that ridg[...]—voluntary one
way voyages to the slave markets of Arabia.

Merca is a jumble of two and three story homes
built of coral blocks and mortared with lime baked
from th[...]. It is a city devoted to the international trade
of ivory, gold, and slaves; cargo for the dho[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (279)[...]a home in which
to raise a family and the center of a financial empire.

Olympia met us at the door, a good looking
woman of 85 years, dressed in a low cut tangerine
mumu. Pe[...]lose to the equator. Around her neck was a
string of huge pearls.

I was introduced, since I was the only one of our
little company she did not know. Yusif was a weekly
guest and he brought Joe with him a number of times.
Joe and Yusif were close friends.They look[...]uild, the same hair
style. Just a different shade of skin.

Joe and I first came to Somalia twenty ye[...]those years he had perfected Somali which is
one of the harder languages to learn.

After the introdu[...]t six. We
sat at a little table on the south side of the house; the
sun was settling over the sand dun[...]the left, two knives on the right,
and a pyramid of five spoons climbing in the center
above the pla[...]zed for the serving girl’s
ineptitude. The maid of forty years had retired, too
crippled to k[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (280)[...]d back to Italy, and Merca was no longer a center
of colonialist activity. Just her, her old cook, and[...]was the bestI ever ate, and I come
from a family of Franco—Italian good cooks.

Olympia and I conve[...]appointed the physician for the Governor
General of Italian Somaliland.I asked if she often
visits Pa[...]ndered if my grandparents had the same
impression of Paris in the 20’s. Italian immigrants—my
gran[...]ve been a
magical exciting place for the children ofof food stifling
a laugh. Yusif, forty years old, Sultan of his tribe, vice
president of the national bank, owner of a large and
prosperous banana plantation, apologi[...]mali bureaucracy. In the early 1970’s,
just out of school, he was a bank administrator in
Merca. The[...]ost Somalies, felt a need
to master the mysteries of European society. Through
the years they develope[...]heir water glasses always end
up on the left side of their plates.” “ They eat with the
fingers of the right hand, so they drink with their left.”[...]nversation. We
were four people each speaking two of four different
languages. Conversation wor[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (281)[...]were expert farmers. Everything grew—all
kinds of crops and trees, flowers of all colors festooned
the edges of the lanes and irrigation canals. Flora
marketed v[...]ars, each subscriber received
a two bushel basket of fresh vegetables. Sometimes
included in the basket would be a bundle of flowers
that would release its fragrance only at[...]Italy to be
our mechanic.” “His land is part of the plantation we
developed.”“Still,” she a[...]her husband cleared and developed
5,000 hectares of bush and jungle along the river

and pioneered ba[...]pment agencies were spending an
inordinate amount of money and energy planting trees
to stabilize the dunes. Experts were flying in from the
capitals of the world. Four—wheel—drive vehicles were
bou[...]t meetings held. All
to stem the desertification of southern Somalia. But the
dunes were no more a pr[...]re.

“My husband spent nine years as a prisoner of
war in Kenya and was not released until 194.9.”[...]that highway, had been built by Italian prisoners
of war. Could Olympia’s husband have been in charge

of that construction?

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (282)[...]to, the guard
would turn the electrical generator of at ten. I got the
impression that she was not rec[...]hways. In the process
they forced entire villages of recently emancipated
slaves to work the fields. The Somali dictator, a fascist
of a different color, depended on the export of bananas
for hard currency. To keep his government[...]roying banana cultivation, as they had ruined all of

the other industries, the dictator cut a deal wi[...]me. Bananas grew in organized rows and
ship loads of green bananas left for Italy at organized
intervals. The workers, however, lived in the mud and
filth of unorganized villages, just as ignorant and just a[...]t
never received maintenance because the Minister of
Public Works pocketed all the money. Meanw[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (283)DRUMLUMMON VIEWS—FALL 2008 314

Lang Line; of Dancing Letters

The Japanese Drawings quutriciu[...]y

“We struggle to locate ourselves in a
tangle of histories. . . .There are more things
in modernity than are dreamed of by our

economics and sociology.”

—James Clifford, On [be Edger of
Antbropology, 2003

“[OJne’s sight changes: y[...]eo van
Gogh, Arles,June 5, I888

Browsing a stack of books I own but haven’t read, I
come upon this[...]e
properly, her mixed—media works—crafted out of

ink and gouache and fragments of splendid Japanese

Pairitia Forxberg, Heart Tw[...]ie.

papers—resonate with this characterization of classic
Japanese gardens (and by extension, Japan[...]Like Van Gogh, who found his Japan

in the south of France, and like the French theorist
Roland Barthes, who saw in Japan a paradigmatic
Empire of Signs (“The author has never, in any sense,
pho[...]rather, “Japan
has starred him with any number of ‘flashes;’ or better
still . . . a situation of writing”), Patricia Forsberg

finds in Japanese culture a kind of aesthetic paradise

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (284)[...]have long been drawn to Asia

and its arts.Think of the Pacific
Northwest abstractionists Morris
Graves and Mark Tobey, and their
adoption of elements from Chinese
and Japanese painting. Or of the
profound impact on western ceramic
artists of such Japanese potters
and thinkers as Shoji Hamad[...]Montana’s Archie Bray Foundation).
In Montana, of course,
Townsend ranch kid (and Columbia
Universi[...]Beth Lo has explored
both the ceramic traditions of her Chinese heritage and
the rich contradictions[...]and other Montana
ceramists have embraced aspects of the Yixing teapot
aesthetic, rendering the[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (285)[...]Sweet has named
Helena the epicenter in the U.S. ofof Art—of both traditional
Chinese and contemporary
American “Yixing” pots).

All of which is to say that
Patricia Forsberg is not alone in
her explorations of Asian aesthetic
principles, cultural values, and
spiritual traditions. At the same
time, her series of drawings, created
over more than ten years and
numbering in excess of 300 intimate
works, stands as one of the most
engaging, masterful, and achingly
lyrical engagements by an artist of the West with a
specifically Asian culture.Just[...](“it is a beautiful Japanese dream,” he
wrote of the Provencal countryside), Patricia has found
her Japan within the confines of an artist’s studio.

Created in the late 20‘h[...]nd often melancholy

Pairitia Forxberg, Sounds of Weeping, 2006, gouatbe, ink and collage on paper,[...]adition—in both
Chinese and Japanese cultures—of the seamless bringing
together of painting and poetry. And Patricia’s drawings/
collages honor (and borrow from) the blossoming of the
first truly homegrown Japanese cultur[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (286)DRUMLUMMON VIEWS—FALL 2008 317

Behind all of Forsberg’s Japanese works hovers
the extraordinary world of Japan’s Heian era (794—1185
AD). At least sin[...]ranslated Lady
Murasaki’s six—volume The Tale of Genji (published ca.
1015 AD and considered to be[...]irigina Woolf famously reviewed the first
volume of Waley’s translation of Genji in 1925 and
expressed her envy of a time and circumstance when,
instead of focusing on war and politics, a culture could
dwe[...]y within the aesthetic dimension.
While Europeans of the Dark Ages “burst rudely and
hoarsely into crude spasms of song,”Woolf wrote, “the
Lady Murasaki was loo[...]hite flowers with
petals half unfolded like lips of people smiling at their
own thoughts.” Of course, this era of relative tranquility
and luxurious introspection was temporary, only to be
followed by centuries of civil war and brutal rule by
warlords.

In the grand tradition of American self—
invention, Patricia Forsberg has seized upon the
aestheticism of the Heian court as a part of her own
cultural ancestry. Kakuzo Okakura has written in his
Book of Tea that this is not “aestheticism in th[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (287)LONG LINEs or DANCING LETTERS 318

acceptance of the term, for it expresses conjointly with
ethics and religion our [the Japanese] whole point of
view about man and nature.” As Ivan Morris writ[...]for the way in
which its people pursued that cult of beauty
in art and in nature which has played so
i[...]in Japan’s cultural history. . . .
Ihe “rule of taste” applied not only to the
formal arts but to nearly every aspect of the
lives of the upper classes in the capital. It
was central[...]ion. . . .
Ihe immense leisure enjoyed by
members of the upper class allowed them to
indulge in a minute cultivation of taste. Their
sophisticated aesthetic code applied even to
the smallest details, such as the exact shade
of the blossom to which one attached a letter
or the precise nuance of scent that one would

use for a particular occasi[...]xpress their emotions in
elegantly—turned poems of thirty—one syllables.”

Freed by servants of all domestic duties, the
women of the court, imperial consorts and ladies—in—
w[...]ing poems, tales, and memoirs. While
Japanese men of the time wrote their works in Chinese
(the official language of the time, just as Latin was in
the West), the wom[...]was impossible in . . . pure
Chinese.”

Because of their leisure, their access to this
strong, vivid language, and their genius, the women of
the Heian court have left us an unparalleled reco[...]holy Ar I Cromed a Bridge ofDreomr, and
the poems of Ono no Komachi and Izumi Shikibu,
available in En[...]poet Jane Hirshfield with Mariko Aratani.
(Many of the titles of Patricia’s drawings are drawn

from Koma[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (288)[...]ust surely have been the most illustrious company of
women writers ever to share a set of roofs.”

Their literary works have clearly serv[...]anese visual arts. Certainly her
drawings partake of the “Japanese
genius,” in the words of art historian
Jack Hillier, “for the expressive

line, for pattern and design, the
representation of natural objects as
a means to an end, not an end[...]For Japanese printmakers
and painters, the making of art,
“like poetry,” notes Hillier, was “the
‘spontaneous overflow of powerful
feelings’ and took its origin from
‘[...]anquility,”
(echoing Wordsworth).

This quality of restraint, which yet contains
undercurrents of intense emotion, is evident in Patricia’s
drawings, where we find ourselves in the midst of
moments of repose colored by melancholy, outright
grief, fl[...]pired or is anticipated: the
arrival or departure of a loved one, the change of
seasons, an ongoing solitude for which there is n[...]oneliness, That Deep, Beautiful

Color,” as one of her drawings is titled).

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (289)[...]reated in the 16005 to illustrate
a later edition of 7773 Tole ofGenji (examples can be
seen in Edward Seidensticker’s 1976 translation of the
novel). These marvelous prints depict life wi[...]. . In the winter one sometimes catches
the sound of a woman gently stirring the
embers in her brazier[...]hen beneath
them one can make out the many layers of

a woman’s clothes emerging from under

brilliantly coloured curtains of state.

The sense of enclosure so central to Patricia’s
Japanese wor[...], at least content within the comforting

embrace of a familiar room. Some appear to be truly
insoucia[...]loss.
Although a few appear to be Japanese, most of these
women seem ancestrally European and profoun[...]y elaborate and cumbersome,
consisting inter olia of a heavy outer costume
and a set of unlined silk robes (twelve was the
standard number). . . . So that their fastidious
blending of patterns and colours might be
properly admired, w[...]ful in Heian culture.
Lady Murasaki, at the sight of a pair of maids whose
clothes had been stolen during[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (290)[...]ctionate and insightful exploration/appropriation of
other cultures. Witness, for example, her works of the
1980s,when she immersed herself in another culture
obsessed with beauty, that of Renaissance Italy. For
those who know her Renaiss[...]humor,
Patricia’s Japanese drawings seem models of restraint
and calm. But her concerns remain much the same; in
1985, she spoke of the essential elements with which

she sought to[...]e the Japanese
drawings)—and in 1985, she wrote of the tension in that
earlier work between the “pursuit of freedom, choice, and
space” and the “inevitable taming and containment of the
environment, animals, and our lives.”

That[...]tween freedom and containment,

this modernity of spirit— the absolute nakedness

of the work—is what takes Patricia Forsberg’s

P[...]erg. even heartfelt tribute. In their exploration of the
Photograph hy Chm Autio. interior life of women today, these drawings are, quite

simply, marvelous expressions of one artist’s allusive
imagination, speaking acr[...]rained feeling, quiet power, and a riveting sense of

beauty all their own.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (291)[...]2008

328

Patricia Forsherg, Long Lines of Dancing Letters, 1999, gouache, ink and co[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (292)[...]S—FALL 2008 329

Pairitia Forxberg, Heart of One Who Feeds the Fire, 2000, gouatbe, ink[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (293)[...]Patricia Forxberg, Listening to the Rustle of Bamboo Leaves, 2000, gouatbe, ink and coll[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (294)[...]—FALL 2008 335

Patricia Forxberg, Flower of the Evening Faces, 2008, gouatbe, ink and[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (295)[...]IEWS—FALL 2008 337

Pairitia Forxberg,
Color of the Night,
2008, gouache and
collage onpap[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (296)[...]ALL 2008 338

Patricia Forxberg, A Slice of Silence, 2006, gouatbe, ink and collage on[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (297)[...]imit, its defeat.

McGuane has long been the poet of the absurd,
able to locate the reader in a perfec[...]escribing the writer himself, “You probably
get of watching people make mistakes” (4.9). But here[...]ts the hapless and haphazard characters
a modicum of dignity in their defeats. The dominant
tone might be called “McGuane melancholia,” a

recognition of the human need for self—respect and

acknowledg[...]used and uncomfortable
witnessing these occasions of defeat, for of course, we’re
implicated in the action—we sha[...]tic phrasing. He’s able to summon
an entire web of implications in pithy sentences: “The
air was s[...]r riff, an
opportunity to let the lyric potential of the English
language override a concern for immed[...]style, provides an extended, mesmerizing account of
the anti—hero’s riding out a Caribbean storm[...]iant human
voice, articulating the microprocesses of survival against
the elements, can save us[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (298)DRUMLUMMON VIEWS—FALL 2008 341

number of these stories insinuate a karmic justice,
punishment for acts of indifference or cruelty, though
retribution seems more the work of writerly wit than
cosmic law.

At the same time,[...]nguages. If in “Cowboy” he takes on
the voice of an aging con converted into a cowboy by
an irasci[...]ry he
enters into the first—person perspective of a middle—
aged realtor who tries and fails to w[...]trick. We journey also into the
creeping madness of a scion to a banking manager, the
hapless romanticism of a retiree who leaves Boston for
Montana (only to[...]x—son—in—
law), and the rueful restlessness of a lawyer who retreats
to Montana to heal from his bouts of global injustice.
This last character—John Brig[...]ally
close to the writer, both in his canny sense of his
own foibles and his deep connection to the Montana
landscape. In one of the few moments of intellectual
and spiritual epiphany, Briggs demands that a visitor
pay attention to the wonder of a homesteader graveyard,

an original fragment of the Old West: “. . . please try to

get something out of these beautiful surroundings” (55).
And that de[...]And the material artifacts
comprise a repository of the cheap, cast—off toys of
American manufacture. Montana cannot provide a
simple escape from the simulated life of mass culture.
McGuane’s sardonic view of this contemporary malaise
has taken on a global c[...]into an original
relation outside the categories of selfhood inculcated
by television and the Interne[...]deadly accurate eye. We are often fools for love,
of ourselves and others, and we cannot transc[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (299)[...]made him up,” Earl Ganz
writes in the afterword of his novel, 777e Tam Trutb Game.
But although Ganz has woven a fictionalized account
of Brinig’s life—what he calls “a story of what may have
happened or could have happened”—Brinig did certainly
exist, living to the venerable age of ninety—four and
publishing tvventy—one novels[...]. Although
once hailed by the London Timer as one of the two
best young writers in America (Thomas Wolfe was the
other), all but one of Brinig’s prodigious oeuvre is out
of print. Even though many of Brinig’s books became
bestsellers, and one, 777[...]ded (or even mentioned) in the
ubiquitous “best of ” anthologies that should contain

his work: Mo[...]Jewish writers, gay writers,

or some combination of these three. Within Montana
literature, the atten[...]Ganz. Ganz wrote the introduction to the
reissue of Brinig’s novel, Wide Open Town (Farcountry
Pres[...]t. In
fact, his first novel, Singermann, was one of the earliest
novels about the immigrant Jewish experience written
in English (and a source of inspiration for Henry
Roth’s seminal Call It Sleep). But Brinig was eager
to leave behind the strictures of his family, religion,
and hometown, to write his way out of Butte, as his
fictional character explains to a[...]n as a gay writer, here too, even the long shadow
of Brokelzaek Mountain isn’t enough to prop[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (300)[...]zed biography—or epistemological pinning
down—of Brinig. Instead, the book is as multifaceted
as its subject. Part romance, part voyeuristic insiders’
view of catty salon society, part humorous expose of the
lives of the rich and talented, and part mournful glance
at the process of dissolving into obscurity, the novel
makes Brinig[...]ngermann (the 1929 semi—
autobiographical story of his Orthodox Jewish family
in Butte, Montana) and[...]volved with painter
Cady Wells, the wealthy scion of an East Coast
industrialist. Much of 7773 72101 Trail; Game explores
Brinig’s on—a[...]ifferent from Brinig that the Butte native
thinks of Wells as a “Martian.”The gap between Brinig
a[...]uality, on the other hand, is ultimately
a source of shame. Even his first erotic experience, as
he t[...]e was.”

(190) Self—loathing accompanies most of his sexual
encounters. When awakening next to a m[...]ls it) several times
in the novel: “It’s part of the writer’s job to experience
everything. It h[...]can’t get going, I have an affair with someone ofof the
twentieth century—even in the relative security of
artistic colonies like Taos—did make a certain amount
of sense. As Brinig mused, “No one would pu[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (301)[...]ost Biblical repetition, lacking only the crowing
of roosters as a background. Whatever the cause of
Brinig’s repression, Ganz’s novel obliquely s[...]s, “You just shook the hand that
shook the hand of Teddy Roosevelt.” The listlessness
of the narrative can be tiring to read, but it works to
convey a writer’s energies dwindling in the face of
avoiding himself and his past.

One thing that Br[...]os, he becomes an integral part—and a recipient of
patronage—of Mabel Dodge Luhan’s salon. Luhan,
who drew D. H[...]itle to a ranch in exchange for a manuscript
copy of Sam andLoverx, surrounded herself with writers
and artists, many of whom make cameo appearances
in 7773 Tam Trutb Gam[...]as Wolfe, and Thornton Wilder,
among others. Many of these celebrity sightings are
delightful, includi[...]cluding
Luhan herself) connive to gain possession of the dead
writer’s cremated remains—although i[...]ertently been
dumped into (and consumed in) a pot of chili. Brinig
finagles his way into the center ofof Luhan’s salon—
eventually get in the way of both Brinig and 7773 Tam
Trutb Game. Several time[...]ovel, Brinig
asks himself something to the effect of, “What am
I doing with these people? Why am I p[...]act him.

Ironically, truth is at the centerpiece of Luhan’s

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (302)[...]oduces the “truth game,” a fancified version of the
middle school slumber party horror, in which[...]e room. The passages are cutting and, in the case
of those about Brinig, true. He is described by another
writer as “[having] no form of his own to hold him
up and has never bothered to[...]inig ends up playing the highest—stakes version
of the truth game when he writes what is recognized[...]s as his best novel, Florente Grexbam, a portrait
of Mabel Dodge Luhan. He admits to another writer

t[...]am,
though, he is able to write the truth (albeit of another),
“to get inside Mabel.” (296) But si[...]er lost.

Even without the triumphant publication
of F [oreme Grexbam, Brinig was nevertheless an
incr[...]unique
writer—one who was forged in the tumult of Butte,
yet hated his childhood home; one who was[...]ne—like precision, only to withhold publication of

his best work to save a friend’s honor.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (303)[...]ting a book about the West as it was in

tie days of sprawling ranches and endless miles of
swaying prairie grass, it can be difficult to straddle the
line between just the right amount of description and
cownright rambling. 7773 I/Vaterrbed learr by Russell
Rowland is a prime example of an effective mix of
cialogue and description. The reader is drawn in by

tie portrait Rowland paints of ranch life, with all its
triumphs and hardships,[...]haracters in the story. Rowland, also the author

of the novel In Open Spares, is obviously familiar w[...]les that a ranching family can have
even in times of arguably good fortune. For this family,

tie Arbu[...]nd to a long

crought and an unexpected series of better—than—usual
harvests can bring peace to their lives.

The passages of description in this novel are
powerful and effect[...]e had been futile. Between
every row, a casserole of icy pellets and grain
littered the ground.The sta[...]compelling the reader to
feel the intense sorrow of the situation almost as acutely
as Blake does him[...]he other hand, a snag in this novel is the
amount of space devoted to character development.
Simply st[...]articularly
fascinating story line is the account of Blake’s brother
Jack. During the Depression, Ja[...]and the reader is forced to believe

this version of him simply because there is no other

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (304)[...]explanation available.

There also isn’t enough of a conclusion to wrap up
some of the questions about Jack that Rowland brings
up over the course of the novel. Allusions are made to
his possible participation in the drowning death of his
brother George, but nothing is definitively[...]ut given the stresses inherent in
the first year of marriage, the difficulties of being a
ranching family, and the tension mounting in the rest
of the family, one would think that Blake and Rita
w[...]Aside from these small difficulties in the flow
of the novel, 7773 I/Vaterrbed Kean is superbly writ[...]elling is evident from

the very first page. One of the ways he creates such
interest is by turning a[...]much more. According to Guy
Vanderhaeghe, author of 7773 Lari Crom'ng, “Russell
Rowland’s compell[...]be the
ranching family down the road from any one of us.
However, Rowland weaves this family’s situa[...]and powerful. He gives us a peek
inside the lives of people dealing with pressures well
beyond the nor[...]real.

Even the title is surprisingly indicative of how the
story will unfold. In the very first pages of the book, the
word “watershed” is defined as either “a ridge of high
land dividing two areas that are drained by[...]critical point that marks a division
or a change of course; a turning point.” By the end of
the book, the reader realizes that the eve[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (305)[...]L 2008 348

Montana Women Writerrfl Geography of
the Heart

Edited by Caroline Patterson

Introduc[...]logies end up as bookends—less than ten
percent of the selections read and very little knowledge
of the editor’s focus gained—but Montana Women
W[...]apby oft/5e Heart deserves to be fully
read, each of the thirty—nine authors leading the reader
to a better knowledge of Montana’s literary legacy
and promising publish[...]ories,
poems, and essays that represent the story of Montana.
Relationships are tested, battles with t[...]terson notes in her preface that the
organization of the book into three types of places
(plains, mountains, and towns) came out of her desire
to allow “the different pieces to speak to one another,
regardless of time.”This organization bestows an
“unantholo[...]t puts it

in her introduction, “the experience of Montana.” In

a matter of pages, we move from Mary MacLane’s
reflections on turn—of—the—century Butte to Frances
Kuffel’s tale of vigilante children to Frieda Fligelman’s
contemplation on keeping a harem of men. History,
rage, and hope—Montana as it is e[...]ning experience. You will only get a slight
taste of the truly delicious morsels that await you
in Mon[...]rs.

In A Geograpby oft/5e Heart, the poets speak of
the four elements, inspired by the Montana landscape
to reflect on the power of wind, the unforgiving earth,

the permanence of fire, and the weight ofwater. M. L.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (306)[...]008 349

Smoker writes in “Borrowing Blue” of the wind that

howls across northeastern Montana: “How can I speak

of this wind, / how it has no color, no sense, / no[...]7e Lart Bert Plate and BertAmeriean
Sbort Storier of tbe Twentietb Century. The poems
that Patterson h[...]Food ofGoa/ and Starvelingr: 777e Seleeted Poemr of Grate
Stone Coater. Lee Rostad’s essay “An Al[...]mplement to Coates’ poems. As for Coates’view of
poetry, Rostad writes, “She maintained the purpose of
all poetry is to give one a chance to say, in ver[...].” We sense the rolling pin in “The Hardness

of Women”:

There is a hardness in woman like the hardness of
falling water

That repulses what it compels; her[...]y didn’t expect anything
remarkable to come out of a place so far from the
supposed centers of culture.

The non—fiction pieces included in Montana
Women Writerx resonate with memories of harsh lessons.
Judy Blunt’s “Salvage,” from[...]: Beware,
this is not your grandma’s collection of nice farm
stories. Blunt’s family survived the blizzard of 1964., but
the livestock that did not leave her w[...]ew into them.
They come down to me whole, stories of a blizzard
that took the measure of any man, that became the
measure of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (307)[...]hemselves.” The world she
saw from the backseat of that Packard has a bittersweet
quality to it. McFadden describes an aspect of Montana
that is essential to the experience of the West: the
perfect bar. She writes,

A bar should be cool and dark, a cave
hollowed out of the heat, and it should have
a rail, ideally bras[...]usly chosen and
give the reader an amazing sample of some of the best
writing to come out of Montana. B. M. Bower’s “Cold
Spring Ranch”[...]her husband on their
land out West, her head full of illusions about to be
squashed by reality. The hu[...], and
that nothing now remained save the business of living.”
“Heavenly Creatures” by Melanie Rae Thon is a glimpse
into 1er forthcoming collection of stories. Thon’s main
character, a mother whose[...]nken, you touched

her sdn and felt all the hands of all the people who had

ever oved her.”[...]ore than

once. Earling teaches at the University of Montana,
Missoula, and is a member of the Confederated Salish

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (308)DRUMLUMMON VIEWS—FALL 2008 351

and Kootenai Tribes of the Flathead Reservation.

“Bad Ways” is perhaps the pivotal piece of the entire
anthology. We are transported to a tim[...]ook over the Montana landscape. The story is
full of lessons we all still need to learn. In “Bad Ways,” a
group of Indian men gamble with a white man and lose
in such a monumental way that the smell of that loss
permeates the Flathead Reservation to this day. In the

midst of the bet, the Indian men wait:

They sat a long ti[...]’s

time. They laughed at this, stopping time.

Ofof Montana without truly seeing the past?

My only c[...]two drastically different writers and the amount of
space they garnered in the pages of A Geograpby of
tbe Heart. Elizabeth B. Custer, the widow of George
Armstrong Custer, could have received less[...]er,

Or Life in Dakota wit/.77 General Carter are of historical
importance, her writing is so overwrought and
overdone that her voice seems out of place alongside
such exceptional writers. In cont[...]Expedition is so
short, and although clearly full of arresting language, it
does not play very well in[...]Unfortunately, I was only able to touch on a
few of the writers contained in A Geograpby oft/5e
Heart[...]e a crime. Or delving into the beautiful
language of fiction writers like Mildred Walker,
Deirdre McNamer, Annick Smith, or Maile Meloy
leaves this review short of properly shining light

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (309)DRUMLUMMON VIEWS—FALL 2008 352

on all of the stars within its pages. You miss the
whole story ofMontana without mention of Mary
Ronan’s ruminations on the frontier style of tourism,
or Ellen Baumler’s lively piece regard[...]men Writerx and spending some time with

the work of some talented writers.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (310)[...]008 353

Poems Across The Big Sky:An Anthology of
Montana Poets
Edited by LowellJaeger

Many Voices[...]ew years.Two thousand and six saw
the publication of Montana Women Writers:A Geograpby
oft/be Heart, w[...]c character signified by
the Press’s name. One of its chief delights comes in the
continuing discovery of strong, less known poetic voices
from many walks of life “across the Big Sky.”These poets
take th[...]known poets in its pages.
Poems is the brainchild of longtime Flathead
Valley Community College instru[...]elect poems from poets known to them. This

group of ten—Sandra Alcosser, Roger Dunsmore, Tami
Haala[...]yski—
constitutes an impressive cross—section of Montana
poetry, and each of them selected between nine and
fifteen poets api[...]ally
according to the ten poets, and a photograph of

each opens “their” section of the book. Ironically, the
collection closes with[...]llowing it, one finds approximately thirty pages of
biographical notes, publication acknowledgments, and
a bibliography of published work by writers in the
anthology.

The “Editor’s Notes” chronicle the genesis of the
anthology, and Jaeger pays generous tribute t[...],
Jaeger found himself, more or less, in the role of literary
executor, and wanted to give them voice:[...]. They wanted to join their words in a collection
of voices that reached out across the Big Sky, over[...]etween us.” (6) I particularly
admire the poems of Nesbitt and Moen. “This collage
of voices” was intended to overcome the loneliness of
the Montana poet, and it admirably succeeds in do[...]ision: “this anthology opens space to the words of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (311)[...]from the Fort Peck Reservation who is a graduate
of Missoula’s prestigious MFA program. One of my
favorite Native American poets, Richard Littlebear,
includes his own English translation, line by line, of his
Cheyenne poem, “We Are The Spirits of These Bones.”

The scope of Poemr unsurprisingly means
that the work feels occasionally uneven, with some
poets of less interest or quality than others. Yet its
wide angle, the presence of new voices on so many
pages, more than compensate[...]t Kingsland, a well—known
humanist and advocate of Montana letters, provides

in her Introduction, “All This Wild Beauty,” a gracious

and broad survey of the riches that follow. In just three
pages, she manages to allude to the majority of the
anthology’s poets, and she ably places the anthology in
the contemporary history of Big Sky literature. Painter
Jennifer Fallein, als[...]ng cover, which reflects her response to several of
the poems.

Jaeger and his nine fellow Board memb[...]ent project that
provides such a panoramic survey of Montana poetry.
As Kingsland points out in her In[...]r Arron 7773 Big Sky broadcasts the
dense network of Montana’s community of poets and
challenges that occupational loneliness[...]ening essay. It is only the most recent evidence

of the robust condition of literature in Big Sky country.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (312)[...]ivening recognitions and associations that a work of
art triggers, well ahead of any investigation of the linkage,
remains a riddle. Why M] Williams’[...]Elizabeth Bishop’s signature
poem, “Qlestions of Travel,” is mystifying. But no matter.
A third of the way through my first cycle through the
music, on Jaco PastoriousmThree Views of a Secret”
with lyrics by Colleen O’Brien, it[...]bolt it was, Williams’ singing and
its reminder ofof the fat brown bird / who sings above
the broken gasoline pump / in a bamboo church of

Jesuit baroque:”) And not so out of the blue, perhaps.

For the more I listened to Danting to [be Edge, the
more it yielded an equivalent of Bishops dialogue, one
voice at home (Williams’[...]gs), the
other abroad (her exploratory treatments of standard
material). Implicit in the title of Williams’ CDflfld
confirmed in her playing and that of colleagues
(pianist Ann Tappan bassist Kelly Roberti, drummer
Brad Edwards)—is a sense of travel. The dancing is

to something, namely, the[...]cording
comprises nine very different songs, most of them
familiar, all exhibit the same propensity, an instinct
that gets at the core of jazz: travel, stretch, exploration,
expansion. Ju[...]is context, that

Wiliams is a founding member of the Montana Artists
Refuge, a residency program n[...]s devoted the
past twenty—plus years to the art of interpreting lyrics is
clear evidence of her attraction to the writer’s medium.
That she[...]mitage”) and has supplied her own lyrics to one of

them (“Hermitage”) underscores that affinity.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (313)[...]n the highest
regard. (Williams studied with both of them.) Her
reason is simple: Jordan and Clayton a[...]he playing field an
abiding interest in the work of two avowed explorers
in jazz: Henry Threadgill, one of the original members
of the Association for the Advancement of Creative
Musicians and a leader of the groups Air, Sextett, Very
Very Circus, and Zo[...]with David Murray . . . felt like I
got a glimpse of some terrain that I suspected existed,
but never[...]the

place where Banting resides—that junction of tradition
and modern reconstruction—and no doub[...]diting classes with Sheila Jordan at City
College of New York. The following year she produced
a collection of jazz standards and performed in the New
York City[...]ment that Williams seems to have
gleaned from all of her inspirations—Monk to Mingus
to Murray—and[...]nd McCartney’s “For No One”), the character
of the music on Williams’ new CD is anything but
cloying. Romantic, yes. Saccharine, hardly. One of the
pleasures of Dmm'ngflnd a rarity in recordings by
vocalists a[...]or self—referential. Here again, I’m reminded of

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (314)[...]watching strangers in a
play / in this strangest of theatres?” And: “Oh, must we
dream our dreams[...]y with each listening but also
in the single span of its nine selections. In “I Love
You,” we’re[...]r
voices are distinctly different, I’m reminded of the sadly
unrecognized singer Irene Kral in Williams’ treatment
of the Porter chestnut that Bing Crosby popularized.
There is in her approach something of Kral’s
deliberateness, understated search, and impeccable taste
in choice of material. Kral’s style was more delicate
and kept to a narrower range, but there was a quality
of purposefulness in every word and corresponding
mu[...]lyric form. There is

a yearning quality in much of Metheny’s music, and
Williams, Tappan, and Robe[...]ll rhythmic challenge, and Tappan’s negotiation of
the labyrinth could be more relaxed. She acquits[...]for Williams. In it we find the strongest
sense of her exploratory nature and the clearest imprint
of her horn—playing on her singing. The quartet’s
reading of Monk’s gem has an exploratory character and
feel from the start. Similarly, the deliberate treatment
of Jobim’s “Waters of March” demonstrates the care
Williams and her c[...]but with an ear trained closely
on the musicality of each phrase. Listening to Banting
to [be E[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (315)[...]resuming the troubling and
transporting creation of art. Put another way, there is
always a distance to travel in the pursuit of truth.

At the end of“Q1estions ofTravel,” Bishop is
left with just[...]tly in one’s room?”

For Williams, the matter of travel seems nearly an
inversion of the question. To “stay at home,” as Bishop
wo[...]for the singer. Home
for Williams is the very act of travel, the very essence

ofthis thing called jazz.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (316)[...]cked the match,
mixed the glazes, lifted the bags of

bentonite,

hauled the sculptures, and climbed t[...]ds penned letters to politicians,
and wrote words of encouragement to aspiring

artists.

His hands were on the throttle of a scooter one
moment

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (317)[...]for anything.

His hands rested on the shoulders of friend
Voulkos, and mentor Hamada

and effortless[...]and held them close.

These hands were the hands of an artist,
workshop hands that traveled and shared.

His hands were giving hands, and bore the
scars of hard work.

They were simple hands , potters hand[...]nd an inspiration to all for his
lifelong pursuit of his vision. He made some of his

finest work in the last decade of 1is life. But his warmth,
intelligence and humani[...]Rudy managed to kee') up a tremendous
outpouring of creative work in his ceramics and drawing,
and yet had the focus and energy to raise an incredible
family of wonderful children anc grandchildren. He

also maintained deep friendships with multitudes of

artists and former students. He and Le[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (318)[...]tion. And when I would bring up yet another
batch of students to visit his studio, he always found
insightful and uplifting words of encouragement to offer,
leaving my students breat[...]left us with so
many wonderful lessons.

No piece of writing about Rudy Autio would be
complete withou[...]chie Bray
Foundation for hosting this celebration of Rudy Autio’s
life, and Lela and the Autio famil[...]as a place that was quite dear to Rudy. Like many
of the artists who have passed through this cherishe[...]dignified facade. But it only took a half—hour of visiting
the artists in their ramshackle studios to understand
that this was indeed a place of incredible potential and
great magic. Today, the[...]support
ceramic artists—young artists just out of art schools and
universities, as well as establis[...]ronment. And thanks to
the dedication and support of many former resident
artists and arts supporters, the Foundation is now a bit
less of a ghost town—it has morphed into a wonderfully
incongruous conglomeration of obsolete brick—strewn
factory ruins and state of the art ceramic studios—with
the addition of the new Shaner Resident Artist Studio.

Rudy was a lifetime supporter of the Bray.

So . . . It is most fitting and appro[...]ence. Were it
not for Archie’s prescient choice of these two young
art students—who would l[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (319)[...]gathered here today when I observe
that very few of us would have ever come to Montana,
much less settled here, were it not for these auspicious
beginnings of the Bray. Rudy and Pete truly set the
standard that all of us have tried, in our myriad ways,
to uphold. For[...]te, and Rudy.
Your spirits live on, and touch all of us, through this
place.

Rudy was, perhaps, our last direct link to the
presence of Archie and his family, the last resident artist
who remembered Archie’s constant presence in every
aspect of the brickworks and the fledgling foundation. I
n[...]piring ceramics student to the most revered icons
of the art world. Rudy treated everyone as equals,
r[...]in his

own art—Rudy recognized that the making of art was

a difficult task on a daily basis, and[...]h his words and wisdom, in person and in the form
of letters and e—mails. He recognized the transformative
power of art and the innate human spirit of creativity,
and he celebrated these in his life,[...]artist, he knew that in our innermost soul, each of us
struggles with our creative passions, that in[...]this was the basis for
his constant encouragement of all of the artists whom
he so naturally and genuinely me[...]lcome in his presence.

The Autio home is a haven of warmth and
hospitality, and everyone who ever vis[...]their time there. On a crisp fall day at the

end of the last millennium, I drove Louanna Lacke[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (320)[...]days putting the final touches on her
biography of Rudy. We got there in the late morning,
and, after visiting a few moments, were invited to share
in a pot of stew that Lela had simmering on the stove.
The tw[...]Lela’s generosity,
and I was beginning to think of the famously crowded
steamship cabin in the Marx[...]cal human mass. And that seemingly
bottomless pot of stew was quite tasty. Thank you, Lela.
The day before he passed away, Rudy sent out
e—mails to many of his fellow artists and friends. In his
usual unde[...]be said, a great many times, that Rudy
was a man of gentle spirit, always kind and gracious,
that he[...]true, but if you have ever delved into the
realm of contemporary politics, particularly regarding
the course of our nation’s current government, Rudy
would bec[...]ther in private discussion or in the public forum
of letters to the editor. Over the years, he and I h[...]less than kindflgain, rightfully so. At the core of
all of Rudy’s remarks was a deep compassion for people[...]many others
have and will observe about the life of Rudy Autio.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (321)[...]ays
be an inspiration and a presence in the lives of all
whom he touched, through his art, his teachin[...]offer my
condolences and love to the many members of Rudy’s
wonderful family, whose kind and gentle spirits reflect
that of this remarkable man. We will all miss Rudy[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (322)[...]kind,
generous, and beautiful.

The basic outline of what Liz Claiborne
accomplished as a fashion desi[...]imited funds, women challenging the glass ceiling of
male hierarchy. Liz Claiborne, Inc. was a phenome[...]el truly inspirational? But it was—
to millions of women.

Liz Claiborne became an inspiration and
celebrity not because of glitz, but because of substance.
The substance of her designs and the substance of her
character. She traveled widely to meet her cu[...]It was a great feeling, but it was a feeling also of
responsibility, when you have women reacting that way
and depending on you.”

That sense of responsibility, and its intrinsic

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (323)[...]L 2008 367

humility, were essential qualities of Liz Claiborne.

Liz and Art retired in 1989, devoting themselves
fully to the work of the Liz Claiborne Art Ortenberg
Foundation. Like[...], Liz and Art concluded that lasting
conservation of the natural world depended on support
from local[...]e Center for People and Forests at The University
of Montana; they sponsored the Red Lodge Workshop
in[...]ays to make collaboration work on the
ground. Out of it grew the Red Lodge Clearinghouse,
a web—base[...]sued a
Billings—based knitting company over use of the word
“Montana,” Liz and Art anonymously h[...]erations, and changing children’s understanding of
their place in the world. Unlike many from other places,
they were accepted fully as members of the Montana
community.

There were perhaps fifty[...]ary. As
a woman, and as a human being. They spoke of their
deep admiration and respect, and yes, their love. They
spoke of the joy of knowing her. They spoke of her calm
courage, her unflagging personal dignity, her personal
beauty and beauty of spirit, her clear—eyed judgment,
impeccable sense of taste, her rich, beautiful voice, her
intuitive sense of fairness, her terrific smile!

With these things[...], together.

It is fully true to say that because of these things,

and because of who she was, she was beloved.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (324)[...]appreciate discovering that someone was out
ahead of me to break the cross—country ski trail. It mak[...]hen I entered the Montana Senate in 1990,
my path of service was made much easier because
Pat Regan ha[...]acles before I arrived. I have heard many stories
of the discrimination and roadblocks that Pat had to[...]her family
and friends had always told the story of how she was
talked into running for the legislature by friends as they
encouraged her with a pitcher ofof wine

that I first remember the subject of my running for the
legislature was broached. That evening was followed
by many calls of encouragement from Dorothy Eck
and others, an eff[...]ed
more women where the action was. Also, because of my
work in Human Services, she encouraged me to a[...]e in that area. Thus began a twelve—year
period of advocacy for those who could not advocate for
the[...]Pat Williams retired from the
United States House of Representatives, Pat was one of
the first people to encourage me to run for his[...]rful experience that was
made even richer because of the opportunity to share
the Regans’ hospitalit[...]to laugh and share their insights
was a highlight of that campaign.

I don’t remember Pat ever dressing me down

for doing something she didn’t approve of, and I

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (325)[...]vent! However,

I do remember the calls and notes of support and
encouragement as I struggled with tou[...]tiatives.

The path that Pat blazed for the women of
Montana left very deep tracks that have and will
continue to make the election and service of women in
the Montana Legislature much easier. It[...]d—and sometimes

unorthodox—action.

And best of all she was a fearless leader. For a whole
generation of women in Helena and throughout the
state, Pat showed us the power of speaking out:

Of using our authentic voices to work for causes,
to seek better jobs, to break the glass ceiling.

Of challenging conventional wisdom to find the
real[...].

Pat made a profound impact on us.

The stories of Pat’s fearlessness are legendary. But let
me tell you—being the objett of her fearlessness wasn’t
always comfortable.Twen[...]f it was sometimes uncomfortable to be the
object of her fearlessness, it was always fun to be in the[...]belittle other people. She had the
wonderful gift of caring passionately about ideas and
causes but no[...]that it is individual people
that are at the root of any cause. She was unstintingly
generous in helpi[...]olar opposites
on almost every issue but as chair of the Business and
Industry Committee Pat fe[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (326)[...]Power Company was raising. Through sheer force

of personality, she held Commission members and
Mont[...]reement was reached.

For me the ultimate example of Pat’s fearlessness
was shown last Friday night.[...]ent politics, Pat would pause and say with a look
of great peace, “All is well.” One more time, Pa[...]be feared.
One more time, Pat was right—because of Pat, because
ofwhat she did for women and for all the people of
Montana, All that Pat touched is Well. Tha[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (327)[...]Patrick
Zentz.

Robert Baker, associate professor of English at
The University ofMontana, is the author of 777e
Extravagant: Croningx ofMoalern Poetry anal Moalern
Pbiloxopby (University of Notre Dame Press, 2005).

Richard Buswell’s photographs are held in the
permanent collections of many museums, including
the Smithsonian American[...]he
Corcoran Gallery ofArt, the National Galleries of
Scotland, Bibliotheque nationale de France, Seattle
Art Museum, Rhode Island School of Design, the
Berkeley Art Museum, the Montana Museum of Art
and Culture, and the Northwest Museum of Arts
and Culture. He has published two previous b[...]Clayton (www.johnclaytonbooks.com) is the
author of 777e Cowboy Girl: 777e Life of Caroline Loekbart
(University of Nebraska Press, 2007), a finalist for the
High P[...]d three annual issues. After publishing a
handful of poems, Phil entered into a hiatus of twenty
years during which he raised two sons and produced
an album of songs, Lone I/Vextern Stranger. In 1996 he
returned to writing poetry at the age of forty—eight
and is assembling his first book of poems, Laxt Drink
wit/.77 Sir Walter Raleigl7. Ph[...]en
and is working on a young adult novel, Company of

Demonx.

Teresa Cohea is a vice—president ofD.[...]cal analyst and

a bureau chief in the Department of Revenue. She
was Montana’s first female chief of staff to a governor,

working for Gov. Ted[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (328)[...]state Board
ofInvestments, and as co—president of the board of
directors of the Holter Museum. Cohea has bachelor’s
and mas[...]ofMontana. She was the state’s first recipient of the
Marshall Scholar Award.

Michele Corrie] is a[...]art venues
ofNew York City to the rural backroads of Montana.
Published regionally and nationally, Michele has
received a number of awards for her nonfiction as well

as her poetry.

Julian Cox was appointed as the new Curator

of Photography at the High Museum of Art, Atlanta,
Georgia, in April 2005. Cox came to[...]the department
ofphotographs. He is a co—author of the critically
acclaimed publication, Julia Marga[...]botograpbr (2003), the first catalogue
raisonné of her work. He has also worked at the
National Museum of Photography, Film &Television
in Bradford, Englan[...]ibrary
ofWales, Aberystwyth. He received a Master of
Philosophy degree in the history of photography from

the University College ofWales, Aberystwyth, in 1990,
and a Bachelor of Arts degree in art history from the
University of Manchester, England, in 1987.

Ken Egan, J12, recently accepted the position as new
executive director of Humanities Montana. For many
years a professor of English at Rocky Mountain
College, Billings, Montana, Egan is the author of
Hope andDread in Montana Literature (University of

Nevada Press, 2003).

Karen Fisher has lived in[...]en on an island in Puget
Sound. She is the author of the acclaimed historical
novel,A Sudden Country (Random House, 2006).

A longtime resident of Missoula, Montana, Patricia
Forsberg studied at the Corcoran School of Art in
Washington, DC, and received her MFA in Painting
at The University of Montana in 1981. She has received
a Montan[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (329)[...]e language,
literature, and art at The University of Montana,
followed by a teaching residence in Japan. Patricia is a
serious student of the violin and plays in the Missoula

Symphony Or[...]as the first
Harold and Arlene Schnitzer Curator of Northwest
Art at the Portland (OR) Art Museum, pr[...]y 21, 2007, in Missoula.
Glueckert is the curator of the Missoula Art Museum
and one of the many friends of Rudy and Lela Autio

Scott Hibbard, a native of Helena, is a ranch manager,
ranch management cons[...]Richard Hugo and Bill
Kittredge at The University of Montana.

A fourth—generation Montanan, Hilary[...]ive writing, poetry emphasis,
from the University of Washington in Seattle. For the
past seven years,[...]on the steering
committee for the Helena Festival of the Book. Her
poems have appeared in 777e Oregonian and 777e Seattle

Review.

Brian Kahn is host of the interview program, Home
Ground, on Yellowston[...]k as collegiate boxing coach,
attorney, President of the California Fish and Game
Commission, Director of the Montana Nature
Conservancy, author, journalis[...]k, co—written with his Labrador retriever, Tess of
Helena, is Training People: How to Bring Out tbe[...]2007).

Greg Keeler has published six collections of
poetry and his latest, Almort Happy, was released by
Limberlost Press in ’08. Three of his poems have been

read by Garrison Keillor on three segments of Writerr’
Almanae; his song, “WD—40 P[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (330)[...]ix musicals for the
Vigilante Players, the latest of which is Neon Dream,
which he co—wrote with Gre[...]tire and social commentary.

Beth L0 is professor of art at The University of
Montana, having taken over the position held by R[...]y’s retirement. She is the two—time
recipient of the UM School of Fine Arts Distinguished

Faculty Award. Beth’s[...]ana.

Rick Newby is co—editor, with Lee Rostad, of Food of
Godr C97 Starvelingr: fie Seleeted Poemr ofGraee Stone
Coater (2007) and, with Alexandra Swaney, of Noter for
a Novel: fie Seleeted Poemr of Frieda Fligelman (2008),
both from Drumlummon Institute. His latest collection
ofof Stephen De Staebler,” (Zolla/
Lieberman Gallery, 2008); “Beckoned into Landscape:
The Paintings of Dale Livezey” (Stremmel Gallery,
2007); and “How Many Worlds? The Ceramic Art of

Stephen Braun” (John Natsoulas Press, 2[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (331)[...]76

ofArt, New York; Los Angeles County Museum of
Art; Kunstindustrimuseet, Oslo; Shigaraki Ceramic[...]Archie Bray
Foundation’s Meloy Stevenson Award of Distinction.

Richard lives in Helena with his wi[...]Sulfur, and CutBunk. He
has published four books of poetry, the most recent
being WinterAppler by Bir[...]iterature at Boston University and
the University of California at Riverside, where he
earned a bachel[...]recently taught
photojournalism at The University of Montana), are
currently collaborating on a book,[...]’r bestseller list
and was named among the Best of the West by the
Suit Luke City Tribune. Russ has[...]and.com

Michael Schechtman is Executive Director of Big
Sky Institute for the Advancement of Nonprofits
(www.bigskyinstitute. org/) .

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (332)[...]LL 2008 377

Jodi Schmitz is a recent graduate of Carroll College
who grew up in Helena, Montana. S[...]g fishing and hiking.

Chris Staley is Professor of the Ceramic Arts at Penn
State University. He rec[...]lel Academy in Israel to Haystack
Mountain School of Crafts in Maine. He has received
two National Endowment of the Arts grants and two
Pennsylvania Council of the Arts grants. His work is in

many collections, including the Smithsonian Institution’s
Renwick Gallery of the National Museum of Art and
the Victoria and Albert Museum in London[...]cupboards . For nine years he served on the board
of directors at the Archie Bray Foundation in Helena,
Montana, and he is currently serving on the board of

directors at The Haystack Mountain School of Crafts.

In 2004.,just a few months after she gav[...]nry Prize Storier (2006). She is
also a recipient of a Whiting Writer’s Award, two
fellowship[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (333)[...]08 378

Stephenie Ambrose Tubbs is co—author of 777e Lewix
and Clark Companion: An Eneyelopedie G[...]holds two degrees in history from
The University of Montana and currently writes local
history and serves on the boards of the Lewis and
Clark Interpretive Center Foundation, the Lewis and
Clark Trail Heritage Foundation, Friends of Montana
PBS, and the American Prairie Foundation.[...]is and Clark has been published by
the University of Nebraska Press in the fall of 2008.
Stephenie and her husband John live in Lewi[...]nce the 19705. He was the first
State Folklorist of North Dakota, the Dakota
Field Representative for ArtsMidwest (a regional
consortium of state arts agencies), second State
Folklorist for[...]ist
for Indian Traditional Arts, Program Director of
Educational Talent Search in Indian Country for

the Montana Office of the Commissioner of Higher
Education, visiting professor of Native American
Studies at The University of Montana, and proprietor
of Northern Plains Folklife Resources. Vrooman
creat[...]05, he
was intimately involved in the development of the
Northern Plains Indian Art Market.

Nicholas served as consultant to the

Smithsonian National Museum of the American

Indian, the Festival of American Folklife on the

Mall, the Métis National Council of Canada, and

the National Folk Festival. He’s w[...]ulture.
Currently he serves as Executive Director of the
Helena Indian Alliance, a nonprofit comprehe[...]n center, continuing his involvement with

issues of American Indian cultural resiliency.

Mignon Wate[...]idate for Montana’s sole seat in the U.S. House of

Representatives.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (334)of English at The
University of Montana Western. He is currently
working on an ar[...]rtern
Hixtory and is seeking to re—publish some of Savage’s
titles, the first ofwhich, 777e Pam,[...]. Alan

still likes to climb mountains in and out of Montana.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (335)[...]GENEROUS SUPPORT!

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Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (336)The online journal of Montana arts & culture

H[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (337)[...]by the authors/artists, with one-time publication
of the rich culture(s) of Montana and the broader rights granted to DV. Content is free to users. Any reproduction of
American West. Drumlummon Institute is a 501 (c)[...]iews as
The editors welcome the submission of proposals the site of original publication.
for essays and reviews on c[...]nue #3
poetry, creative nonfiction, or portfolios of visual art. Hele[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (338) The online journal of Montana arts & culture

Editor-in-Chief: R[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (339)of the Moonlight, a novel by of An Adventure in ‘Homesteading,’” by Ada[...]“‘The People’ of Montana: In Exegesis of Indian
“Another Quentin Houlihan,” a story by[...]Post-Revisionism in the Fiction of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (340)[...]Montana Women Writers: A Geography of the Heart,[...]Poems Across the Big Sky: An Anthology of Montana Poets,
biographical essay, “Norma[...]Support Drumlummon  380
“Long Lines of Dancing Letters: The Japanese Drawings
of Patricia Forsberg,” by Rick Newby  314
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (341)[...]From the Editor

Welcome to the fourth issue of Drumlummon The Writings of Hans Peter Koch, Montana Territory,
Views, the online journal of Montana arts and culture. 1869–1874, edited by historian Kim Allen Scott. A first
For those of you who have followed DV from our publication of Grace Stone Coates’ second novel, Clear
beginni[...]in the works.
envisioned publishing three issues of DV per year, but Finally, we have begun a series of offprints from
it’s become clear that one and p[...]re nearly realistic, given the limits on our of particular interest. The first is Patty Dean’s[...]nd illustrated essay on architect Cass
each issue of DV is truly substantial, essentially the Gilbert and his designs for the Montana Club. The
equivalent of a large book. And we are grateful for the second is a portfolio of Patricia Forsberg’s marvelous
patience and kindness of our supporters, readers, and Japanese drawi[...]re into color books by Drumlummon
Speaking of books, Drumlummon Institute has can be o[...]ith two titles, detail/313138. To order any of Drumlummon’s books and
Food of Gods and Starvelings: The Selected Poems of Grace offprints, go to http://www.drumlummon.or[...]vel: The Selected Books-Offprints.html.
Poems of Frieda Fligelman (2008). These two books, in
turn[...]***
Masters Series. A reissue of Thomas Savage’s first
novel, The Pass, with an[...]Like its predecessors, this issue of Drumlummon
Weltzien and published in collaboration with Riverbend Views ranges over a multiplicity of terrains. We
Publishing, will join the series in Winter 2009. have expanded our offerings of original works, with
In 2009, Drumlummon is also publishing, in substantial selections of fiction and poetry, together
collaboration[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (342)of our senses—in the making of Thank you for your interest in Drumlummon
art today and a portfolio of Richard Buswell’s singular Views—the las[...]photographs, with an essay by Julian Cox, curator of of more than 30,000 files from the Drumlummon site.[...]ure a film and essay celebrating the art and life of watch for our Spring 2009 issue, due out in M[...]ill focus on the built environment and landscapes of
2007). And in our “Travels & Translations” se[...]tion with
we feature the abovementioned portfolio of Patricia the June national meeting in Butte of the Vernacular
Forsberg’s Japanese drawings, to[...]its guest editor
We continue our coverage of science and health is public historian Pat[...]ory. Nicholas Vrooman acknowledges the
importance of the Indian Education for All initiative, Rick Newby
and we continue our serialization of Ada Melville Editor-in-chief, Dr[...]g
Our Literature section ranges from the creation of
post-revisionist western fiction (like Karen Fisher’s This issue of Drumlummon Views is dedicated to the
A Sudden Country) to the development of western memory of Margaret Regan Gans (1922-2008), whose
literature by such figures as playwright Bert Hansen support of Drumlummon Institute was unstinting.
and n[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (343)[...]d; you will find their names in this
three groups of generous folks, those who support our issue’s Table of Contents and their biographies in our
efforts fin[...]Preservation Alliance; the entire staff of the Montana
To see a complete listing of our financial sup- Historical Society Research[...]e home page Marcia Eidel, Holter Museum of Art; Barbara Koostra
(www.drumlummon.org) and cli[...]and Manuela Well-Off-Man, Montana Museum of
Funders. Our volunteer supporters are too legion[...]gratitude: cal Society; Julian Cox, High Museum of Art; Jennifer
first, our hardworking Board of Directors, Jeff Wil- A. Gately, Portland A[...]tricia Forsberg
second, the knowledgeable members of our Board of and Stephen Speckart; and the many othe[...]y ideas, moral support, and good cheer.
mon Board of Advisors); and third, Drumlummon We[...]ws’ contributing editors, who come up with many of intern from Carroll College who contributed[...]Finally, our thanks go to Geoff Wyatt of Wyatt
ers, and artists—from many differe[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (344)[...]n Views—Fall 2008  11

from In the Scatter of the Moonlight, a novel lay on top of the glistening meat.
in progress[...]Heinrich walked by the dragoons where
Army of Utah, Camp Scott, Utah Territory, they[...]st one hundred and thirty- detailed as one of the hunters charged with providing
four. Most of the loss has occurred much this fresh meat to lessen the number of oxen the army
side of South Pass, in comparatively moderate would butcher.
weather. It has been of starvation. The earth “Hey, soldi[...]r trails traced through the
on the hundreds of dead and frozen animals snow to scatter[...]rty miles nearly block the road migration of mice. “You can stop right here, footman![...]Carl Heinrich smiled and walked on.
steps of an advancing army with the horrors “Won’t cost ya but a hindquarter!”
of a disastrous retreat.[...]“We’ll spare you the embarrassment of makin’ the
—Philip St. George Co[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (345)[...]008  12

“The Iron Cross. I saw one of those once’t. Made them legs.”
out ’a[...]dragoons herding in half-day shifts. In the wane of
Some general with gold-laced epaulets pinned one[...]Nathan Slater Nathan said.
said. “Not one of these cobbled together outfits that[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (346)[...]here to the Lieutenant’s tent. Look at the size ofofof
understand ballistics and windage.”[...]ested the axe. “As luck “Got out of the army after chasin’ Apaches. Had a
would hav[...]n I taught my wife to “Took to one of the elders. Thought him the Lord
read.”[...]d up a frying pan off to paradise in their land of Des-er-ret.”
by its heated handle.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (347)[...]d. His smile faded. “Start over, Moses.”
Army of Utah, and here I am.”[...]h the high-lined horses.
armloads of twigs and sticks and branches to break.
Voices wa[...]es
looked Nathan in the eye. “I might shoot two of ‘em.” Isabella held the scissors, us[...]sever threads
“You didn’t tell me any of this.” at a corner of the appliquéd apple tree and beehive
“I[...]the blades to snip the patch from the quilt.
half of the chopping block and the handle hinged again.[...]lled his moustache. “Fetch the deer of the Seventeenth Ward Female Relief Society.
hide[...]Everett said. “In accordance with the bylaws of the
horse gets me there.” Moses retrieve[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (348)[...]With the scissors Everett surveyed the faces of the Society’s members.
she reduced the patch to[...]ber stitched
Thankful Everett held a piece of weatherworn in turn until the canvas wa[...]said, “I mean no disrespect, but we’re
us all of the blemish of unchristian behavior. I ask us trying to ra[...]t will only make it sell for less. I
and her love of the Lord, and be forgiven by Him who mea[...]sses?”
Thankful Everett lifted the piece ofof the Lord or it is done in vain.”
achievements c[...]ewing . . .,” her voice trailed for the good of our militia, whose purpose is to protect
o[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (349)[...]it. This is “Why, from Mr. Everett, of course. Our husband,
how we do the Lord’s work[...]In the style of the Baltimore Album, the quilt
Emma Taylor, Secretary of the Seventeenth was a patchwork of floral patterns and fruit, birds and
Ward Female[...]es and mottos and
chuckled. “The Mormon version of the scarlet letter.” symmetrical designs[...]gh penance, the recent emigrants destitute of food and clothing, and
deed remains. We learn and[...]rpetual
heal, yet the scar stays. This reminds us of that.” Emigrating Fund to bring Later-[...]round the globe to the new Zion. With the advance of
more money if we had left Sophronia’s patch in.[...]in Echo Canyon guarding against the onslaught of the
heart,” Thankful paused. “Actually, he ne[...]Seventeenth Ward Female Relief Society
the hearts of two men,” she smiled, “to bid on the quilt[...]sor an auction and a dance, with food and
because of its reminder of human weakness, and the enough homebrew[...]Latter-day auctioneer shouted.
Saint. And, of course, to clothe our troops who guard us[...]s anyone know where she is?”
“The army of the Pharaoh,” Emma Taylor said.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (350)[...]d, “Thankful is right, Isabella.
doing the work of the Lord.” Emma Taylor shook her You[...]me. the Good Lord forgive me, has the faith of a snake. To
Sophronia will take a good deal of effort.” think of it, at her age.” Emma made a tsking sound with[...]a disgrace to our
needle and thread and a section of quilt, and looked Female Relief Society,[...]Thankful’s hands were still. ”You must let go of your
Christian principles. I ask all of you to pray for our spite.” Emma reddene[...], sisters,” Isabella said. She Presidentess of this Society, but I hear the word of
looked as if she’d been caught stealing. “I t[...]Thankful said. “You showing the skill of a practiced seamstress.
left to follow the command of the Lord, and you left “Oh dear[...]us discern the paths Thou hast for us.
Of course he was a good man. He married you,[...]ding. Help
hand. “But he was not doing the work of the Lord. The us to be the people Thou want us to be. Help us to grow
world is full of good people who misspend their lives.”[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (351)[...]The crowded tents kept the noise and stench of
. . . the teamsters while drunk would knock[...]watched one and then another one fall. He thought of a
Territory, February 25, 1858 brace of wagons fired by Mormons pulled by panicked[...]uld have made her a mother. Or it
snow as a thing of play and left it for coulees to keep, could be[...]a tree-lined street? Did she plow with a yoke of oxen
in the broken snow. With teams too weak for[...]ed
in cordwood that grew further away. At the end of tents. Twenty or more tents stret[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (352)[...]nterns with their coned glow, dimming as full of promise, wife now to a life of waiting, wife to a
night lengthened, flaring when restless sleepers fed the husband’s love of honor.
fires. When he reached the end of it Moses turned to Beauty, Cooke th[...]daughter of a Lieutenant Colonel, the embarrassment
Lieutenant Colonel Philip St. George Cooke tossed of a husband called “Beauty.”
in his bedroll. He[...]e oxen, mules, said.
and horses, these mouths of thousands they herded for Cooke chuckled at the choice his daughter made.
the Army of Utah. He wondered at the endless winter, S[...]ung man Stuart
the relentless windchill the thief of heat, and the snow, advanced faster than he had.
always the snow, as though the beast of winter were He thought of Rachael’s radiance that day, so
the General Commanding. He thought of Napoleon in proud of her daughter following her footsteps and the
Russ[...]see. Cook winced at the memory.
He thought of his daughter, Flora, married “[...]ry in He placed blame on the relapse of malaria and its
Kansas. Like himself, Lieutenant[...]ish thinking, the demented disease that picked up
of horse, a gentleman of Virginia, a graduate of West the pistol. Weak with fever the mechanism slipped and
Point. Cooke chuckled thinking of the change the the ball knocked out ha[...]he dental surgeon had done
allow that. He thought of the wedding at Fort Riley, its what cou[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (353)[...]the scalps of white women. It’s been a tiring and trying[...]perience, and hope like the Bible likes. Not much of a
Indian dead before rigor mortis set in. For all[...]closed it with an overlap under his chin,
thought of the passage from Romans that Rachael t[...]lation worketh it was warm, the heavy hair of the buffalo’s shoulders
patience; and patience,[...]with the gathered
“Who the hell thought of that?” he said, and animals guarded on a[...]s buffalo robe. If hope is the best the hair of the buffalo robe waving in the starlight.
you can do, why bother? His life had been a trail of Nathan did not know which was noisier—a tent full of
tribulation, he thought. The waterless marches of the men, or bedded oxen. Among this many ani[...]roll to his side while
questioning. Those rumors of squaw killer. Cholera, another reversed th[...], righting from a side-
dysentery, the impairment of malaria. Sick and dying lie pulling legs un[...]ays horses breaking down. The slow dreams of green fields. Others groaned and twitched[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (354)[...]promised adventure, the horses and the riding of them.
Nathan paced the perimeter watching other h[...]hip marching surprised him. He’d
ride the edges of the bedded herds. He’d ride his stretch mar[...]dreams and the more he saw
fires marking the ends of the collected herds as points the more he missed wooded farmland. Distance didn’t
of reckoning for the nightriders. The Lieutenant cal[...]Christmas, Nathan remembered he’d left the life of a nothing they wanted to eat. Fingers an[...]stbite, the wind steady as time. He had it
notion of the mounted soldier and the name itself, better in Pennsylvania, the comfort of the forest and
dragoon, as though there were some[...]ee-high boots and black tack, sash and bed of a farmstead. The grit required to survive here had
sabre, the grace of the gentleman the recruiter posed. astonis[...]e freedom from the farm and its drudgery of this that would make the journey worth it.
and th[...]This too was new, this herding of animals
remained a farmer at heart, as earthy and[...]im yet restless for something better handful of cows and plow oxen, but nothing like this
that bo[...]did houses suggested. Something expanse of animals. It would take an hour to ride
pul[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (355)[...]hey were there, patient as Indians, A city of wickiups stood at the foot of the mountainsides
ready to kill guards and stampe[...]defined Echo Canyon. Many were built in the
power of the Army of Utah. Through a mitten he mountain fa[...]zzleloader move with the mule’s gait and of huts crafted with poles and woven willow gave the[...]good one shot would do other than to look of poverty and pride, a village replete with thatched
mark the time of his passing. roofs sealed with matted grass and a mud mix of clay and
He’d see the Great Salt Lake at[...]ugh
the freighters had said was as big and devoid of life as ceilings heated from the fires inside.[...]in. He’d see the city the saints had by some of the huts to feed fireplaces cut in the banks
built, and he’d watch over Moses to keep him from of the canyon side. The comfort of the makeshift village
doing something foolish. surpassed that of the army’s camp under canvas. Some of[...]p the regiment and the light annihilation of the Army of Utah if it attempted to bull
battery, and w[...]at the slopes and the rock walls of rifle pits spotting the[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (356)[...]. have dragoons who will breathe the fire of hell itself.”
“We’re easy pickins for a Mor[...]ormons. They have “For the love of Saint Patrick, laddy. If the
their rocks and we h[...]geant dragoons had ’a been with us instead of sent away by
McMurray looked at the deserted work[...]e much.”
The canyon amplified the sound of the marching “Aye laddy. But they[...]hat aren’t guarded. Tis another to face an army of Mormons pay they will.” Sergeant McMur[...]’ll widened when he smiled. “Tis a thing of beauty truly, to
have to hunt to find a Mormon to[...]y’d covered since Fort
Laramie, that masquerade of a grassland in essence[...]somewhere less The four hundred horsemen of the Second Dragoons
inhospitable. The huts were the exception, an attempt halted at the mouth of Echo Canyon. All were mounted
to tame an untraina[...]om Captain Marcy’s
be gentled with a perception of order. This was tough expedition to New Mexico. At the mouth of the
country with its rock-sided mountains that se[...]s
seasonal goats, the ground that showed the work of epaulets when his horse turned,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (357)[...]08  24

bishop the insignia signaled an aura of authority, its hint perfect squares, every street as straight as an
of intimidation.[...]outed sounding like an army volleyed built of stone and sun-dried brick, and, as
voices and the[...]ed by each house having about four acres ofof every street runs a small
their own business and here we come, stirrin’ everything stream of clear water. . . . Along all these little
up. If[...]streams, or irrigating ditches, are rows of
Somehow an order was sorted and the Regime[...]e has a nice paling fence in front, and many of
command to return sabre it sounded like train rai[...]chards in rear.
on train rail for the full defile of the canyon and then,
for a moment, the canyon sto[...]and Colonel other. Along the sides of some of them run
Cooke led the Second Regiment, Un[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (358)[...]they made.”
his heart as if holding the Mormons of the Mormon “Beg your pardon, Co[...]rs
church and their faith or pushed by their fear of him I knew.” The Lieutenant looked as if he tried to
or fear of bones desecrated in the desert didn’t matter.[...]at
Colonel Cooke nodded at figures in the windows of the head of the dragoons and watched with head
homes and on p[...]ered.
wood with unlit torches, the simple weapons of a self- Moses Cole watched also. Natha[...]eir homes in final his side in their column of horsemen four abreast.
defiance of authority marched from the United States.[...]said. Like the other
Colonel Cooke thought of Lafayette Frost, troops Nathan looked at the houses with their yards
Corporal of Mormons. He saw a shadow move. If he an[...]d to starve us, and he takes his
torch as a sword ofof The sound of horse hooves filled the boulevard
Lafayette Frost[...]the intervals that split the army by
the momentum of a locomotive. Lafayette Frost had compan[...]ntervals the creeks gurgled as though promenading
of eighteen cents a day to occupy San Diego with the[...]and died there, disease taking the orchards of the citied homesteads.
body the desert cou[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (359)[...]brighter than a Pennsylvania forest full of fall splendor.
“Them people owe us that[...]e shade trees and the Nathan thought of framed paintings in a
open streets they marched o[...]m. “Appreciate what we see here,”
the comfort of New England with a western sense of he said. “Might be a long time before we see this again.”
space. Looking east over the tops of the trees and the Moses looked at the back of the dragoon riding
houses the mountains rose higher than Nathan thought in front of him. “I don’t care about the pretty,” he sa[...]he saddle in cadence with his
never give us a tip of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (360)[...]stnuts, cherries, pears, almonds—all the fruits of
Alone, I tried not to look in the mirror, tried Tu B’Shvat, the new year of the trees, God’s Rosh
not to hear my mother: Th[...]mother, the ease with which she moved, free of her
There are others like me at the pool,[...]st to take everything
his prosthesis, at the edge of the water. inside her. Only th[...]The long, green-eyed girl gave us hope, a vision of my down coat, sweltering. I believed, yes: in this rage of
a human being perfected. light, the Tree of Life, all life, might be reawakening.
My m[...]ke, be thankful.
strained carrots, tiny spoonfuls of mashed potatoes. I And so I[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (361)[...]breath
as water flowing, a girl who sees a mirage of herself passing through her. She lies on[...], hands resting on my Veil,” the voice of the Mother of God in a cello, Yo-Yo
hands, five years old, her[...]to live in the wild, meet the
morning, the trill of the piano woke me, Davia running snow leop[...]all voice high
her fingers up the keys—a ripple of light, the body in the Himalayas—she[...]plunging. She had their way to the edge of the world—Davia wants to
moved the bench to wal[...]sing as elephants sing when they visit the bones of their
key, to feel the hammers strike wires insid[...]h narrow
songs, Bob Dylan, Arvo Pärt, Ludwig van Beethoven. shoulders, small for his age, climbin[...]than the other boys and
She conjures the carnival of Saint-Saëns: kangaroos able to squeeze[...]th long ears—pianists, Seth Betos, unafraid of smoke-filled tunnels—our
fossils. She plays the[...]el eyes ablaze with desire,
him, the cello strand of “Transfigured Night,” Leonard e[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (362)[...]chance, somewhere. She
the Sola, a swamp, a land of floods, soil impervious to lived because life itself was proof of rebellion. One day
rain and melting snow, marl tw[...]ands—marched Polish, used the last of their strength, their love, to drag
them five by[...]camp between them. My mother lived
rousing March of Triumph from Aida, marched them[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (363)[...]fur and feathers, hopeful and foolish they were,
of her violin, Bach’s “Chaconne” playing on ba[...]weet pears and nuts
titanium ribs into the bodies of children with scoliosis and apples. God who[...]each time
so that they can breathe and walk, free of oxygen tanks we eat with holy intent[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (364)[...]r beauty seemed simple today, ashamed of this indulgence.
almost clear, not hers, merely t[...]God’s We were whole, each one of us, and all of us
reflection. I knew her name now, Helen Kinderm[...]mishaneh
I loved her for this, the absence of all arrogance. hab’riyot. Blessed are You, Adonai our God, Ruler of the
Today, everyone looked perfect. One le[...]underwater. Idris emerged from the tunnel of the
and joyful, frightening lush, buoyantly healt[...]and before her second, Idris gave me a tiny cup of
Louise Doren appeared with two bald women,[...]ous it
ones whose hair had fallen out in the grip of was, bitter and sweet as melted ch[...]hem a vision for you, any time, really.
of how they might reclaim their strength in water— I didn’t come. I was afraid of him, his beauty and
Louise, still alive at[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (365)[...]out coconuts and pears and
determined, every bone of his sternum visible. Fragile olives, all th[...]be opened. I forgot
white-haired wife to the edge of the pool, lift her out of about God as wine and swallowed a mouthful of water.
the chair, and ease her down to the water.[...]My awe for the girl grew hard, a pit of shame
My father taught me to swim before I[...]ds, before my
polio, soldiers with stumps instead of legs, old women mother said, She needs you.
terrified of water. My father said: Why be afraid of the A trick, I thought, this v[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (366)[...]hard with the heels of her hands, and Helen’s bones
Then the ot[...]the lungs might heave, the heart clench, the love of life
already on the deck, taking her in his arms,[...]Out back, smoking a cigarette?
the wild silence of her language; then another guard, O[...]itimate
headed girl with powerful thighs like one of those or foolish? She’d left us in the care of two teenagers
miniature gymnasts; and Louise Dore[...]r purpose here, no the buoyant woman—all of us—how strong she was,
desire—running[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (367)[...]had paddles to jolt her heart and a syringe full of behind us. Louise and her two frien[...]She wrote her phone number on a little scrap of
icy snow into dancing funnels. The pregnant woman[...]pomegranates and grapes, three fat pears, a jar of black
She wanted to touch me because I’d[...]tight, Mother’s white on white scroll, the Tree of
Carl looked in my direction, but hi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (368)[...]you
I smelled Helen Kinderman in me—soot of were foolish—because you didn’t hide in time, because you
adrenaline, burn of chlorine—we shared this: one didn[...]to stand, too light in the head, and I was afraid of the midwife who brought me safe into the world probed me
water, my father there, dead of a heart attack at fifty- now, deep inside e[...]ween us, four thin rings hidden deep in the belly of the
acid, she died barren, bearing only their sec[...]if we would return, as if our house would be our
of a thousand chosen. Because you resisted, b[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (369)[...]them, almost a soldier. He wheeled carts of the dead
Hebrew. Her father lived seven months, l[...]ie fog, an
Bertók Spier carved the delicate legs of chairs and orchestra played Hungarian[...]men, female shapes shifting behind solid
filigree of myrtle with a little man inside, a man you[...]falling. Music muted the cries of children, and they
Even Bertók the carver[...]My mother’s grandmothers died because they
of the dead, found emeralds stashed in the bowel,[...]neighbors them. Aunt Lilike took the hand of a child, a little boy
had swallowed.[...]lost, a waif abandoned. Lilike and the son of a stranger
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (370)[...]in a single breath they’d all
you found a piece of wire to close them, because you stole a rememb[...]How can this be?
God to accuse me of murder. But she stepped outside the[...]her bare arm your sleep, and the beat of the drums kept your heart
felt warm, and the sun[...]go Old as he was, Moses feared the Angel of Death. When he
down, so cold, so sweet to[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (371)[...]I confess, I kissed you: as Idris lifted you out of How Helen would suffer when she heard it[...]feeling him, the one he didn’t know, the father of a child
Two hours gone since we lost her.[...]ve
than death? Mother, are you with me? I thought of of his children, the quiet one, Helen who came from[...]ood him. Do the sorrow, the hours of pain when she didn’t come home,
dead die when t[...]her first, Peter the fourth floor of the library because even the glass
Kinderman, a p[...]overdose, a mistake in a prescription, of Mahatma Gandhi—where you can visit Saigon,
a st[...], Wounded Knee—where you can climb
or the fault of one of his technicians. He made the Denali. The copy of John James Audubon’s Birds of
stuttering policeman say it three times. Drowned,[...]anniversary, and here he is in the middle of the day, Peter
mistake, someone else’s d[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (372)[...]n’t have to hold it in her the skin of others. He’d made a collage ofof a pig and tail of a
the way his ribs were splintering. peacock, open eyes of an owl, closed mouth of a seal.
I was not there; I did not hear th[...]How can this be?
Leonard Lok slipped free of his body fast to follow her, Bec[...]ove, my darling—before his wall of fire, because the sister furled herself inside, a[...]ed naked legs and shoulders; as light, he
miracle of survival in these strings, an endless hymn of transfigured all these shattered faces. My mother saw,
praise, a vision of their own perfection—Éva playing[...]od, but couldn’t believe it.
Kodály’s Dances of Galánta and Marosszék, each one[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (373)[...]und pumpkins.
Helen, I can’t make sense of it. His mother said,[...]s black wool jacket
two, hungry like them because ofof
She leaped away, a miracle, unharmed by the van,[...]ause their in one room, in one bed, at the back of the house
mother had a cousin of a cousin in America, a man with wher[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (374)[...]not as
be there. His scrawled note at the bottom of the page strong as the visions in his mi[...]ky and the weather’s warmer. She sends boys of Vienna became Nazi accomplices. They wore
her lov[...]a boy holding their names, to call them out of themselves, to remind
a butterfly on his finger;[...]s, the one they knew, the man who
through a field of poppies, a hopeful girl, conceiving loved[...]ulders, had revealed heat rising beneath the skin of American soldier, a liberator of Mauthausen who
cheeks and fingers. The pop[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (375)[...]e, sometimes I sucked milk pumped from the breast of
He had never loved like this. He thought l[...]and where was it? They told of the ones set free who died anyway,
Antje wrote: 121 inches of snow in Buffalo this hundreds a day, thousa[...]isked their lives on purpose. thin thread of it, who weighed thirty-four kilos, nine
Th[...]who
They lived by chance, by grace, the sacrifice of another. gave bread to the birds, who s[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (376)[...]nd the birds at this girl’s feet were life, all of Moses, and still be afraid to leave this ear[...]choose to your precious body. At the top of the mountain, you
life, who was he to deny it? Wh[...], here, after, in this place— face, the mouth of every one taken before you.
imagine a life where[...]om. She distracted me. I started my
stunned faces of fifteen children, ones outside of time, flip turn too soon, and my feet miss[...]or know her sudden weakness in that moment.
some of these children to float, to swim, to walk in[...], and I saw her the third time,
the frail rigging of their bones wouldn’t hold them. righ[...]ther said, She needs you.
On the last day of my mother’s life, I saw the And[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (377)[...]e tiny bear growling in
Helen had happened to all of us, and forever. the distanc[...]king from Rowland Hall
the wolf cuts herself free of his bowel and walks out to the McGillis School, five steep blocks, to wait for
of the woods into the sunlight. One woman in a pit[...]tory to feel it. The story
being, holds the heart of another man in his hand while is there[...]too, on the same bus, but not together, a kind of
And so I rose. I did as my mother asked. I[...]to play Hamlet, why
and father appeared, smelling of rosewater and myrtle, he let K[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (378)[...]n in Hermosillo, walks a dusty road at the
Prince of Denmark, sneaked outside to lie in the bed edge of the city, hoping to save one soul today, hoping
of a truck, to get buzzed on cigarettes and blow smo[...]vert. He does not know. He cannot
into the mouths of her two boyfriends? Forever and a imagi[...]reen it scared me. He knows the sea is bluer of the test, part of the challenge: surrendering to love
than the sky,[...]. All day, he
and ginger I used to ease the sting of sunburn, the mango has been disobedie[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (379)[...]2008  46

Helen has come to walk this scrap of earth beside him. one converted.
He[...]in! May you all
him, slowly gathering herself out of the dust until she forgive me!
becomes a sha[...]r skinny dogs, all her skinny-legged both of them, home, my precious ones, to help me slice
ch[...]in
has revealed his mistakes to him, the failure of practiced French or memorizing the names of tribes, learning to
words, the hopelessness of his precise Spanish. spell, to say,[...]nora. His throat would seem, this life, all of it!
is too parched to speak of God and salvation. Even Liam re[...]squawk. It is better to go home in the hour of twilight. We blessed the wine of every
with the woman and her children, to offer t[...]e this frail bodies—to restore Him, the Tree of Life, to give
meal.[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (380)[...]Davia’s voice, life beyond hope and fear, proof of love,
what I am becoming. And the silence between[...]ght his fingers to the keys
breath, was the fruit of God unseen, too sweet to taste, in a jubilation of sound, three times Davia’s speed, but
the fruit of life, ethereal. Three deer came to the back wit[...]ness.
porch and stared inside and were not afraid of us. Rain, brilliant rain, water bo[...]water. I was Matthew, Eric—I saw each one of them and all their
hearing notes, but Davia was l[...]g, the brothers not abandoned.
first words of unborn children. Davia was waiting for[...]God, death, your mother,
with pure joy, the bliss of finally going. And then it your father. But i[...]s, then swallowed them. Imagine clouds are part of God and part of you, why can’t they be
if you had no choice as[...]roared down a narrow canyon—imagine the wonder of learning Yaqui Deer Songs from th[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (381)[...]d Davia in their dark rooms
With a cluster of flowers in my antlers I walk. to kiss t[...]me even
Surely Elder Mattea has exposed the depth of his now, floating on the surface of their music.
betrayal. How will he explain what h[...]cello
surged through wood and wire, a wild river of blood, the and piano while the win[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (382)[...]or nails. back to Hermosillo. With a cluster of flowers in my antlers
Lilike saved the son of a stranger, and Juli Kinderman I walk. I h[...]am walking. Late, so late.
crowned herself Prince of Denmark. Karin answered There will be repercussions and restrictions, the ritual of
every question: I’m not afraid; I’m not hungr[...]played her violin while a burned boy slipped free of and the children taught him a song, and the wom[...]is is
boy’s blood roaring. All the hungry birds of Europe landed the truth you asked for.
at Éva[...]us. My * Please note: the translations of lines from Yaqui Deer
mother’s bones was[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (383)[...]an’s mind
to create his own deer song, a prayer of praise and
wonder. He hears the words of the prophet Isaiah too,
strikingly in tone[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (384)[...]rather that
Man is a sign in pursuit of what eludes him. a single, common spirit has possessed each one of
—Martin Heidegger[...]y. Without even thinking, I told Of that life called my own boyhood, I have
her it wa[...]ab, unmoving memories at best. Whole years
a bolt of lightning, love at first sight. Strange as it may[...]my own like snatches of another music played at odd
I’ve never c[...]can
to anyone else for that matter, but I am all of call it that, is a magnet re-northi[...]ng to bore you with a
date, strangers calling out of the blue, forgotten complete history of our affair (it would be as tedious
acquaintances[...]tell this story I’d like to relate a few of those old loves
inside this skull, these ribs. Ea[...]  *  *  *  *  *  *
continuous present of my heart. There’s nothing crazy
about it: just a bunch of normal guys in the grips, a The bell rang for recess and a tumble of dry leaves
bunch of guys who happen to inhabit me.[...]direction, the the school exits. The crust of grass in the schoolyard
metempsychotic mec[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (385)[...]on Views—Fall 2008  52

away by the tussle of school children, then it opened for the first[...]ch on the far side mad, high house to the north of town. She was on her
of a worn and spacious acre. There, on the other side mother’s elbow in her ratty clothes, the foof of her
of the yard, was a chain link fence meant to keep the bangs like a ray of sun—blonder then—her skip-to-
kids out of the thick, brown water, but the fence had my-[...]her hand
other recess, cross-hatched rubber balls of varying just turned and turned. And as for[...]ss followed recess, and it didn’t hurt that she
of the willows along the ditch banks. A very hard[...]switched sides. Out of everyone, Miss Jens had legs. I
On the far side of that fence, old men in saw her go after[...]id there gasping on the ground like a wounded
ash of the seventh hole. The greens and fairways were[...]like it. When
So foreign, sometimes a loose pack of third graders people kissed in the movies,[...]es, and groaned and shouted, Is it over?!, almost
of the fence, to watch the old men pass, before the a parody of ourselves. Which is why the Corner—
pack took o[...]just for pretends,
One day, in the middle of the schoolyard’s hue and the boys would hol[...]od stock still scream and if kissing was out of the question altogether
to watch the young Miss J[...]they would just hug. To the surprise and horror of the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (386)[...]n and off for several years warmth and movement of our eyes—an ideal situation
before I met her. E[...]ead our wings for two third graders incapable of small talk. The
and soar screeching across the pl[...]out in negotiations between
locusts on some patch of grass, stuffing dirt and weeds the villains a[...]ng less bugs than wingèd monkeys stack of comic books in my bedroom. In the heat of
from Oz—soar off in search of new prey, less crowded battle, during a la[...]gh, I didn’t feel like then was make it out of the house and across the no-
eating dirt anymore.[...]speed guaranteed this) before we could
avalanche of daydreams, I became something more be[...]reams run
and the hour varied, but usually a band of kidnappers their course. I knew the kidnapp[...]bracelets, and earrings. Standing in the shadows of her
a white van parked up the hill a ways. Someti[...]never seen her wear. Like any trespass—
the bed of the van when I was tossed in.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (387)[...]putting on our coats to
go, she stepped in front of me, which she never did, and If I had to thank[...]ar the Seine—narrow at
did I, to walk home kind of whistling, floating along the front but flaring out in back, full of knotty pine,
with that backpack full of books, deaf to the shouts of smudged brass, and dusty bottles lined up on[...]daughter’s diamond ring—she solidarity of guys. “I don’t think you two have met.”
sai[...]e a study in the air to
room, slowly, and thought of nothing to do. The dresser, trace the j[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (388)[...]eur yourself,” I said. of Victor’s, and with a nonchalance that said I’[...]beery air and steady racket of the party. Didn’t speak
“Sometimes. For house calls.” (“And bird calls,” again for the length of the evening. When she got up
Victor again.) “Ho[...]” I to go, though, I followed her out of the humid brawl
asked. at the back ofof night.
added gaily, “Don’t do anything at all[...]away, just talking out ahead of ourselves like two people
“And what do y[...]our minds and mouths two spinning pairs of tires that
“Well, I come to Realizations[...]bloomed darkly in the shadow of a church downtown,
“This is nice,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (389)[...]ed. enough for the birth of love.” Like toadstools after
I stood sti[...]ant in the streetlights, and she had one of those natural phenomena whose immediate
dyed her[...]em to outweigh
highlights. She wore a white shirt of light cotton and the cause. Yet basic sc[...]icolore, latter-day implausible the origins of a feeling may be, our
Marianne. For it must be said: Everywhere that Miss judgment of its truth must stand or fall on what is
Jens went[...]toadstool army, here are the barns of ash.
their heads as she passed. In bars since (I[...]r my know, she kept me at arm’s length. Sometimes I think
phone number, and, not to be o[...]me hers. In her eyes were drawn the liquid ounces of sensed that something wasn’t right. But the heat of the
my loss; pain fiddled and the future danced:[...]Jens had ruined the rest. By
on the Russian plain of days. my calcul[...]ith what tools, if any, can
“Even a hint of hope,” Stendhal wrote, “is[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (390)[...]led street, on humid drive.
more than the promise of loss is essential to that
exercis[...]then i was an ocean liner
clumsy trestle of words the letter tries to span that and[...]above she flees above she flies,
reinvention of feeling, is a canyon echoing with the[...]city by train; my thoughts that tell of my claire de lune
remained with her.[...]and her distant castigation.
After weeks of torment, after dozens of nights
running one or two line[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (391)[...]me letters, for ideas grew out of his head, outstralling
my dimpled eyes are[...]there when we whistle.” — “But in the
of earth, whose light you are.[...]t the mountains, the
sent, the aching becomes one of expectation. With what carcass, my grandpare[...]dn’t even kissed—we hadn’t masters of time, son, not of space.” (Coke cans rolling
even seen each other[...]ear, by the pedals, deep and mingled strata of hamburger
if we did meet, whether or not that wou[...]elevision, a smell leaking from the trunk.)
chunk of my own flesh, loud and red. Whatever existed[...]to myself that high city ’mongst
with an excess of emotion, so those feelings stayed pent the cle[...]side, flying on their trapezes before an audience of might be king and dignified, time crouched at h[...]ition, flooze a little, and inflate my years. One of Hardly time for truckstops. Beside us b[...]te people, mine uncle, he’d weekly sent color of dirt flew like dirt clods through the air above
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (392)[...]mmon Views—Fall 2008  59

aspen and stands of pine, sparrows and starlings arching —[...]hen on that And the car did us the favor of saving the
straight fleet cruisesome fleeway high[...]irl, I said.
—Where to!? mine uncle kind of yelled. —What does that hav[...]it pass, her hair covered with highway, eyes full of
which she did: climbed into the backseat with her[...]see a to sharpen my mind. The backseat smelled of old
lotta you gals on the freeway! he said.[...]my faith in up with the whole joyful obligation of air. —How long
people. Plus I have a kni[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (393)[...]2008  60

dozing on and off. Viscous skiffs of snow flashing LIL’s—and with a “Maarrvelus!” from mine uncle the car
through a dark city of trees while mine uncle, to careened, its front wheels crunching over the curb of the
keep himself awake, fiddled with radio and mu[...]aked through gravel and dirt up
waving his hands, of a trek through Mexico and of the to the bare, used and dimlit porch where a herd of trucks
Amazons before the Spanish won, and the vo[...]Jens jerked awake. —“Keep your head
champions of nubile Tehuantepec who reign on even up,[...]that in the evening boded breath over layers of decayed piss and abused varnish,
well. Those swee[...]n’t fight at all. bragging an extinct species of rock and the local boys
—“We are not here for[...]oo many, I said.
like the bored erratic scribbles of a ninth-grade —Middle of nowhere, too.
notebook, in which he claimed he co[...]o go. . . . , I said. She nodded, set her
chapter of his life. b[...]stool.
In that moment at a crossroads west of Idaho, A silence brushed us t[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (394)[...]idea and he hated to dance and anyway it was none of
—Well, your body’s a lot smaller when you take it their business what kind of steps he knew. Made sense
off. Like clothes.[...]Mine uncle, bruised and alone in the light of the dash,
jerkier.[...]low road,
door by two thick men, a couple friends of Candy’s by that one song singing t[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (395)[...]“sort of rhyming couplets,” i said.
kiss begins. t[...]“that’s good,” she says, “i’m kind of shocked.”
says she’s light-headed and l[...]t weeks ago.”
says she might need a glass ofof one another, a
her feet and she’s[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (396)[...]Shortly after the fainting episode, a period of whose every line, balcony, roof was dutiful and right.
long talking began. It was a new species of intimacy: Life, so long derailed, had rec[...]b near Pigalle, I watched
Often in the act of love as Miss Jens rose above sparse couples[...]d and hollered
disarray, I perceived that we were of one flesh. And we loud and lost through Jim[...]An old guy up
we knew something beyond either one of us by virtue of front with gleaming pate had two women dancing: one
that union. The whole issue of mind control or osmosis after another, he[...]beat but
“taking a break,” I will be thinking of her at the same didn’t care. He wore his[...]hough imagine him without.
Miss Jens is of two minds about me, we remain one.[...]’t see him. The
with low laughter and the scent of limbs. It was that music, galumphing and awry, confused with the blood
second of all our double lives, the one that sidles[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (397)[...]“I haven’t told her, but we have a kind of almost any other reason. Sometimes y[...]splatters in the chest, began to rattle the rest of whenever a certain colleague leaves the room.[...]as, like a congenital idiot, half-smiling of a man in love.
at my desk till noon. The happier[...]the morning I’d show up unshaved, of November and December—the love, the stink, the
unwashed, unfed and out of breath from the mad dash coughi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (398)[...]freeze her heart before it drifted too far.
state of my life.[...]in its chaos, is The signs, of course, had been everywhere.
situated somewhere b[...]iss Jens was concerned, commitment
game and a war of the worlds. There is too much food, called for a modal verb, an arm’s-length if and when.
too much noise, too little space, and a spirit of rumbling Discussing our couple in the future[...]for a week at least we shift into the realm of the probable, or improbable,
in making all of us—aunts and uncles, brothers and r[...]rything
talk,” and she laughed that curt giggle of hers which they implied were out. If we[...]d her as Miss Jens; if pressed,
as true. A giggle of embarrassed sincerity, an appeal. later,[...]I
this,” I said, as it was still the last week of December. In would say my little malady,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (399)[...]would try to pull herself away. Handing me
a cup of coffee in the morning, she might say, Please,[...]ever speak. our poison than the theories of Hippocrates. Such
Breaking up several times a wee[...]reëducation, a contingent, punctual remedy of
If I left through irony’s door, I came[...]eave you everyday forever and deepest causes of that morass called the mind in the
ever, that wou[...]made love serotonin reuptake inhibitors of its synapses is too
and were just sitting in bed.[...]al and complacent an enterprise. One says
matters of the heart, Miss Jens would toss her hair and neurotransmitters, another says neuroses, I say All of
say: I don’t expect you to wait for me. So I sa[...]istory. Put another way: Is melancholy a disorder of
Then proposed that we not wait for her together. Her the individual in time or a disorder of the world? And if
eyes brightened, and she kissed[...]nce I met Miss Jens, I’ve experienced a rebirth of when I saw her high in the amphitheate[...]a rabbit hole in a Wonderland all day of 20th-century French literature. She did no[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (400)[...]up, dressed in a series of 1950s get-ups. I would see her
I had been[...]was to be a treatise on larger economy of feeling opened up. Once she arrived
melancholy, a[...]ents, I wanted to dance.
spam, the technicization of society, the mechanisms of Epiphenomena of a tease, she stopped reading half way
propaganda,[...]ion which coöpt through the book, complained of boredom. So what do
us at every turn. To abstract[...]wn and get to work. Miss
due to both the grandeur of its predecessor and the Jens, lovely creature, was also frivolous and forgetful.
quagmire of its subject matter, rendered all the more Wh[...]e
Cukor’s Gaslight, then you have a fair notion of Miss are without culture or the possibility of it.) I sought to
Jens, for she is determined and[...]next like at hand: the thorough restructuring of her intellect.
a frightened animal frozen in your[...]lair de applications, notably in the domain of melancholy and
femme aloud, a simple exercise in[...]After a its depths. I do not accuse Miss Jens of acedia, no, but
month of those sessions, she started coming all dol[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (401)[...]To begin, I instructed Miss Jens to pronounce
of the new Anatomy slumbered in grubby sheaves,[...]r files until they were trouble with the gender of nouns, it is because she did
unapproachable, impossible to think of. Thus it was I not care enough to learn. T[...]think. I endeavored, at length, to teach her the dry
Had she not been so frivolous, so forgetful, we and circular art of thought, knowing that once she
might have made mo[...]ve differences, but building a new ethics out of their
grasped her, convinced her to devote herself to a life of collision. Her feelings would develop and comp[...]end.
knew her carefree ways, and felt the twinge of the Pisan So three days after Miss Jen[...], and to her parents’
Miss Jens had need of melancholy. That much delight. “With[...]sease. It is a one who would be more indulgent of her foibles than I.
mode of being, a way to go and meet the world, a way Her whole life was ahead of her: Latin, Greek, Europe,
to flee it. I would ha[...]ssistantship, peer-reviewed journals—in a word,
of a philosophic disposition, which is by far the mo[...]an beings thrown wedding), she was gone. Of course I know why, and I am
into the world.[...]not bitter. We may have a relation of nonrelation now,
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (402)[...]counsel as she used to, asking for a translation of met three times (—three!), and I haven’t b[...]too irresponsible, get a straight answer out of her about why we don’t
to spend her whole life[...]And what can I think? In the wake of our last
come as no surprise, my obsession. By no[...]who has lost his life
me. You see this imbalance of desire, mine outweighing jacket and his[...]d yet he stays there
The first three weeks of the new year have been in our wake, clos[...]. Lethargy . . . I haven’t been able to get out of once love is gone.
bed. Day is just a grayer form of night. In love, but lazy, When I first[...]gh to at
I am a bear half hibernating in this den of a studio on least check in with Victor. He and I have known
the square east side of Paris, where every morning the each othe[...]by all indications, a genius. The only thing that
of mornings, as inexorable as a bowel movement, wher[...]the smallest things perturb him. Even he
die one of these days. And the second will be, What’s the[...]s, but that knowledge only gives him more
meaning of my life? And the third will be, You didn’t used[...]holism—psychoanalysis, he said,
The fact of the matter—but how to separate[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (403)[...]los ojos que acarician al mirar.
whole city, both of them on the Right Bank. One of “No! And sometimes I’ll go[...]and I were, in the pool hall in the middle of the night! What do you think I should
that didn’t count, him with a bottle of psychotherapy do?”
in each hand and me[...]e bar, our government have some kind of website?”
faces sinister as Christmas, half red[...]“Really?”
Victor stood at the edge of the table and stared. Like a “Do y[...]a good sign.” “As a matter of fact, I—O.K., look, forget it.
La[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (404)[...]for tea,
“Yeah, me neither come to think of it. How bout and doubt has come to[...]etters like I used to, it’s because
I’m tired of making a fool of myself. Victor says I Cavities f[...]ble now so as to guests!
tire of her more quickly, but I’m not up for it. Lack t[...]uer, too, she a cannibal!
says. Of course everyone gives that advice and no one
take[...]Indeed, Miss Jens is a man-eater, but of the
Sidenote: every time Miss Jens decides[...]own again for a while, she makes a visit of cannibalism, of which this chronicle is the proof.
to the dentist[...]eat your love and sometimes your love
in the best of times, broke under the stress of the eats you.
separation (she clenches[...]ngue). If I bring up that snippet of correspondence,
This time it was a root canal. So[...]o drive home another point: Miss Jens
maybe month of January, against my better judgment, c[...]comfy in couples. In or out of love, however, her aim
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (405)[...]bsolutely, which invariably a long shipwreck of inattention, Miss Jens rolled over
provokes a disastrous response in the object of her and laid her body next to mine. The[...]atuation, desire to possess, and a deeper shade of blue as the sun crept round, and the
finally ranc[...]ly across a drawing on her wall. Miss
all, is one of excess. Jen[...]t could it mean?)
Pursued by this surfeit of love, Miss Jens moves in a dark hollow of the bed, she on her belly and I
from place to pla[...]s looking Nature plays tricks. She has a way of tricking you.
and looking for respite somewhere.[...]to break the silence after sex.
it—that’s one of the few hopes I still cling to. Miss She m[...]rinking
herself through Greece to Egypt (the land of exodus lemonade, I say, when I’m hot.[...]ompletely
they perfectly matched: mine being gods of loss, hers join me has left me in ruins. What food is to Victor, I
gods of departure. am to her: she’s not sure how much of me she wants.
The second night I spent with Miss Jens after In the back of my mind, though, where things do work
we’d deci[...]after me for sex, but I made a decent woman out of her!
ulterior was only revealed to me by morning.[...]e beloved without him ceasing to be. The
and piss of drunks. Inside: a bed. So at the end of night, stone light I see in Miss Jens’[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (406)[...]Miss Jens [laughing]: A little.
realized that, of course, we rarely succeed in bed. I am[...]Jens: I’m sorry, I haven’t been feeling very
of saying, I don’t like this anymore. Sterility do[...]Miss Jens: The literature of the East has much to
Me: Want some coffee?[...]Me: Oh, I think it’s been said, most of it.
Me: It’s already made.[...]n that case— of the East.
Me: Sugar?[...]Miss Jens: Yes. I’m thinking in particular of the
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (407)[...]one that instructs us in the art of letting go, dose of the poison I adored. Her voice still echoed in[...]me sweet as ever, but it was a voice of leaving.
Me: Have you been talking to your brother again? If those weeks of deepening solitude have
Miss Jens: No, I’[...]this: passion knows no
and thinking of you. dénouement—[...]how among clouds. It was the end of the end.
Buddhists break up?[...]nd ends i sent back to j—a blouse,
of your life. But I think I need to leave this s[...]It’s not that I’m not thinking of you, but that I don’t
In the weeks that f[...]ly, though she would nothing reminds me of her like a phone call from
occasionally break down and call, perhaps out of guilt, her. she calls and my first feelin[...]joy is
perhaps from genuine affection. I thought of those calls followed by a hopelessness. i have asked her, politely,
as her little gifts, gifts of atonement and farewell, a final to stop.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (408)[...]was a good chance he was either still
semicircle of sun. A voice from behind and to my right dr[...]had even shaved. He didn’t have a hint of red whisker
“Excuse me.”[...]ts course, you might say.”
looked like a series of fists, muscles bunched and piled My respect for this little man increased tenfold
up on top of each other, testing every seam in his sky w[...]t on his shoulders meetings, and he was one of the more difficult men I’d
like the largest, most imposing fist of them all. His hair ever met.
was a red stubble,[...]I said. “I need to get my milking
cloudy lenses of wire-rimmed spectacles that magnified done.[...]noticed, behind the murky lenses, that the whites of his married a week ago, and I offered to milk[...]we’re married. A little wedding gift, you
most of the men who showed up at our door, though[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (409)[...]one of the bigger ranches. So ever since the war ended,[...]work clothes. Many of these men were fractured
“As tight as[...]t right in here. I’m Scottish myself,” loss of their own family place. They were generally hard[...]en predictable. After working
For the rest of the walk to the barn, and the time like[...]back with the battle scars of a bender. We always asked
Although most of the ranches had become more them t[...]pects.
many people leaving in the thirties. Those of us who And of course, there were also a fair number
stayed acquired land in chunks. So there was a lot of of shady characters, who showed up with remarkably
w[...]away the boys who were obviously just out of jail. But
organized these crews, moving from plac[...]uld take a few “gifts” when they
earning most of their money during those seasons.[...]We fell victim to thieves only a couple of times,
life, more suited for older, often[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (410)[...]places, and had all the right Something a hell of a lot more powerful than her—or
gear. Dad would[...]his method of asking for a job certainly would have
“Wh[...]I laughed. “What the hell kind of negotiation is
“It was a horrible[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (411)[...]“Was I smiling?”
She set a plate of eggs, bacon and fried potatoes
in front of me. “Like a circus clown.”
“I[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (412)[...]knew a few girls, too, and almost every one of ’em liked
whoopdeedoo. There for the first ten,[...]n than that’s where I’d mustered bit of a savings account and a brain no bigger than a
out of the Navy. Your postwar economy was an awful[...]irects my attention to that oak stand she had out
of parts I got through a mail order catalog.[...]e mail for her upstairs
We’d throw up one of those GI-financed tenants—she k[...]t you’ve got to squint real hard just to
couple of bad habits. Drank quite a bit, like everyo[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (413)[...]week after. a year. They live in a town of five hundred people, and
See, my sister was demen[...]ut she was goofy in ways that had started to kind of wondering. I’m wondering, among other thi[...]saloons doing
what does it certify but the birth of another Quentin good business here in t[...]Doty’s Grocery
Houlihan on the seventeenth day of April, nineteen and Feed, and those[...]That little footprint. Looked like a sea lot of times they’d sleep down at the bar. They’d co[...]perfect. of Look. As far as anybody raising Moira, I suppose[...]r that was me. Afraid I did a poor job of it, too, the
and tried to call Moira and congratu[...]. though—I think—when it was just the two of us in
So I call over and over for about a[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (414)[...]ringy—her whole problem might’ve been one of those and I remember rolling back into[...]ysical—and you’re away from Elisis any amount of
South China Sea when I get the news that Mom and time, just any amount of time at all, and all you’ll see
Dad have passed, one right after the other, like they by way of change is what’s collapsed or caved-in since
lo[...]you might fix up cities that’ve been bombed
out of town or to find somebody to treat her good, and[...]est. know, we’ve got forest for hundreds of miles on all
Back when I first started calling her, I’d ask about sides of us here, but right here, right here in this valle[...]ould talk to her and even tease her a Lot of nothing, really. Even so, this is country you can[...]out been forever.
she’d had all kinds of boyfriends. About half the males So, in spite of my better judgment, I came back.
in Elisis have b[...]guess Street to the Houlihan household, scene of my odd
all she wanted was the attention. By the t[...]even run through that phase, and she was of paint Dad stole from the WPA, which I remember as[...]ught to be found, reeking. Immediately overhead of you, just under the
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (415)[...]her started, and then she’s off on the subject of
basketball. And it’s busy, and I am ready to tu[...]poison in the municipal water supply. Few minutes of
So I’m in. I step through the mud room[...]in her recliner all along. I get around in front of and-so?’ Just Moira and her theories on bad[...]naps. Didn’t know about children generally.
out of that chair, and when she did I saw where she’d[...]e my sister is way around the bend, and I can see
of her spine. Moira was bony, skin around her eyes[...]ulled, which I bugger finally swaggers out of the bedroom. All two
happen to notice cause she can’t for the life of her keep feet of him. He falls down every other step—just, plop,[...]see about the kid, and he was could be much of a person yet, but he makes straight
nowhere in si[...]ike dough. And he
says. It’s the first word out of her mouth, but it’s enough looks me up[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (416)[...]So I’m firing, and my first burst takes one of ’em[...]any flight training to speak
along comes a flight of Jap fighters and strafes Manley of, don’t even teach those boys how to land, and I[...]rs and run ’em off, but they’re no sooner out of the fuel in it, but he’s coming, and I’m firing, and he’s
sight than we’ve got a pair of kamikaze coming at us coming, and then he’s spinning ass-over-teakettle across
from out of the sun. So there I am on Manley’s gun, the ocean, and he sinks just short of us.
and I’m firing. They come at you from behin[...]k
sitting on a hundred and forty thousand barrels of is the worst case of strep throat I’ve ever had, but the
aircraft fuel, you’re north of Okinawa, steaming for the corpsman happens to[...]ship, it’ll be up with the ship, and not a glob of grease I’d shit myself. Well, I did not shit myself. I did what I
left of her, or you, just flame and black smoke. T[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (417)[...]winter and
still have somewhere, I think, and all of it together was whathaveyou—Jesus wept—e[...]than that. No kid should
seasick. I was not much of a sailor, and I’m still not be so unlucky, I knew that much.
much of a patriot. But, there you have it. You do what[...]st thing I did, my first
want to make a big thing of it if you thought somebody and worst mist[...]s a little off, cause they were taking out pieces of big old console model; we got the one cha[...]-pattern Indian. So you’d switch
it—Moira was of no earthly use to anybody, but she it[...]also harmless, so I couldn’t see her as a ward of a blanket over her. She didn’t ask for[...]in bad weather, and we generally made
the thought of my sister talking to that boy all the time our little bit every day of the year, that’s how many
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (418)[...].
miles together in that panel truck, quite a bit of that at We got used to each other, and when yo[...]er the place every day, and best couple years of your life, and you don’t even know
in winter yo[...]ll so little his
wanted, and I believe Quent kind of thrived on it, too. whole arm’d completely disappear up in there.
We had the radio, of course, and he taught himself to[...]ouple English choir boys, he could make the sound of to Mrs. Whatshername. What was her name? Anyway,
a French horn. That’s the kind of traveling companion the old girl led him[...]e drove me all the other children, lot of ’em scamps, running around
crazy.[...]ck at me, and
Thing I liked about him, one of the things, was he’s fine—I’m not, t[...]mother might be, and I’ve got no desire
the end of the day when the diaper bucket’s half full[...]all-mine, and even though I know it’s kind of ugly of
up, that’d get a little ripe in there, g[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (419)[...]chool and got among himself around six of my big caramel rolls all at once,
other people, Q[...]he hit the third or fourth grade
make fudge, and of course this routine really put the he st[...]cabinets and upholstery. the spitting image of Delbert Oslavsky, got exactly
Built the shop just[...]ing done. I might’ve been afraid of him. Maybe I was afraid
Quent had quite the little motor in him, too. of getting carried away and getting my ass kicked.
H[...]ty hard all day. He Oslavski wasn’t much of a man until he was in a fight.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (420)[...]t. you? Most of the time I think I must’ve treated her
B[...]nt was a restless boy. At times it like a piece of expensive furniture, cause, you know, I
sort of hurt to see it. He wasn’t like one of these mutts just couldn’t muster any more fee[...]d stop to read, and once he fluoride or one of her other topics. She hated anything
got fascinat[...]ing up;
to look at one, he probably knew the name of every Quent’s off running or at school or in his room, and
rock in the ground. But when you think of him, the way pretty soon I’m Moira’s company most of the time, and
he was as a boy, or always, I guess[...]he way she’d get So I had my stack of National Geographics, and I
him, and she’s hanging off him, and she’s got her mouth read every page of those many times. Guys with hoops
half open and s[...]built himself a trestle bridge out of popsicle sticks, that
She had the prettiest, healthiest head of hair. thing eventually took up two whole walls of his room.
Moira did at least keep herself clean,[...]ut she kept herself clean, and even up on top of the structure, damn near to the ceiling. He
kept herself kind of nice for as much as she’d wasted h[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (421)[...]never especially intended it when I built less of him all the time, and here it is getting closer to
’em, but somehow I’d done a good job of soundproofing graduation, and I’ve starte[...]l, You know, we stood two years there of visits from
but after a while I couldn’t stand[...]see Quent rock up onto his a whole herd of people who probably never before or
toes, and you[...]set foot in a class C town. That was hell for all of
he’d make those other boys look tired, make ’[...]ry play, specimen in the living room, and some of ’em even try
and I’d want to go down to the s[...]bout it in the they say, if he ever breaks out of his shell. So he tells me
newspaper the next day.[...]since he’s every bit as which I ’ve heard of in my Geographics, but I’m not real
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (422)[...]ou see
to me. They study human beings? The nature of human how their faces quake every time[...]opologist was they hit so hard, and most of ’em look quite grim, like
not everybody’s idea of local-boy-makes-good. They all it really[...]when
here were a little ticked off at him because of that—like he was really hauling, but he always smiled when he
it was any of their business what he did or didn’t do.[...]had the walking pneumonia that
after we got news of that scholarship, Moira died. Just spring,[...]ime finding
never said, and that’s not the kind of thing you ask it—with penalties and i[...]from the start there was
track for the pure hell of it, and he was far and away nothin[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (423)[...]ht-oh-one. One Houlihan or another
quite the hank of hair, and it’s tied up in a silk rag, has ha[...]here that being smart wasn’t is a lack of imagination. I think that’s what kept me
exactl[...]in town, I could never come up with a clear idea of
him wouldn’t dream of wearing a bra or, you know, anything bet[...]re he was at, and how the food was, and once in a
of footloose hippies, and one of ’em hasn’t got his great while I’d g[...]ip anymore. of him. After he’d been down there a while he star[...]ut losing the house, and about not whiff ofof Elisis, too, At least I’m getting my[...]h to shouting at each other from either end of a tunnel.
go anywhere, which was really pretty tr[...]d
up in my little trailer out by the highway, one of those to tell me. I hoped he was doing n[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (424)[...]a pretty sociable couple, considering I was half of it,
the way they made their local dishes, sometim[...], and maybe that’s all he’s up to, but part of the tribe that was eligible for their health care[...]. She didn’t seem to be too
who knows what kind of Latin bullshit could happen shook up about it, though.
to him on account of that? I read the news. I know I[...]re. you about a day just to get over a day of doing rough
It was around in then that I g[...]t
people liked to be around her. She’d walk out of the started doing my carvings, to[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (425)[...]the craft fairs and sell ’em. I was doing a lot of bears’ doesn’t talk about much, really, if[...]anyway, you’d have a need for any extra.
lot of hippies at those events cause they’ve all got t[...]hing, and every so often I’d catch some of those hippy girls, and the next time he’s got a dog he
kid outta the corner of my eye, some kid with a certain picked up on the road. Crippled dog. He came to ask
way of walking, kid with a mop like they wore back[...]rt. I don’t know why. I me a little case of the yips. How’m I doing? How am
had my eye out[...]out like Moira did.
he worked a fishing boat out of Sitka. And if he still So[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (426)[...]She’s a doctor’s daughter, and kinda full of herself, you like kind of a step down for him. And then he tells me
know th[...]on the end table. Again I say, to each his of girl to settle for any kind of mechanic, much less a
own, but there’s limits t[...]essed.
any harm that I can see, she’s even kind of a hand on But here he is on the ph[...]ind, that’s about the same as
what she’d make of it? wearin[...]ter wedding you got the groom’s side of the aisle, which
understand how he tends to take[...]that’s gal who doesn’t have a word of English, turns out she’s
practical, that’s more of a plan than I’ve heard from him a net mende[...]He’ll side you got Rebecca’s people. A lot ofof those envelopes tied up in silver
and I remember[...]wiler, gave ’em a cottage sitting on five acres of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (427)[...]Views—Fall 2008  94

Vashon Island, piece of ground that looked out over and then w[...]on up somehow and it takes on a life of its own. There’s
home.[...]t, though, believe
see where there’s big chunks of it you can’t hardly me. I’ll take[...]they weren’t worth remembering. of. Before I know it, my stuff ’s in the shops in[...]ney to do this—who would’ve ever
grows on top of your head. You get ugly, is what you do. th[...]oo, I guess. Better than
went ahead and put a lot of windows in my kitchen, tore fine.
those ap[...]There was a time there where I just kind of let
they belonged, and I sat down and started whittling him alone while he was making a success of himself.
pretty serious. Out come snakes and snow[...]d maybe that was
call it—there’s this species of spruce up in the Thompson wishful thi[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (428)[...]I tell him
while I’ve got quite the collection of business cards on I’ll come when I’m done[...]to say he was sorry he hadn’t thought of it sooner. That
After they had their kids, I started getting a forced my hand, of course, and a good thing, too. I’m a
steady stream of pictures, too, which is all right cause little ashamed of the way I get. One way or the other,
those kids a[...]’s always been Quent who grabs me by the scruff of
their checks on their birthdays, fifty bucks a whack, the neck and shakes me out of it. So there he was at the
which may be kind of a joke to them, or it will be soon, airport, w[...]and he’s got a hundred-dollar
but I keep track of their birthdays, Christmas and haircut a[...]e same eyes he
Easter, and that’s about as much of the year as I pay inherited from poor old M[...]y how good it was to see him.
I know he’s proud of what he’s got, what he’s done for[...]lf out there—and you can tell he’s real proud of little boy with him, and the kid’s a Hool[...]d I go everyplace else, drove all the way run of us, and I guess I’m supposed to get that family[...]long at all before you’re weird, and I was kind of seven years old. I don’t remember a[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (429)[...]e a
and I give Merton this chain I’d carved out of a single few brilliant observations—it’s pretty, it’s green, and
piece of stock—the thing’s two feet long, twelve links[...]Merton can pitch Now, this property of theirs didn’t look a thing
it down there, and t[...]it for ’em. Quent tells me him and
in the palm of his hands, but it’s loud enough you can R[...]im a landscaping, and there’s not an inch of their ground
couple times to turn it off or to tu[...]s til the batteries wear out, or until I kind of copper trim that was new to me. I’d never seen
kill him. Quent, of course, has to sit there with him. anything[...]floors and marble countertops and about an acre of
the upper deck, as far away from Merton Hoolihan[...]night. I hadn’t been on her hip. The females of this family are something
missing a goddam[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (430)[...]ere it story building smack in the middle of downtown
stays. Drool running down her chin, snot[...]is, and Mr. Hoolihan that, and
might be the apple of my eye. He might be right. everybo[...]You can also tell he’s in charge, which is
out of supper. I smell salmon on a grill somewhere, but[...]le grin, and I’m thinking it’s cause I cup of coffee I ever drank. No, he says, it’s es-press[...]s
think I might like is in there, including a set of very fancy like some kinda tasty rocket fuel.
Japanese carving knives, and some pieces of cherry wood Then he settles in to[...]little walk around Seattle. Got in the wrong part of it,
use it, for as long as I want to use it. I got a lump in my of course, and some wino mugged me, and he damn
thro[...]ht—
I mind? His business takes up the best part of a three- you got pasta and a big old salad and a slab of pig in
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (431)[...]ur sauce, and the kids are set up with their of Quent than Quent did. He was always so terrible
o[...]easy to embarrass, and I remember that was one of the
that sticky dead-guy music to every corner of the house, things that made me so awful tend[...]ough on the ears after you get used to kind of a heartbreak, and neither one of us really knows
it. Rebecca opens up a forty-dollar bottle of wine like it why. So I tell him I’m proud of him. Tell him I”ve never
was so much Kool-Aid,[...]t wishing I had to that’ll be, but I am kind of weak in the knees to get
one interesting thing to[...]e and lacrosse player, and I caught a couple of his games before
playing around, and he’s a kid[...]year passes when I’m not a little fonder of Rebecca. That
I was there. I was wishing I’d do[...]and more and
on the deck. The stars are out, kind of unusual in that more he wants to talk about old times. Then one day he
part of the world. So I take the opportunity to tell him[...]meet him out at the Elisis airport
how proud I am of him. It’s hard to explain, but here he cau[...]a damn short runway, I tell him,
never even heard of, and he’s almost got his head down[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (432)[...]then, I tell him, way, which is why I kind of like it. And we’re riding
lunch is on me. But h[...]look over, and there’s something about the
some of the old paper route. Well, sure. One thing I’ve[...]his shoulders, or something, I don’t
got a lot of is time. kn[...]his day. But he’s also
was young in it, or some ofof the valley, and there might be fewer peopl[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (433)[...]Edward Hopper once said Years of chasing
he wanted only to paint sunlight on houses —
sunlight on the side of a house. how much better can[...]t creamy morning light
welcoming a moment
of reflection before coffee and traffic,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (434)[...]far has faded
and it’s two A.M. In a dream of war,
fires catching the nearby homes, I wasn’t myself
breaking the windows ofof happy men.

A real war smoulders far away in[...]ld air,
clear under stars, reveals the breath of life,
how quickly it disappears in a rifle sh[...]I hear each car appear, distinct,
out of the unknown dark, driver unseen,
desti[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (435)[...]i pauses in his dance along
my wall to play a run of crazy notes.
This is The West, far West. Where does direction
start? Somewhere east but short of the war,
some place from where wars are directed.[...]refrigerator, breathing easy,
the quick movements of my pencil, rest
made possible by my warm l[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (436)[...]write. There is more
love in this bear of a dog

slobbering my old man’s face[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (437)[...]inescence, mourn the fact

that the largesse of our passion only increases
territory.[...]y to the brim, spills
over as the birds of morning drink.

Yesterday Morning

In this[...]see the clock through the cold white

clouds of breath that accompany our words.[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (438)[...]re I can hear it —

the gritty music of time passing. The moon
loses her grip[...]t births
them.

Sculpture

Salmon of copper
tube; koi, bright orange[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (439)[...]wanderer that does not resist
the house of bones no

bones that do not ache

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (440)[...]l 2008  108

with the insubstantiality of words.

This house is for those travelers
w[...]in the same place thinking
it is the center of their journey.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (441)[...]for high altitudes and
placing small amounts of liquids and pastes—
deodorant, hair gel, A[...]-Lock™ bag, which I would place in a pouch
of my carry-on suitcase after I had gone through[...]rge,” he said.
“It’s at least one half of a gallon,” he said.
“It should be[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (442)[...]h you would
still have to throw away several of your small
containers of liquid,” he said. “I probably don’t have[...]ep for your own purposes,” I said.

Intimations of Immortality

I went to the poetry wor[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (443)[...]oet read to a large audience
from the sample of my poetry that the flyer had
requested. He s[...]but
didn’t. Then he quoted the last lines of William
Wordsworth’s “Intimations of Immortality” and said that Alfred
Lord Ten[...]g

So when we stop at the Co-op for a couple of Old
Milwaukee tall-boys, the girl says Pabst[...]xty miles to go, so I
say better make it six of ‘em—that’s three
apiece, one for every[...]go whole hog and you and me
get us a couple of Frito Big Grabs, you say
as she sacks up the[...]hole bag, and hey,
you get two for the price of one. Well, sure
you say, you better throw in a couple of those,
but no more deals or I might h[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (444)[...]and you are the baby,
so I wouldn’t dream of pulling anything funny,
but I was wondering[...]le Athens burned. This was the fated
result of Hamlet finding himself mated
with hi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (445)[...]don’t you cry.

One orchid
one jar of Katydids
one broken mirror
two lim[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (446)[...]you little baby.

As a child, I carried fillings of mercury around inside of my head.
Mother would call and call, but I could only hear the train in my ears,
moving down its tunnel of blood toward the dark heart
my father gave me in[...]hocolates—
no, she was eating the cooked hearts of chickens
one after another.

you will see[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (447)[...]nd the
hour after reaching the hospital, the four of us meet the heart monitor. I hear his laugh,[...]ure diffusing. A few
and eyelids, the slight arch of his nostrils, his gracefully neighbors and frie[...]ening,
proportioned nose, receded hairline, wisps of waving Mom, stoic and practical, wrote[...]and, two newspapers and a letter for out-of-town friends. In
saying goodbye to her husband of fifty-one years, her coming weeks[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (448)[...]imes? I don’t hold my breath. since most of it, like Clyde Hill next to Bellevue, is
I live in and out of those endless days marked by not commercially[...]p
a ventilator’s pulse when the earth careened. Of course threatens the background pastoral of the Danielson
my own family’s traffic claims my[...]ons old—nostalgic invitation (those
the details of Dad’s dying cling to me like an unfolding soothing hay pastures) for the wide majority of us
scent. Time doesn’t erode them so I make roo[...]Gateway, whose meanings differ from those of the
passing, Camano Island changed. I take its pu[...]ard. If Cascade Lumber secures your first or
dawn of the twenty-first century, sifting the evidence of second home on the Island, the Gateway beautifi[...]othes, but I see few slowing
the barns and fields of the Danielson Farm north of the down or parked at the Gateway.
highway, and my eyes trace the white lines of Camano Terry’s Corner used to signal the proverbial fork
Lutheran Church. These symbols of Camano past are in the road. The right fork led, after a few miles, to
balanced by paired symbols of Camano present and Camano’s oldest s[...]section, and Camano Gateway further west. of the southern peninsula—the most island part of the
The former epitomizes Camano’s building boo[...]er, a painted Island
milled lumber supplying much of it. A big operation map marked the corner: rural commonplace. Every time
through which scads of money pass, it centers a dull, I pas[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (449)[...]ur
regard recent arrivals who lack a thick growth of stories boys—rural citizens who didn’t know[...]see the Island’s traffic a minor
got priced out of Clyde Hill decades ago. Mom and a extension of Bellevue’s: pieces from the world of burbs
handful of others who arrived before incorporation in[...]ond our ken. They don’t mind
1953 play the role of historical curiosities—remnants the thick[...]ver forward to the occasional novelty of cities. Resident of
Camano as well? Our cabin survives as a museum piece. a town of pickups with one or more dogs in back, I jog
I scoff at yet envy those recent swells of permanent around part of Camano’s southern peninsula or west
residents a[...]judged “his” suburb a vapid terrain bereft of genuine
contemporary island attaches itself all t[...]ir
across the Stanwood isthmus, as the daily tide of cars judgment, of course. Bellevue has become a multi-
attests. Bea[...]rather than exclusively white
resident or visitor of island, but in the new century it enclave—my[...]l graduating class
is more than ever an appendage of the Sound’s metro of over 500 lacked virtually any racial minor[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (450)[...]s ranging from his The first couple of summers I drove past Gateway
grandfather’s oil[...]the rural mid- donated artwork and dozens of hours of free labor, my
century town, but might give Caman[...]mass discovery: it was only a matter of time for the
We didn’t visit art galler[...]e now annual Mother’s Day
by Janson’s History of Art: The Western Tradition and an (weekend) Studio Tour, two of the Island Chamber
energetic art historian, I sought out art museums. In of Commerce’s most conspicuous sponsorships,
Europ[...]t history. I have wandered through dozens of sophistication has arrived, and I laud the Island’s
of sculpture gardens and galleries, private and publ[...]ad role as planners.
crave the peculiar pleasures of paintings and sculpture, Gateway Park fused the vision of a few oddball
and find I like art history almost[...]who’d infiltrated
history. I endorse the value of public art even if I dislike the Chamber, accor[...]nted with artists whose individual vision
instead of sustained early exposure, they will find t[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (451)[...]glass artist, served as contractor and “keeper of the connect. It’s about where to spend[...]olized by map
Dedication ceremony sealed an image of artistic and signboard, exists: is it the business of art or art of
Camano. On that occasion speakers described plans[...]ugh pastoral imagery: views and
or two, the value of public art in defining an island, an salt wa[...]o set it apart. and plenty of cutover Doug firs and Western red cedars.[...]and beach names (white). “remote byway of Puget Sound”: “In the quiet erosion
It renders Camano’s slender hunch-backed shape, of our old ways can be found the first stirrings of new
painted dark green, as beautifully as I’ve[...]mano Island,” four include stories of old couples on fixed incomes getting
letters with[...]taxed off their land. Many resent the infusions of
and stylized scrolling waves in profile in the lo[...]the Island,
sustains Islanders’ privileged view of their place and glosses the Park as “te[...]gray panels, ties an aesthetic common “love of beauty, both natural and man-made,”
imag[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (452)[...]as is Paula
But given the inherent value of public art, I like Rey’s Fish Boy (alternat[...]population reached a on a flat piece of granite, hugging a blue fish. Who
critical mass and diversity. By 1999, near the end of the could dislike Jack Gunter’s Clam Digge[...]t to the Information
rate (82 percent), that mass of artists and art lovers and Hut’s door? The depiction of two guys clamming on a
idle curious had emerged t[...]ng Puget Sound’s tidebeds, reinforces a cliché of
ride the wave in together. Audience both near and[...]rk’s north end near the old forty-two-
catalyst of sharp population surge sets off a series of foot flagpole stands Karla Matzke’s Portals, its most
transformations, not all of them aesthetic or predictable. abstract piece[...]Stanwood—she asks,
commitment and volunteerism of a vanguard of artists “How are those ‘portals?’[...].’”
site solicits praise. A landscaped island of shrubs shows She looks at me impatien[...]bronzed snow geese, “‘The possibility of stepping back through a threshold,
according to t[...]ng back to the Skagit and the possibility of return and the entrance back to our
Stilla[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (453)[...]mano?” it imitates a cutout corner of a familiar barn, smaller
“Good question.[...]n life size. A giant hourglass mounted on a piece of
or clam diggers.” Its bright sheen suggests a m[...]From the parking lot I gaze at Millenial
yikes!—of Jack Archibald’s big stained glass mural,[...]two artworks link together juxtapositions of colors and texture . . . intended to
visually and thematically the two sides of the Gateway create a sense of kaleidoscopic movement, fractured
Park.” Millen[...]shapes as the century and the
measures the death of a father and a century, and the milleniel [[...]slender Visitor Center that dominates grid of two evenly spaced vertical lines, and in the
Gate[...]In 2001, however, the local Chamber of brown in the left and right (truncated) thirds of[...]primary symbol boldly declares Camano’s coming-of-
of Architects) in honor of the Center and the vision age and pulls ol[...]but I squirm under the weight
in which the “use of local artists was well-integrated of its clear symbolism, re-figuring my own fa[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (454)[...]Island drew her back permanently.
faster as more of it passes through the narrow aperture. I als[...]cabin and studios sit in a sunny sward at the end of
but for how much longer? Mine contains more sand[...]Schweiger was trained “in the Cremonese methods of
hourglasses show far more above than below. Looki[...]and canvas, a Pacific madrona One of the first artists, Jack Archibald, arrived in
tre[...]cenic. he was “searching for the end of the road” and, for a
Though only a few artists[...]red around the Island and Stanwood. Near of his stained glass in “the shack,” the early Depression
Mabana I visit the studio-home of Jewish-American log home he and his p[...]lace
Levy, whose multi-level home takes advantage of atop a hill on their six acres. I wander in and out of
Saratoga Passage views. Paintings and art[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (455)[...]stained-glass front entryway
narrates the history of Gateway Park and the Island’s for the po[...]Archibald takes seriously his mission of public
ooze. Jack also describes the southern pen[...]life-sized photo. six of his installations were selected for inclusion in[...]entary schools are too fancy: “‘This cultural
of artists to donate work to Camano’s new S[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (456)[...]Drumlummon Views—Fall 2008  125

of Archibald’s “fourth major glass mural” of that year the short distance to Gunter’s “History of the World,
and plans for his next three “large[...]nt entrance and clusters
times in our little neck of the woods. . . . we are in a around metal s[...]know that public art will not can they. Of average height, bespectacled, and with
compensate[...]equences, known and the longish hair of an artist-impresario, Gunter rushes
unknown, of growth—that ever thickening clot of cars through a crash course in recent s[...]tists, among its latest from “The History of Camano Island Including the
arrivals, give color[...],’ the Ninth
promoted in their ad copy for most of a century—what Annual Northwest Invit[...]and, their he is so busy explaining Secrets of the Mount Vernon
tunes more original and arrestin[...](2000). A natural self-promoter with a deep well of
Jack Gunter, a “co-conspirator” of Archibald’s, satire, Gunter grandstands[...]on that Studio Tour weekend, I drive tour of Secrets of the Mount Vernon Culture, re-assembled

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (457)[...]nd moved his Gallery out in 1994, promoting
spoof of anthropology and 1990s cultural icons—a fake the new “remote” location with lots of interactive
Camano Island history reconstructed b[...]tising. Gunter attracts attention through legions of
shards—includes pseudo-amphora and outrageous[...]liked the fact I was interviewing him for
Secrets of the Mount Vernon Culture—The Movie, his first[...]and offered to design a cover. Long involved
full-length pseudo-documentary featuring “News of with the Pilchuck Glass School, he has[...]an annual summer show. In 2001 Lynn and I
footage of “primitive peoples,” exotic expeditions, and[...]ys, $1,000. Even if I could afford a piece of Pilchuck art
ropes, and expressions of amazed glee, a big Gunter glass, there is[...], an alien from an earlier Island.
another a band of women, tan and buff and wearing[...]es regional self-esteem,
Vernon Culture variation of ice hockey on snow fields sells well. One of his gigantic murals hangs in “the
above Darring[...]on Stanwood’s
helicopter but hadn’t told most of the women about east border. Again, publ[...]but asks us to join in the laughter and re-vision of I own a large postcard-sized copy of his egg
history.[...]d out a deal budget—at the pristine shores of Camano Island State
with a client. He’s good at[...]Park’s
Gunter settled on south Camano a couple of decades generally quiet beach has[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (458)[...]ses and boisterous effect, joined a crowd ofof unprecedented growth, the year Dad contracted[...]esenting Camano cited the
ALS—fingers the pulse of that exploding in-migration, thousands of volunteer hours that created the Park. A
as thoug[...]nal scene. “It announced the restoration of Park and Ride funding
won’t happen here,” loc[...]ejerk for the lot in the expanded site. Rows of empty cars,
response, and they’re right and wro[...]sculpture. Commuters whirl past the
Tired of new art, after that Studio Tour I retreat Park,[...]ondering its meanings. A State Representative and
of great-grandfather Oscar Weltzien’s panels, eye to eye the Commissioner both read from the Chamber ofof public art
self-guided tour of 27 working studios and galleries.” indivi[...]uburban cul-
This baby grows like the population. Of the four color de-sacs, blur together. Mill[...], spangled I applaud. The homes and studios of artists tone up the
by sunlight, on a slop[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (459)[...].” So the following
“Well, it’s part of the new Camano, and you’d July, we stop a[...]eyes around it. It has joined my private gallery of
I address both sons: “I want you to unde[...]ixtures. I hope an expanded sculpture garden
some of the ways the Island has changed. Just as our[...]al
Beach looks different now. You might like some of it.” art in the new Senior Center. Such art inscribes a love
Lynn, remembering her closeup view of Portals, story between particular peo[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (460)[...]n) Art Museum. It is reprinted here
by permission of Wes Mills, Jennifer A. Gately, and
the Portland A[...]ateful to Wes
Mills, Ms. Gately and Ingrid Berger of PAM, and G. B.
Carson for their invaluable assist[...]phite
and ink drawings emanate an intuitive sense of the
universal. His daily drawing practice, like a[...]s current thoughts and practice and is the result
of numerous conversations between the curator and th[...]exhibition. Wes Mills: Yes, this thought of authenticity is[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (461)[...]Drumlummon Views—Fall 2008  131

JG: One of the earliest drawings here was created in[...]I wouldn’t permit myself to
1995, during a time of transition from work that was get distract[...]tial to work that investigates pure simplest of materials, mainly a graphite pencil and
abstracti[...]t a drawing could be about ideas too. A lot of artists come to their work
read, literally. Often[...]itten over and over. This drawing is probably one of thinks about it, the idea itself would be like another
the last from that period. The use of text originated material, another distracti[...]g too intentional. However, it’s
get into a bit of trouble, so in turn I was made to stay importa[...]avily into the surface
I’d get lost in this sea of words. This repetition, which of a very specific color of paper.
I returned to in these early drawings, became a kind of
safe haven for me. WM: Many of these drawings have been touched[...]a bit in their making, and not just with the tip of
JG: At that time, after abandoning art for nearly[...]lmost a sandalwood color. After years
your choice of materials shifted as well. of making drawings on this tone of paper, I discovered[...]alled the Haft Rang system. Briefly, in
some sort of grounding or focus. In some ways, my order for the true qualities of black and white to reveal
drawing practice[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (462)[...]seen this relationship of black and[...]possibility of being able to better[...]of Universal Truths and how they[...]a lot of ways, they connect us as[...]JG: Yet, the ground of the drawing[...]the thought of this neutral ground or this place, and[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (463)[...]Views—Fall 2008  134

JG: With this notion of the ground upon
which your drawings exist in mind, you created
a group of drawings called Five Ingredients of
a Cow (1999) that alludes to your interest in
Bud[...]ou see your own
reflection. I try to be conscious of where this
ground exists in my drawing and in my[...]an culture understands this. They
have a practice of desecrating the earth before
they create their sa[...]ly
wash and coat the ground with five ingredients
of a cow—the dung, the piss, the snot. . . . When[...]paper, 6 x 6 inches. © 1999 Wes Mills. Courtesy
of the ground and how one builds or exists on[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (464)[...]itial
edition was printed. I made this
assemblage of diagonal marks
similar to the lines in the etchin[...]tal
line was missing [laughter]. So I
took it out of the frame and used
a penny to make the line. All of
a sudden the experience of the
drawing unfolded into its initial thought.[...]Courtesy
JG: I’m particularly drawn to one type of line that Portland Art Museum.
reappears[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (465)[...]only taking up a foot or so of space, yet I could see the
WM: I like how one’s thoughts can change direction. history of this line going up the side of the bank and
If I were to see a thought in the form of a line, what valley. The drawings that followed were more about
would it look like? I made a group of works titled this type of space and the possibility it encompassed.
Memory[...]is the mental line that is created in the making of a was changing. I began making drawings t[...]t rather little specks that simply follow
thought of memory and forgetting . . . to remember the natural progression of my hand.
something isn’t always a straight line[...]alked about the ground on which a
remind yourself of something, do you ever go back drawin[...]page. Many of them have a central, hard-edge vertical
JG: All t[...]this in mind. lacked some sense of truth. I found that when I cut[...]through the paper surface with a razor blade, all of a
JG: Though your work is abstract, it often find[...]is inside
WM: One time, I was sitting on the bank of the and what is outside the drawin[...]my home, watching sticks and the edge of the paper inside, the outside in.
leaves float by. I was thinking about the flow of the river
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (466)[...], you’ve even gone so far as to alter
the shape of the paper using templates you store in JG: Much of the palpable energy in your drawings
various boxe[...]onse to that. First I was ripping the so much of what a thing is about. The paintings of
paper and cutting it into different shapes[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (467)[...]ll 2008  140

Cabin O’Wildwinds: The Story of a Montana account of her homestead stay to its readers
Ranch[...]ne for Farm Women, former in “pairs of opposites”—heat and cold, black and white,[...]two sharply contrasting sides to
perspective of a woman homesteading alone it. Those were p[...]mi-
writer and editor, suffragist, and author of arid country where every particle ofof
a homestead claim in Yellowstone County[...]he homestead, at last had to give up the task of keeping my
Farmer’s Wife, a popular magazin[...]soliciting their ideas, able to toss the dice of chance for a well but was not yet
letters, and experiences, employing a crew of in position to take so great a risk. They had a[...]ave Heathlowe’s and I thought that at least one of
States, encountering and reporting on[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (468)of the plains and led our feet over spiritual
cent.[...]o do that much for a neighbor!” cactus of the most painful type, but after he had done[...]s had a real meeting “around a
Six days of the week Dave Heathlowe farmed. throne of grace”—the grace of natural, essential, kindly
On the seventh day, he[...]and went to town handshakes, scraps of news, and enjoy together,
to preach in one of the two small box-like churches perhaps not a “communion of saints” but a community
of Nesterville—neither one of which could in of human feeling and fellowship which they needed
any sense support a preacher and neither one of fully as much as the hard ground ne[...]portionate heaven.
membership out of the rapidly incoming army ofof bodies
as relentlessly as he drove his team over the unpaved more or less unwashed and of breath from lungs more
trails, and his family ove[...]less unclean, and resounding to the harsh shouts of
path of duty.[...]n inviting proposition. But one
I had all of my life been a regular churchgoer but learns t[...]s the sole some decent appreciation of his strenuous endeavors to
source of ventilation, had, however, a reason for be[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (469)[...]nd you want us to haul water for you. house of unhewn stone, so low and gray that it fairly
Well[...]al landscape, was only a mile from
until they are of age. You’ll have to look out for yourself. my[...]should have thought feet and fear of loose cattle, the distance was practically
about[...]prohibitive. A blank wall of his house turned toward
I saw gentle Mary[...]occasional lamplight. Only the thin trail of smoke that
preacher’s youngest son, Harry, give[...]man’s loyalty to served him instead of a chimney reported his presence.
that father in d[...]nswered the His cattle barn, low-built of logs, lay still farther away
man that it was quit[...]ly starved selves. curious for another study of character! City life does
My next and onl[...]like unto Hedrick appeared—was a man of getting at the very core of people’s selves as does life
whom I shall call[...]So,
next to mine. Thus far he had been something of a pondering, I set out on foot to se[...]bread and flapjacks by cutting minimum of cactus and apparently clear of snakes,
and hauling logs for the homesteaders fro[...]back as close to the
timber, and spent a minority of his time on his claim. bottom wire[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (470)[...]re woman” was wanting. I explained. He was slow of
the division fence to gaze with greedy eyes at th[...]minded! But all that nonsense was soon taken out of yonder. When I ain’t haulin’ I’m li[...]me. It was indeed well to have the artificiality of too place. Couldn’t Heathlowe’s kids help[...]broken up. As I learned to adapt enough of them.”
myself to circumstances and laugh at obs[...]d. “Often the way with these here too-
meet all of life in the future with better spirit. pious people,” he offered. “That there kind of religion
I made for the ugly little stone[...]dn’t you make out to
did so, at least an eighth of a mile of fence decorated git what water you need at my[...]u’re
with the owner’s washing—a clean array of blankets, more’n welcome—ain’t no bottom to the well—only
overalls, shirts, socks—all of them showing need for a thing on the place is worth anything. A woman alone
woman’s needle but all of them as decent as plenty of like you be can’t use such an all-fired lot of water?”
water could make them. I “cried the h[...]out to meet me, flushing scarlet up to the roots of way of unable feet and ankles and the daily need of my
his fair hair and with a frank honest gleam in[...]I could see plainly that to him I was one of “these
The wind is seldom still in that[...]o my host invited me into his stone “Of course, I could carry a little water at a time
hu[...]but one doesn’t get much that way.”
vestiges of greasewood—and began industriously to[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (471)[...]iety and much inconvenience.
to. I may need a bit of help but—others may need my A. Q. kept to the letter of the bond but I had no
help some time. If they do,[...]s beat on my account. I also know
water . . . and of course I expect to pay anything within that som[...]wrestle with
straws. I felt encouraged. “Matter of fact when I’m right shrinking staves and loos[...]hat’d pay me. See what I game and full of unexpectedness. One day when I was
mean? How woul[...]be? Time away from the house, a wild gust of wind tore the back
is all the money I’ve got. I[...]the barrel, very
that’s my way. You hang a rag of some kind over your much alive but very de[...]meet. And when the horned brutes lay between
care of was one long step toward success. I even forgot[...]rned brutes. At once on reaching the side of the fence.
house I got from my trunk a length of turkey red cotton But the Lord does take care of children and fools,
which I happened to have and[...]they say. During that particular period of enforced
rigged up a signal flag and when the wat[...]s gone, tied it to the hitching see me, none of them knowing my stress, but each of
post so that it hung high and flapped for my neighbor them bringing with them cans of water freshly drawn—
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (472)[...]they “kind o’ thought” I’d like a drink of water less then up a board to conduct the str[...]On another occasion Lassie, in an excess of laved and I splashed as I had not wash[...]o which I had just strained through several folds of Are you who read growing a bit impatient of
clean cloth the last of the stale barrel water. A. Q. was these homely details regarding the watery phase of
away. There was nothing to drink but tomato juice[...]k! But that night a quick shower came of us take the common blessings of life too much
up and by dint of putting a row of receptacles across the for granted? In these my ripe years I am come to the
entire width of the house, ranging in size from washtub be[...]saw a bored rich
roofy for I dared not let enough of it to run off to wash woman tear to pieces petal by petal one of a dozen
the shingles but even at that it was bett[...]lifetime and to have loved it and
at the far side of the land, I had an inspiration. I nailed rever[...]pon it my tug, clear water than to think of it so commonly as not
washboard, soap and soiled[...]know what a gift it is and not to feel the thrill of
dragged the load to the pump—a hard job for the[...]section under the
holes and gnarly, thorny clumps of greasewood and description of hay-claim and could have satisfied the
cactus. Bu[...]tall. I was filled and thrilled with the thought of
good field glasses with me and with them could scan soil redemption—the taming of the wilderness so that
the entire plains f[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (473)[...]gardening and I meant to know more.
rises, on one of which little Cabin O’Wildwinds was[...]the breaking up and cultivation of new ground and
While these first months of being fitted into had my campaign all mapped[...]oving by, my grass was growing ten acres of them; then winter wheat on that ten acres
splendi[...]d “rises” were “a permanent stand of thirty acres of alfalfa and if I had
proposition” agriculturall[...], that would be a big help. The father
Of course,” he drawled, “cultivation can do of a distant neighbor was an alfalfa enthusiast and[...]it will not do any was supposed to be full of nourishment and vitality-
harm to experiment.”[...]d wisdom.
flowers, and, as a beginning, ten acres of oats. That But I had reckoned withou[...]st snag I struck was A. Q.’s mortal slowness in
of spring—I laugh now as I think of that ambitious, getting around to break th[...]er week he simply was not to be found, and at
out of the ground I had prevailed on A. Q., the only[...]t the one acre for garden broken
to break an acre of ground for my garden near the up and per[...]ght furrow, I begged to have my hands on one of the plow
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (474)[...]e. Oh, but I was proud! All the latent love in me of seemed to smile on me: The Rocky Mountains loomed
Nature, of soil, of growing things, surged to the surface. above th[...]rue patriot and pioneer—helping to of shining, snow-crowned beauty; the birds—meadow
develop the beloved country of my adoption. larks, curlews, tin[...]ne;
plowing. Ever since I can remember, the sight of a the enterprise on which I had embarke[...]h me! I suppose to write the complete story of my defeat. Enough to
A. Q. did his best but the rows of overturned sod say that after three days of futile struggle I staked out a
that should have been even, level, the responsive soil, scrap of ground about the size of a kitchen table and by
rippling along like waves, were anything but! Every dint of sweat of brow and ache of back, thrashed it into
few feet, the plowshare, guided by A. Q.’s inadequate an appearance of smoothness and planted a few hardy
strength would leap clear of the ground refusing to do seeds—lettuce,[...]ittle porch I
battle with the tough sod and snags of greasewood. buried hopefully some morni[...]would bite deeply and seeds in memory of a vine-covered summerhouse that
cast up a mound out of all proportion to the rest of had been the joy of my early childhood.
the furrows. ’Twas a rough[...]ould just fallow, I understood, the fingers of the light and the
let me find it all out for myse[...]n life.
be beaten. I had bought a complete outfit of good Perhaps it was just as wel[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (475)[...]in my mouth and consoled me as I made out a list of a good customer, exacted cash and turned it over on the
canned stuff to take the place of the lovely things I had hour—honest as h[...]ching hot. The gumbo gamblingest kind of a gamble” they said. They “hated
was unkind.[...]owed and then smiled, surveying my One of the brothers had drilled thirteen times on his
gr[...]lay!” he responded prosaically with a wise wag of anything like a farm I’ve got to have plenty of water.
his head.[...]hated—sentimentally—to see those lovely acres of On the afternoon of the third day a shout:
rippling life laid low but[...]er tasting
honest, thorough-going in every detail of the work, it thoroughly I dec[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (476)[...]the men as they rode up to the flowing out of hell’s washpot.
house, two on one horse, and th[...]set my teeth, took
I cooked that day! A huge pan of biscuit standing up on a long look at the shining shoulders of the distant
crisp brown bottoms full three inches[...]ntains, fastened my flag in place and thanked the
of pink-and-white bacon—no curled slivers for western gods of things as they were for a neighbor and a barrel.
appetites; plenty of canned tomatoes; a mound of rice; I mailed the drillers their checks, got out my dictionary
I even rashly opened a can of salmon; made all the and typewriter and[...]pitcher filled with water on the table—the last of the Two years later a man offered to di[...]by night the pump hand for a very moderate sum of money and I bade him
would be installed and in th[...]t very deep down. It was
heaven’s free gift out of the bosom ofof that pump mouth was salt, bitter, more. But[...]e I melted enough snow to fill it to
News of the “widder’s” good luck had spread[...]fore marvelous drink I hacked out chunks of ice and melted
the house. A good well mean[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (477)[...]cals to
make it soft and safe. I was on the point of grumbling
when I had a vision—a distant mountai[...]miling, nor had I any harsh
judgment for the wail of a fellow woman, who never
having been wate[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (478)[...]mon Views—Fall 2008  152

“The People” of Montana: The[...]ther, your helper, they said. Don’t
In Exegesis of Indian Education for All ever ask of it anything you would not ask of yourself.
Nicholas CP Vrooman If you would ask it of yourself, and then ask it of your[...]ipe will have a
along the Tongue River just north of Birney. It’s 1992. high percentage of miracles coming true, they laughed.
Tribal elders[...]d George Elk Shoulder That is the secret of the pipe.
asked me to come down to help them reco[...]were, five hundred years following the beginnings of
at hand, we brought out the pipe, offered tobacco[...]rations to the western hemisphere. In
spoke words of relationship to the surrounding world. the first hundred years of contact nine-tenths of those
The songs and tellings that followed filled[...]imated 90 million
place there in that quiet peace of earth. I handed them people, give or take a[...]were still alive have suffered a fistful of centuries fighting
As we completed our pur[...]and George for human rights in the face of ignorance and violent
sat me down, said they were[...]ething I should never forget, they a menu of apartheid or extinction as the only choice.
said, and always have at the forefront of my thoughts Yet there we were, Tall Bull,[...]s had been told eleventh-generation son of a Nieuw Nederlander Indian
to them, from their gr[...]fur trader from Beverwijck), enveloped in a scene of pipe,
telling me. They were giving me a gift for[...]I was, deep amidst and sharing in the world of the ten
songs were now documented for posterity. The secret percenters. So much survives.
of the pipe, they said, was to never ask too much of it. A metaphor. Ten percent. Doesn’[...]y said, was not to much at first, when thinking of the loss of the other
ask for things that were impossi[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (479)[...]market economy terms and were earning interest of over, to say, “We the People, here, in this place.” It
ten percent on investment in means of production, distinguished us from all[...]d annually and folded back our part of the world, Indians have been saying “We
into th[...]People” for well over 10,000 years. As citizens of
healthy growing concern. Ten percent of Indian culture these United States, “We t[...]ding over 200 years old.
since the turn of the 20th century, the nadir of Indian There are two age-old aphorism[...]million), when coupled beautifully speak of our national identity.
Indian communities turned[...]e, and was applied
again to grow. The human value of Montana’s Indians to our nation in its[...]is indigenous
can be understood as the base rate of our whole American, and places The P[...]things. They tell us “out of many, we are one” (from
As with the Nor[...]e the fastest There are also two sources of knowledge that help
growing ethnic population within Montana society. By us understand the lives of our ancestors. First are
increments, the dreams and askings of the survivors of our origin stories. Oral traditions, passed[...]generations, speak the memory and belief of who we
fulfilled. The People are growing in popul[...]we’ve come, whether Noah or
has been a reversal of fortune—for all of us. And are Napi. The other, science, enab[...]rth, and support from critical analysis of evidence in the form
South over the hiways of the Northern Plains and of tangible artifacts that read like clues yet to be[...]Troy, the Flores Island Little People, and Crown of the
Who are “The People?” It’s an ancient n[...]sion quest sites—each once existing only
groups of humans gave to themselves, the world as legend—now affirm oral traditions of humanity’s
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (480)[...]nants, specters seeking additional advantages.
of those who preceded us. Put together, our stories[...]ian oral traditions can
our studies, as two sides of the same cultural coin, help be understood within three epochs of tellings: the
make us whole. Stories and studies, together, reveal a primary stories are of the mythic era that rumbles with
concordance—a commonly accepted version—of our gods; next is the transformation[...]g out how to
have always lived along the backbone of the world. survive together; finally, there is the period of true
Archeological work done in Glacier, along the Old happenings. Much of the latter period overlaps with
North Trail, and[...]d science, that
The Apsaalooka (Crow) tell of a schism within over the preceding millennia people have checked
their family. After years of wandering in search of the out every nook and cranny of this land. People have
best land on Earth, they s[...]e we find them walked from the headwaters of the smallest stream,
today. Many tribes were draw[...]orthern following the flow to the mouths of the largest rivers.
Plains side of Montana home. The ecology of the And the reverse, as well: those a[...]ery divide, across every plain, nothing
symbiosis of culture and environment. was unknown.
The west side of the Continental Divide tells And we[...]up river migrations at different times, of people coming from
over generations to headwaters of the Columbia, the all directions to be part of this land, including Africa,
Clark Fork, the Blac[...]ustralia, Asia, and Europe. Critically, the story of
The Great Divide, like a fence between competitiv[...]before mass European
neighbors, fleshes out much of Montana’s early history, colonizatio[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (481)[...]Drumlummon Views—Fall 2008  155

of race. Over millennia of human ebb and flow, allies primary resources accessible that allow all of us to
and enemies, peace and war, marriages and murders, view a time before time of human existence on this
there was as much ethnic[...]Middle Eastern, Asian, Australian—all of us—are
from the Slavs. Yet marbled throughout, the Salish are descendants of indigenous peoples. Here, in this part of
also related to Cree, Assiniboine, Chippewa, Iroq[...]ncouraging indigenous culture, here
river systems of pre-Reformation Europe. in Mon[...]ing who we are, and from where
children’s dance of musical chairs. When the music we’ve c[...]a new Euro-American to the foundations of our existence, rooted in the earth.
order was ove[...]from the elemental forces that support
residents of what we now call Montana. Thusly, we al[...]hugely significant in commemorating a new period of
tribe, the Little Shell Chippewa, whom the federal human history when one half of the world seemed to
government has refused to ack[...]teen
unresolved circumstance from the Indian Wars of the years later (though few recognize it)[...]the midst of a fifty-year-long Quincentenary of a time
The magnificence of human culture in Montana called “The St[...]We are fortunate to have numerous century of The Conquest in the Americas. It was the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (482)[...]uropeans as well as Indians—and a new synthesis of bringing all of us forward, not leaving anyone behind.
human potential was born of incredible violence. When the new Eur[...]ety overwhelmed
We live daily the effects of events set in motion Indian society, we though[...]for that
from those times. Still, in the dawning of the twenty- which went before. We know bett[...]o much more about basic have volumes of information that help us recover an
human rights and The Fates of Human Societies (hat understanding and[...]han just a short while ago. in our part of the world. There are fur trade journals;
We are a[...]sion America’s civilization in 1491, on the eve of homes; images in drawings, paintings, and p[...]mass European migration, through New Revelations of governmental records; story collections;[...]e a nod to Charles C. interpretations—all of these giving great insights about
Mann). There is no longer any question: humanity lost the lives of Montana’s earliest peoples.
half of its accumulated knowledge—millennia of culture Most importantly, however, i[...]ally complex, we have a new confidence of expression coming from
sophisticated, and populat[...]nto critical knowledge and have been passing
loss of as much again as all that’s come to us from the[...]r the years to upcoming generations. Much
history of western civilization. It was, as a species, our[...]catharsis. Whether we’ve new generation of highly educated Indians, in the
learned anything over these ensuing centuries depends American sense of the term, has taken the buffalo
much upon whose v[...]olitics. Indian
those still washed to the margins of civility in times of performing art and literature have become sign[...]rica’s cultural life. There is a willingness to
of questionable motives, at best. But not in Montana. open up and share in this new era of Montana’s and
Here we are determining a differe[...]ica’s history. It is a fulfillment. Recognition of the
Studying Montana Indian history, culture, and value of our past, our common destiny, and mutual need
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (483)[...]ct for in the world until we do. The whole of America
ourselves. This is in our hands. and Montana owe the descendants of those Indians
Why do we need to think of Indians as distinct who negotiated with Eur[...]ering all Americans and fulfillment of treaty obligation in perpetuity, the same
Montanans? Why are they one of only three sovereign certain basic “una[...]on, along with Life, Liberty, and the pursuit of Happiness” shared by
state and federal governme[...]ns have to overcome the shortcomings of the past, and make of
an intrinsic political relationship to our federa[...]and Montana are to hold high the standards of our
citizens? Why did the Montana Supreme Court[...]on this land before America existed; because of significant social transformation. Indian Educati[...]tana now claim as for All is a big piece of that change. Montana is
sovereign, contrary to an[...]coming more whole. It is only 112 years (the time of
never conquered, but acquired through treaty; and[...]’s and Montana’s first human cattle drive of Little Bear’s, Stone Child’s,
peoples. Our so[...]e can
whose societies suffered dearly as a result of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (484)[...]egacy to those the single most important piece of Indian legislation
ends. One of our children, growing up with Indian t[...]as to how momentous,
I remember at the end of the 1999 Legislative revolutionary, and c[...]passed. shape that ever better society dreamed of at our 1972
Carol Juneau and Norma Bixby, state l[...]to do the good work
supporters engaged the system of societal governance inherent in bringing[...]eadership, intelligence, diplomacy, and of Montana life, in a way only public education can[...]and how we are remembered in the Elysian eyes of our
to hear me say I believed he was part of history in the children’s children.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (485)[...]lished that first novel (A Sudden Country
Fiction of the American West[...]ce I spent about twelve years learning to
as part of the Helena [MT] Festival of the Book, write it, I’ve had som[...]literature, but never with the kind of collegial support or
Karen Fisher[...]insights that I might have welcomed. I did most of my[...]or digging ditches, or sanding
Although I was one of those children who grew up boards, or splitting wood, and some of the rest of it in
knowing I’d someday write a novel, and although I front of an empty page. I don’t know if what I’m about[...]ly that novel writing was whether much of this has been better said by others. I
far above[...]at my ignorance might in some ways be
the suburbs of California. When commanded in my an advantage, since most of what all of us know and are
first fiction class to write what[...]is
my persistently blank pages were a reflection of a blank popularly available, common, superficial. If any of us can
mind, a blank life. I was in no way prepar[...]forge this into some deeper understanding of our place
to understand who I was, what I knew, to find any aspect in the culture, of how our histories have shaped us and
of an authentic voice. I retreated to an easier-seem[...]guess it’s to our credit, and possibly an
study of History. This allowed me to write easily, using[...]yed it, graduated, and only my own story of the West: of my long inarticulate
flirted with the idea of higher degrees and the kind of struggle with my western identity, of how I came to
academic career that might have pro[...]cognize and understand the forces that shaped it, of
convincing credentials today. What happened inste[...]ears ago that I really looked at it
former farmer of sorts, a former carpenter of sorts, and again. Some pictures, by[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (486)[...]on Views—Fall 2008  161

profound a record of a person, a place, a time, an event, author.[...]that they take your breath away, and this is one of them. with the whole pantheon of American mountain men,
I am a small girl in pigta[...]the Wild Wild West, fought for the television on
of my life: a leather cowboy vest, chaps, and toy si[...]saved money to buy a horse.
holsters. The object of my focus is the plastic palomino My[...]Vietnam-era cowboy boots, with stories of his boyhood on a Montana
Berkeley), my mother had confiscated the toy guns ranch, of his half-Cherokee mother, of his exciting life
that belonged in the holsters.[...]ed by visits to two
brought for me, something old of his, and I’ve had them ancient great-grandmothers, one a tiny woman named
on every desk of my life since then: a little pair of solid Gippy, whose mother had rounded the Horn[...]een killed by Indians. The other was a grandchild of her
eager recipient of his western legacy. namesa[...]rossed
It was 1966. I was already a child of television the plains from Iowa to Oregon in 1847. I heard these
westerns, the Golden Book of Indians, had spent my stories, and in[...]squinting out over imagined prairies from the top of the in high school I unconsciously believed that everyone
preschool slide—looking for Injuns, of course. I learned I knew also shared it, tha[...]Robert In the popular culture of that time, the West as I
Bulla (Star of Wild Horse Canyon) was my first favorite[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (487)[...]uld have summarized it, it The myth was of Man the Conqueror, and it is
would have sounded something like this: the story of Western Civilization since the Romans,[...]but
Brave adventuresome pioneers, in search of it is a particularly relevant myth to[...]East into an West, because this history of transition is so brief, so
unclaimed and mo[...]potential adversaries who
by hostile tribes of Indians (though some might be turned to Man’s advantage and persuaded to
tribes, of course, were friendly), by inhospitable operat[...]Christian terms, might
terrain, by extremes of weather, by hunger even be his allies,[...]That was my first understanding of the West. But
roots at last. Strong women r[...]oved East for two years
and to cause no end of trouble. But because and made memorable trips to Greenwich Village.
of their adventures, all of these people were So, while my fantasy wo[...]were reality was a fabulous landscape of long-haired hippies
larger than life[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (488)[...]r. My father read By my second year of college, I did not want to be
a frightening yello[...]alized the past held the answers
the first I knew of the environmental movement. I to how my culture had become the monstrous thing it
heard the Song of Billy Jack, and that was the first I was. I began not just to read history, but to ask questions
knew of the American Indian Movement. And then of it. I changed from eager listener to a confused c[...]on. It was the radicalization, the actions of my own ancestors. I was a good child, but
dehomogenization of my culture; all of a sudden even this was a breach between the[...]was angry. And because became a teacher of history and environmental studies at
the earlier[...]as well. By
good conscience align myself with any of his victims. eighth grade, I had read Bury M[...]Mowat’s Never Cry Wolf. In high
bear the burden of being a victimizer. I developed, for school, T[...]sense hilarious, intelligent beyond anything of its kind. N.
of guilt: mine were the wrongs, I was the spawn of Scott Momaday’s House Made of Dawn was mysterious,
destroyers, and it was my li[...]intriguingly unreadable, from a different kind of mind
obligation to bend my will to remediation, t[...]ers, the very native saw Koyaanisqatsi.
grasses of the plains?) It seemed to be my job to make And my private history, of course, was revising
amends somehow, to tu[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (489)[...]over forty through the clever distribution of smallpox-
years, then divorced him in 1976. I lea[...]right neighbors to “clear the Indians” in one of no good reason, despised, lied to, relocated,
the many brutal and thorough massacres ofof genocide, from which they defended
no place in my romantic history, was, I realized, one of themselves both futilely and valiantly but
the supervising engineers behind the building of the whose stories ended inevitably in a state of
Snake River Dam. I was reading Edward Abbey at th[...]illiterate, bigoted alcoholic. I began because of their vast pride and civilized
to question exactl[...]ve Americans
reportedly never slept with any kind of woman. through whom they passed never[...]anything but what was
compelling revisionist myth of the West, it would have brought by whites, be[...]accident)
Greedy white Americans, in search of survived the passage west soon settled and
unearned bonanzas of furs, soil, timber, and began to cut down[...]gles
from indigenous people) to cut a swath of and wolves and grizzlies and anything[...]they ignorantly that posed a problem, all of which began the
termed the Great American Desert, a place demise of the culture in which we live today,
devoid of significant human life only because a culture that epitomizes the fall of man from
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (490)[...]band told me to stop
insupportable on every level of taste and morality. John complaining. Write[...]So I began. I began on instinct, with none of the
Alda, Woody Allen. There were no heroes we wa[...]orical immediacy as to prevent any neat or single
of any romance, turned the traditional Western myth[...]ldiers West, not as seen through the lens of the 1960s, or the
villains. Its saccharine depict[...]od Meridian, so from the perspective of those who had experienced
savage and ironic and misanthropic as to fall outside of it directly, in all its confusion, its immed[...]but its own philosophy. It was a work, I thought, of particularity. Who were these people, really[...]y.
revision, all contained in my personal history of the West. I think that great pow[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (491)[...]things
say the least. I was thinking particularly of one genre did happen. So this became the founding premise for A
of the romantic frontier novel that had always seeme[...]ideas is that they hit the hard ground of the practical
Rebecca, Priscilla, Samantha—who[...]issed.
entirely humorless about these books, knew of course But because of some strange combination of luck
that none were intended as serious literatur[...]ck through time. We
had become, in itself, a kind of myth. And if all myths quit our jobs as tea[...]et out to write the homestead on the edge of Idaho’s Nez Perce reservation,
original bodice[...]es above the Clearwater River where we would
many of our favorites do) had some basis in a real event?[...]ur living. We would leave all the
It wasn’t out of the realm of reason. Several pioneer artificiality and corruption of our lives behind. What
diaries in fact rec[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (492)[...]was living
toppling our new baled hay, a bad case of Giardia, and half in my life, half in an[...]As we were at last making a real go of things in
with Indians, sewed quilts to sell, and[...]e
motherhood, for indigence, for twelve-hour days of for almost anything. Now I was horri[...]sed Wendell Berry and his noble one night of tears and argument what, for seven years,
asserti[...]is that for maybe the first through hundreds of imagined dangers, with nothing
time, I learned it. but a myth of paradise on the other side. I felt it. My[...]ot only too tired and
I learned, after six months of nothing but white snow hard-worked and[...]buy an old steel ketch and ten acres of Northwest island
fur could buy an unattainable hue of red or blue that land. We had a few sma[...]a wagon journeys, were cramped and full of packing and
pattern, paint on a hide, a color tha[...]ing. It was mostly
meaning to dance with. My life of seven years in Idaho boring, sometimes transcendent, sometimes terrifying.
was made of hundreds of little lessons like those, small But most of all, difficult to sustain. We moved ashore
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (493)[...]t tribe, we are all
one-room cabin which the five of us then occupied for pathetic, we are doo[...]o book about Indians had ever
water. After nights of trying to dry damp laundry over taught me[...]regarded embodied the first gestures of the radicalism that had
baths as dangerous. I lea[...]Idaho—a prototypical modern man,
large families of adults, or insisted on having hired help, fasci[...]permanent home. Their wanderings had of her time, a restraint that severely circumscribed both
ended here, their children married, generations of the nature and the language of relationships. I began
families had stayed and li[...]ir husbands’ heads with stones, to do the kinds of
baffled as Peter Skene Ogden was in 1830 when he[...]ishment existed in any Indian characters of Lise and Noonday and Timothy spoke
tribe of his acquaintance than to be cast out to wander.[...]s the sentimentalization and the bland lack of understanding
wanderers, and on this island I finally felt that truth. so typical of the revisionist pan-Indianism I had learned,
Who[...]who locks doors to defend themselves from of the confrontation between two specific cul[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (494)[...]iews—Fall 2008  169

show how the approach of European culture divided and passage ten d[...]that by some terrible accident, the genius of
one another, and for how rarely anyone on either[...]at its foundation. He
understood the implications of those differences. And believed it w[...]ought, the
from despair at the impossible tragedy of human life, its people we’re born into[...]ness, through a evil. It is a part of life, and sorrow is its natural
more accurate and perhaps forgiving understanding of consequence.
the forces of which he was a part. He spoke for my own[...]from the greed or ignorance or charity of this
forgiveness that comes of knowing the confusing and other ra[...]ld he say to stop this war?
riding west on a kind of diplomatic mission, to do what What co[...]opposed, and had come to love them also.
plague of measles to the Whitman Mission that fall,[...], he thought. Not
a plague that claimed the lives of over half the nearby right or wrong, n[...], From beginning to end.
convinced of their own good work and of the benefits of
martyrdom for the Christian cause. Stunned by par[...]as a defining act for me, a
and by the repetition of our histories, I wrote this healin[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (495)of the inevitable complexity generations of family cycles, in families who
and contradictions of life, and that nothing was more aba[...]standing. This honored. The wisdom of ancient generations
is what fiction allows us. Be[...]l history often is, because it is not of their deeds. Even if you fail to forgive, you
ana[...]and as an example to those who will inherit
of ancestry, a rejection of those from whom it? By forgetti[...]e
we had begun to inherit the entire weight of have begun to create an end to history.
generations of mistakes. A whole generation
metaphorically[...]I want to end with another example of what I’ve
home. For the first time, signi[...]putting myself on the ground, so to speak,
of people chose not to reproduce on moral[...]s in part, based on the true story of Jane Gay and Alice
already made, refused to[...]me thing happens in the briefer Agent of the United States Government, to enforce the
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (496)[...]rumlummon Views—Fall 2008  171

provisions of the Dawes Act. What better subject on Ame[...], passed in 1887, sought to a quarter of those in cities foreign-born—Italian, Irish,
en[...]ivided more deeply than we can imagine by gender,
of land per head of household. During my education, class, cu[...]ing the causes and train was a throng of men from six different countries
complaints of Indians in the field and in Congress. betting on the outcome of a pig fight. They learned that
In the romantic tr[...]hink, that the birth
to her, give her the benefit of the doubt, a good but of the virtue of homogeneity was born. Survival, as a
ignorant woman in a time of Manifest Destiny. In the country, as an in[...]dition, we ignore her as a fool, condemn will of its people to accept one language, one religion,
the act. In fact, a reading of her letters shows a much to become one nation under God, indivisible, with
more confusing story, a story of internal division among liberty and justice for all. The pledge of allegiance was
the tribes, of traditionalists allying with Indian agents formulated, written, and adopted in the final year of
against progressives in favor of allotment, of death Alice Fletcher’s work on the Nez P[...]ithout worrying about implicit
studying the lives of these people. Jane and Alice had cultural assumptions, it is difficult to conceive of an
both been nurses in the Civil War. They[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (497)[...]mon Views—Fall 2008  172

become the order of the day. It was only when I those differences.
learned and thought about the particular events of It’s just a theory. I don’t[...], when my general ideas about their example of the ways of thought the practice of historical
lives hit the actual hard ground of their realities, that fiction can encourage, of the questions it can lead us all
I began to sense[...]man Alexie, William
would become. We are a result of their success, a people Heywood Henderson, Iv[...]e that me new ways to look at the history of the West and have
not only subcultures but whole countries of the world given me more subtle and complic[...]shaped more unsettling interpretations of who we are and what
by this new power, by the loss of the more personal our stories mean, than[...]s that efforts, as I celebrate the efforts of all who came before
were swallowed whole. Our thought is shaped by and have been a part of this great western conversation.
the fact that, f[...]xamples, and with a hope that I might add a voice of
understanding cultural differences to exis[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (498)[...]Clayton ofof the brands to rewrite it, and quickly.
of the classic Western genre novelist: a love of horses, Lockhart never thought of herself as a pulp
a nostalgia for the open range,[...]The Man From the Bitter Roots received better
men of adventure. But in other ways she was remarkably reviews than any of her books since Me-Smith.2 It
unusual. She was a[...]blish again quickly.
not on the heroic prototypes of James Fenimore Cooper It would soon become[...]figures of the day.3 And it set the stage for two later[...]Wrangler (1921), which today are seen as some of her
After the widely admired debut of Me-Smith (a strongest.
bestseller i[...]ist an unpleasant character that nobody end of the cattle era, about the conflict between having[...]lding a society, about the need for
with The Full of the Moon (1914), a novel she had been violence to tame a wild land, or about man’s pursuit of
trying to publish for fifteen years—with a just[...]and woman’s civilizing influence. It is—in a
of success. With slow sales, Lockhart’s mon[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (499)[...]stern hero. Tall, broad- The plot of most formula Westerns—especially
shouldered, a[...]is “a giant in his strength, and as unconscious of the had defined the genre with 1902’s The Virginian—
greatness of it as a bear. He could not remember that ty[...], he could or other threats to their way of life. They felt a tension
lift a little more. . . . He was self-educated and well between their love of wilderness and their need for
informed along such[...]read civilization, between their personal code of honor and
voraciously all that pertained to Natur[...]etween their
and minerals, and he knew the habits of wild animals need for female companionship and the threat that
as he knew his own. Of the people and that vague place women posed to their rugged way of life. In The Man
they called ‘the outside,’ h[...]the Bitter Roots, by contrast, the plot consists of
Such descriptions are common of frontier heroes: Bruce’s attempts to develop[...]on. But blizzards and the raging main fork of the Salmon
Bruce Burt differs from the cowboy ide[...]River—he faces equal challenges in the form of
Most importantly, he’s not a cowboy. He’s a m[...]raise $25,000. He must hire
Though he has plenty of frontier skills, they are not the good personne[...]asized is demonstrated in his overcoming of engineering
by Lockhart’s contemporaries such a[...]ancier befriends him, but treats him as something of resemblance to a rustler, he embodies neither[...]n early age—for good, not important head of the Bartlesville Tool Works and the
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (500)[...]ms
not for food or even trophy but the blind fury of the of building a mill to extract larger quantities of gold.
kill. He is a coward and a liar. He aspires to be a man of Unlike prospector-heroes, his challenge is not to find
learning (“the natural outcome of his disproportionate a new strike, but to d[...]his craving for maximize the value of the existing strike.
prominence and power”) but[...]t
be anything more than a “walking encyclopedia of gold rush. Even Alaska was played out[...]orporation, however. An
penurious, tyrannical man of business.”7 His crimes individualist h[...]is the process of processing rock. He’s a geologist: the
To mine[...]at [the gold-
acquired a gold claim in the bottom of Idaho’s Salmon laden sandbar] and said t[...]bing the sandbar where Bruce has some way of getting water on it!’”9 Bruce is still driven[...]ent, Lockhart explains, “In this by money, of course—as is any capitalist. But where t[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (501)[...]ory. coming of the very industrial civilization they had fled[...]y. Bruce is merely a rock- Bruce’s love of nature early, as he takes a break from
headed Hor[...]rt his mining to feed salt to a flock of bighorn sheep. “His
transferred the Alger myth[...]ad enticed them
“Miss Caroline Lockhart, author of The Man From the to the salt, which he[...]llowed him
to get the real stuff into her stories of the West—the timorously, and they were ready to run at any unusual
look, the very smell, of the land, the talk of the men, the movement. Then, one afternoon, they unexpectedly lay
sense of adventure and stress of life that belongs in the down in the soft dir[...]they must have thought that the family of sheep, and when Bruce finds the carcasses,
large-scale industrial development of the type Bruce “he raised his eyes in[...]n in which he fancied
envisioned was an extension of the frontier myth. the hunters had go[...]plies in the novel that through the mist of tears which blinded him as he cried
large-scale i[...]inst the canyon wall— is a highest and best use of you deserve!’”12
the rugged, remote c[...]st, when large-scale mines, as capable of coexisting with industrial mines. On the
dams, an[...]etic
landscape. But it doesn’t match our vision of cowboys, character despite having b[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (502)[...]in government relations made by operators of mines:
In short, The Man From the Bitter R[...]s, and even economic development grants. The
West of the 20th century. The genre did not follow[...]fantasy portrayed by Lockhart.
on the open range of the 1880s. But at least one author Bu[...]rupts her narrative for a rant that
juxtaposition of unspoiled and exploited. And, in fact, she t[...]from Ore City an
Private enterprise and the value of money overworked stage h[...]no financial regulators slap his wrists. of a government that has spent millions on
He gets h[...]“go back to Bartlesville, Indianny, of the engineers responsible for the blunders;
and l[...]s I kin footing the bills for the junkets of hordes
pay my fine, git washed up, and locate him agin.”14 of ‘foresters,’ or ‘timber inspectors’ and
Not just the rivalry, but all of Bruce’s challenges are inspectors inspecting the inspectors, and
set outside the purview of government: raising money wh[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (503)[...]the West, Bruce friends instead of being forced to accept such
had come to have a feeling for some of the as circumstances may thrust upon one.
departments of the government, whose[...].15
even still be true. But the passage feels out of place
in this supposed book of action, with this hero who Again, i[...]d position for a loner
supposedly knows so little of “the outside.” Surely the cowboy-geologist[...]tely held philosophy snuck through
the challenges of capitalism but a polemic in favor her desire to create a frontier fable.
of private enterprise and libertarian philosophies[...]me
over government involvement. Lockhart approves of for the female lead, Helen Dunbar. A Philadelphia
this evolution of Western political philosophy—an journa[...]matrimonial entreaties when she sees a sort of ghost
Similarly, and consistently, Lockhart’s attitude of her future: “Mae Smith had been young and good-[...]personified
comfort, independence, and most of all the unsuccessful, anxious mi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (504)of poverty— honorable, horsey, rugged, rustic, etc. The New
cooking, cabbage, lack of ventilation, bad air”—and is West appropriates those ideals by applying the
always in need of a loan.18 s[...]if he thinks of himself as a “modem cowboy.”[...]. But for the purposes and libertarian. (Of course this is also the classic
of this essay, let’s explore the following ideas t[...], mountain bikers
Western genre. The facets of today’s West that who condemn catt[...]tinational mining companies
2. The application of traditional heroic values w[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (505)[...]ication
Bitter Roots can serve as a seminal novel of the New of The Man From the Bitter Roots, Lockhart had a
Wes[...]ory with to develop a remote mine at the bottom of Idaho’s
cowboy trappings and a Western setting.[...]challenges
for nature seems at odds with its view of industrial financing the mine—and met with some success with
mining. Its dislike of government seems at odds with Eastern f[...]luding the duPont and/or Villard
the federal role of taming the West. And its view of families.22 Engineering the site was tricky, and getting the
the value of money seems diametrically opposed to the[...]it even trickier. Lockhart spent the summer
ideal of the honorable cowboy. of 1911 with him in Idaho; its highlight was a wild[...]shaved
pioneer. Because for today’s reader, one of Caroline 23 years off his age—Painter[...]ised
Lockhart moved to Cody, Wyoming (home of in Maryland; she gave Bruce a Midw[...]oubtless exaggerated or altered
1904, and set all of her novels in the West. Like many other f[...]But in its broad outlines, the story of The Man
her horse-oriented lifestyle there—legi[...]stories before writing a mine at the bottom of the Salmon River canyon,
them.21 The Man From the[...]cluding incompetent and/or corrupt
based than any of her other work.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (506)[...]inancial hurdles. Along the way he found the love of an became ever more dependent on automob[...]to the places where they a place of cowboys and horses and rugged libertarian
lived.[...]developing his mine. A fire destroyed much of his work in
dude ranching (The Dude Wrangler). Sh[...]enges. Lockhart occasionally
later took advantage of government giveaways in sent hi[...]access government land behind sorts of terms old-timers love to use to denigrate New
her[...]urs. “Unlike anyone else on the river,” wrote
of the Old West, the old-time values, cowboys, and Johnny Carrey and Cort Conley in River of No Return, a
open range. She fought to have Cody[...]historical guide, “J. R. was out of his element—too proud
the same way, and succeed[...]urned in Bill Historical Center/University of 3. www.imdb.com
a hotel fire in Honduras, or[...]Heritage Center, University of
Furman, Caroline Lockhart: Her Life[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (507)[...].
9. Ibid., 25. Atlas of the New West (New York: WW 24. See Furman;[...]Authorship (Lincoln: University of River of No Return (Cambridge, ID:
11. The Man From the Bi[...]The Full of the Moon was based on
15. Ibid., 184−5.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (508)[...]took in owning a complete collection of Horatio
released its list of ninety-one projects, it offered many Alger boo[...]ideas for commemorating the Lewis and of Michigan as a chemistry major, but as with many
Clark Bicentennial. The Whitehall (Montana) Chamber of this classmates, World War I interrupted his plans.
of Commerce was one of many small communities He served a[...]” based later recalling that he spent much of his off-time
on the expedition. Among the numerous items on their contemplating the futility of war.1
wish list was a $30,000 request for script[...]ansen set off for Shanghai, China, where
applause of thousands. The man who wrote it also drew[...]park caused him
Bert Hansen, arguably one of the great directors to embark on a mission to communicate the message
of his time, was also a teacher, a playwright, a pro[...]as morally wrong. The sign
and a prominent member of the controversial Montana read, “No Ch[...]ded home
He respected and accorded dignity to men of all colors, to America and the Yale School of Fine Arts. While
religions, and occupations. He saw the value of people at Yale, Hansen received instruction from one of the
working together to tell their community’s story, warts preeminent professors of drama in America, George
and all. Bert Hansen made the people of Montana’s Pierce Baker, whose talent[...]ities and towns realize they had much to be proud of Frederich H. Koch and Eugene O’Neill.
an[...]n was born to Paul and him the basics of playwriting, acting, directing,
Mary Hansen of Viborg, South Dakota, on April 12,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (509)[...]zen communities. The plan called for an activated
of Washington, Bert began his teaching career in research program exploring the human resources of
Bozeman at the Montana State College in 1929. He[...]udy,
important to his life’s work, he made many of the projected to last three years, secure[...]lby, the study was conducted by a former director of
he managed to travel to Hollywood several times[...]sion to study the studio techniques founders of the Study shared a belief that a better future
of motion-picture production. Hansen later told[...]viewer that he applied the motion-picture of the human values intrinsic to a small community.6[...]First, community members assembled in a series
of his historical pageants.4 of ten weekly meetings to discuss common problems[...]by former newspaper editor and
Brownell, director of the newly commissioned Montana author Joseph[...]he meeting would change Bert’s life and make of their relations to the community, state, region, and
the celebration of community history in Montana more country.
i[...]The second part of the Montana Study, and the
During the war[...]ed the most vital role,
came about at the request of Montana State University was to furnish activ[...]nity- which would enrich the cultural life of the community.
centered educational program in th[...]in an article for the journal
improve the quality of living in Montana. In 1944 the Sociatry, “T[...]and implemented in a long as the people of American communities will work
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (510)[...]185

together as neighbors, the democratic way of life will the improvement of the community through integrated
endure.” After[...]activity.
week segment, a bibliographic outline of integrated Of course, Montana in the mid-1940s might seem
activ[...]n. it relates to solving the problems of society. One visitor
The first test of this theory for Bert and other to a Study group in Stevensville heard Hansen speaking
members of the Montana Study came in September[...]contain his anger, “I
1945, in the little town of Darby in a pageant entitled knew it! I knew[...]Darby Looks at Itself.” According to an account of you are promoting! And the very word so[...]e Study, Small Town Renaissance, “It was a kind of proves it!” With that, the outraged vi[...]show depicting the conflict between out of the meeting.9 Eventually the term “sociodrama”
traditional practices of wastefully exploiting natural evolved into the more popular reference of “historical
resources, and the moderns [sic] scientific use of pageants” which Hansen would continu[...]ecades after the Montana Study was completed.
125 of Darby’s 500 residents. The cast ranged from[...]tremendously rewarding. The overwhelming success of interest and produce contrast. If confl[...]to
a term he borrowed from Dr. J. L. Moreno, one of anyone but himself and his relatives. Any other life
the first to use drama as a means of restoring mental story must be rearranged[...]d to make good
health.8 Bert identified the plays of the Montana Study reading.” He als[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (511)[...]n his next production, Stevensville’s “A Tale of might take over their lands. This was the pagea[...]nceive, to
His careful guidance helped the people of Stevensville, write, to produce, to see, and to let others see. They
and members of the Salish and Kootenai tribes, who were fully aware, of course, that it was not without
traveled fifty mi[...]he pageant, “Many, not only among the 2,500 of the audience but
committee members scrutinized hi[...]er files and interviewed a number which many of the older people had lived through
of “old timers.” The narrators included, “two[...]t, and what was The celebration of the Lewis and Clark
considered a triumph of unity, the secretary-treasurer Expedition’s Sesquicentennial in 1955 afforded Hansen
of the Farmer’s Union and the Master of the Grange. plenty of opportunity to put his sociodrama theories to
The[...]hat such settings provided,
student, and the wife of a cattle-ranch foreman. A dude “the opportun[...]realistic drama . . . against a background of nature, in
old lady whose youth dated back to the nineties had the actual setting of the events enacted, so that the story
charge of the costumes.”11 Stevensville residents had[...]acknowledged, together with the Native display of theatrical affectations such as we have come
people, the intricacies of their forefathers’ relations. to associate wi[...]ant.”12 In keeping with
This time the injustice of the Salish people’s story of his standards of historical accuracy, Hansen required
forced remov[...]homeland came to life, and the inclusion of more than fifty Salish Indians from
the Salish, a[...], heard the farewell Arlee and the involvement of all segments of the Three
speech of their Chief Charlot and stood respectfully as[...]the arena. By the time of the Sesquicentennial, Hansen
According to Hansen, “It was a drama of willful had directed twenty-five plays—including three using
aggression, the tragedy of a minority people first the theme of Lewis and Clark and the same natural
frust[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (512)[...]theless his pageant, “Outward letter of October 2, 1964, included in a book of such
Bound,” represented an extremely ambitious[...]UM:
is written and produced by the citizens of Three Forks
under the supervision of Bert Hansen whose services You took[...]i, to the
are made available through the courtesy of MSU.” town hall, to the school[...]July 23 best pastures and fringes of our towns. You
though the 26th. The elaborate method of staging the blended the efforts of bartenders, bankers,
two-hour costumed pageant, with the use of authentic janitors, teachers, housewi[...]cowpokes, and miners, in programs that gave
man of many talents, and Bert Hansen fit the bill. Bert[...]ide in their community’s past and
took the cast of hundreds of local folks and combined hope for its[...]e Indian as an individual and helped them
the aid of five microphones and a public-address[...]er.
system hidden from view—supplied the voices of
the characters out on the stage. The actors perfo[...]ing in synchronized together. The 1955 cast of “Outward Bound” included
harmony with the voices of their counterparts who not only the fift[...]s cradle board but also their encampment of lodgepole
illusion so convincingly that many in the audience tepees at the west end of Three Forks. Many had
swore the voices were comin[...]orful ceremonial dances nightly at the conclusion of
True to his theories on sociodrama, Hansen[...]offered handmade moccasins
University. University of Montana Dean of Students for sale and taught their[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (513)[...]188

Newspaper clippings from the week of the of the original expedition’s members from Canada
c[...]Chronicle stated, “KOPR radio technicians of Butte who
as respected cast members and fellow Mo[...]ceived reimbursement said the portrayal of the character parts was magnificent
for their ser[...]and the entire performance was worthy of a town
Walter McDonald perhaps stated it best, writing on twenty times the size of Three Forks.”17
September 24, 1964, in his capacity as Chairman of the Often Bert relied on the same core group of
Confederated Salish and Kootenai Tribes, “I onl[...]d they knew yours, and you were account of Bert’s patient, yet persistent, directing skill[...]ere to you.” reveals some of the challenges Hansen faced in putting
A l[...]ommunities. I recall your weeks of instructing the group
Albert Erickson, assistant manager for the MAA, wrote of local townspeople and businessmen, all
of Bert, “I don’t know if Bert is a native Montanan. If amateurs, and most of whom had never
not, somebody should dig up a spurious birth certificate seen a pageant of this type, let alone taken
and make him a lifelong resident of the Treasure State. part in one. And[...]st Montana Montanan I only part of the cast showed up for practice
know because he b[...]uld
Bound” came in, Hansen was a hero. The town of Three possibly appear before a crowd with no more
Forks came away rejuvenated and full of pride. Each complete pract[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (514)[...]ant was over, we could always volumes of antiquarianism. Professor Hansen knew this[...]can be no greater
commemorating the establishment of Yellowstone Park tribute to any man than[...]eth anniversary celebration one another.”19
of Glacier National Park (1960) testify to his nationally Those of us who wish to commemorate our
recognized prominence in the field of historical shared past would do well t[...]y by making sure the
sociodrama and several books of poetry. stories he told were[...]uded the traditionally overlooked
1970 at the age of seventy-five. He was survived by members of a community. Bert Hansen was a man
his wife Margaret and two sons, Paul and Larry. ahead of his time. Certainly he set the standard for
Remembering his friend and colleague University of commemorating history in Montana.
Montana Professor of Education Kenneth V. Lottich The power of pageants, in Hansen’s own words,
wrote, “One[...]d will know that
incident, the lives and fortunes of the frequently drama can exist without the fabulous trimmings of a
unheralded and unmarked—this is the re[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (515)[...]n Renaissance, 55 15. Miscellaneous Papers of Bert
Hansen’s Use of the Historical Pageant[...]8. Lokensgard, “Bert Hansen’s Use of
as a Form of Persuasion.” Unpublished[...]11. Bert B. Hansen, “A Tale of the vol. 1. Letter dated September 26,[...]Pageantry as Sociodrama,”
Renaissance: A Story of the Montana Quarterly Journal of Speech, Vol. 23, No. 19. Ralph Y. McGinnis, Te[...]13. Ibid.
Community: Foundation of Democratic
Life (New York: Harper and Brot[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (516)[...]to know?
(presented as the Annual Poetics Lecture of the Helena I hear my being dance from ear to ear.
[MT] Festival of the Book, Holter Museum of Art, I wake to sleep, and take[...]Of those so close beside me, which are you?[...]o.
thro’ narrow chinks of his cavern.[...]course of a year. Roethke, so often lost and disoriented[...]in life, in this poem composes a space of wonder that
I feel my fate in what I cannot fear. is a space of patience, balanced between inward poise
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (517)[...]to which this poem And even the motion of our human blood
would take us with all the sureness of touch with which Almost suspended, we a[...]wer
pastoral. Wonder and poise—and the widening of being Of harmony, and the deep power of joy,
they bring—are the substance of the meditation. “Come We see into the life of things.
forth into the light of things,” a voice says in a poem
of Wordsworth’s, and this seems to be the sort of light The speaker of Roethke’s poem perhaps remains
invoked in Roeth[...]more bodily present than the trance-like speaker of
refrain—“I wake to sleep, and take my waking[...]ke’s. These are both poems that search
the open of freedom unfolds. At the same time it recalls f[...]life and vision. Yet it is not the ecstatic of Oedipus) but something affirmative (as in the
Keatsian version of this condition, evoked in “Ode to case of Wordsworth himself ), permitting one “to
a Nigh[...]fact and
In “Tintern Abbey” Wordsworth speaks of reason. Confidence then comes[...]ntic and in particular
In which the burthen of the mystery, Wordsworthian theme of an organic journey of life
In which the heavy and the weary weight where it is the spirit of the journey itself, not the
Of all this unintelligible world[...]The poem traces an expanding movement of
In which the affections gently lead us on,[...]the first two stanzas the
Until, the breath of this corporeal frame, speaker d[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (518)[...]It clearly evokes the speaker’s intuition of a calm that
and the “being” he hears “dance[...]hat abides as
This is Roethke’s lyrical version of what the ancient he walks with it in the[...]me time it refers
stoics called “the discipline of desire,” or amor fati, the to the composed oscillations of this villanelle itself, the
affirmation of one’s participation in the whole. Yet in refrain lines and the first two lines of the stanza coming
these stanzas it is as if the speaker were alone in the together in a fiction of form that embraces the whole of
world. In the next two stanzas his attention move[...]ritual exercise. This is Roethke’s deft version of
outward, toward those at his side, first in an ad[...]what the ancient stoics called “the discipline of assent,”
an unspecified “you,” then in a blessing of the Ground a reflective measuring of the soundness of what one is
and the Air, the descending light and[...]rm. This is perhaps Roethke’s eccentric version of The shaking or oscillating movement of this poem
what the ancient stoics called “the discipline of action,” holds the speaker in the space of poise it composes. He
a clarified relation with others. The calm wonder of the “should know” because, after all, he[...]ment means, too, that he should make an effort to
of generosity. In the fifth stanza, the third moveme[...]body it as wisdom in a life outside the poem that
of the poem, the speaker affirms the power of Nature is otherwise all too unsteady: if[...]iritual
as teacher and force, the riddling source of both his exercise, not just a well-made o[...]ng death. The speaker and the reader alike, of spirit into their lives beyond the poem. “What[...]affirmation is literally
air rhyme in this place of wonder. true. The recu[...]The final stanza describes both this state of being pentameter line, the two recurring rhymes on “slow”
and the very activity of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (519)[...]Drumlummon Views—Fall 2008  194

of the poem, then a full rhyme again at the end), th[...]e and poise, care and wonder, are the way of a grounded
recurring refrain lines: all these “figures of sound” at levitation in life as in poetry. A[...]exercise showing
return in the unfolding present of the poem. God bless that any such passage is a question of faith and practice.
the Ear. “What falls away is always. And is near.” It is In the life of faith we learn by going where we have
as though the poem were exploring a power of recovery to go. “Pay attention to how you listen,” Jesus tells his
at work in the very echoing ofof composition in art To listen far is[...]omposition in life, an actual forming roots of lyric, Northrop Frye writes, are riddle (or
of composure, a spiritual practice available from day image, figure, metaphor, disclosive shift of perspective)
to day, even in those passages of life far from this and charm (or echo, spell, rhythm, disclosive play of
place of patient openness. So the last two lines of the sound). Roethke’s “The Waking” soun[...]usness in this region
and the same time a fiction of spiritual orientation where riddle, spell, and experience inhabit one another.
and a fiction of poetic practice. “I wake to sleep, and Roethke has composed what Rilke in the first of his
take my waking slow”: I awaken to the mystery of the Sonnets to Orpheus calls a “temple deep inside [our]
whole, including the certainty of my coming death, hearing.” According to Rilke’s vision of the amplitude
in a condition of wonder that involves embracing the of transient life disclosed in words, it is through the
gift of what is transiently there, while at the same time inwardness of hearing that the outward rising of a
I awaken to the mystery of poetry, the play ofof guesses and errors that guide the presenting a figure of sounded outwardness exactly
spirit supple enough[...]epened complementary to Rilke’s figure of sounded inwardness.
awareness, as a poem is a sequence of words that move It is a passage into this space of “the unimpeded and
in part as guesses gu[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (520)[...]ke will have a power proportionate to the quality of
going through a field of words. We go on faith. We attention, spi[...]Mark
“The poem in itself is a ceremony of initiation,” to which Frost’s poem alludes[...]hort essay written to below). The motion of discovery would seem to require
accompany his poe[...]is well describes the way his own poems turn acts of toward a source of value—a source of which, at the
attention into ceremonies of discovery.5 He suggests, outset, one has on[...]person who
too, that “living as we do in an age of demolition,” we gets close enough to poetry[...]on one level ironically suggests discovery of a transformative source and an inward
that the ceremonial movement of so many modern lyric discovery of an otherwise dormant dimension of the
poems is little more than the play of a child, an elegiac self. This twofold discover[...]ggesting that if this movement so sort of initiatory search had such a distinctive place
co[...]ne sense merely nostalgic in the tradition of the modern lyric? Surely it is not
play, it is in[...]ave a particularly prominent place
characteristic of poetry: the patterning of sound in in the lyric. There would seem to[...]surprising, and the turning reasons for this.7
of meaning through semantic indirections. For these[...]this initiatory movement is vital to the
turnings of language are expressions of turnings of the way romantic, modernist, and contemporary[...]irony, Frost hints that work as practices of resistance akin in their stance to
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (521)[...]one, that modern compressed version of a quest.
poetries have sought to evade and surpas[...]Third, it is my sense that older patterns of
flattening of thought so pervasive in modern society. i[...]Romantic poets, working with processual theories of there is a parallel between the mode of attention to a
knowing and creating, invent the sort of exploratory presence or a promise that a[...]simply “the poetry enacts and the mode of attention to the patterning of
of experience.” Poems in this mode embody energies language that is a defining feature of the lyric. In other
of response and imagination without which our ideas words, this movement, in a range of poems, may involve
become but dull abstractions directing a life of spiritless not only an initiation into a domain of the world and
repetition. Modernist and contemporary poems, with a dimension of the self but also an initiation into the
their many tactics of dislocation, at once retain and texture of language. The movement of searching in this
transform this mode, inventing poems that demand sort of poem (as, finally, in any accomplished poem)
of the reader a step-by-step participation in their involves an exploratory sounding of words themselves.
compositional processes: it is[...]ement we are drawn toward
is taken to be the life of thought. Designed to resist the a source of value or horizon of promise. Yet along the
reification of language and subjectivity, these poems are wa[...]Second, as I will try to suggest in the rest of anticipatory guesses occasionally taking the form of
this essay, this initiatory movement involves a s[...]e on the sources or horizons these
rearticulation of patterns of initiation developed in words are meant t[...]alities they disclosed.
may themselves be emblems of all those longer, more Wi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (522)[...]iews—Fall 2008  197

moving along a ladder of love accompanied by a of poetry. They are also, implicitly, serious challenges to
ladder of beautiful speeches, ends in a love of beauty the work of any philosophy that would assume them
itself: a l[...]ere words his polemics, conceives of philosophy itself as a kind of
are taking us.9 initiation, a journey of the searching soul, a tranformative[...]nd going on faith turn
Is philosophy, too, a kind of initiation? Perhaps. And out to be of great importance.10
yet we know, or think we know, that philosophy ever The greatest of Plato’s middle dialogues—the
since Plato has[...]the Symposium, the Republic, and the Phaedrus—
of riddling, humming, guessing, troping movement of are initiatory journeys. At once ironi[...]ues are lyrical
attack on poetry in the Republic, of course, is directed manifestoes for philoso[...], not at lyric or romance, philosophic way of life as the highest way of seeking
yet poetry in modern culture has been as[...]o’s world, so it is as philosophic versions of what in literary history we
worth recalling the criticisms of poetry that Plato makes know as romance. They all trace a path of erotic and
in this dialogue. He claims, first, th[...]s, second, that these beyond the cave or prison of darkened perception,
powerful stories stir waywar[...]way from both psychic Plato’s cave of shadows is the cave of both a psyche
virtue and civic responsibility. Th[...]a subtle puritan, wise in the mysteries of eros). We
they remain hidden. And, finally, he as[...]s for Blake, wants to change the horizon of our care. His
what they say, whereas philo[...]

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of the ascetic, spiritual, and occasionally ecstatic[...]opaque. Yet, again, this invitation to the
paths of the Pythagorean, Orphic, Bacchic, and romance of philosophy is far more ambiguous than one
Eleusinian religious movements of his time. The path of might initially gather on the basis of Plato’s attacks on
transcendence is now to be p[...]ere to discuss these
but through a full unfolding of the life of thought in dialogues in detail. But I’d[...]accompany spiritual longing. exploration of the question of justice; as it unfolds,
Each of these middle dialogues provides a different it turns into an exploration of the soul, the state, the
account of the sort of inner turning of the soul required education of the philosopher, the nature of knowledge,
for the philosophic way of life. The search for wisdom and the light of the good, among many other things.
is variously s[...]with Socrates’ objection to
in the erotic love of beauty, in the divine enthusiasm Thrasyma[...], and in the disillusioned an expression of power, a norm established by those
recognition th[...]n fact only shadows. This philosophic codes of a given state. Then Glaucon and Adeimantus
turnin[...]s to a concern change the direction of the discussion, raising the
with true forms of being, as Charles Kahn has shown, question of appearance and reality, showing that this
demands[...]question, far from being a metaphysical fable
is of course essential, but also an erotic turning, a[...]e empiricists, in fact emerges out
transformation of the soul’s otherwise unruly appetites of the everyday decisions and judgments we make all[...]y to appear just but in fact to
small communities of conversational quest, speculatively be just[...]h, be a good that one should desire
this question of existential worth, responding to our[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (524)[...]all to itself: and truth is in fact a play of illusions to which our desire
a full account of the nature of the soul, he claims, will and thought have been chained. The breaking free of
show why this is so. Yet, he then argues, it is e[...]ed,
to see what justice is on a large scale, that of the city, this radical turning of the inner eye of the soul from
than on a small scale, that of the individual. So he shadows to true forms, and ultimately to the light of the
suggests that they all begin by clarifying the nature good, demands a transformation of the entire person.
of the just state before seeking to clarify the natu[...]s this transformation that allows the philosopher
of the just individual (368e–369a). This leads to[...]to approach, and at least to glimpse, the light of the
famous account of a state composed of three classes good, without which glim[...]se life is impossible. While the last three books of
craftsmen), each of which classes is correlated with a the dialogue take up important issues—including
specific part of the tripartite soul (the rational part, the a typological hierarchy of political regimes and a
spirited part, and the desiring part), and with a virtue concluding myth of reincarnation—there is a sense
specific to that[...]in which the extraordinary searching movement of
Justice is said to be the condition of harmony among the dialogue reaches its center with this discussion of
these different classes or parts. Yet of course this is not dialectical ascent at the end of Book VII. It is with
an egalitarian harmony. The harmony of justice can these first seven books i[...]the initiatory and indeed poetic quality of the search for
govern the other classes, that the virtue of wisdom the good life in this dialogue.[...]In Book IV Socrates acknowledges that the
ruler of both state and soul. The education of the analogy between the city and the[...]et he assures his
explored in the long discussion of the education of the companions that the soundness of this analogy can be
philosopher that culminates in the analogy of the cave. clarified at a later stage in th[...]this always relevant story, philosophy, of the soul is a mystery that can be clearly approached
or the love of wisdom, begins in disillusionment, in only through the method of dialectic. Later, in Books
the recognition[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (525)[...]rk in the dialectical quest for truth. This élan of
knowledge of the good (504). This knowledge is the telos guess is linked to both eros and the love of beauty in the
of the education of the philosopher and the practice Symposium, and to both eros and divine madness in the
of dialectic. Yet at the same time Socrates emphasiz[...]aches that we learn by going where
that knowledge of the good itself exceeds any discursive we hav[...]account (505a, 506e). He thus develops, in place of this talking: at once a turning of the soul and a following of
missing account of the good, three analogies of the good: words in conversation.
first, the analogy of the two suns (according to which Thi[...]an that Plato returns to a
the intelligible light ofof the sun, Foucauldian, or constructivist perspec[...]m that Plato is not teaching, either, exactly the
of the divided line (according to which nous, or genuine sort of rationalist foundationalism that he is generally[...]. Rather, as Stanley Rosen has
third, the analogy of the cave (according to which the argued, he[...]movement through critical disillusion notion of philosophy as mathematical truth (or exact
and dialectical ascent, journeys from the dark of mere correspondence) and a notion of philosophy as poetic
opinion to the truth seen in the light of the good). construction (or ungrounded st[...]which
slightly earlier passage he calls his myth of the cave a our words are meant to respond, re[...], we are told, will later be through the élan of guess carefully accompanied by the
conceptually redeemed: later, however, the provisional movement of reflection and discursive elaboration. It
analogy is clarified through an unfolding of three is this oscillating border that P[...]r middle dialogues.13
shaped around a subtle play of interconnected analogies. The philosophic initiation undertaken in the
There is thus an élan of guess, a turning of trope, at Republic might be read as a parable about the sort of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (526)[...]ct, in a concentrated way, this dwelling sense of the crisis of Israel and Judah between the
on an oscillating border between an experience of the eighth and sixth centures BCE, recall and reshape
world and an experience of language. Do not initiatory the national myth of Exodus. As they see matters, the
movements in phi[...]poets and philosophers are in desperate need of a Moses-like force and a radical
alike searching for wisdom, an insight into things that turning of the spirit. The concern of the prophets is
really are, moving along a border[...], “the in particular the callous disregard of the unfortunate
small foot-prints / of the mice under the overhanging / inseparable from religious and ethical practices grown
tufts of the bunch-grass will not / appear.” Williams, it hypocritical, empty of both inward spirit and outward
has been noted, th[...]hey tirelessly call the nation as a whole
meaning of “invent,” to make or construct, and the[...]ual to repent, to return to the ways
ancient root of “invent,” to come upon or discover. This of justice and care commanded by God, to gather
is t[...]nd philosophic initiations themselves anew out of the dispersion of their lives.
awaken us time and again.14[...]ll introspection but a decisive turning around of one’s
and command, and, above all, throu[...]
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of the “new heart” and “new spirit” at once[...]cess within a
through this turning can a “heart of stone” be turned longer journey whose promised end is redemption. This
into a “heart of flesh” (11.19). Yet, too, this ethical[...]in the broadest sense, for it involves form of this vision returns in modern thought (from,
a re[...]gel to Gadamer):
promising a total transformation of the person, of is this a descriptive or a prescriptive account of human
society, and ultimately of nature itself.15 experience?[...]people not wiser and
with the other major strand of their teaching: a kinder but duller and meaner. Yet this prophetic vision
vision of the dialectic of suffering and meaning in an calls each p[...]e. On the most archaic passage, a task of assuming the burden of suffering
level—one that if taken literally can only seem childish in a spirit of freedom: the demand is to turn the
to the modern[...]ed spiritual bearing, one open
that the suffering of the peoples of Israel and Judah to metamorphic horizon[...]their God has imposed on them world of the half-hearted and the stone-hearted.
for disob[...]ly shape all later Jewish, Christian, and of late Second Temple Judaism, closer to the Pharasa[...]owledged, he revives
teaching that the experience of suffering is potentially the prophetic theme of a radical turning or metanoia,
a purgatorial passage, a furnace-like burning away of the Greek word typically translated as[...]ng above all a spiritual metamorphosis or a
sense of purpose, difficult clarification of spirit, ultimate turning of the spirit. Jesus calls the lost and the darkened
redemption of self and community. All the visions of to an ethical renewal and a crossing toward a coming
a joyous return of Israel to a restored Jerusalem, all the spiritual kingdom.16
proto-apocalyptic visions of a total transformation of Jesus, of course, is many things: an exorcist; a
self and society and nature, form an essential pole of healer; a miracle-worker; an apocalyptic teacher of

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both the imminent end of history and the emergent This call to reorient one’s life in relation to the
kingdom of God; and a courageous martyr who dies promise of eschatological redemption is the second
for his willingness to live out the implications of his dimension of Jesus’ teaching that recalls the earlier
teachi[...]Jesus prophetic teaching. While Jesus speaks of an end-time
of early Christian communities. It is with the Jesus who of severe suffering to come, he does not, prior to h[...]h prophet. trial and death, speak out of a sheer crisis of suffering
Jesus clearly voices anew the p[...]t in the way that Jeremiah and
for a re-awakening of ethical life through both a Ezekiel d[...]piritual realization and a concrete actualization of sort of transformative passage through suffering: he
ethi[...]to a radiant unmooredness, an
distinguishing mark of this whole line of teaching. It abandonment of all the routines and forms of security
is fair to say that Jesus places less emphasis than the they have known, a kind of extravagant trust in spiritual
prophets on the question of social justice, and more amplitude alone[...]calls
emphasis than the prophets on the question of inward the reality of the not yet.17
renewal, though this is a question of emphasis, not It is often through parables that Jesus evokes this
of opposition. Jesus, of course, is wholly concerned coming kingdom and the sort of spiritual commitment
to reaffirm the prophetic teaching of love of one’s it requires. Indeed these parab[...]earlier prophets, he discerns a dimensions of his prophetic teaching. The first parable
close, corrosive link between the callous heart of stone that he tells in the Gospel of Mark, the parable of the
that has no concern for others and the hollow[...]sower, is in fact a parable about the point of his teaching
spiritual life that, in his comparis[...]on
and moralism (or, as Blake puts it, the stance of the path, and the birds came and ate[...]and it sprang up quickly, since it had no depth of soil.
kingdom they are to turn toward as t[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (529)[...]ood soil and following his explication of the parable suggest that
brought forth grain, gro[...]an initiation by response, trust, faith, crossing of
anyone with ears to hear listen!” His puzzled d[...]nything secret, except to come to
seed-like words of the coming kingdom: the words of light. Let anyone with ears to hear l[...]attention to what you hear; the measure
the seeds of the kingdom itself, like wild mustard, grow[...]evealed, to those who
statement about the purpose of this sort of indirect genuinely listen, to those wh[...]itment? Northrop Frye writes: “Jesus
the secret of the kingdom of God, but for those outside, sometimes speaks of his central doctrine of a spiritual
everything comes in parables; in orde[...]how will you understand those who think of achieving the spiritual kingdom as
all the parabl[...].10–13). Is Jesus suggesting that a way of life and those who understand it merely as a
his teaching—like that ofof parables in the
for the initiated alone? Perhaps[...]n then becomes just what “initiation” of “words of power” is a condition of any illumination
might mean in this case. The words immediately of those words: the energy and openness of spirit given
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (530)[...]5

corresponds to the energy and clarification of spirit believe in order to understand) is[...]ologist’s
given back. Intuitive leap is a pulse of intelligence, paradox, but an idea with which we are familiar in
expectation a dimension of discovery, passionate personal relati[...]art, in theoretical studies. I
openness a moment of freedom. But is this not to have fait[...]to understand him or it, I intuitively
nightmare of superstition, priestcraft, dogmatism, k[...]Faith
and fanaticism to which the whole tradition of the (loving belief ) and knowledge ofte[...]relation which is not easy to analyse in terms of what is
Frye makes clear, the basic issue is whet[...]Jesus evokes an initiatory crossing of a sort that
or whether one says one thing and doe[...]s a teaching we can all take to heart: if élan of faith in any substantive adventure of life. “The
I talk about a virtue, or a vision,[...]quite know what I’m our greatest parables of poetic faith, of faith in creative
talking about.20[...]nd guess, we begin
the way we enter into “words of power” or powerful to see. In The Gospel of Thomas Jesus, asked by his
works of art that move us, namely, with wonder and[...]o come, says: “It
intuition and a large measure of searching faith: this is not by being waited for that it is going to come. They
movement of desire and imagination is inseparable[...]seek to understood as a door to a way of life? Perhaps it would
understand that I m[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (531)[...]turning from a lost and callous heart to the call of a
into wakefulness in the middle of a word. Then it turns transcendent source, a call of care and transformative
out that the word is much[...]essential. The early Nieztsche, in The Birth of Tragedy,
I will now try to bring this all togethe[...]crates as a “theoretical optimist,” a thinker
of a conclusion. In a late essay Hans Georg Gadamer[...]confident that reflection alone will carry us out of our
speaks of “three words” that have shaped our cultural[...]sets against this philosophic
tradition: the word of questioning (philosophy), the faith the power of tragic literature to reveal to us the
word of legend (literature), and the word of promise and sheer bleakness—though also the creative energy—of
reconciliation (religion). The latter, he says, i[...]mately pointless existence. Nietzsche would
those of us without religious faith know in the experience have us see that, from Sophocles to Shakespeare, we
of forgiveness, a grace that permits a rebeginning.[...]ther, also the comic plots and horizons of idealist philosophy,
inhabit one another.24[...]prophetic religion, and the politics of progress. Here,
No doubt they inhabit one[...]he argues, we are turned from the illusion of an
ways. Yet perhaps they have often crossed thro[...]one another in all their differences, of an abyssal ruin in things. (In the long tradition
because in some of their fundamental expressions they of initiatory lyrics, this might correspond, not to a
have all involved a turning of the spirit. Philosophy poem like “Th[...]id undertake meditative soundings of death.) Yet this
shadows to freedom in the open air of speculative is not the only voice[...]is profoundly shaped by the romantic attempt to
of the cave. Religion in the prophetic tradition,[...]air to hope, from a blocked and damaged life to a
of a damaged heart and a dispersed will, invo[...]
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only a sweep of creative power can bring about. This oft[...]onary most resonant, exemplary passages of finding a way to
affirmation presented in Zarathu[...]n in life and language. In the
early as The Birth of Tragedy, Nietzsche describes tragic words of the first of Blake’s Songs of Experience:
art itself as a creative overcoming of this sort, a joyous
affirmation that, dialectically, at once discloses the Hear the voice of the Bard
vertigo of nothing and surpasses the nihilist despair[...]The Holy Word,
way, both at once? The turning of romantic and post- That walk’d a[...]vision,
from a blank death-in-life to a discovery of horizons Calling the lapsed Soul
of promise in the face of nothing. And wee[...]ontroll,
then, the deepest story may be the story of a turning The starry pole;
of the spirit. Always, these words say, we begin by[...]he Night is worn,
good, “the light of things,” even the sheer wonder of And the morn
sheer nothing that Whitman felt in the murmur of the Rises from the slumberous mass[...]poetry Is giv’n thee till the break of day.25

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (533)[...]aking”, copyright 462–63)—and of course one could well in the romantic an[...]isis poem,” as M. H. Abrams and
COLLECTED POEMS OF evoked in the first sonnet of Part I. Harold Bloom have characterized i[...]a widespread type of modern poem[...]and “Swimming Chenango Lake” in
of Doubleday, a division of Random[...]t, “Education by Poetry” in crisis of poetic vocation, and often
1. Oppen, New Collecte[...]Complete Poems, 520–21. of recovery (other than that implicit[...]in the writing of the poem itself ).
3. This sort of spiritual exercise seems to 7. Even a quick his[...]Further, over the last century a number
be one of the things Yeats has in mind serve to suggest the prominence of this of poets—including, notably, Montale,
when he speaks of the “ceremony” of type of movement in the modern lyric. Vallejo, an[...]sing references to ancient At the origins of modern vernacular poetry of fractured prayer, marked by
stoicism in these pag[...]ent that guides
Hadot, The Inner Citadel, a study of wake, Renaissance poets of courtly love an “I” lost in a place of ruin toward
Marcus Aurelius’ thought. develop a poetry of displaced prayer a redemptive “you”[...]s invocatory movement. One could
4. Frye, Anatomy of Criticism, 278–81; movements of spiritual search. Later, call to mind, as well, a range of other
Rilke, Ahead of All Parting, 410–11; seventeenth-centu[...]es in modern poetry,
Stevens, The Palm at the End of the as Louis Martz has shown in The Poe[...]Mind, 135–36; “the unimpeded and the of Meditation, shape many of their odes, Whitman’s “Out of the Cradle
interpenetrating” are words of D. T. poems around the threefold movemen[...]s
Suzuki’s cited in Cage, Silence, 46 (Cage of Loyola’s spiritual exercises: a into light and the whole in the riddling
in fact speaks of “unimpededness” passage from an estrangement from “charms” of 1872, Mallarmé’s sonnets
and “interpenetration”). Rilke himself God, through an analysis of the exploring his encounter with ni[...]kes a sounded outwardness in the causes of this estrangement in the Stevens’ clairvoyant late passages into
first sonnet of Part II of the Sonnets fallen self, to a restored dialogue with a bare autumn­or winter of things,
to Orpheus (Ahead of All Parting, God. This pattern is later reinvented H.D.’s meditative unfoldings of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (534)[...]last tendency is
Valente’s compressed soundings of exactly to the emotion or shade of a recasting of one of the oldest features
death in his last sequences.[...]emotion to be expressed. A man’s of lyric language: the incantatory
easily extend thi[...]ythm must be interpretative, it will power of words.[...]ore, in the end, his own,
8. For fine discussions of this uncounterfeiting, uncounterfei[...]e
Supernaturalism and “The Greater of a man’s sincerity; in law when it is[...]irony involved in the third of these
Romantic Lyric”; Langbaum, The[...]criticisms—that dramatic poets fail to
Poetry of Experience; Altieri, Painterly of every convention that impedes or[...]t American obscures the determination of the law,
of course the exact same charge can be
Poetry and Self and Sensibility in or the precise rendering of the impulse”[...]lodged at the Plato of the very dialogue
Contemporary American Poetry;[...]iculty”; Adorno, terms, the shaping of the lyric as a[...]esthetic Theory; Poirier, The Renewal kind of initiation or spiritual exercise[...]in the dialogue are orchestrated by
of Literature; and Bernstein, “The brin[...]an author who never himself appears
Causality of Fate: On Modernity and of modern poetry: the emphasis on[...]n the searching itself as the substance of[...]rences) in The Extravagant, 25–33. value of authenticity or genuineness[...]at work in Plato’s other criticisms of
9. Plato, The Symposium. On the in[...]poetry, or in his broader account of
romantic exploratory lyric as a the subjective level (the quality of[...]what he calls the “ancient quarrel”
version of quest, see Langbaum, The thought and fe[...]between philosophy and poetry.
Poetry of Experience, and Abrams, level (the quality of patterned sound);
Natural Supernaturalism. This is and, with the gradual erosion of the 11. Dodds, The Greeks and the
closel[...]ular Irrational, 207–35; Morgan, Platonic
of authenticity in modern poetry: cultur[...]antic emphasis on voice patterned sound of the poem a space Religion”; Kahn, Plato and the
through the modernist emphasis on of widening irreducible to conceptual[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (535)[...]ticularly indebted to Kahn’s labor of the dialectical journey has motion, will have much to do with
splendid exploration of the quasi- taken place: “it is on[...]way one comes to journey beyond
religious nature of Plato’s philosophic things, names and[...]ersation as a whole.
journey. My characterization of the and other sensations, are rubbed[...]out One must, as the poets have always
of Philosophy, 34–35 and 54–55. For[...]to where our words have
illuminating explorations of the ancient capacity is stretched to its[...]k come from and where they are going.
practice of philosophy as a way of life, of understanding and intelligence “Wr[...]nates the subject “involves an attention of all the senses
antique? and Exercices spirituels[...]14. Williams, Paterson, 50. On
transformation of the entire person have called an élan of guess, or what[...]w the Socrates himself calls a practice of[...]ago in some study of Williams. The[...]an Rose, in her philosophic
13. Rosen, The Limits of Analysis, the way. Philosophy, Plat[...]ds philosophy [she is
the cave as an allegory not of the contradictory opinions of everyday[...]porary tendency]
city, as is usually claimed, but of the life: the philosopher, questioning t[...]misunderstands the authority of reason,
psyche, Plato’s Republic, 268–75. Ros[...]which is not the mirror of the dogma
suggestively characterizes this interpl[...]of superstition, but risk. Reason, the
of the mathematical and the poetic gat[...]al criterion, is for ever without
as an interplay of what Pascal calls account, moves towa[...]Plato’s Letter the finesse or élan of guess with which[...]nded in the air” (127,
VII concerning the spark of insight one turns them around[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (536)[...]n, his glory was not clothed like one of thorns: these are the ones who hear
70, and[...]so clothes the grass the word, but the cares of the world,
96–154. I draw here also on Heschel, of the field, which is alive today and and the lure of wealth, and the desire
The Prophets, 119–20. Ac[...]r basic much more will he clothe you—you of the word, and it yields nothing. And
mala[...]rphosis,” see Frye, The Great nations of the world that strive after hundredfold” (Mark 4.13–20). Only
Code, 130. For a suggestive account of all these things, and your Father knows a few words later the unfolding of
Jesus as a Jewish holy man, see Vermes, tha[...]the kingdom itself is evoked as a
The Religion of Jesus the Jew. for the kingdom, and these things mysterious process of growth from
17. See Bloch, The Principle of Hope. The will be given to you as well” (Luke seeds: “The kingdom of God is as if
open to which Jesus calls his discip[...]earth produces of itself, first the stalk,
eat, or about your body,[...]can we compare the kingdom of God,[...]le will we use for it? It
and yet God feeds them. Of how much And these are the ones sown on[...]sown upon the ground, is the smallest
And can any of you by worrying add they immediately receive it with joy.
a single hour to your span of life? If of all the seeds on earth; yet when it[...]greatest of all shrubs, and puts forth
or persecution arises on account of large branches, so that the birds of the
the rest? Consider the lilies of the field, the word, immediately they fa[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (537)[...]oscillating as a substantial qualification of Paul’s Cf.: “Once Jesus was asked by the[...]in the Letter Pharisees when the kingdom of God
t[...]I want, but the evil I do not kingdom of God is not coming with
Elsewhere in this book, to[...]ed from a larger For, in fact, the kingdom of God is
seem to be two levels of faith, the level sense of vocation, it risks becoming a among [within] you” (Luke 17.20–21).
of professed faith—what we say we word of complacency, an excuse for bad
believe, think we[...]am, “Conversation about
believe—and the level of what our perspectives in mind at once.[...]ending the Bow,
belief is essentially a statement of 21. Murdoch, Metaphysics as a Guide[...]in In Praise of Theory, 12–15.
us as Unitarians or Trotskyists or discussion of four types of belief that
Taoists or Shiite Muslims or whatever[...]n with eye-deep in air, // and the inside of all
the professed and the actual belief w[...]fact that they are usually not quite the work of art whose pattern and meaning Lorine Nied[...]s & Objects,
same thing is not necessarily a sign of are coming to be, and the belief in a unpaginated). Seamus Heaney: “All
hypocrisy, merely of human weakness God whose promises are com[...]on, heat wavered on the steps /
or the inadequacy ofof Jesus’ teaching 44–46). All of these sorts of belief, he wavered / Like the zigzag hierogl[...]for life itself ” (“Seeing Things” in
of Jesus the Jew, and Sheehan, The First on searching faith, and, of course, going Seeing Things, 19). Mark Edmund[...]serious thinking about their lives, out
teaching of Jesus might be understood 22. Layton[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (538)[...]Drumlummon Views—Fall 2008  213

of confusion. The prelude to philosophy Whitman[...]could put it this way. We come be a way of life but whose study is Kentor. Minneapolis: University of
to awareness of ourselves, first of all, death. I do not think that poetry offers[...]s lost, disoriented, badly off balance. a way of life (except for a handful like Altieri, Char[...]ing like too Homeric for that. At the gates of University Park: Pennsylvania State
t[...]Cambridge University Press, 1984.
relevance of Plato’s great allegory of the in the suggestions, first, that an[...]ovement toward wisdom internalization of the words of poetry of Modern Poetry and Modern
begins in disillusion. Thus the abiding brings a power of insight in itself, Philosophy. Notre Dame: University
relevance of the prophetic cry: why and second, that poetry or literature of Notre Dame Press, 2005.
have you turned away from[...]than Bernstein, J. M. “The Causality of Fate:
will you turn back to, what matters?[...]d Modernism.” In The
Thus the abiding relevance of Blake’s to suggest here at least some parallels Recovery of Ethical Life. London:
renewed prophetic voice: “O Earth O between the initiatory movements of Routledge, 1995. 159–96.
Earth re[...]ose. Rev. ed. Ed. David E. Erdman,
half a century of teaching poetry, I Works Cited[...]Bloch, Ernst. The Principle of Hope. 3 Vols.
poems by memory. Choose a poem[...]Bloom, Harold. Where Shall Wisdom Be
the poems of Shakespeare, Milton, —. Natur[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (539)[...]Paris: Gallimard-Folio, 1995. of the Seventeenth Century. New
Carlyle Witton[...]1961. Man: An Interpretation of Judaism. to Plato, ed. Richard Kraut,[...]c Piety. New Haven: Yale
Berkeley: University of California —. The Prophets. New York: Per[...]York: Bloomsbury, 2004. of Philosophy. Philadelphia: Paul Dry Nietzsche, Friedrich. The Birth of Tragedy
Frost, Robert. The Complete Poems. New[...]93. and The Case of Wagner. Trans.
York: Holt, Rinehart, and Wins[...]Frye, Northrop. The Great Code: The Bible of a Literary Form. New York: New Yo[...]82. Langbaum, Robert. The Poetry of Michael Davidson, with a preface by
Gadamer, Hans-Georg. In Praise of Experience: The Dramatic Monologue[...]02. Martz, Louis. The Poetry of Meditation: A Trans. Tom Griffith.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (540)[...]er Essays, 18–47.
Poirier, Richard. The Renewal of New York: Oxford University Pres[...]ress, Stevens, Wallace. The Palm at the End of
1987.[...]Obra Poética. Vol. 2.
Rilke, Rainer Maria. Ahead of All Parting. Madrid: Alianza, 1991.
E[...]d by Stephen Vermes, Geza. The Religion of Jesus the
Mitchell. New York: Modern[...]Canyon, 1998.
Rosen, Stanley. The Limits of Analysis.
New York: Basic Books, 1980.[...]n, Thomas. The First Coming:
How the Kingdom of God Became
Christianity. New York: Random
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (541)[...]t “inadequate organizational capacity” is one of
Note: This essay first appeared in Philanthropy &[...]ied that constrains grants
America, a publication of The Council on Foundations. to rural nonpro[...]One of the sessions on the last day addressed
U.S. Senat[...]ntion was given to the Intergenerational Transfer of
attention and focus to the philanthropic challeng[...]role that local
long-term, systemic under-funding of rural America. community foundations can[...]in Missoula, Montana, in August, a portion of the wealth transfer as a community-
2007, showcas[...]generations to come.
have been supported by some of the most thoughtful Frustration surfaced[...]assist rural residents regarding the Transfer of Wealth
by terrific local nonprofits. Many attendees left the and the possibility of leaving a philanthropic legacy.
conference energi[...]n’s focus. There was also genuine frustration of philanthropy and nonprofits is a core strategy for
among a number of conference attendees. Lurking in both bu[...]ion: Why does so little more equitable share of the nation’s annual foundation
foundation money[...]with respect to their resources
On the first day of the conference, Aaron Dorfman, and capac[...]h infrastructure, which led my
executive director of the National Committee for orga[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (542)[...]mmon Views—Fall 2008  218

the Advancement of Nonprofits (BSI), to undertake average of $63 million per state. The ten states with the
re[...]hese disparities. most assets had an average of almost $9.26 billion per
BSI’s findings documen[...]state. The asset gap, comparing averages of the bottom
funding of a number of low-population rural states, ten states w[...]Center, the average amount of assets among the bottom
The Philanthropic[...]eased to $757 million per state, while
phenomenon of limited philanthropic and nonprofit the[...]I first published its data regarding the
For most of the last fifteen years, the ten Philanthropic P[...]mont, and Maine.1 BSI the funding needs of these states’ nonprofits. However,
has document[...]or nonprofits represent the extreme manifestation of $34, compared to a national average of $117, and $171 per
the challenges and barriers fa[...]states showed a per capita grantmaking gap of $73
in in-state foundation assets between those s[...]dation Center, the ten The paucity of foundation resources in the
states with the least amount of foundation assets had an Philanthropic[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (543)[...]mlummon Views—Fall 2008  219

the question of how infrastructure can be built to assist found[...]he Philanthropic Divide states
in the development of philanthropic and nonprofit declined pr[...]2000 to 29.9 percent in 2004.
the great majority of the in-state foundations are
small and unstaffed.[...]not sat
$100,000 are scarce at best. The building of nonprofit by idly, awaiting a reversal in na[...]ing trends, to figure out how to build
the domain of foundations that can make large grants inf[...]king by the Top 50 Foundation
Grantmakers to each of the ten Divide states during the • In A[...]port
giving) to each state increased from a total of $205.9 services to nonprofits of all sizes throughout
million in 2000 to $320.9 million in 2004. Most of this vast state with many remote a[...]a
their respective states in 2000 granted a total of $22.5 Grantmakers Association with a ful[...]s from the state’s growing ranks of family foundations,
national foundations was $103[...]in 2000. as well as a consortium of twenty-six local
By 2004, however, the national f[...]to $96 million. More importantly, the
percentage of total Top 50 grant dollars from national • In New Hampshire, a consortium of in-state

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (544)[...]d several national consultants to design the
of professional development and Board training M[...]months of program development during the first half of
• In Montana, special attention has been giv[...]tructure development. Two for three years of demonstration activities, followed
illustrat[...]. for Montana and the rest of rural America is strongly
mirrored by the interests of the state’s governor,
BSI has partnered[...]Brian Schweitzer. Governor Schweitzer hosted a
of in-state foundations to develop the Montana[...]izational Effectiveness Grantmaking November of 2006 that generated keen interest in
Program. Cur[...]ch nonprofits in Montana and the Coordinator of Indian Affairs to
can turn for support to[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (545)[...]ofits on the Historically, the localized focus of so many of the
reservations and urban-based Indian communities. At state’s grantmakers, the lack of a statewide grantmakers
present, this effort is k[...]ilanthropy association, and the overall problem of geographic
and Nonprofit Group Initiative.[...]t new opportunities for
Country, the availability of resources within the regional and nation[...]n-state organizations where there is a confluence of
potentially could be tailored to assist nonprofit[...]d understandings is completed, direction of the rural philanthropy conference in
the working[...]tablish priorities and plans Missoula, those of us living and working in rural states
for buildin[...]described in this essay, and many
In both of these examples, Montanans have m[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (546)[...]that
Wyoming and Maine have pushed
their way out of the bottom ten, being
replaced by New Mexico and[...]l develop a more
comprehensive and definitive set of
philanthropic metrics and associated
indicators r[...]d
that when the research is completed,
the number of states receiving
Philanthropic Divide desi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (547)[...]from “Trio,” Beyond the Mores: Poems of Frieda Norman Jefferis “Jeff ” Ho[...])
Legend has it that there were three princes of Serendip,
whatever that is or was, and that they set out in the At the southeast corner of Women’s Park in the heart
world to see specific places and find specific things. They of Helena, Montana’s capital city, stands a grand[...]s. Hence the word Affixed to the left side of the arch is a bronze plaque that
“serendipi[...]in probing the reads, “In Loving Memory of Norman Jefferis Holter,
unknown.[...]rning.”
Norman J. Holter, “The Genesis of Inscribed at the bottom of the plaque (donated by Joan
Biotele[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (548)[...]tana, no date. Photographer un-
known. Collection of Joan Treacy Holter.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (549)of his parents, Norman B. and laboratory wher[...]the greatest scientists—those who make
Builders of Montana and of Helena.” the great dis[...]st, neither Norman articulate proponent of what he called “non-goal-
Jefferis “Jeff ” Holter—nor the global impact ofof what is today called “noninvasive
beyond a small circle of physicians and researchers. electrocardiology” and his invention of the Holter
This essay seeks to correct that overs[...]gies), he proved
shed light on both the character of this singular man that just such an approa[...]er, it focuses almost Monitor (today the size of the smallest iPod) allows a
exclusively on Jeff H[...]nts. It physician to record the heart rhythms of a subject over
gives short shrift to Holter’s f[...]ormation available was that collected in a matter of
and La Jolla, California—was a man of the world, minutes while the patient[...]needed, Jeff
to making a difference in the lives of his fellow humans. Holter compared the recording of the heart to the
The scion of a remarkable Montana pioneer dynasty, assaying of ore (an apt comparison, given his family’s
he believed in the virtues of education, hard work, long connections w[...]ctual independence, and because he had the of Montana). He told an interviewer:
means, h[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (550)[...]Views—Fall 2008  227

If I owned all of Mount Helena [the other? Or[...]hit in the butt by an automobile? None of
Helena’s historic West Side], and I picked[...]lying down. . . . 2
up a rock at the bottom of it and sent it to
a chemical analysis labora[...]ved
. . .,” then I would conclude that all of Mount countless lives and helped launch a whole new field of
Helena consisted of the same amount. That’s medicine. As William C. Roberts, editor-in-chief of The
what’s called poor sampling, in any kind of American Journal of Cardiology, wrote soon after Holter’s
scie[...]hed
that that mountain has those percentages of on Holter monitoring . . . and 1 medical[...]ory located in a former train station
twelve of them, and you say, “Oh, you’re very in a town with a population of less than 30,000, and
healthy,” . . . Or,[...]validation when a group of physicians and research[...]ty for Holter
[S]ince when does life consist of holding and Noninvasive Electrocardiolo[...]muscle? What about people on skis? of noninvasive electrocardiology in all its phases a[...]eople to encourage the continuing education of physicians,
having three meals, one right on top of the scientists and the general public in the science of Holter

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (551)[...]of radioactivity, and he is still[...]in the formation of the Society
of Nuclear Medicine (SNM).[...]history of the Society, “The Society[...]of Nuclear Medicine was created[...]many branches of medicine[...]originated mostly in the mind of a[...]a handful of colleagues launched
Jeff Holter on board on a U.S[...]ng his service as the Pacific Northwest Society of Nuclear Medicine in
a physicist in World War II.[...]the first clinical therapeutic application of radiation
and Noninvasive Electrocardiology.”4[...]rus-32 to treat leukemia. Holter
is called Annals of Noninvasive Electrocardiology. served as the president of the national Society from
As a phys[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (552)[...]s—Fall 2008  229

concluded in his history of SNM, “[ Jeff Holter] was for my au[...]not a movie star.” . . . I never went to Famous
of cardiologists and their patients from the Holter[...]go have a drink or something.” . . . I
Society of Nuclear Medicine.”5[...]ommentators on Jeff Holter’s deal of pleasure. And that’s to search out the
career m[...]scientific community—from his home
in the wilds of Montana. However, Joan, the scientist’s[...]*  *  *  *
widow, speculates that, because of his relative isolation
(and therefore relative freedom), Holter accomplished The life of Jeff Holter might well serve as instructive
a gre[...]s hearing in 2006, Dr. Joseph Heppert, chair of the
a “Specialist in Physics” in the Institute of Geophysics American Chemical Society’s Committee on Education,
and Planetary Physics at the University of California, testified that his daughter, an[...]n’ job [in the life sciences]. She will be
free of rigid thinking, arbitrary boundaries, and jealous competing with all of the outstanding students in her
colleagues.[...]and other
uncomfortable with his fame. At the end of his life, he students of her generation need to be well prepared.”7
told[...]ruggling.” These troubling indicators
out of Helena, and doctors begin to ask me[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (553)[...]Views—Fall 2008  230

international tests of science knowledge, declining (who might a[...]vators Losing Their on the importance ofof his laboratory’s discoveries, but also because of the corporate model and have vision and passion,
he stands as an exemplar of an independent researcher then accidents an[...]utiful things.”10
whose approach resembles that of an artist as much as it Sadly, O’Brien reports, the U.S. is on the verge
does that of a traditional scientist. of losing its advantage in the field of innovation. He
O’Brien notes, “Inventor[...]always held adequately funneled to the kinds of projects and people
a special place in American h[...]iness lore, that foster invention. The study of science is not valued
embodying innovation and ec[...]and high school is sorely lacking.”11
the power of great ideas. In recent decades, tinkerers[...]ics, e-mail systems, hearing aids, the verge of losing that distinctly American mix of
air bags and automated teller machines, among oth[...]lping to keep alive that grand American tradition of
researchers, however, that speaks most powerfully[...]a professor at Johns Hopkins University of less well-known inventors who dared to break the

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (554)[...]rules. As a report from Massachusetts Institute of[...]invention itself can be perceived as an act of rebellion[...]limited spheres of the medical community and highly[...]of Holter Technology”:[...]Every form of electrocardiographic
information of humans who go about their
Bill Glasscock, Jeff Ho[...]olter Heart Monitor on duration of time “without touching” (i.e.
the streets of Helena, no date. Photographer unknown. without cables) is an evolution of Jeff Holter’s
Collection of Joan Treacy Holter.[...]accepted as the “Father of Ambulatory and[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (555)[...]eneurs, and it can be said that Jeff Holter
of a giant [who] lived within our own time.13[...]knighted by the King of Norway for his contributions
In a tribute[...]education—a predilection for quick thinking and
of Cardiology, the authors—in thanking him for his[...]‘Through training and observation, I have of Montana’s lumbering industry (he started the fi[...]erritory near Virginia City in 1863),
but sources of both self respect and enlightened self an[...]cessity, Anton became, as his
he would spend much of his adult life. The physician grandson w[...]memoir, “Pioneer Lumbering in Montana,” Anton
of his future bride, Joan Treacy Holter. His paterna[...]the
indomitable energy.”15 A. M. Holter was one of Montana’s forward and reverse[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (556)of the Montana Mary P. Holter, Jeff Holter’s paternal grandmother, no
Holter clan. From Progressive Men of Montana (Chica- date. Photographer unknown. Co[...]942-820).

paramount problem. After a great of thought experimenting, before we lear[...]the chisels so they would stand the cutting of
inventing a device which years later was[...]and
patented and widely used under the name of sawed about 5,000 feet of lumber before we
“Rope Feed.” . . . ever had a beast of burden in the camp.16
[I]n[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (557)[...]took over many of the businesses started by the[...]held stock in each of the family companies. But it was[...]Jeff Holter came of age in a time when American[...]interview at the end of his life, he recalled—with
Jeff ’s father, No[...]er Hardware considerable chagrin—the failures of his science
Company picnic, June 1930. Pho[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (558)[...]do’”); one Christmas his parents’ gift of a chemistry set[...]is passion. The German-born Dr. Emil Starz, owner of[...]wing. At the end of his life, Holter fondly recounted his[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (559)[...]spent most of their time analyzing cows’[...]of course, the smells and everything else[...]thrilled the hell out of me. . . . And he was a[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (560)[...]e for it & if not I rather see you have it,
of my high school days, of everything. 20[...]his protegé best wishes—in
Holter spoke of Starz with considerable emotion, 1939, on the eve of Jeff ’s receipt of his master’s degree
and it is clear that each m[...]her in high in physics from the University of California, Los
esteem. After he departed Helena[...]cognizant of the fact that science will hear from you in[...]ry was to master the final proof of your proficiency.”22 Though
advancing rap[...]remember to, the “final proof ” of his proficiency would come just
his taking[...]so made good sense to him. This willingness
of the such-and-so reaction. Or the new[...]knows-what-kind-of merit badges, most of
In 1927, when Jeff was thirteen, Starz sent[...]” he wrote, flat iron from the bottom of the pool at the Y.
“Herewith I present you with a set of analytical weights, . . . And go into the[...]n 1884. blade and come out with a pan of biscuits. .
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (561)[...]haven’t got one of the required merit badges,[...]store, Holter “got my thrills out of making bombs. Set[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (562)[...]uclear bomb tests in the
Pacific to his sculpting of metal with dynamite to the
family Fourth of July celebrations at their Colorado
Gulch cabin,[...]Jeff ’s mother, Florence Jefferis, at the time of her high school
that’s a poor way[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (563)[...]”27 This solicitude for
the severe chronic pain of rheumatoid arthritis. his wheelchair-bound mother, and desire to see her
Because of Florence Holter’s condition, she and her[...]her’s pain
education and she traveled in search of relief from her had something to do with his[...]assion for science and a highly
Episcopal Academy of Overbrook, Pennsylvania, a developed capacity for compassion (like other children
neighborhood of Philadelphia), “I am glad to hear that of the chronically ill), he was intent on making a r[...]you difference in the health and well-being of his fellow
have to get so tired out and I suppose[...]good in The Body in Pain, the obverse of pain’s destructive
I hope you will stay.” As[...]for
year, Jeff wtote his mother, “It seems kind of empty imagining; it can lead not only to[...]t you & Daddy to help wrap stuff up. I am of the world, but [also] to that world’s construct[...]here you are. . . .” Clearly, during the winter of Back home in Helena, Jeff ’s private researches
1928−1929, the notion of home for Jeff Holter must continued una[...]orted that he had and am now making a lot of stuff.” At the moment
just taken his final exam[...]school, Jeff
and star badges at a Boy Scout court of honor. But regularly reported hi[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (564)[...]visit to Atlantic City, New Jersey,
in search of relief from her rheuma-
toid arthritis,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (565)[...]rapbook Holter must have kept during these
behalf of his mother’s health). His marks revealed a years includes scores of clippings about discoveries by
pronounced talent[...]purely theoretical discoveries, especially those of
French 87, Chemistry 97.” In algebra he “was[...]r physicists. Clearly, even as a
one in the class of 21 that passed, I also had the highest boy, the nascent scientist was following the masters of
chemistry and next to highest English grades.”[...]cannot prevent
for the “very pleasant surprise of your movie camera it. She was afflicted[...]t
and projector.” He reported that Carl Hermann of Jeff “is one that will keep on tr[...]an Jefferis Holter graduated from Helena
a number of times” and that the young Holters had[...]friend and mentor Emil
“sent in the first film of our own to be developed.” Starz wrote[...]the second
His parents continued to be supportive of his scientific one with an abundance of faith, ambition and
interests. In the same[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (566)of the Holters and they Germany, Jeff endea[...]the outgoing
With such a family record back of you you voyage, on the Deutschland of the Hamburg-America
can not fail to add mor[...]tself as the “fastest steamer in
the name of the Holters.34 the wo[...]of speaking with his fellow passengers, “I have pi[...]up more German . . . than in many weeks of college[...]thern She “does not have a single word of English. She does
California and enrolled first i[...]ll on my side.”
College and then the University of California at He also made the acquaintance of a “very intelligent
Los Angeles (UCLA), where h[...]ina who is going to
Chemistry in 1937. The summer of 1937 took him to Europe to study medic[...]r is very good
This journey into the heart of Germany just practice.”35
before the[...]ave marked On the twenty-sixth of June, he reported, “Today
him profoundly. Despite the rise of Nazism, he found we are seeing land for t[...]feel quite the
architecture, and literature. Much of his later book traveller, having spent a[...]n France
collecting would focus on first editions of classic & England.” His address in Hei[...]rman scientific texts, like Goethe’s 1790 study of “Hirschgasse 20 Telefon 3737.”36
plan[...]berg the previous evening
work on the proportions of the human body, Hierin sind to an “excell[...]begriffen vier Bucher von menschlicher Proportion of 1528. accommodations: “a room on the top floor of this very
While in transit to and d[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (567)[...]lter family and friends gather on the front steps of the
which included a large castle directly[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (568)[...]I didn’t begin to see it in two solid days of walking
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (569)[...]most important
chemistry to solve the “problem of lack of natural of these substitutes was coal tar derivatives,
resou[...]which not only made up for petroleum
thousands of products have been made to replace metal[...]uard explosives industry.39
metals are only a few of the results.”38
Jeff Holter had reason to be impressed. As Of course, this fusing of science and technology
economist Doug Dowd has wr[...](including the development of ersatz products), when[...]ulted in catastrophe.
Mention has been made of Germany’s large It allowed Hit[...]aggressions during the coming years ofof its interesting.” He wrote, “The classes are composed of
earlier checkerboard existence as hundreds[...]ationality in Europe and only German can be
of principalities and their associated spoken.” Because his course of study was the German
bureaucracies. The ser[...]hours with fellow class
highest proportion of skilled craftspeople: members, and[...]lectures in German “covering
a deep mine of talent that provided a wide range of subjects.” He was free to choose the
Germany with much of the “social capital” lectures[...]prepared for.” In early July, he wasn’t
of organization, science, and technology.[...]too hard.”40
“necessity was the mother of invention.” Jeff was de[...]ul interest in
The successful fusing of science and photography and was eag[...]ase a fine German
technology was the source of Germany’s camera “t[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (570)[...]without being aware of the fact that many[...]In spite of my interest, it has been a struggle[...]e.42

Jeff Holter may have taken this photograph of a Nazi He did admit to an occasional[...]chased during Heidelberg, though the “novelty of speaking German
his Heidelberg stay, 1937. Courte[...]hich cost $425 in California and crowd of girls from Vassar or Smith touring
only $1[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (571)[...]on Views—Fall 2008  250

At the end of July, he reported that he had good condition”) out of town, hoping to “round up a
“about exhausted the supply of things to see.” Most symphony concert or[...]owns
“every hospital and clinic within a radius of ten miles” and “never missed a side trip, seeing all the castles,
of Heidelberg. At the Kaiser-Wilhelm Institute, a “very museums and exhibitions of which the country side is
hospitable doctor-chemi[...]hat he was trip, Jeff wrote, was “so full of interesting details that I
able to converse easil[...]o take along,” but he used Harrison’s
because of his intensive language studies.44 smaller camera to take pictures of a “tremendous crash
In his effort to ful[...]ately after the Stuttgart trip, Jeff bought
of short stories by Thomas Mann who is[...]orbidden books record all the rest of my trip. This camera is
which they neglecte[...]and has many special
Mann is to the welfare of Germany. 45[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (572)[...]ll 2008  251

He was glad, he wrote, to hear of his father’s “beer kind of journal of this final trip. Penned on Hamburg-
bust with Dr. Starz and the rest of your gang.” Such America Line stationery[...]he next steps in his young
one on general aspects of German and the other on life. His account would be, he wrote, a “hodge podge of
“technical German principally in the field of physical impressions patterned after [Walter[...]nd Zurich “quite the cosmopolitan city
one-half of the language requirement for the chemical a[...]een eager to attend Massachusetts a mixture of languages.” He and Harrison enjoyed a
Institute of Technology—“one semester at M.I.T. will Schubert concert on the shores of Lake Constance, and
offer me more advantages than[...]m that “I am a little short on around trays of pastry and ice cream instead of gin and
higher mathematics to enter the graduate[...]Jeff implored him, “Please let me be the judge of what Union, where two of the members of his band had
school is best for my requirements.” The University of “spent three months in prison for discussi[...], “has come into consideration, ‘out of school.’”
and if I do go there I will be at l[...]” he could “about the same minority of people who are genuinely
still attend M.I.T. As s[...]ly meant for his family), Jeff offered a sort of commercialized culture.” Only the “tou[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (573)[...]cafes” offered “good string music” instead of “cheap Rembrandt reproduction for his[...]hile Jeff continued to happily consume of its kind.” The exhibits held Jeff rapt:[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (574)of work made
complete evolution was seen. For example, him “suspicious about some of the quality.”
one walks into an alchemical laboratory of At a concert of Richard Strauss’ comic opera
1200 and then into one typical of 1300, 1400 Der Rosenkavalier, he found hi[...]next to an
laboratory. . . . The histories of music, old friend, Carl Ross, “that[...]off ” his master’s
I took some pictures of one of Bach’s pianos. degree with a European to[...]Berlin, where they “passed several groups of soldiers . .
art galleries, but for him the more[...]epository thrilled him with its “current issues of 1000 hoped to visit Dr. Starz’s relatives in[...]nthly journals as well as bound volumes out of time; “I am sorry,” he wrote, “as I really wanted to
of all previous issues.” He lamented, “I only ha[...]ained the “fastest schedule in the
the changing of the guard at a “tomb of some Nazis,” world” and averaged “abo[...]” Early
he found himself “caught in the midst of a bunch of the next morning they boarded the ship bound for
goose stepping soldiers and marched through most of home. To the envy of his traveling companions, Jeff had
the ceremony w[...]or him, including one
the impressive new “House of German Art,” which from Dr. S[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (575)[...]when I three, four or more years of being seen only at
speak.” Many of his fellow passengers were seasick, but m[...]eled in a return to “quite periods of study away from home. The work
unGerman” breakfasts: “eggs, bacon, steak, potatoes, will be of the most difficult and exacting kind.
pancakes, m[...]etter by admitting,
to correlate two fields of interest by reading
Mathematik und Malerei[...]e a doctorate I can then sit back and enjoy
of well known artists. . . . Go ahead and call[...]ole and then books from the book-of-the-month club,
enjoy it a little more by k[...]interests which are a part of me, and remain[...]pared to undertake this
This whole business of higher education “most difficult an[...]that it is a would not realize his dreams of attending M.I.T. or
rather selfish i[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (576)[...]55

Notes

1. Norman J. Holter, “The Genesis of Washington, DC, May 3, 2006,” http://[...]17. N. J. Holter, Lang interview, MHS.
of the Montana Historical Society,[...]lter, Holter Research Foundation
American Journal of Cardiology, 52 12. Quoted in O’Brien,[...](ISHNE) website, Science, and Innovation of Holter[...].org/english/inicial_ Technology,” Annals of Noninvasive[...]14. Quoted in William C. Roberts,
and Evolution of the Society of MD, and Marc A. Silver, MD,[...]American Journal of Cardiology, Vol. 52
6. N. J. Holter, Lang intervi[...]Holter, November 5 and December
7. “Testimony of Dr. Joseph Heppert 15. Mabel Roberts, “History of a 19, 1927, Holter Family R[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (577)[...]22–27, 1937, MC 80, Box
The Making and Unmaking of the World 32, Folder 3, MHS.[...]The Work of Robert A. Brady (1901– MHS.
32. N. J. Holter, letters to Norman B. 63),” Journal of Economic Issues, Vol.
and Florence J. Holt[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (578)[...]sented this lecture at the 2004 annual
conference of the National Council
on Education for the Ceramic[...]x 20 inches.
I loved left me. We often use a part of our bodies to © 2005 Chris Staley.
describ[...]ell-being. The writer Saul Bellow once
confluence of our thoughts and feelings with our bodies said, “People are literally dying for something real
is one of the most profound aspects of our human when day is done.” It is m[...]call upon us
I am interested in the senses of the body, because to use our eyes at the expense of our other senses. As
I believe there has been a d[...]he world becomes flatter and the joy and fullness of
the extent to which our senses are used, h[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (579)[...]umlummon Views—Fall 2008  259

Part of the catalyst for my interest in this topic generations of human beings (twenty-five years being
is what I d[...]ntly asked preceding 796 gives us some idea of how quickly the
to have electronic sensors attach[...]ng.
was throwing a pot, to stimulate the creation of a form Just over one hundred years ag[...]ne. With computers we can primary source of transportation was a horse, the
disseminate infor[...]h has changed, so quickly, that sometimes it
some of the implications of this online learning be? is difficult to r[...]he change has
I would like to discuss how the use of our senses can been. The late designer Victor Papanek said the two
influence all facets of our lives, from how we learn to biggest chang[...]how we relate to others. In essence, how the use of our went from working primarily outdoors to working
senses influences the quality of our lives. indoors and that we no[...]ed in recent times. years ago that the majority of people in our society
Second, how sight and the e[...]ow it is less than
dominant. Third, how the sense of touch and the hand 1 percent. And certainl[...]rth, where hope can changed with the creation of the nuclear bomb and its
be found as we look into[...]around the flickering flames of campfires, yet it is only
With new scienti[...]y year, human beings are around the glow of a television. After work and sleep,
experiencing[...]for the average American. The average home
walls of caves, and since then there have been 800[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (580)[...]no signs of slowing down.
Chris Staley, Stoneware Bowl, 2004, 7 x 8 inches. With the increasing presence of TV in both private
© 2004 Chris Staley.[...]ever before. By 2001 over half of all Americans were
average person watches more th[...]by about
According to the national average, those of us who two million Internet users a mont[...]at comes next is not just the Internet
nine years of their lives in front of a TV. The different but what he calls the “Evernet,” a world where we will
sensory experiences of watching a campfire and be online al[...]voke silent contemplation, the TV creates a sense of It is difficult to dispute these rema[...]cording to its prescribed narrative. The Many of these innovations have enriched our lives,
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (581)[...]of our lives with such speed[...]consider the implications of[...]paradoxes in this new world of[...]one of the supposed benefits
of the new technology is its[...]of technology is the more
Chris Staley, Stoneware Co[...]y, sometimes it just seems easier to either watch
of smog or global warming. Yet new electronic[...]r surf the Internet than to deal with the reality of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (582)[...]the notion of our other senses giving meaning to our
What has happened to our relationship with lives is of lesser significance. The eye is the sense of
time? What is real time? Most often when you ask[...]s doing, they reply, “Oh, I’ve reminded of this when visiting someone’s home to just
been[...]“look but don’t touch.” The phrase “out of sight, out of
buttons to make it move faster? It seems like we[...]tural critic James Elkins says that the act of looking is one ofof when we are shopping and the
and we are not altog[...]respond with, “No,
ago anticipated the effects of a frenetic culture when he I am just looking,” when in fact we are examining the
said, “Beware of the emptiness in a busy life.” merc[...]see. “Do I like the fabric of this shirt? When would I
The Eye[...]What we look at triggers thoughts.
as the noblest of senses, and vision as an extension ofof mail on our desks reminds
noble of the senses because it approximates the intellect[...]reinforced this from the world.
notion of the hegemonic eye and its connection to the[...]red, “I think therefore I the only part of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (583)[...]Drumlummon Views—Fall 2008  263

stream of images, whether on TV or the computer[...]ogram may
our lives. According to the Association of American likely die in a hospital in front of the glow of TV.
Advertising Agencies, the average person is exposed Certainly in ceramics a photograph of a pot can have
to 1,500 advertisements a day. Less than 60 of those profound implications. Often it is s[...]n shorter and shorter, challenging the eye of a 4x5 transparency was more important than the po[...]philosopher Jean Baudrillard refers to as a sense of through our eyes, we become an audience of viewers,
lacking because consumption is irrepress[...]continually feel empty. Increasingly we live of using a favorite cup. By using a cup we reclaim
i[...]a steady diet The essay, “The Work of Art in the Age of
of visual information, ironically we become numb. As[...]age has changed the way we experience
our feeling of participation. The most obvious example art.[...]t cards, or
versus actually experiencing them out-of-doors images online. The mass production of images has
where suddenly our whole body is respo[...]the interaction between the art object
detachment of our other senses leads to alienation from and a person. Recently, I stood in front of a painting
the world that we live in. of shoes by Van Gogh. I got very close to the painti[...]y has transformed our lives in the energy of a brush stroke took me to that moment when

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (584)[...]of day and night. Then was a[...]rhythms of nature. According[...]accustomed to the idea of “time[...]to create moments of silent reflection. With almost[...]lives will
Van Gogh. Time had stopped. The images of the shoes be significantly different tha[...]Recently,
had drawn me in—yet it was the memory of my hands my eight-year-old daughter To[...]that I could “virtually” touch a brush stroke of When I asked her why, she simply replied, “[...]relationship to time When a “lack of time” becomes a state of being,
itself is changing. For centuries our existence revolved we lose part of ourselves. We can lose our curiosity
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (585)[...]ticular place to go, or our with the movement of my hands. Wondering how
compassion to just check[...]d how long I would last It is this moment of connection between touch and
if students had a re[...]observed that often following the lead of our fingertips. I believe it is the
when you see[...]ing, one person is giving direct consequence of how we touch the clay that is so
a speech while the other person listens impatiently for satisfying. Part of clay’s appeal is its malleability—how
that pe[...]often demonstrate how I hold my hands, the speed of the
The Hand[...]often begins to sense what to do. The essence of making
thought how unusual it is to be teaching students to with the hand is the wisdom of the body and its stored
make pottery. On a basic[...]hing students memory. It is our past history of tactile experiences that
how to use their hands t[...]ably ask them to demonstrate how they
The nuances of touch are rarely called upon by the shape[...]corporeal experience that we gain
the ancient art of making pottery and a generation of real insight into how they create their work[...]touch clay, there is is complex, yet part of the answer is that clay is formless
learning that[...]n it is dug from the earth. It takes on the shape of
touching earth.[...]how challenging it was to learn on the shape of the bag. It’s been said that shaping
how[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (586)[...]ngerprints, which when fired remain for thousands of of tomorrow. When I pick up a stone polished by the[...]throwing on the wheel, the water tumbling of endless waves, it’s like holding time in my
and[...]their own. It’s no wonder the feeling of connection not only to the stone, but to its
self[...]“clay babies.” of awe about where it’s been. Ultimately I feel im[...]seems
clay, and this contributes to a great deal of variation in larger and I feel more alive.
wall thickness of the pot. I believe we are drawn to this I remember the excitement of getting dirty when
variation because it reminds us of the same sensation I was younger and then the pleasure of taking a shower
of touching the human body. When using the cup I[...]eel a connection and the pleasant surprise of finding a potato has given
through touch it is be[...]ir well-being. What me pleasure. Dirt is full of paradox. Plants and life come
are the experiences[...]it.
Who hasn’t marveled at the interior of a bird’s Clay closely resembles dirt and as an artistic medium
nest? A bird gathers blades of grass and twigs and shapes has always struggle[...]ts whole body, using its chest and even the of high art. There are complex reasons for this bias that
palpitations of its heart to conform the nest to its body. I won’t go into in this essay. Yet clay as a medium has
Part of our appreciation for the bird’s nest is that we great potential to address issues of our mortality. Gone
realize the time and care it[...]and our homes. Death has become an out-of-sight, out-of-
gazing towards the horizon line where the ocean ends mind proposition. What the messiness of clay does is
and the sky begins is like staring into the future. The connect us to the cycles of life. In contrast technology is
distance of the long horizontal line creates the allur[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (587)[...]this are
we become participants in the evolution of a pot’s life. As the weight, color, gesture[...]Rowan why she liked using handmade cups instead of
We are part of a culture that fears growing older. the mach[...]she said, “Because
We want to erase the effects of aging on our skin with they have mistake[...]us revealing a fired moment in the journey of a potter’s life. When
passage of time. We can feel a kinship with a pot’s[...]students are interested in making functional
one of reflection and compassion. Robert Turner once pots. Perhaps part of the answer is their busy schedules.
told me to look to the inside of the pot for answers. They eat a bag of Doritos on the run in one hand
It’s this empty[...]with the other. Who has
anything that reminds us of our own potential to change. time to cook a meal or hassle doing dishes? Today
In the forming of the pot, it is the pushing from within Americans consume half of all their food outside of
that shapes the pot’s exterior. So too in our e[...]ir homes. I recall reading that the three aspects of a
our inner doubts and dreams shape the lives we[...]mplete an unconscious activity or one of deep reflection. I
until someone actually draws t[...]have been curious about my students’ memories of
and drinks from it. Having a kitchen full of handmade their dinner time while[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (588)[...]ons become
that the sit-down family dinner is one of the most compromised, something deeper[...]our
coming together and as a result feel a sense of security. innate desires have been formed over years of evolution.
I will never forget when my daughter T[...]man beings have a biological need to make objects of
after a particularly busy day. As Kate and I star[...]d out, wanting to hold hands to do part of the human condition. To make something
what we usually do, have a moment of silence before special is fundamental to our humanity—from college
we eat. Obviously this sense of coming together was freshmen wanting to[...]dings is both things special is a form of caring.
complex and innate. When I’ve become st[...]ield—when our senses are wide open we feel
most of us have a hard time being stuck in traffic is tha[...]nses can be
it is unnatural, since for almost all of human existence experienced in a myriad of personal ways. Yet it is this
we just walked when[...]d wanting to go forward is often thought of as non-essential to learning. Since
feels[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (589)[...]estions announcing your place in the family of things.” So our
are profound things. Art, wheth[...]When we experience all the nuances of life,
what really matters in our one short precio[...]n the sadness in another’s face, the warmth of the sun’s
author Norman Maclean writes, “It is in the world of rays on a cool day, these enable us to fe[...]bility to
is saying that in order to have a sense of awe we can’t be pay attention to life’s sub[...]nd richer. It is in
For it is in the world of reflection and in quiet the moments of slow time when we lean into life that
moments that epiphanies and a sense of awe can be meaning can be found[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (590)[...]Autio: The Infinite Figure, at the Holter
Museum of Art, Helena, Montana, Summer 2006. It is
reprinted here by kind permission of the Holter Museum of
Art. Our thanks to Rudy Autio (1927–2007) and h[...], as well as Liz Gans, Marcia Eidel,
and the rest of the staff at the Holter Museum, for their
invalua[...]his essay, to honor Rudy’s inches. Collection of the Holter Museum of Art. Gift of
living spirit. For more tributes to Rudy, see Chr[...]essay, and the In Memoriam section
in this issue of Drumlummon Views.
of the Archie Bray Foundation for the Ceramic Arts,[...]of the great centers for ceramic creativity in the w[...]As creator of significant works of public art in Montana
Figures placed to co[...]. have carried the torch of ceramic modernism throughout[...]often overshadow Rudy’s central achievement of the
Rudy Autio is celebrated for many things: As seminal past twenty-five years: the making of large stoneware
force in the launching of a modern ceramic tradition that (an[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (591)[...]These works of Rudy’s maturity, as Montana[...]belong to the realm of the classical, in the sense that[...]an uncomplicated world of pleasure that is beyond our[...]complex relationship between an Arcadian vision of the
celebration of sensual beauty and an almost baroque[...]sadness about the transience of life.”3
The son of Finnish immigrants who settled in[...]the mining metropolis of Butte, Montana, Rudy Autio[...]only after a series of explorations, encounters, and
Rudy Autio, Return of the Pinto, 1983, acrylic on paper, detours that he found the exact melding of material
34 x 34 inches. Collection of the Holter Museum of Art. and imagery “where I’m at home.”4 Rudy first began to
Gift of Miriam Sample. Photograph by Kurt Keller.[...]of Frances Senska during his undergraduate studies[...]following World War II. And of course, the encounter
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (592)[...]Japanese
master potter Shoji Hamada; the scholar of Japanese
folk art, Soetsu Yanagi; and the Bauhaus[...]t Diego Rivera.
After receiving his Master of Fine Arts, Rudy
returned to the Bray (as it becam[...]m a visit to Black Mountain
College in the summer of 1953, he introduced Rudy to
the Abstract Expressi[...]avant-garde institution hidden away
in the hills of North Carolina. Rudy A[...]ricks “started to do inches. Collection of the artist. Photograph by Kurt Keller.
wild sculp[...]revolution that would forever alter the character of
American—and world—ceramics. Simultaneously
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (593)[...]brick murals for clients of Archie Bray’s brickyard;
almost all of these murals were figurative, depicting[...]the art department at The University of Montana, he[...]his biographer Luanna Lackey, were “a hell of a lot of[...]recognized the beauty of clay.”7[...]At the same time, Rudy found himself weary of[...]New York) artist
Rudy Autio, Goodbye to the Girls of Galena Street, Henry Meloy, who had painted countless studies of
1986, stoneware, 36 x 25 x 25 inches. Collection of the art- nude models and had decorated the pots of his brother,
ist. Photograph by Kurt Keller. Peter Meloy (a co-founder of the Bray), with marvelous[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (594)[...]lummon Views—Fall 2008  274

thought, too, of his own earlier figurative murals. Even
though th[...]them, in some way, deeply satisfying. Now, weary
of the “same-old, same-old,” he was ready to generate
figures of his own choosing. He “toyed” for a moment
with the idea of becoming a painter, but quickly
realized that “[...]needed that
third dimension, and the materiality of clay, to realize
his vision.
One day in[...]told the participants, “‘Well, Collection of the artist. Photograph by Kurt Keller.
I can see[...]dy now calls a from The University of Montana, and he applied for a
“major mov[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (595)[...]oneware, 34 x 31 x
21 inches. Collection of the
artist. Photograph by Kurt[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (596)[...]as revelatory. Not only contained “a kind of tenderness” that Picasso’s lacked. A
was he a[...]th The Dance (I), 1909, at the Museum
those years of teaching, he had access to new materials of Modern Art, New York, cemented Rudy’s sense tha[...]l Matisse was an ideal model for the kind of work he was
glazes of dazzling hues) and he was treated “like a[...]said, ‘My god! This guy was
king.” At the end of his stay, the factory remodeled doing wha[...]r Rudy’s newfound
to a passionate investigation of the figure, and to a devotion to the figure. He discovered affinities with
sense of himself as a painter whose canvases happened the simplifications of Egyptian art, with the complex
to be massively vo[...]. as dynamic as the rich paintings the woodcuts of modern Japanese printmaker Shiko
that cover their[...]Munakata’s works “a certain kind of traditional elegance
and a formal way of solving figure description. . . . a very
It is a[...]l Rudy Autio the “Matisse lyrical kind of line.”11
of ceramics,” and certainly Rudy has drawn inspira[...]hat spoke
especially for their energy and mastery of line—but directly to his enterp[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (597)[...]Just as he responded more to the tenderness of
down. . . . Came down and described fingers and hands Matisse than to the sheer force of Picasso, this ceramic
and arms, as it related to the whole.” Rudy noted, “I’m revolutionary of the 1950s today finds himself willing to
sure tha[...]jazz and pizzazz”—and what he
to keep a union of things going,” just as he wanted sees as the deficit of meaning—in much twenty-first-
to “have these forms relate to parts of figures as they century art and life.
round the pot and [create] a new configuration of shape
relationships.”12 III. The Power of Place
More and more Rudy found himself dra[...]technical reasons, but Man is one of two things: either the hero or
in terms of feeling and meaning. He recalls a visit the victim of the accident of his heritage and
to the National Gallery in Washi[...]environment.
he saw a “choice” show of Impressionist painters; he[...]downstairs, where he encountered an
installation of new American art—“Franz Kline and[...]he is in the United States.
“weren’t any kind of match for the Impressionists—they At t[...]out
were so ego-centered.” He speaks critically of “so much of the particulars of the local. Rudy’s colleague at The
jazz and piz[...]emporary art and admits that University of Montana, painter and printmaker James
he prefers the “calmer side of hard studious art [of Todd, has written that we cannot fully[...]nore his origins in Butte. A western mining
a lot of that. . . . Maybe it’s an extension of violence. metropolis second to none, Butte[...]dense with humanity. . . . sort of an oasis
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (598)[...]ectra, 1993,
stoneware, 3 x 28 inches. Collection
of the artist. Photograph by
Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (599)[...]Cornishmen, and all kinds of ethnic groups[...][A]ll of the company heads—the[...]this kind of mix that made Butte interesting. .[...]and kind of grew up in—tenements, housing[...]tenements. No yards, no lawns.
inches. Collection of the artist. Photograph by Kurt Keller.[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (600)[...]hase, 1997, serigraph, 38 x 52 inches. Collection of the Holter Museum of Art. Gift of Miriam Sample.
Photograph by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (601)[...]983, acrylic on paper, 34 x 34 inches. Collection of the Holter
Museum of Art. Gift of Miriam Sample. Photograph by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (602)[...]Drumlummon Views—Fall 2008  282

materials of earth determine the destiny of its citizens” He certainly achieves this with his vessels and plates
and he adds that, because of this dependency, Butte’s and paintings and prints. His sense of play and
citizenry have developed “special characteristics of improvisation, his marvelous eye for wh[...]dant
respect for other cultures, and the fondness of an horses (and occasional other beasts), we see scenes
urbanite for the complex mixing of elements, whether that, as often as they suggest “an Arcadian vision of the
of social classes, ethnicities, or the rough and the refined celebration of sensual beauty,” call up darker themes,
(especially evident in his work). Out of this colorful darker tonalities—of melancholia alongside rapture, of
place, Rudy took inspiration and a clear understa[...]unspoken threats alongside delightful promises, of the
that the world was never simple—only endlessly inevitability of death alongside the miracle of fertility.
fascinating.[...]One has the sense that, despite the gorgeousness of[...]This tension, this sense of the complexity of existence,
There could be movement in lines and i[...]g that movement & life are iden- the qualities of Eros which, as Guy Davenport has
tical. . . . Lif[...]. . colliding frequencies of meaning which sometimes
—Henry[...]Anne Carson has written, a
The grace and vivacity of Rudy Autio’s painted figures “simultaneity of pleasure and pain is at issue”; we
and the energetic monumentality of his vessels produce stagger “under the weight of Eros.” In Rudy Autio’s
a powerful and, at tim[...]bling visions, his chases and escapades, we sense
of wanting to “make an agreeable composition of form the unfolding of desire, in all its fierceness and its
and[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (603)[...]exceptional artist in her own right.) The poetry of these
and natural landscapes of Montana (Magic Horses of titles only serves to reinforce Rudy[...]art Butte Pony, Lady at Kicking a poet of the visible and the tactile, a visionary artist
Horse Creek, Goodbye to the Girls of Galena Street), who has emerged out of the American West to bring us
or simply to places[...]tender, haunting works, works that speak to
kind of story.” (For him, titling—which he sees as an[...]for the fullest biography of Rudy to Oral History Collection, Archives of
2. For more on Rudy Autio’s role date,[...]can Art, Smithsonian Institution,
in the founding of the Archie Bray (Westerville, OH: American[...]oralhistories/transcripts/autio83.htm.
Origins of the Archie Bray Foundation 3. Harvey Hamburgh[...]7. Lackey, Rudy Autio, 76.
Continuum: Fifty Years of the Archie 1995), 6; Hipólito Rafael Chacó[...]. Chacón, in Rudy Autio: Work 1983–
University of Washington Press/Holter 1983–1996, 53. 1996, 50.
Museum of Art, 2001). For more on[...]tio, interview by LaMar
(Missoula, MT: University of Montana,[...]Harrington, OHC, AAA.
School of Fine Arts, 1983), and Lela
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (604)[...]ive,” in Autio: A Bittersweet” [a review of Eros the
12. Ibid. R[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (605)[...]stoneware, 40 x 31 x 16 inches.
Collection of the artist. Photograph
by Kurt Keller.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (606)[...]neware, 32 x 26
x 19 inches. Collection of
the artist. Photograph by[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (607)[...]ll 2008  287

Close to Home: The Photographs of Richard
Buswell
Julian Cox

Note: This ess[...]races: Montana’s Frontier Revisited
(University of Montana Press), which accompanied the
exhibition of the same name at the Montana Museum of Art
& Culture, The University of Montana, Missoula, Autumn
2007. It is reprinted here by kind permission of the author
and the Montana Museum of Art & Culture. Our thanks to
Richard Buswell and[...]le assistance.

Richard Buswell’s photographs of Montana’s
abandoned, overgrown homesteads are p[...]isual profundity and
unique historical complexion of his native state. The
laconic intensity of his vision is central to his project:
to begin to[...]ard S. Buswell.
photographic subjects have an air of eternity about
them: individual circumstan[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (608)[...]reconstruct the passage of time.[...]of images since he dedicated himself to photography[...]ghost towns of his childhood.1 Trained as a physician,[...]of the medium. In spite of the relentless march
of digital technology, he continues to cherish the[...]smooth, luminous surface of fiber-based gelatin silver[...]paper and the immediacy of working with traditional[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (609)[...]*  *  *  *  *  *  *

From the moment of its invention, photography
allowed its practitioners to be archivists of their
own world, record keepers of the soon to vanish
and recorders of the newly uncovered. The earliest
cameramen set u[...]d as metaphors
for the transience and persistence of human history. fragility of the social order.
The foundation of Western civilization—the Greek The history of landscape photography has kept
and Roman classica[...]most entirely pace with ever-shifting concepts of the land and our
in the form of fragments, shards and ruins. There is place wi[...]as spurs to with it, the expanding evidence of our inhabitation.
the imagination. Of course human presence is more Signs of human presence on the land, such as shacks,
frequ[...]rial structures, buildings not other tokens of progress and industry were frequently
usually accorded the respect or attention of ruined portrayed uncritically as part of the natural order
monuments. These remnants of everyday existence of things and even celebrated for their harmony
seem to imply not the grand march of history, but the with the land. In the work of Edward Weston and

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (610)[...]e was seen as completely exempt West “a cult of ruins.”3 During the late nineteenth
from civili[...]lephone lines and even human spectators were of thousands of settlers from the eastern half of
customarily treated as violations of a sublime the continent, but they als[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (611)[...]s, almost to a fault, their leavings.
Many of the sites that are the subject of
Buswell’s photographs are rarely visited, sometimes
requiring more than a day of solitary hiking in the
backcountry to reach. But[...]ment he
grew up in, and Buswell’s recollections of his youth
spent rambling in the mountains with hi[...]s native state, and the
settlers and homesteaders of its rugged outback.
Although he cites but a handful of photographers as
guiding influences in his work ([...]The Home Place, is the most significant
portrait of the people and artifacts of the Great Plains,
and seamlessly interweaves text[...]near Norfolk, Nebraska.
Morris was as much a man of Nebraska as Buswell is
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (612)[...]Drumlummon Views—Fall 2008  294

of Montana, both men sharing a life long commitment hints of a warmly remembered but now vanished way of
to recording and “saving” the visual history of their life. Buswell transforms these trivial relics into objects of
beloved home states. Morris once wrote: “Photog[...]eclaims, and at unsuspecting a spectrum of human experience; not simply the pathos
moments collaborates with the creation of what we of decay and dissolution, but the power of dream and the
call history.”4—phrasing which seems to resonate with inexhaustible forces of mutation.
Buswell’s project and philosophical o[...]The photograph is both a record of the visible
traces of the past and an artifact ofof
the early appreciation of the utility of photography
It is the unmistakable fly-in-amber quality of the for recording ruined remnants of the past. But
photograph—with its unique conjunction of place and as a photographic collector of material culture, a
subject at a particular momen[...]process that inevitably produces the construction of
with the study of the past. The photographic frame typologies—in this case a typology of abandoned
yields a concrete, time bound unit of information from structures and objects in[...]ay construct narratives about the people and of his own cultural moment. He is drawn to places
ob[...]th histories; things imbued with the
This quality of memorial also connects photography evidence of time and chance. Just as Eugène Atget
to transience—it is the nature of the photograph to and Walker Evans creat[...]erscores the recognition that something records of their respective times and cultures,
which existe[...]o dissolve into nothingness. Buswell’s still of subjects that is unique of its kind. It is assembled
life photographs of torn posters, wallpapers and popular with discrimination and acutely honed powers of
engravings, such as Trunk Lid, have an antique or[...]lity. Much like Frederick Sommer’s richly of collecting, grouping, and naming.
nuanced still life of a collage of shredded posters and Photography is w[...]vings, I Adore You, 1947, Buswell’s photographs of of typologies. The photographic act removes fragments
these found narratives stand as emblems of memory, of the physical world from the flow of time, isolates

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (613)[...]r comparison and study. In part, it is this sense of mind open to new possibilities: “I don’[...]nts a rare instance where he
value and importance of Richard Buswell’s “traces” pre-visualized the scene. He first encountered the
of Montana’s frontier. Diane Arbus located Walker subject (roughly eighteen miles northwest of Helena)
Evans’s photographic power in: “a pro[...]during the summer, and realized that a dusting of
empathy which permitted him to see things around snow would enhance the geometry and mood of this
him as destined for extinction and to photog[...]ective relics.”5 Evans discovered elements of peeling ceiling, weather-beaten floorboards
rich[...]rough an unglazed window,
materials. In his study of a Stamped Tin Relic, 1929, which he seamle[...]rable
Evans takes delight in the familiar texture of pressed tin picture. Similarly, the striking st[...]nent Mother-Nature photographs. The strength of the
disappearance of places and things. With great pictu[...]e desiccated celebrated not only the forms of the building itself, but
remains of a scrubby patch of linoleum floor, its surface also the fleeting[...]designs imprinted
etched with an arterial system of cracks and fissures. by the sunlight leakin[...]into the
He is keenly attuned to the lived beauty of this object; structure. Buswell has discovere[...]a concise visual poem to beauty. The set of relationships, made half of fact and half of aspect,
object is recorded, but also transformed by the camera. which amplifies the significance of his subject.
In Buswell’s hands each object see[...]*  *  *  *  *  *  *
and deep quality of recognition.
Buswell is modest about the details of his Buswell’s project is as m[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (614)[...]Views—Fall 2008  298

represents thousands of hours and miles spent crossing a remarkable catalogue of structures, places and objects,
and re-crossing the state of Montana—a land mass as the best of Buswell’s photographs are a celebration of
large as the British Isles, but populated by less than a the heart and soul of frontier experience, laced with the
million peopl[...]aversed on ebullience and indomitable spirit of one of the great
unmaintained roads, in week long excurs[...]most and relationships, and ballads singing of beauty,
recent photographs, but rather deftly imp[...]are derelict, weather beaten The impact of Richard Buswell’s dedicated
and openly vulnerable against the forces of nature. visual record of frontier Montana lies in the tension
Occasionally[...]at surprises, as in Half House, between his use of the neutral archaeological record and
which looks like one of Gordon Matta-Clark’s “building carefully[...]to our own lives. While his
and removed sections of floors, ceiling, and walls for subjects are[...]ffect.6 Buswell’s photograph radically alters of his vision has a transformative effect. For Buswell,
our perception of the building and its place within its as it w[...]he subject is not
environment. No truer a picture of the precarious nature merely the occasion but the reason for the picture. His
of existence on remote plains has ever been made. In[...]recent years has led him to
unforgiving elements of high plains existence. Setting investigate a[...]bstract approach in his
up the tripod on the roof of his Jeep (and extending it photographs. Yet he has continued to shape his body of
as high as it would go) Buswell’s composition captures work and define the terms of its meaning with clarity
the unique blend of natural materials and the ingenuity and insight. He knows that it is through common or
of vernacular construction. In addition to being part of abandoned things that some of the most significant

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (615)[...]the panoply of photographic images that now sustains[...]our optical understanding of nature, Richard Buswell’s[...]reminder that the most unique forms of beauty and[...]the Museum of Fine Arts, The University of[...]Montana, 1997), unp. and Silent Frontier: Icons of[...]Museum of Art & Culture, 2002), unp.[...]2. The most influential of all Ansel Adams books[...]fundamentals of light, optics, and darkroom[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (616)[...]on Views—Fall 2008  300

University of New Mexico Press, 1994), 28.
4. Wright Morris[...]er, 1978.
6. For details on the life and work of Matta-Clark,
see Gordon Matta-Clark, “ You Are the Measure”
(New York: Whitney Museum of American Art,
2007).[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (617)[...]And in a sense we are not. The coast ofof sand and clay that the sea
would fly through the[...]We had given breezes have built to a height of 100 meters. The newest
up traveling on the highway, the lack of maintenance sand to arrive on that ridge c[...].
And from the ditch, I could not see the harvest of maize From where the road feels its wa[...]ackled—on non-voluntary one
At the price of some discomfort and a broken way voyages to the slave markets of Arabia.
mineral water bottle, we had made up for the late start. Merca is a jumble of two and three story homes
Ahead I could see, on the underside of the low formless built of coral blocks and mortared with lime baked
clouds, the rose reflection of the sand dunes. Once we from the same coral reefs. Small dunes drift in very
reached the source of that reflection, we would turn left narrow stre[...]ack with black veils. They descend from the
sight of the blue Indian Ocean, edged by the white[...]merchants who traded on these shores for
beaches of East Africa makes me catch my breath. The[...]onal trade
contrast between the formless monotony of the flat of ivory, gold, and slaves; cargo for the dhows that[...]pia’s
breaking on the reef gives the impression of not being villa sits high on the ridg[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (618)[...]seven. The long
to raise a family and the center of a financial empire. table in the main hall wa[...]forks on the left, two knives on the right,
woman of 85 years, dressed in a low cut tangerine and a pyramid of five spoons climbing in the center
mumu. Perhaps[...]p the spaghetti. There was a big spoon for
string of huge pearls.[...]I was introduced, since I was the only one of our a teeny little spoon for the coffee. But wh[...]spoon?
guest and he brought Joe with him a number of times. Olympia apologized for the[...]s. They looked like ineptitude. The maid of forty years had retired, too
brothers: the same h[...]his girl was skinny
style. Just a different shade of skin. and awkward. Her white[...]added to her awkwardness, embarrassment, and
one of the harder languages to learn.[...]d hovered
sat at a little table on the south side of the house; the around for a little while[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (619)[...]in Olympia’s home. He brought her things from
of colonialist activity. Just her, her old cook, and[...]bureaucracy. In the early 1970’s,
from a family of Franco-Italian good cooks. just out of school, he was a bank administrator in
Oly[...]meone to help her circumvent the currency
General of Italian Somaliland. I asked if she often[...]“Paris is not like to master the mysteries of European society. Through
it was.” I wondered i[...]hey developed a grandmother–grandson
impression of Paris in the 20’s. Italian immigrants—my[...]st have been a up on the left side of their plates.” “ They eat with the
magical exciting place for the children of the rich. fingers of the right hand, so they drink with their left.”[...]nd we moved
know.” I almost spit out a mouthful of food stifling to the sitting room for b[...]ation. We
a laugh. Yusif, forty years old, Sultan of his tribe, vice were four people each speaking two of four different
president of the national bank, owner of a large and languages. Conversat[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (620)[...]Everything grew—all inordinate amount of money and energy planting trees
kinds of crops and trees, flowers of all colors festooned to stabilize the dunes. Experts were flying in from the
the edges of the lanes and irrigation canals. Flora capitals of the world. Four-wheel-drive vehicles were
markete[...]important meetings held. All
a two bushel basket of fresh vegetables. Sometimes to stem the desertification of southern Somalia. But the
included in the basket would be a bundle of flowers dunes were no more a problem than[...]“My husband spent nine years as a prisoner of
surprise you.[...]” “Those
our mechanic.” “His land is part of the plantation we were very difficult years[...]ad been built by Italian prisoners
5,000 hectares of bush and jungle along the river of war. Could Olympia’s husband have been in charg[...]red banana cultivation in Somalia. Every of that construction?
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (621)[...]s we told him not to, the guard ship loads of green bananas left for Italy at organized
would t[...]she was not recommending that we stay filth of unorganized villages, just as ignorant and just a[...]never received maintenance because the Minister of
they forced entire villages of recently emancipated Public Works pockete[...]gn experts, with degrees in Social Forestry, were
of a different color, depended on the export of bananas earnestly endeavoring to fix an ecolo[...]roying banana cultivation, as they had ruined all of bothered about that damn fifth spoon!
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (622)[...]rumlummon Views—Fall 2008  314

Long Lines of Dancing Letters
The Japanese Drawings of Patricia Forsberg
Rick Newby

“We struggle to locate ourselves in a
tangle of histories. . . . There are more things
in modernity than are dreamed of by our
economics and sociology.”

—James Clifford, On the Edges of
Anthropology, 2003

“[O][...]papers—resonate with this characterization of classic
Gogh, Arles, June 5, 1888[...]ke Van Gogh, who found his Japan
Browsing a stack of books I own but haven’t read, I in the south of France, and like the French theorist
come upon th[...]Roland Barthes, who saw in Japan a paradigmatic
of Kyoto: “It is not the materials in isolation that form Empire of Signs (“The author has never, in any sense,
a g[...]s, or more has starred him with any number of ‘flashes;’ or better
properly, her mixed-media works—crafted out of still . . . a situation of writing”), Patricia Forsberg
ink and gouache and fragments of splendid Japanese finds in Japanese culture a kind of aesthetic paradise

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (623)[...]and its arts. Think of the Pacific[...]adoption of elements from Chinese[...]and Japanese painting. Or of the[...]artists of such Japanese potters[...]In Montana, of course,[...]both the ceramic traditions of her Chinese heritage and
where, ideally at least,[...]ceramists have embraced aspects of the Yixing teapot
elsewhere, given their p[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (624)[...]Sweet has named
Helena the epicenter in the U.S. ofof Art—of both traditional
Chinese and contemporary
American “Yixing” pots).
All of which is to say that
Patricia Forsberg is not alone in
her explorations of Asian aesthetic
principles, cultural values, and
spiritual traditions. At the same
time, her series of drawings, created
over more than ten years and Patricia Forsberg, Sounds of Weeping, 2006, gouache, ink and collage on paper,
numbering in excess of 300 intimate 4.75 x 6.25 inches. © 2006[...]. Photograph by Chris Autio.
works, stands as one of the most
engaging, masterful, and achingly
lyrical engagements by an artist of the West with a “Japanese” w[...]Van Chinese and Japanese cultures—of the seamless bringing
Gogh’s Japan (“it is a beautiful Japanese dream,” he together of painting and poetry. And Patricia’s drawings/
wrote of the Provencal countryside), Patricia has found collages honor (and borrow from) the blossoming of the
her Japan within the confines of an artist’s studio. firs[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (625)[...]Views—Fall 2008  317

Behind all of Forsberg’s Japanese works hovers
the extraordinary world of Japan’s Heian era (794−1185
ad). At least sin[...]translated Lady
Murasaki’s six-volume The Tale of Genji (published ca.
1015 ad and considered to be[...]Virigina Woolf famously reviewed the first
volume of Waley’s translation of Genji in 1925 and
expressed her envy of a time and circumstance when,
instead of focusing on war and politics, a culture could
dwe[...]y within the aesthetic dimension.
While Europeans of the Dark Ages “burst rudely and
hoarsely into crude spasms of song,” Woolf wrote, “the
Lady Murasaki was lo[...]white flowers with
petals half unfolded like lips of people smiling at their
own thoughts.’” Of course, this era of relative tranquility
and luxurious introspection was temporary, only to be
followed by centuries of civil war and brutal rule by Patricia For[...]atricia Forsberg.
In the grand tradition of American self- Photograph by Chris Au[...]atricia Forsberg has seized upon the
aestheticism of the Heian court as a part of her own
cultural ancestry. Kakuzo Okakura has written in his
Book of Tea that this is not “aestheticism in th[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (626)Long Lines of Dancing Letters  318

acceptance of the term, for it expresses conjointly with mos[...]thics and religion our [the Japanese] whole point of elegantly-turned poems of thirty-one syllables.”
view about man and natur[...]Morris writes in Freed by servants of all domestic duties, the
his classic study, The World of the Shining Prince: Court women of the court, imperial consorts and ladies-in-
Life[...], and in
which its people pursued that cult of beauty many cases, writing poems, tales,[...]ure which has played so Japanese men of the time wrote their works in Chinese
impor[...]ltural history.... (the official language of the time, just as Latin was in
The “rule of taste” applied not only to the the We[...]nese
formal arts but to nearly every aspect of the vernacular. Using the kana phonetic script, they could,
lives of the upper classes in the capital. It in I[...]oyed by Chinese.”
members of the upper class allowed them to Because of their leisure, their access to this
indulge in a minute cultivation of taste. Their strong, vivid language, and their genius, the women of
sophisticated aesthetic code applied even t[...]important works are Lady Murasaki’s diary
of the blossom to which one attached a letter and her masterpiece, The Tale of Genji, Sei Shonagon’s
or the precise nuance of scent that one would witty and richly obs[...]melancholy As I Crossed a Bridge of Dreams, and
the poems of Ono no Komachi and Izumi Shikibu,
Morris ad[...]ut even experienced their emotions. . . . (Many of the titles of Patricia’s drawings are drawn
Even when[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (627)[...]of Heian culture, but it is more[...]drawings partake of the “Japanese[...]genius,” in the words of art historian[...]representation of natural objects as[...]and painters, the making of art,[...]‘spontaneous overflow of powerful[...]paper, 4.75 x 6.25 inches. This quality of restraint, which yet contains
© 2006 Patricia Forsberg. Photograph by Chris Autio. undercurrents of intense emotion, is evident in Patricia’s[...]drawings, where we find ourselves in the midst of
moments ofof a loved one, the change of
must surely have been the most illustrious company of seasons, an ongoing solitude for which there is no
women writers ever to share a set of roofs.” respite (“Call It L[...]e clearly served as Color,” as one of her drawings is titled).
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (628)Long Lines of Dancing Letters  320

Perhaps the closest source for Patricia’s drawings embrace of a familiar room. Some appear to be truly
might be[...]o nap for a lazy moment or a long
a later edition of The Tale of Genji (examples can be afternoon; others cu[...]seen in Edward Seidensticker’s 1976 translation of the some confront the viewer frankly, with t[...]Although a few appear to be Japanese, most of these
within screens behind fences within walls.[...]elightfully quiet consisting inter alia of a heavy outer costume
there.. . . In the winter one sometimes catches and a set of unlined silk robes (twelve was the
the sound of a woman gently stirring the st[...]er. . . . On other occasions blending of patterns and colours might be
one may hea[...]in.
them one can make out the many layers of
a woman’s clothes emerging from under[...]le form was
brilliantly coloured curtains of state. considered anything but beauti[...]Lady Murasaki, at the sight of a pair of maids whose
The sense of enclosure so central to Patricia’s[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (629)[...]ctionate and insightful exploration/appropriation of[...]other cultures. Witness, for example, her works of the[...]obsessed with beauty, that of Renaissance Italy. For[...]Patricia’s Japanese drawings seem models of restraint[...]1985, she spoke of the essential elements with which[...]drawings)—and in 1985, she wrote of the tension in that[...]earlier work between the “pursuit of freedom, choice, and[...]e” and the “inevitable taming and containment of the[...]this modernity of spirit— the absolute nakedness
of the work—is what takes Patricia Forsberg’s
Pa[...]g. even heartfelt tribute. In their exploration of the
Photograph by Chris Autio. interior life of women today, these drawings are, quite[...]simply, marvelous expressions of one artist’s allusive[...]rained feeling, quiet power, and a riveting sense of[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (630)[...]all 2008  328

Patricia Forsberg, Long Lines of Dancing Letters, 1999, gouache, ink and co[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (631)[...]s—Fall 2008  329

Patricia Forsberg, Heart of One Who Feeds the Fire, 2000, gouache, ink[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (632)[...]30

Patricia Forsberg, Listening to the Rustle of Bamboo Leaves, 2000, gouache, ink and coll[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (633)[...]—Fall 2008  335

Patricia Forsberg, Flower of the Evening Faces, 2008, gouache, ink and[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (634)[...]Patricia Forsberg,
Color of the Night,
2008, gouache and[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (635)of Silence, 2006, gouache, ink and collage on[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (636)[...]ages. $24. witnessing these occasions of defeat, for of course, we’re[...]dest, they attempt to an entire web of implications in pithy sentences: “The
reimagine[...]er riff, an
McGuane has long been the poet of the absurd, opportunity to let the lyric potential of the English
able to locate the reader in a perfec[...]style, provides an extended, mesmerizing account of
get off watching people make mistakes” (49). Bu[...]ters voice, articulating the microprocesses of survival against
a modicum of dignity in their defeats. The dominant t[...]ng (not to be given away) discourages
recognition of the human need for self-respect and[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (637)[...]Drumlummon Views—Fall 2008  341

number of these stories insinuate a karmic justice, get something out of these beautiful surroundings” (55).
punishment for acts of indifference or cruelty, though And[...]rizes McGuane’s
retribution seems more the work of writerly wit than take on Montana as a wh[...]popular culture, whether cowboy, crazed
the voice of an aging con converted into a cowboy by k[...]ct, in the title story he comprise a repository of the cheap, cast-off toys of
enters into the first-person perspective of a middle- American manufacture. Montana ca[...]simple escape from the simulated life of mass culture.
with a macho driving trick. We journey also into the McGuane’s sardonic view of this contemporary malaise
creeping madness of a scion to a banking manager, the has take[...]here, as a farmer’s market
hapless romanticism of a retiree who leaves Boston for displays go[...]ns all over the
law), and the rueful restlessness of a lawyer who retreats planet. Lurking latent in[...]eep romanticism
to Montana to heal from his bouts of global injustice. that McGuane will not qui[...]inal
close to the writer, both in his canny sense of his relation outside the categories of selfhood inculcated
own foibles and his deep conn[...]Internet, we might just realize
landscape. In one of the few moments of intellectual joy. But the satirist conque[...]often fools for love,
pay attention to the wonder of a homesteader graveyard, of ourselves and others, and we cannot transcend the
an original fragment of the Old West: “. . . please try to lud[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (638)[...]or some combination of these three. Within Montana
Earl Ganz[...]nz. Ganz wrote the introduction to the
University of New Mexico Press, Albuquerque, 2006. 326 reissue of Brinig’s novel, Wide Open Town (Farcountry
page[...]g town’s heyday, Brinig
writes in the afterword of his novel, The Taos Truth Game. was hardly a p[...]nt Jews, and his father a successful merchant. In
of Brinig’s life—what he calls “a story of what may have fact, his first novel, Singermann, was one ofof ninety-four and in English (and a source of inspiration for Henry
publishing twenty-one novel[...]ly to to leave behind the strictures of his family, religion,
resurrect Brinig from liter[...]ugh and hometown, to write his way out of Butte, as his
once hailed by the London Times as one of the two fictional character explains[...]ig has recently received some
other), all but one of Brinig’s prodigious oeuvre is out attention as a gay writer, here too, even the long shadow
of print. Even though many of Brinig’s books became of Brokeback Mountain isn’t enough to propel him t[...]sexual, but as a mainstream—
ubiquitous “best of ” anthologies that should contain[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (639)[...]exuality, on the other hand, is ultimately
down—of Brinig. Instead, the book is as multifaceted a source of shame. Even his first erotic experience, as
as it[...]Wells, is tainted with incestuous innuendos,
view of catty salon society, part humorous exposé of the and when he brings Wells to meet his mother in Butte,
lives of the rich and talented, and part mournful glance[...]to show his family what he was.”
at the process of dissolving into obscurity, the novel (190) Self-loathing accompanies most of his sexual
makes Brinig and the world he inhabits[...]to be “bisexual,” not
autobiographical story of his Orthodox Jewish family gay. He tells[...]1931 novel in the novel: “It’s part of the writer’s job to experience
about labor unre[...]can’t get going, I have an affair with someone of a
from a failed relationship with a married man a[...]Staying in the closet in the middle third of the
Cady Wells, the wealthy scion of an East Coast twentieth century—even in the relative security of
industrialist. Much of The Taos Truth Game explores artistic c[...]again, off-again relationship with Wells, of sense. As Brinig mused, “No one would publish
a[...]with a homosexual hero living a homosexual
thinks of Wells as a “Martian.” The gap between[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (640)[...]fers and his possessive wife, Una, Gertrude Stein
of roosters as a background. Whatever the cause of and Alice Toklas, Thomas Wolfe, and[...]obliquely suggests that among others. Many of these celebrity sightings are
it contributed to h[...]Luhan herself ) connive to gain possession of the dead
meandering and random path his life take[...]mel, dumped into (and consumed in) a pot of chili. Brinig
California, drifts back to Taos, an[...]lands finagles his way into the center of such situations,
in New York. By not owning up to[...]er rivals for the Lawrence legacy.
shook the hand of Teddy Roosevelt.” The listlessness However, the celebrity parade—and its inside
of the narrative can be tiring to read, but it works to look at the pettiness and cruelty of Luhan’s salon—
convey a writer’s energies dwindling in the face of eventually get in the way of both Brinig and The Taos
avoiding himself and his[...]asks himself something to the effect of, “What am
avoid, however, is celebrity. Soon af[...]os, he becomes an integral part—and a recipient of stupid games?” (111) Moreover, the abrupt gear shifting
patronage—of Mabel Dodge Luhan’s salon. Luhan,[...]leisurely pace. But perhaps this is Ganz’s
copy of Sons and Lovers, surrounded herself with writers[...]l’s very structure how Brinig
and artists, many of whom make cameo appearances runs f[...]Ironically, truth is at the centerpiece of Luhan’s
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (641)[...]roduces the “truth game,” a fancified version of the though, he is able to write the truth (albeit of another),
middle school slumber party horror, in[...]The passages are cutting and, in the case of Florence Gresham, Brinig was nevertheless an
of those about Brinig, true. He is described by anot[...]r. Perhaps Ganz’s
writer as “[having] no form of his own to hold him portrait, which us[...]9) writer—one who was forged in the tumult of Butte,
Brinig ends up playing the highest-[...]et hated his childhood home; one who was gay, but
of the truth game when he writes what is recognized[...]hine-like precision, only to withhold publication of
of Mabel Dodge Luhan. He admits to another wr[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (642)[...]every row, a casserole of icy pellets and grain
Reviewed by Jodi Schmitz[...]bborn grain clinging by a slender fiber.
the days of sprawling ranches and endless miles of Many stalks were broken, bowing i[...]o straddle the
line between just the right amount of description and The word choice is beautif[...]ears by Russell feel the intense sorrow of the situation almost as acutely
Rowland is a prime example of an effective mix of as Blake does himself.
dialogue and de[...]in this novel is the
the portrait Rowland paints of ranch life, with all its amount of space devoted to character development.
triumphs[...]thor fascinating story line is the account of Blake’s brother
of the novel In Open Spaces, is obviously familiar w[...]til years later. Unfortunately, the
even in times of arguably good fortune. For this family, reade[...]ake has for him,
drought and an unexpected series of better-than-usual to understand the motive[...]cted solely as an exceedingly
The passages of description in this novel are selfish and[...]e passage about the damage this version of him simply because there is no other
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (643)[...]the very first page. One of the ways he creates such
There also isn’t enough of a conclusion to wrap up interest is by turning a seemingly commonplace
some of the questions about Jack that Rowland brings[...]ng much more. According to Guy
up over the course of the novel. Allusions are made to Vanderhaeghe, author of The Last Crossing, “Russell
his possible participation in the drowning death of his Rowland’s compelling Montanans show us[...]it ranching family down the road from any one of us.
too happy to be completely realistic. Granted[...]g and powerful. He gives us a peek
the first year of marriage, the difficulties of being a inside the lives of people dealing with pressures well
ranching famil[...]eyond the norm, and makes it feel intensely real.
of the family, one would think that Blake and Rita Even the title is surprisingly indicative ofof the book, the
perfect and all-encompassing. In fa[...]d “watershed” is defined as either “a ridge of high
out that Blake has lied to her about a promi[...]y mildly angry for a very short or a change of course; a turning point.” By the end of
time. Any other woman would have had a lot more t[...]and we’re left wondering what will happen next
of the novel, The Watershed Years is superbly[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (644)[...]008  348

Montana Women Writers: A Geography of literary magazine than some[...]in her introduction, “the experience of Montana.” In
a matter of pages, we move from Mary MacLane’s
Farcountry P[...]ges. $24.95 hardcover; reflections on turn-of-the-century Butte to Frances
$18.95 softcover. Kuffel’s tale of vigilante children to Frieda Fligelman’s[...]contemplation on keeping a harem of men. History,
Reviewed by Hilary Hoffman[...]eviewing an exceptional anthology is much
percent of the selections read and very little knowledge like attempting to describe dim sum to someone
of the editor’s focus gained—but Montana Women[...]. The choices are so varied,
Writers: A Geography of the Heart deserves to be fully unique on their own, but together forming an
read, each of the thirty-nine authors leading the reader enj[...]in a way that is unlike any
to a better knowledge of Montana’s literary legacy other dining[...]blishing future. Caroline Patterson taste of the truly delicious morsels that await you
has brought together a selection of short stories, in Montana Women Writers[...]t that
poems, and essays that represent the story of Montana. will have to do until you actually[...]ana Anthology, this is the only book
organization of the book into three types of places that has been brave enough to take on the varied
(plains, mountains, and towns) came out of her desire writings of Montana authors.
to allow “the different pieces to speak to one another, In A Geography of the Heart, the poets speak of
regardless of time.” This organization bestows an t[...]reader is treated to reflect on the power of wind, the unforgiving earth,
to a collection that feels more like a well-respected the permanence of fire, and the weight of water. M. L.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (645)[...]  349

Smoker writes in “Borrowing Blue” of the wind that There is a hardness in woman like the hardness of
howls across northeastern Montana: “How can I speak falling water
of this wind, / how it has no color, no sense, / no[...]poems by Grace remarkable to come out of a place so far from the
Stone Coates. Coates was a writer of many talents, supposed centers of culture.
whose stories have been included in such[...]can Women Writers resonate with memories of harsh lessons.
Short Stories of the Twentieth Century. The poems Judy[...]f Patterson chose this as a warning: Beware,
Food of God and Starvelings: The Selected Poems of Grace this is not your grandma’s collection of nice farm
Stone Coates. Lee Rostad’s essay “A[...]stories. Blunt’s family survived the blizzard of 1964, but
included in Montana Women Writers) is a[...]plement to Coates’ poems. As for Coates’ view of community kept alive “until children[...]try, Rostad writes, “She maintained the purpose of They come down to me whole, stories of a blizzard
all poetry is to give one a chance to say, in verse, what that took the measure of any man, that became the
would otherwise be said with flowers—or kisses—or a measure of all storms to come.” Mary Clearman Blew’s
rol[...]ranoia” recounts her early years in teaching at
of Women”:[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (646)[...]published The Serial: A Year in the Life of Marin County
Great Falls native Cyra McFad[...]t with her give the reader an amazing sample of some of the best
father, a famous rodeo announcer, and her mother, writing to come out of Montana. B. M. Bower’s “Cold
a former vaudevi[...]r example, land out West, her head full of illusions about to be
McFadden writes, “Childre[...]g that “he seemed to feel
saw from the backseat of that Packard has a bittersweet that his love-m[...], and
quality to it. McFadden describes an aspect of Montana that nothing now remained save the business of living.”
that is essential to the experience of the West: the “Heavenly Creatures” by M[...]into her forthcoming collection of stories. Thon’s main[...]decent living through mending.
hollowed out of the heat, and it should have She learns t[...]ss cartoons her skin and felt all the hands of all the people who had
on it, possibly the[...]once. Earling teaches at the University of Montana,
Missoula, and is a member of the Confederated Salish
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (647)[...]Views—Fall 2008  351

and Kootenai Tribes of the Flathead Reservation. Earling h[...]h won
“Bad Ways” is perhaps the pivotal piece of the entire the 2002 Mountains and Plains[...]he Montana landscape. The story is future of Montana without truly seeing the past?
full of lessons we all still need to learn. In “Bad Way[...]only complaints with the anthology concern
group of Indian men gamble with a white man and lose two drastically different writers and the amount of
in such a monumental way that the smell of that loss space they garnered in the pages of A Geography of
permeates the Flathead Reservation to this day. In the the Heart. Elizabeth B. Custer, the widow of George
midst of the bet, the Indian men wait:[...]Or Life in Dakota with General Custer are of historical
the river and talked among thems[...]ands. overdone that her voice seems out of place alongside
One talked about the gold w[...]short, and although clearly full of arresting language, it
Of course, time does not stop and Earling offers a f[...]few of the writers contained in A Geography of the
A bad smell we should not ignore, like[...]such talent as the poets Ripley
musk smell of a deer that has died without Schemm[...]ook it, snag it like a great language of fiction writers like Mildred Walker,
strugg[...]leaves this review short of properly shining light

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (648)[...]Drumlummon Views—Fall 2008  352

on all of the stars within its pages. You miss the
whole story of Montana without mention of Mary
Ronan’s ruminations on the frontier style of tourism,
or Ellen Baumler’s lively piece regard[...]omen Writers and spending some time with
the work of some talented writers.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (649)of group of ten—Sandra Alcosser, Roger Dunsmore, Tami
Monta[...]constitutes an impressive cross-section of Montana
Many Voices Press (Flathead Valley Community College), poetry, and each of them selected between nine and
Kalispell, MT, 200[...]according to the ten poets, and a photograph of
Reviewed by O. Alan Weltzien each opens “their” section of the book. Ironically, the[...]ollowing it, one finds approximately thirty pages of
by several anthologies—e.g., The New Montana St[...]ledgments, and
edited by Rick Newby, and The Best of Montana’s Short a bibliography of published work by writers in the
Fiction, edited[...]The “Editor’s Notes” chronicle the genesis of the
the publication of Montana Women Writers: A Geography anthology, and Jaeger pays generous tribute to three
of the Heart, which includes over forty writers with[...]Jaeger found himself, more or less, in the role of literary
the Press’s name. One of its chief delights comes in the executor,[...]them voice: “It was their
continuing discovery of strong, less known poetic voices idea. The[...]join their words in a collection
from many walks of life “across the Big Sky.” These poets of voices that reached out across the Big Sky, over[...](6) I particularly
Poems is the brainchild of longtime Flathead admire the poems of Nesbitt and Moen. “This collage
Valley Community College instructor and poet, Lowell of voices” was intended to overcome the loneliness of
Jaeger. Jaeger wisely gathered nine additional po[...]et, and it admirably succeeds in doing
a “Board of Directors,” and invited each of them to so. I am particularly impress[...]ision: “this anthology opens space to the words of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (650)[...]g names already and broad survey of the riches that follow. In just three
acclaimed.[...]pages, she manages to allude to the majority of the
American poets in these pages, including poem[...]the contemporary history of Big Sky literature. Painter
The group of ten includes M. L. Smoker, a young Jennifer[...]ing cover, which reflects her response to several of
of Missoula’s prestigious MFA program. One of my the poems.
favorite Native America[...]cludes his own English translation, line by line, of his are to be commended for this excellent project that
Cheyenne poem, “We Are The Spirits of These Bones.” provides such a panoramic survey of Montana poetry.
The scope of Poems unsurprisingly means As Kings[...]ana poets are included, but in anthologies,
poets of less interest or quality than others. Yet its[...]r not, omissions come as
wide angle, the presence of new voices on so many little surprise.[...]tes for the infrequent dense network of Montana’s community of poets and
disappointment. Margaret Kingsland, a w[...]loneliness cited by Jaeger
humanist and advocate of Montana letters, provides in his openin[...]tion, “All This Wild Beauty,” a gracious of the robust condition of literature in Big Sky country.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (651)[...]with more it yielded an equivalent of Bishop’s dialogue, one
Brad Edwards)[...]other abroad (her exploratory treatments of standard
Basin, MT, 2007. $15. material). Implicit in the title of Williams’ CD—and[...]confirmed in her playing and that of colleagues
Reviewed by Keith Raether[...]Brad Edwards)—is a sense of travel. The dancing is
How, specifically, we come[...]ivening recognitions and associations that a work of comprises nine very different songs, most of them
art triggers, well ahead of any investigation of the linkage, familiar, all exhibit the same pro[...]atest recording that gets at the core ofof Travel,” is mystifying. But no matter. Williams’ Dancing pulls us toward the margins, the
A third of the way through my first cycle through the[...]Preto
music, on Jaco Pastorious’ “Three Views of a Secret” was for Bishop.
with lyric[...]dictable Williams is a founding member of the Montana Artists
event: “To stare at some in[...]past twenty-plus years to the art of interpreting lyrics is
A delightful bolt it was, Williams’ singing and clear evidence of her attraction to the writer’s medium.
its reminder of “Questions,” Bishop’s own prosodic[...]out lyrics in their original form
primitive music ofof “Hermitage”) and has supplied her own lyrics to one of
Jesuit baroque:” ) And not so out of the blue, perhaps. them (“Hermit[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (652)[...]place where Dancing resides—that junction of tradition
Williams’ travel as an improvising ar[...]viser’s art
regard. (Williams studied with both of them.) Her as a lifelong apprenticesh[...]ities, especially where harmony and College of New York. The following year she produced
timbre[...]x. a collection of jazz standards and performed in the New
Th[...], familiarity breeds
abiding interest in the work of two avowed explorers adventure.
in jazz: Henry Threadgill, one of the original members One element that Williams seems to have
of the Association for the Advancement of Creative gleaned from all of her inspirations—Monk to Mingus
Musicians and a leader of the groups Air, Sextett, Very to Murray—a[...]xtet, a group that also included Tappan and of the music on Williams’ new CD is anything but
E[...]cloying. Romantic, yes. Saccharine, hardly. One of the
got a glimpse of some terrain that I suspected existed, pleasures of Dancing—and a rarity in recordings by
but never[...]nor self-referential. Here again, I’m reminded of
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (653)[...]ng strangers in a a yearning quality in much of Metheny’s music, and
play / in this strangest of theatres?” And: “Oh, must we Williams, Ta[...]rs, “Three Views” poses no
in the single span of its nine selections. In “I Love small rhythmic challenge, and Tappan’s negotiation of
You,” we’re given a good window into Williams[...]t
voices are distinctly different, I’m reminded of the sadly that is as deliberate and tender as t[...]s’ treatment heart” in Hart’s lyric.
of the Porter chestnut that Bing Crosby popularized.[...]its title in a
There is in her approach something of Kral’s personal way for William[...]nderstated search, and impeccable taste sense of her exploratory nature and the clearest imprint
in choice of material. Kral’s style was more delicate of her horn-playing on her singing. The quartet’s[...]wer range, but there was a quality reading of Monk’s gem has an exploratory character and
of purposefulness in every word and corresponding[...]ue. For her part, Williams finds a gentle rain of Jobim’s “Waters of March” demonstrates the care
(to purloin a Kral[...]nny Werner’s trios, on the musicality of each phrase. Listening to Dancing
and Tapp[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (654)[...]resuming the troubling and
transporting creation of art. Put another way, there is
always a distance to travel in the pursuit of truth.
At the end of “Questions of Travel,” Bishop is
left with just that: a question. “Is it lack of imagination
that makes us come / to imagined plac[...]etly in one’s room?”
For Williams, the matter of travel seems nearly an
inversion of the question. To “stay at home,” as Bishop
wo[...]for the singer. Home
for Williams is the very act of travel, the very essence
of this thing called jazz.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (655)[...]na Theatre, The never condescending.
University of Montana, July 21,, 2007 in Missoula, MT)[...]. and wrote words of encouragement to aspiring[...]atch,
mixed the glazes, lifted the bags of His hands were on the throttle of a scooter one
bentonite,[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (656)[...]the next. These hands were the hands of an artist,[...]r anything. scars of hard work.[...]ers hands, they
His hands rested on the shoulders of friend were Rudy’s hands.[...]en his fingers and knowing lifelong pursuit of his vision. He made some of his
its essence. finest work in the last decade of his life. But his warmth,[...]outpouring of creative work in his ceramics and drawing,
His ha[...]window, family of wonderful children and grandchildren. He
and embr[...]also maintained deep friendships with multitudes of[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (657)[...]Foundation? Jesus,” I thought, “This is
batch of students to visit his studio, he always found[...]t didn’t seem to
insightful and uplifting words of encouragement to offer, live up to its reputati[...]dignified facade. But it only took a half-hour of visiting
think there are many people who can hand[...]hough Rudy has that this was indeed a place of incredible potential and
passed away, his life an[...]continues to support
focus for me in all my walks of life. He left us with so ceramic artists—young artists just out of art schools and
many wonderful lessons.[...]established ceramists seeking to
No piece of writing about Rudy Autio would be expand th[...]t the same time the dedication and support of many former resident
embodying a different, equal[...]lucky to have her, Arnie, Lars, Lisa and less of a ghost town—it has morphed into a wonderfully[...]ies. incongruous conglomeration of obsolete brick-strewn
factory ruins and state of the art ceramic studios—with
3. Richard Notkin the addition of the new Shaner Resident Artist Studio.
(Presented[...]2007, Rudy was a lifetime supporter of the Bray.
Archie Bray Foundation for the Ceramic[...]by Archie
Foundation for hosting this celebration of Rudy Autio’s Bray to work at the Western Cl[...]ike many not for Archie’s prescient choice of these two young
of the artists who have passed through this c[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (658)[...]plary life, and further inspired us
that very few of us would have ever come to Montana, with[...]ttled here, were it not for these auspicious of letters and e-mails. He recognized the transformative
beginnings of the Bray. Rudy and Pete truly set the power of art and the innate human spirit of creativity,
standard that all of us have tried, in our myriad ways, and he c[...]eagues. As an
Your spirits live on, and touch all of us, through this artist, he knew that in our innermost soul, each of us
place.[...]nest moments, we are deeply critical and
presence of Archie and his family, the last resident artist[...]t efforts to expand his or her parameters,
aspect of the brickworks and the fledgling foundation. I[...]his constant encouragement of all of the artists whom
But what impresses me mo[...]revered icons welcome in his presence.
of the art world. Rudy treated everyone as equals, The Autio home is a haven of warmth and
recognizing that each person had a sto[...]ever-probing inquisitiveness in his end of the last millennium, I drove Louanna Lackey
own art—Rudy recognized that the making of art was over MacDonald Pass to[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (659)[...]ained encouraging and altruistic to the
biography of Rudy. We got there in the late morning, ve[...]nvited to share mind and in my heart.
in a pot of stew that Lela had simmering on the stove.[...]ng stone on a new wall being was a man of gentle spirit, always kind and gracious,
built al[...]ly members, and Hugh, Rudy’s realm of contemporary politics, particularly regarding
lon[...]t seemed that everyone gravitated the course of our nation’s current government, Rudy
to this l[...]and quite outspoken,
and I was beginning to think of the famously crowded and rightfully so. Ru[...]nvited in until the inevitable explosion of letters to the editor. Over the years, he and I h[...]s sharing our social and political
bottomless pot of stew was quite tasty. Thank you, Lela. views,[...]ess than kind—again, rightfully so. At the core of
e-mails to many of his fellow artists and friends. In his all of Rudy’s remarks was a deep compassion for people[...]have and will observe about the life of Rudy Autio.
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (660)[...]ays
be an inspiration and a presence in the lives of all
whom he touched, through his art, his teachin[...]offer my
condolences and love to the many members of Rudy’s
wonderful family, whose kind and gentle spirits reflect
that of this remarkable man. We will all miss Rudy[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (661)[...]generous, and beautiful.
The basic outline of what Liz Claiborne
accomplished as a fashion desi[...]imited funds, women challenging the glass ceiling of
male hierarchy. Liz Claiborne, Inc. was a phenome[...]el truly inspirational? But it was—
to millions of women.
Liz Claiborne became an inspiration[...]r her. When she entered the
celebrity not because of glitz, but because of substance. room the applause was deafening. She later said that
The substance of her designs and the substance of her she realized for the first time what it[...]It was a great feeling, but it was a feeling also of
listen to her. Once, a flight was delayed and she[...]ver, only to discover that That sense of responsibility, and its intrinsic
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (662)[...]008  367

humility, were essential qualities of Liz Claiborne. When French designer Claude[...]elves Billings-based knitting company over use of the word
fully to the work of the Liz Claiborne Art Ortenberg “Montana,[...]erations, and changing children’s understanding of
conservation of the natural world depended on support their[...]r. The they were accepted fully as members of the Montana
Foundation has pursued that vision wo[...]he a woman, and as a human being. They spoke of their
Bolle Center for People and Forests at The[...]admiration and respect, and yes, their love. They
of Montana; they sponsored the Red Lodge Workshop spoke of the joy of knowing her. They spoke of her calm
in 2001, bringing together people from a[...]e collaboration work on the beauty and beauty of spirit, her clear-eyed judgment,
ground. Out of it grew the Red Lodge Clearinghouse, impeccable sense of taste, her rich, beautiful voice, her
a web-based[...]for collaborative groups intuitive sense of fairness, her terrific smile!
committed to resolv[...]It is fully true to say that because of these things,
Unit, a local fire house, fire engines in Canyon Creek, and because of who she was, she was beloved.
land conserv[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (663)[...]that I first remember the subject of my running for the
Regan (1923–2007)[...]by many calls of encouragement from Dorothy Eck[...]d to be there to advise and support me. She
ahead of me to break the cross-country ski trail. It makes[...]more women where the action was. Also, because of my
my path of service was made much easier because[...]arrived. I have heard many stories period of advocacy for those who could not advocate for
of the discrimination and roadblocks that Pat had to[...]d shy away from a United States House of Representatives, Pat was one of
fight, if the cause warranted it.[...]ce that was
and friends had always told the story of how she was made even richer because of the opportunity to share
talked into running for[...]Pat and Tom Bed and
encouraged her with a pitcher of martinis, if I recall the Breakfast. The chance[...]d have been suspicious as she was a highlight ofof wine for doing something she didn’t approve of, and I
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (664)[...]such an event! However, The stories of Pat’s fearlessness are legendary. But let
I do remember the calls and notes of support and me tell you—being the object of her fearlessness wasn’t
encouragement as I stru[...]tee
The path that Pat blazed for the women of Pat was chairing. It was a contentious[...]ddenly,
continue to make the election and service of women in in ringing tones Pat announced a r[...]object of her fearlessness, it was always fun to be in the[...]wonderful gift of caring passionately about ideas and[...]forgetting that it is individual people
And best of all she was a fearless leader. For a whole that are at the root of any cause. She was unstintingly
generation of women in Helena and throughout the gen[...]had been wronged.
state, Pat showed us the power of speaking out: I’ll always remember the appreciation a long-time
Of using our authentic voices to work for causes,[...]t and the lobbyist were polar opposites
Of challenging conventional wisdom to find the on almost every issue but as chair of the Business and
real truth, the real answ[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (665)[...]Power Company was raising. Through sheer force
of personality, she held Commission members and
Mont[...]nt was reached.
For me the ultimate example of Pat’s fearlessness
was shown last Friday night.[...]ent politics, Pat would pause and say with a look
of great peace, “All is well.” One more time, Pa[...]be feared.
One more time, Pat was right—because of Pat, because
of what she did for women and for all the people of
Montana, All that Pat touched is Well. Tha[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (666)[...]umlummon Views—Fall 2008  372

Chris Autio of Missoula, Montana, has been a John C[...]ographer for fifteen years. He has author of The Cowboy Girl: The Life of Caroline Lockhart
also produced and directed six documentary films, (University of Nebraska Press, 2007), a finalist for the
including Glass Blowing, Weavers of Oaxaca, and Potters High Plains Book Award. An independent journalist
of Oaxaca, as well as The Odyssey, on the Archie Bra[...]University of Montana in 1972–74. He moved to[...]co-founded with
Robert Baker, associate professor of English at Rick Newby and Lowell Uda a small literary magazine
The University of Montana, is the author of The called Scratchgravel Hills, which ran from 1978 to 80
Extravagant: Crossings of Modern Poetry and Modern and produced three annual issues. After publishing a
Philosophy (University of Notre Dame Press, 2005). handful of poems, Phil entered into a hiatus of twenty[...]photographs are held in the an album of songs, Lone Western Stranger. In 1996 he
permanent collections of many museums, including returned to writing poetry at the age of forty-eight
the Smithsonian American Art Museum, the and is assembling his first book of poems, Last Drink
Corcoran Gallery of Art, the National Galleries of with Sir Walter Raleigh. Phil has also rec[...]ntitled Wide Open
Art Museum, Rhode Island School of Design, the and is working on a young adult novel, Company of
Berkeley Art Museum, the Montana Museum of Art Demons.
and Culture, and the Northwest Museum of Arts
and Culture. He has published two previous books Teresa Cohea is a vice-president of D. A. Davidson
of photographs, Silent Frontier and Echoes: A Visual[...]a bureau chief in the Department of Revenue. She
was Montana’s first female chief of staff to a governor,[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (667)[...]ard, the state Board the University College of Wales, Aberystwyth, in 1990,
of Investments, and as co-president of the board of and a Bachelor of Arts degree in art history from the
directors of the Holter Museum. Cohea has bachelor’s University of Manchester, England, in 1987.
and master’s degrees in history from The University
of Montana. She was the state’s first recipient of the Ken Egan, Jr., recently accepted the positi[...]executive director of Humanities Montana. For many
years a professor of English at Rocky Mountain
Michele Corriel is a po[...]College, Billings, Montana, Egan is the author of
and working in the Gallatin Valley. Her work is as Hope and Dread in Montana Literature (University of
varied as the life she’s led, from the rock/art venues Nevada Press, 2003).
of New York City to the rural backroads of Montana.
Published regionally and nationally, Mic[...]lived in the West as a teacher,
received a number of awards for her nonfiction as well wrangler, far[...]Sound. She is the author of the acclaimed historical
Julian Cox was appointed[...]novel, A Sudden Country (Random House, 2006).
ofPhotography at the High Museum of Art, Atlanta,
Georgia, in April 2005. Cox came to the High from A longtime resident of Missoula, Montana, Patricia
the J. Paul Getty Mus[...]Forsberg studied at the Corcoran School of Art in
he served as associate curator in the depa[...]Washington, DC, and received her MFA in Painting
of photographs. He is a co-author of the critically at The University of Montana in 1981. She has received
acclaimed publi[...]the past two decades, her work has been
raisonné of her work. He has also worked at the exhi[...]Gallery, Salt Lake City; Botanica
National Museum of Photography, Film & Television Fine Art, B[...]and various other galleries throughout the West.
of Wales, Aberystwyth. He received a Master of Patricia has spent considerable time in Italy
Philosophy degree in the history of photography from studying Italian lang[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (668)[...]y emphasis,
literature, and art at The University of Montana, from the University of Washington in Seattle. For the
followed by a teac[...]has worked for environmental and
serious student of the violin and plays in the Missoula engineeri[...]committee for the Helena Festival of the Book. Her
Jennifer A. Gately, who recently re[...]d The Seattle
Harold and Arlene Schnitzer Curator of Northwest Review.
Art at the Portland ([...]at Idaho’s Sun Valley Brian Kahn is host of the interview program, Home
Center for the Arts.[...]Hands” at the Rudy attorney, President of the California Fish and Game
Autio memorial at Montana Theatre at The University Commission, Director of the Montana Nature
of Montana on Saturday, July 21, 2007, in Missoula.[...]rnalist, and documentary
Glueckert is the curator of the Missoula Art Museum filmmaker. Home Ground was named by the Montana
and one of the many friends of Rudy and Lela Autio Broadcasters Associat[...]am. Brian’s most recent
Scott Hibbard, a native of Helena, is a ranch manager, book, co-written with his Labrador retriever, Tess of
ranch management consultant, and ranch laborer. H[...]ronicle Books, 2007).
Kittredge at The University of Montana.[...]Greg Keeler has published six collections of
A fourth-generation Montanan, Hilary Hoffman was[...]parents Limberlost Press in ’08. Three of his poems have been
founded Bowman’s Corners. S[...]read by Garrison Keillor on three segments of Writers’
state for many years, obtaining[...]
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (669)[...]Missoula, Montana.
Vigilante Players, the latest of which is Neon Dream,
which he co-wrote with Greg[...]Rick Newby is co-editor, with Lee Rostad, of Food of
Waltzing With the Captain: Remembering Richard Gods & Starvelings: The Selected Poems of Grace Stone
Brautigan was published in ’04 by L[...]. Coates (2007) and, with Alexandra Swaney, of Notes for
His next memoir, Trash Fish, is forthcoming from a Novel: The Selected Poems of Frieda Fligelman (2008),
Counterpoint Press this[...]vernor’s Award in the Humanities for his of poems is Sketches Begun in My Studio on a Sunday[...]Noon Hour on the Lower Slopes of the Rocky Mountains
Beth Lo is professor of art at The University of (Editions Koch, 2008). Newby’s recent[...]. She is the two-time Recombinant Poetics of Stephen De Staebler,” (Zolla/
recipient of the UM School of Fine Arts Distinguished Lieberman Gallery, 20[...]work has been exhibited widely The Paintings of Dale Livezey” (Stremmel Gallery,
and has been f[...]2007); and “How Many Worlds? The Ceramic Art of
Ceramics Monthly, and the New York Times.[...]umerous galleries and found in the collections of the Metropolitan Museum
Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (670)[...]Drumlummon Views—Fall 2008  376

of Art, New York; Los Angeles County Museum of Keith Raether works as a writer in adm[...]Museum, London. His large- the University of California at Riverside, where he
scale tile mura[...]ten about jazz since the late 1970s.
Their Moment of Foolishness. Richard and his work Keith r[...]ently taught
Foundation’s Meloy Stevenson Award of Distinction. photojournalism at The University of Montana), are
Richard lives in Helena with his wi[...]about the internment in Idaho of Japanese and[...]rges. His work and was named among the Best of the West by the
has appeared in various literary[...]g The Salt Lake City Tribune. Russ has a Master of Arts in
Bellingham Review, Manoa, Sulfur, and Cut[...]on University and earned
has published four books of poetry, the most recent a MacDowell Fellows[...]The Michael Schechtman is Executive Director of Big
Personal Side of Fragile X Syndrome. Visit his blog at: Sky Institute for the Advancement of Nonprofits
pipergates.blogspot.com[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (671)[...]2008  377

Jodi Schmitz is a recent graduate of Carroll College chronic illness called sa[...]blishing internship like at the intersection of sickness and motherhood.”
for Drumlummon Instit[...]consulting agronomist.

Chris Staley is Professor ofof Meteors in
University and was a special student a[...]est American Short Stories (1995,
Mountain School of Crafts in Maine. He has received 1996),[...]e Anthologies (2003, 2006,
two National Endowment of the Arts grants and two 2008), and The O. Henry Prize Stories (2006). She is
Pennsylvania Council of the Arts grants. His work is in also a recipient of a Whiting Writer’s Award, two
many collections,[...]om the National Endowment for the
Renwick Gallery of the National Museum of Art and Arts, and a Writer’s Residen[...]he board Pushcart Prize XXXII; The Best Stories of the American
of directors at the Archie Bray Foundation in Helena[...]Montana, and he is currently serving on the board of Geography of the Heart, edited by Caroline Patterson;
directors at The Haystack Mountain School of Crafts. Virginia Quarterly; Agni; Conjunc[...]a rare where she teaches at the University of Utah.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (672)[...]8  378

Stephenie Ambrose Tubbs is co-author of The Lewis the Montana Office of the Commissioner of Higher
and Clark Companion: An Encyclopedic Guide to the Education, visiting professor of Native American
Voyage of Discovery. She lectures nationally about her Studies at The University of Montana, and proprietor
experiences and observations on the Lewis and Clark of Northern Plains Folklife Resources. Vrooman
Trail[...]was intimately involved in the development of the
The University of Montana and currently writes local Northern Plains Indian Art Market.
history and serves on the boards of the Lewis and Nicholas served as[...]the Lewis and Smithsonian National Museum of the American
Clark Trail Heritage Foundation, Friends of Montana Indian, the Festival of American Folklife on the
PBS, and the American Pr[...]er book Mall, the Métis National Council of Canada, and
of essays on Lewis and Clark has been published by[...]estival. He’s worked with tribal
the University of Nebraska Press in the fall of 2008. peoples throughout the American and Ca[...]Currently he serves as Executive Director of the
Nicholas CP Vrooman has been working as a[...]continuing his involvement with
State Folklorist of North Dakota, the Dakota issues of American Indian cultural resiliency.
Field Representative for ArtsMidwest (a regional
consortium of state arts agencies), second State Mign[...]tic
for Indian Traditional Arts, Program Director of candidate for Montana’s sole seat in the U.S. House of
Educational Talent Search in Indian Countr[...]

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (673)[...]all 2008  379

O. Alan Weltzien is Professor of English at The
University of Montana Western. He is currently
working on an ar[...]novelist,
Thomas Savage, for Montana The Magazine of Western
History and is seeking to re-publish some of Savage’s
titles, the first of which, The Pass, will be reissued in
early 2009 b[...]man Maclean Reader (editor), which the University
of Chicago Press will publish in November 2008. Alan
still likes to climb mountains in and out of Montana.

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (674)[...]To make a donation Levels Of Giving
in support of[...]Drumlummon Stout-Of-Heart
Drumlummon Views, $250–$999
The Online Journal of Montana Arts & Culture[...]

MD

[...]ation that seeks to foster a deeper understanding of the rich culture(s) of Montana and the broader American West.

Drumlummon views: the online journal of Montana arts & culture, volume 2, number 1 (Fall 2008) (2008). Montana History Portal, accessed 23/03/2025, https://www.mtmemory.org/nodes/view/91843

Drumlummon views: the online journal of Montana arts &amp; culture, volume 2, number 1 (Fall 2008) (2025)

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